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Author : Wes D. Gehring
Publisher : Univ. Press of Mississippi
Page : 214 pages
File Size : 43,5 Mb
Release : 1994
Category : Electronic
ISBN : 1617034037
Author : Stefan Kanfer
Publisher : Vintage
Page : 497 pages
File Size : 41,8 Mb
Release : 2001-05-08
Category : Biography & Autobiography
ISBN : 9780375702075
This definitive biography of one of the world’s greatest comedians unflinchingly yet affectionately uncovers the man behind the cigar. Here is the amazing career of the man the world recognized as Groucho: the improbable disasters of the vaudeville years; the Marx Brothers, an act so funny W.C. Fields refused to follow it; the unprecedented Broadway success of The Cocoanuts and Animal Crackers; the cinematic triumphs of Duck Soup and A Night at the Opera; and the marvelous come-back career as king of the game show hosts with You Bet Your Life. Here, too, is the man himself: a lonely middle child who aspired to be a doctor; a man who sabotaged three marriages; a father alternately indulgent and cruel. Intelligent and thorough, hilarious and sad, Groucho is a spectacular biography of the century’s most influential comedian.
Author : Maurice Charney
Publisher : Fairleigh Dickinson Univ Press
Page : 146 pages
File Size : 53,5 Mb
Release : 2007
Category : Biography & Autobiography
ISBN : 0838641245
The Comic World of the Marx Brothers' Movies: Anything Further Father? is the first book to consider the Marx Brothers in the context of comic theory and practice. It includes a gag analysis of three famous scenes: the stateroom scene in A Night at the Opera, the mirror scene in Duck Soup, and the tootsie-frootsie ice cream scene in A Day the Races.
Author : Simon Louvish
Publisher : Sterling Publishing Company
Page : 158 pages
File Size : 50,8 Mb
Release : 2007
Category : Fiction
ISBN : 1844835154
Meet Groucho Marx by a miracle of time travel. Sit back and enjoy his hilarious showbiz tales and his surreal flights of fantasy. A fictional dialogue based on biographical facts.
Author : Lee Siegel
Publisher : Yale University Press
Page : 176 pages
File Size : 45,7 Mb
Release : 2016-01-28
Category : Biography & Autobiography
ISBN : 9780300216639
Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team, the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television. The author uncovers the roots of the performer’s outrageous intellectual acuity and hilarious insolence toward convention and authority in Groucho’s early upbringing and Marx family dynamics. The first critical biography of Groucho Marx to approach his work analytically, this fascinating study draws unique connections between Groucho’s comedy and his life, concentrating primarily on the brothers’ classic films as a means of understanding and appreciating Julius the man. Unlike previous uncritical and mostly reverential biographies, Siegel’s “bio-commentary” makes a distinctive contribution to the field of Groucho studies by attempting to tell the story of his life in terms of his work, and vice versa.
Author : Wes D. Gehring
Publisher : Scarecrow Press
Page : 308 pages
File Size : 41,9 Mb
Release : 2005
Category : Biography & Autobiography
ISBN : 0810852632
This first full-length biography of a legendary and award-winning Hollywood writer, producer, and director (Duck Soup, My Favorite Wife, An Affair to Remember, Going My Way, and The Bells of St. Mary's) explores the director's life as filtered through his art. Gehring maintains that McCarey's films were often a reworking of his antiheroic self. In addition, the apparent diversity of his films actually represents an interrelated web of various comedy genres and a pattern of antiheroic characters and themes.
Author : Wes D. Gehring
Publisher : McFarland
Page : 217 pages
File Size : 40,9 Mb
Release : 2014-11-21
Category : Performing Arts
ISBN : 9780786483525
The 1930s are routinely considered sound film's greatest comedy era. Though this golden age encompassed various genres of laughter, clown comedy is the most basic type. This work examines the Depression decade's most popular type of comedy--the clown, or personality comedian. Focusing upon the Depression era, the study filters its analysis through twelve memorable pictures. Each merits an individual chapter, in which it is critiqued. The films are deemed microcosmic representatives of the comic world and discussed in this context. While some of the comedians in this text have generated a great deal of previous analysis, funnymen like Joe E. Brown and Eddie Cantor are all but forgotten. Nevertheless, they were comedy legends in their time, and their legacy, as showcased in these movies, merits rediscovery by today's connoisseur of comedy. Even this book's more familiar figures, such as Charlie Chaplin and the Marx Brothers, are often simply relegated to being recognizable pop culture icons whose work has been neglected in recent years. This book attempts to address these oversights and to re-expose the brilliance and ingenuity with which the screen clowns contributed a comic resiliency that was desperately needed during the Depression and can still be greatly appreciated today. The films discussed are City Lights (1931, Chaplin), The Kid From Spain (1932, Cantor), She Done Him Wrong (1933, Mae West), Duck Soup (1933, Marx Brothers), Sons of the Desert (1933, Laurel and Hardy), Judge Priest (1934, Will Rogers), It's a Gift (1934, W.C. Fields), Alibi Ike (1935, Brown), A Night at the Opera (1935, Marx Brothers), Modern Times (1936, Chaplin), Way Out West (1937, Laurel and Hardy), and The Cat and the Canary (1939, Bob Hope).
Author : James Curtis
Publisher : Knopf
Page : 632 pages
File Size : 47,7 Mb
Release : 2003
Category : Biography & Autobiography
ISBN : UOM:39015056206538
Provides a revealing glimpse of the man and artist behind the image of the gin-guzzling misanthrope, discussing Fields' Philadelphia childhood, his career in vaudeville, his turbulent personal life, and his seminal film work.
Author : Barry Keith Grant
Publisher : Wayne State University Press
Page : 260 pages
File Size : 49,6 Mb
Release : 2011
Category : Masculinity in motion pictures
ISBN : 0814334571
Considers representations of masculine identity and sexuality in popular film across the work of several American directors and genres.
Author : Wes D. Gehring
Publisher : Bloomsbury Publishing USA
Page : 281 pages
File Size : 44,6 Mb
Release : 1987-07-28
Category : Performing Arts
ISBN : 9780313031878
This bio-bibliography was designed to present a combined biographical, critical, and bibliographical portrait of the Marx Brothers. It examines their significance in film comedy in particular, and as popular culture figures in general. The book is divided into five sections, beginning with a biography which explores the public and private sides of the Marx Brothers. The second section is concerned with the influences of the Marx Brothers as icons of anti-establishment comedy, as contributors to developments in American comedy, as early examples of saturation comedy, and as a crucial link between silent films and the talkies. Three original articles, two by Groucho and one by Gummo, comprise part three. A bibliographical essay, which assesses key reference materials and research collections, is followed by two bibliographical checklists. Appendices containing a chronological biography with a timeline, a filmography, and a selected discography complete the work.
Author : Wes D. Gehring
Publisher : Bloomsbury Publishing USA
Page : 249 pages
File Size : 43,7 Mb
Release : 1999-09-30
Category : Performing Arts
ISBN : 9780313003530
Parody is the least appreciated of all film comedy genres and receives little serious attention, even among film fans. This study elevates parody to mainstream significance. A historical overview places the genre in context, and a number of basic parody components, which better define the genre and celebrate its value, are examined. Parody is differentiated from satire, and the two parody types, traditional and reaffirmation, are explained. Chapters study the most spoofed genre in American parody history, the Western; pantheon members of American Film Comedy such as The Marx Brothers, W. C. Fields, Mae West, and Laurel and Hardy; pivotal parody artists, Bob Hope and Woody Allen; Mel Brooks, whose name is often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides Again (1939), The Road to Utopia (1945), My Favorite Brunette (1947), The Paleface (1948), Butch Cassidy and the Sundance Kid (1969), Blazing Saddles (1974), Young Frankenstein (1974), Hot Shots! Part Deux (1993) and Scream (1996). This examination of parody will appeal to scholars and students of American film and film comedy, as well as those interested in the specific comedians discussed and the Western genre. Gehring's work will also find a place in American pop culture studies and sociological studies of the period from the 1920s to the 1990s. The book is carefully documented and includes a selected bibliography and filmography.
Author : A. Wertheim
Publisher : Springer
Page : 264 pages
File Size : 48,5 Mb
Release : 2016-11-09
Category : Performing Arts
ISBN : 9781137300676
W. C. Fields was a virtuoso comedian, often called a comic genius, legendary iconoclast, and "Great Man," who brought so much laughter to millions while enduring so much anguish. This book explores his little-known, long stage career from 1898 to 1930, which had a major influence on his comedy and screen presence.
Author : Joseph Mills
Publisher : Cambridge Scholars Publishing
Page : 185 pages
File Size : 42,8 Mb
Release : 2009-03-26
Category : Performing Arts
ISBN : 9781443808354
In 1905 Julius Marx began his vaudeville career with the singing group The Leroy Trio and was abandoned in the middle of the tour. It was an inauspicious start for the person who would become "Groucho." A hundred years later, the Marx Brothers have permeated our culture from the plastic noses and glasses worn at parties to a Smithsonian exhibition which explains DNA recombination using A Night at the Opera. Although they completed relatively few films together, the brothers have become icons, recognizable even to people who have never seen their movies. Most scholarly work on the Marx Brothers has focused on biographical aspects of their careers and lives; A Century of the Marx Brothers suggests a myriad of other useful approaches to their film and stage productions. The collection's eleven essays examine the Marx Brothers' work from a number of critical perspectives ranging from reader-response theory to film semiotics. The contributors include international scholars in a variety of fields, such as literature, cultural studies, performance studies, and film history.
Author : Wes D. Gehring
Publisher : McFarland
Page : 234 pages
File Size : 53,5 Mb
Release : 2014-01-10
Category : Performing Arts
ISBN : 9780786456659
The twelve classic comedy films examined within these pages are distinguished by an equal number of defining comic performances. Ranging from The Great Dictator (1940) to A Southern Yankee (1948), each film focuses on the most central theme of “clown comedy”: Resilience, the encouragement or hope that one can survive the most daunting of life’s dilemmas—even during the war-torn 1940s. And each film can be regarded as a microcosm of the antiheroic world of its central clown (or clowns). Among the performers represented are Charlie Chaplin, W.C. Fields, Abbott and Costello, Jack Benny, Eddie Bracken, Bob Hope, Bing Crosby, Danny Kaye, the Marx Brothers, Harold Lloyd and Red Skelton. This lavishly illustrated work includes an introduction by noted film critic and historian Anthony Slide.
Author : Wes Gehring
Publisher : Indiana Historical Society
Page : 397 pages
File Size : 51,8 Mb
Release : 2008
Category : Biography & Autobiography
ISBN : 9780871952752
For twenty years, Hoosier comic Red Skelton entertained millions of viewers who gathered around their television sets to delight in the antics of his notable characters. Gehring examines the man behind the characters-- someone who never let the facts get in the way of a good story. He delves into Skelton's hardscrabble life with a shockingly dysfunctional family in the southern Indiana community of Vincennes, his days on the road on the vaudeville circuit, the comedian's early success on radio, his up-and-down movie career with Metro-Goldwyn-Mayer, and his sometimes tragic personal life.