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Author : David A. Carson
Publisher : University of Michigan Press
Page : 420 pages
File Size : 43,6 Mb
Release : 2006-06-19
Category : History
ISBN : 0472031902
A narrative history of the birth of rock 'n' roll in Detroit
Author : John Anthony Moretta
Publisher : McFarland
Page : 429 pages
File Size : 41,8 Mb
Release : 2017-01-31
Category : History
ISBN : 9780786499496
Among the most significant subcultures in modern U.S. history, the hippies had a far-reaching impact. Their influence essentially defined the 1960s--hippie antifashion, divergent music, dropout politics and "make love not war" philosophy extended to virtually every corner of the world and remains influential. The political and cultural institutions that the hippies challenged, or abandoned, mainly prevailed. Yet the nonviolent, egalitarian hippie principles led an era of civic protest that brought an end to the Vietnam War. Their enduring impact was the creation of a 1960s frame of reference among millions of baby boomers, whose attitudes and aspirations continue to reflect the hip ethos of their youth.
Author : Grace Elizabeth Hale
Publisher : Oxford University Press
Page : 401 pages
File Size : 45,7 Mb
Release : 2014-04-03
Category : History
ISBN : 9780199314584
At mid-century, Americans increasingly fell in love with characters like Holden Caulfield in Catcher in the Rye and Marlon Brando's Johnny in The Wild One, musicians like Elvis Presley and Bob Dylan, and activists like the members of the Student Nonviolent Coordinating Committee. These emotions enabled some middle-class whites to cut free of their own histories and identify with those who, while lacking economic, political, or social privilege, seemed to possess instead vital cultural resources and a depth of feeling not found in "grey flannel" America. In this wide-ranging and vividly written cultural history, Grace Elizabeth Hale sheds light on why so many white middle-class Americans chose to re-imagine themselves as outsiders in the second half of the twentieth century and explains how this unprecedented shift changed American culture and society. Love for outsiders launched the politics of both the New Left and the New Right. From the mid-sixties through the eighties, it flourished in the hippie counterculture, the back-to-the-land movement, the Jesus People movement, and among fundamentalist and Pentecostal Christians working to position their traditional isolation and separatism as strengths. It changed the very meaning of "authenticity" and "community." Ultimately, the romance of the outsider provided a creative resolution to an intractable mid-century cultural and political conflict-the struggle between the desire for self-determination and autonomy and the desire for a morally meaningful and authentic life.
Author : Patrick Burke
Publisher : University of Chicago Press
Page : 246 pages
File Size : 41,8 Mb
Release : 2021-05-10
Category : History
ISBN : 9780226768359
From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding race. In Tear Down the Walls, Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969. The book sheds new light on a significant but overlooked facet of 1960s rock—white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These artists’ attempts to cast themselves as revolutionary were often naïve, misguided, or arrogant, but they could also reflect genuine interest in African American music and culture and sincere investment in anti-racist politics. White musicians such as those in popular rock groups Jefferson Airplane, the Rolling Stones, and the MC5, fascinated with Black performance and rhetoric, simultaneously perpetuated a long history of racial appropriation and misrepresentation and made thoughtful, self-aware attempts to respectfully present African American music in forms that white leftists found politically relevant. In Tear Down the Walls Patrick Burke neither condemns white rock musicians as inauthentic nor elevates them as revolutionary. The result is a fresh look at 1960s rock that provides new insight into how popular music both reflects and informs our ideas about race and how white musicians and activists can engage meaningfully with Black political movements.
Author : Michael C. Keith
Publisher : Peter Lang
Page : 374 pages
File Size : 48,7 Mb
Release : 2008
Category : Biography & Autobiography
ISBN : 0820486485
"Radio Cultures examines the manifold ways in which radio has influenced the nation's social and cultural environment since its inception nearly a century ago. Written by leading scholars in the field, chapters address a wide range of topics, including how this powerful medium has impacted and affected non-mainstream segments of the population throughout its history and how these repressed and neglected groups have employed radio to counter and overcome discrimination and bias. The use of the audio medium for political, economic, and religious purposes is comprehensively probed and analyzed in this insightful and innovative volume."--Back cover.
Author : Bruce Pollock
Publisher : Routledge
Page : 292 pages
File Size : 43,6 Mb
Release : 2017-03-16
Category : Music
ISBN : 9781317269632
America’s Songs III: Rock! picks up in 1953 where America’s Songs II left off, describing the artistic and cultural impact of the rock ’n’ roll era on America’s songs and songwriters, recording artists and bands, music publishers and record labels, and the all-important consuming audience. The Introduction presents the background story, discussing the 1945-1952 period and focusing on the key songs from the genres of jump blues, rhythm ’n’ blues, country music, bluegrass, and folk that combined to form rock ‘n’ roll. From there, the author selects a handful of songs from each subsequent year, up through 2015, listed chronologically and organized by decade. As with its two preceding companions, America’s Songs III highlights the most important songs of each year with separate entries. More than 300 songs are analyzed in terms of importance—both musically and historically—and weighted by how they defined an era, an artist, a genre, or an underground movement. Written by known rock historian and former ASCAP award winner Bruce Pollock, America’s Songs III: Rock! relays the stories behind America’s musical history.
Author : David V. Moskowitz
Publisher : Bloomsbury Publishing USA
Page : 1194 pages
File Size : 52,6 Mb
Release : 2015-11-10
Category : Social Science
ISBN : 9798216040583
This one-of-a-kind reference investigates the music and the musicians that set the popular trends of the last half century in America. Many rock fans have, at one time or another, ranked their favorite artists in order of talent, charisma, and musical influence on the world as they see it. In this same spirit, author and music historian David V. Moskowitz expands on the concept of "top ten" lists to provide a lineup of the best 100 musical groups from the past 60 years. Since the chosen bands are based on the author's personal taste, this two-volume set provokes discussion of which performers are included and why, offering insights into the surprising influences behind them. From the Everly Brothers, to the Ramones, to Public Enemy, the work covers a wide variety of styles and genres, clearly illustrating the connections between them. Entries focus on the group's history, touring, membership, major releases, selected discography, bibliography, and influence. Contributions from leading scholars in popular music shed light on derivative artists and underscore the overall impact of the performers on the music industry.
Author : Michael J. Kramer
Publisher : Oxford University Press
Page : 352 pages
File Size : 46,8 Mb
Release : 2013-04-05
Category : Music
ISBN : 9780199987351
In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam. Now, in The Republic of Rock, Michael Kramer draws on new archival sources and interviews to explore sixties music and politics through the lens of these two generation-changing places--San Francisco and Vietnam. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, the military's use of rock music to "boost morale" in Vietnam, and the forgotten tale of a South Vietnamese rock band, The Republic of Rock shows how the musical connections between the City of the Summer of Love and war-torn Southeast Asia were crucial to the making of the sixties counterculture. The book also illustrates how and why the legacy of rock music in the sixties continues to matter to the meaning of citizenship in a global society today. Going beyond clichéd narratives about sixties music, Kramer argues that rock became a way for participants in the counterculture to think about what it meant to be an American citizen, a world citizen, a citizen-consumer, or a citizen-soldier. The music became a resource for grappling with the nature of democracy in larger systems of American power both domestically and globally. For anyone interested in the 1960s, popular music, and American culture and counterculture, The Republic of Rock offers new insight into the many ways rock music has shaped our ideas of individual freedom and collective belonging.
Author : Phil Ford
Publisher : Oxford University Press
Page : 321 pages
File Size : 47,9 Mb
Release : 2013-09-12
Category : History
ISBN : 9780199939916
Dig argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples, author Phil Ford shows why and how music became a central facet of hipness and the counterculture.
Author : Anonim
Publisher : PediaPress
Page : 253 pages
File Size : 43,8 Mb
Release : 2024-06-30
Category : Electronic
ISBN : 8210379456XXX
Author : Andrew Flory
Publisher : University of Michigan Press
Page : 345 pages
File Size : 43,9 Mb
Release : 2017-05-30
Category : Music
ISBN : 9780472036868
Investigates how the music of Motown Records functioned as the center of the company's creative and economic impact worldwide
Author : Casey Harison
Publisher : Rowman & Littlefield
Page : 231 pages
File Size : 44,8 Mb
Release : 2014-11-06
Category : Music
ISBN : 9781442240100
In Feedback: The Who and Their Generation, historian Casey Harison offers a cultural and social history of one of the most successful bands of the 1960s British Invasion. In this historically sensitive account of the superband’s impact during its first decade, Harison describes the key role played by The Who in the formation of the “Atlantic Generation” of rock ’n’ roll fans. When the band first burst onto the scene, they quickly established their reputation for amping up the volume, pushing distortion effects (feedback), and destroying instruments on stage at the end of performances. If The Who did nothing else for their generation, they would have easily secured a place in rock ’n’ roll history for high volume, smashed guitars, and kicked over drum sets. Ever since, The Who’s stage antics have achieved iconic status in rock ’n’ roll. But we should not forget how startling this on-stage violence was and what it signified. Audiences had never experienced music so loud, a band so energetic, and stage destruction so redolent of the frustrations they shared. If anything, who’d have thought the three in combination—with excellent songwriting and studio production—would emerge as a formula for success? Feedback: The Who and Their Generation begins with the roots of rock music, setting the stage for The Who when its four band members came together in 1964 to produce their most successful work over the next decade. Throughout, Harison looks at the musical and social cross-Atlantic feedback that characterized The Who’s reception and impact. From distorted guitars to “big sound” drum solos, The Who mirrored youth culture—its anger and its frustrations, from the class conflicts of England and Europe to the Vietnam protest movements of the United States. The Who, like no other British Invasion band, assumed a signal role in the transatlantic cultural traffic. From the American music traditions they borrowed—rock, blues, R&B—they transformed and returned to America the very music that served as their source of anger, echoing audiences’ angst while developing enormous fan bases in Europe and America.
Author : Rob Kirkpatrick
Publisher : Skyhorse Publishing Inc.
Page : 321 pages
File Size : 51,7 Mb
Release : 2011-01-24
Category : History
ISBN : 9781616080556
In 1969, man landed on the moon; the "Miracle Mets" captivated sports fans; students took over college campuses and demonstrators battled police; America witnessed the Woodstock music festival; Hollywood produced Easy Rider; Kurt Vonnegut published Slaughterhouse-Five; punk music was born; and there was murder at Altamont Speedway. Compelling, timely, and a blast to read, 1969 chronicles the year in culture and society, sports, music, film, politics, and technology. This rich, comprehensive history is perfect for those who survived 1969 or for those who simply want to feel as though they did. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Author : Sean Howe
Publisher : Hachette Books
Page : 504 pages
File Size : 53,5 Mb
Release : 2023-08-29
Category : Biography & Autobiography
ISBN : 9780306923937
The life and times of High Times’ enigmatic founder Thomas King Forçade, an underground newspaper editor and marijuana kingpin who—between police raids, smuggling runs, and outrageous stunts—battled both the US government and fellow radicals. Cover illustration by legendary comics artist Bill Sienkiewicz. At the end of the 1960s, the mysterious Tom Forçade suddenly appeared, insinuating himself into the top echelons of countercultural politics and assuming control of the Underground Press Syndicate, a coalition of newspapers across the country. Weathering government surveillance and harassment, he embarked on a landmark court battle to obtain White House press credentials. But his audacious exploits—pieing Congressional panelists, stealing presidential portraits, and picking fights with other activists—led to accusations that he was an agent provocateur. As the era of protest faded and the dark shadows of Watergate spread, Forçade hoped that marijuana could be the path to cultural and economic revolution. Bankrolled by drug-dealing profits, High Times would be the Playboy of pot, dragging a once-taboo subject into the mainstream. The magazine was a travelogue of globe-trotting adventure, a wellspring of news about “the business,” and an overnight success. But High Times soon threatened to become nothing more than the “hip capitalism” Forçade had railed against for so long, and he felt his enemies closing in. Assembled from exclusive interviews, archived correspondences, and declassified documents, Agents of Chaos is a tale of attacks on journalism, disinformation campaigns, governmental secrecy, corporatism, and political factionalism. Its triumphs and tragedies mirror the cultural transformations of 1970s America, wrought by forces that continue to clash in the spaces between activism and power.
Author : Michael S. Begnal
Publisher : Routledge
Page : 282 pages
File Size : 55,8 Mb
Release : 2021-09-30
Category : Music
ISBN : 9781000480160
The Stooges have come to be considered one of the most important rock bands, especially in regard to the formation of punk. By emphasizing their influence on later developments, however, critics tend to overlook the significance of the band in their own context and era. The Music and Noise of the Stooges, 1967-71 addresses such oversights. Utilizing the lenses of cultural criticism and sound studies (drawing on the thinking of Theodor Adorno, Jacques Attali, and Pierre Bourdieu, among others), as well as contemporary and archival texts, this extensively researched study analyzes the trajectory and musical output of the original Stooges. During the late 1960s and early 70s, a moment when the dissonant energy of rock’n’roll was more than ever being subsumed by the record industry, the Stooges were initially commercial failures, with the band’s "noisy" music and singer Iggy Pop’s "bizarre" onstage performances confusing their label, Elektra Records. As Begnal argues, the Stooges embodied a tension between market forces and an innovative, avant-garde artistic vision, as they sought to liberate audiences from passivity and stimulate an immanent joy in the rock’n’roll moment. This book offers a fresh perspective on the Stooges that will appeal both to rock fans and scholars (especially in the fields of cultural studies, the long Sixties, musicology, punk studies, and performance studies).
