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Growing up on Main Street is my memoir beginning with my earliest memories when I was five years old. In addition, in two other sections I tried to capture the emotional and tragic time when my grandfather and aunt died two months apart. The third section is the illustrious story of my maternal grandmother and her siblings who remain on property where they were born and grew up for the rest of their lives
A resident of Danbury all her life and a lifetime with one company. Born at 385 Main Street, Danbury in 1931. The days when Jack-o-lanterns and burning of leaves were popular. Helped her parents sell as many as 500 Christmas Trees outside her parents store and home in the freezing winter snows. Lila would help her father make wreaths from the trimmings of the trees. The income was a great bonus for Christmas gifts. She also worked in her parents' (Mike and Jenny) grocery store adjacent to their home. Attended St. Joseph's School for 8 years and a member of the Church choir. Attended Danbury High School graduating in 1949 with honors. After graduation, Lila wanted to attend Green Mountain College up north but in those days going away from a home as a single girl was not well accepted by the parents. Her teachers from High School prompted her to take the test at the College in Danbury called "Normal College" in those days, but because the school did not offer business subjects it was difficult to pass the test e.g. Shakespeare and Algebra, and she failed. The IQ tests were great to pass but when it came to subjects she did not take, it was impossible. Disappointed as she was and just out of high school in 1949, one of her friends told her about Barden. In October, 1949, she walked into the lobby of The Barden Corporation, manufacturers of Precision Ball Bearings. The company was closed because of inventory. In those days, Barden closed its books October 31, a fiscal year. She was lucky to be greeted by Mr. Tomlinson, Vice President-General Manager, who asked her what she was looking for? She told him that she just graduated from Danbury High School after having taken the Commercial Course in Business (Shorthand and Typing) and was looking for an office position. Mr. Tomlinson answered: "I think I know just the job you would be qualified for" and he called someone, made an appointment for Lila, and within a day, she was hired for the Quality Control Department. This started her lifetime at Barden as the Steno Clerk to the Quality Manager and Chief Inspector. Her first project was to start the files for the Quality Control Department. Lila, while working at Barden, signed up for the Civilian Defense Auxiliary Police Force School which opened for enrollment in Danbury in 1950. Lila joined the school and finished training working out of the War Memorial on South Street and Danbury Police Station (making bullets out of powder and lead casings), nights and weekends. Her main duty was traffic duty on Main and White Streets dressed in full grey and black uniform and after many sessions in target practice on White Turkey Road, she was allowed to carry a 38 loaded pistol. She also worked the traffic signal lights on north Main and White Streets. During the floods of 55 and 56 she worked with Rescue teams doing traffic duty and any rescue missions. In the early 1950's, she won the Connecticut State Championship "nail driving contest" at Cappellaro's Grove competing with 50 other women (driving spikes in 4x4's). She worked for Pinkerton Police at the Danbury Fair in the 70's and 80's for a total of 10 years, on blustery windy days, doing traffic and parking duty for the Fair Grounds entranceway. More than a hobby, Lila worked painting with oils, pencil, charcoal, water colors. Won first prize blue ribbon (judges were professional artists from New York) for an English scene with stagecoach and horses. She painted over 300 paintings in her lifetime. Presently writing a book, similar to Irma Bambeck's, called "Growing up on Main Street". She hopes to get the book published after retirement in the year 2000. She loves to write poetry, famous for her hand-drawn greeting cards she would send to her friends. In her lifetime at Barden from the age of 18 to present (going on 51 years), she worked for the Quality/Engineering Department as secretary, administrative assistant for 29 years, as Office
Growing up on Main Street is my memoir beginning with my earliest memories when I was five years old. In addition, in two other sections I tried to capture the emotional and tragic time when my grandfather and aunt died two months apart. The third section is the illustrious story of my maternal grandmother and her siblings who remain on property where they were born and grew up for the rest of their lives
Twisted Tales Growing Up and Old in the Mountains of Montana by Ralph Ronald Crawford Pdf
"Knocking the gun away, running into the bank, leaving a trail of blood behind, not realizing he had been shot. "Heading into the Bob [Bob Marshall Wilderness] with a packhorse in tow. "With my rope stretched tight across the swollen creek, me on one side, the calf on the other." "Cross hairs at the top of his back, the buckskin butt patch fills my scope." "Prying eyes might find us a la naturale, refreshing ourselves in the cool waters of a high mountain lake." A collection of true-life adventures, tall tales, with a few out and out lies thrown in just for fun. Oh, what a grand adventure it all has been, growing up and old, running the mountains along the continental divide just outside the smoky little village of Lincoln Montana.
In this unusual blend of chronological and personal history, Dorothy Hubbard Schwieder combines scholarly sources with family memories to create a loving and informed history of Presho, South Dakota, and her family's life there from the time of settlement in 1905 to the mid 1950s. Schwieder tells the story of this small town in the West River country, with its harsh and unpredictable physical environment, through the activities of her father, Walter Hubbard, and his family of ten children. Walter Hubbard’s experiences as a business owner and town builder and his attitudes toward work, education, and family both reflected and shaped the lives of Presho's inhabitants and the town itself. While most histories of the Plains focus on farm life, Schwieder writes entirely about small-town society. She uses newspaper accounts, state and county histories, census data, interviews with residents, and the childhood memories of herself and her nine siblings to create an entwined, first-hand social and economic portrait of life on main street from the perspective of its citizens.
Growing Up in Concord, New Hampshire: Boomer Memories from White's Park to the Capitol Theater by Kathleen Bailey Pdf
In the 1950s and 1960s Concord was technically a city, but it more closely resembled a small town. Remote from the larger world, change was slow to arrive - the stunning death of a popular young President, and a war that would tear the country apart and reassemble it as something nobody recognized. But those innocent decades were a seemingly endless summer, and young residents reveled in it. Riding bikes through the National Guard Armory grounds, hitching a snowy slide on the back of a mail truck and walking barefoot to the corner store for a Coke from the big red cooler. Entertainment was always free, from the Nevers Band to amateur fashion shows. Author Kathleen Bailey and photographer Sheila Bailey unveil a portrait of a town during a simpler time.
The Death and Life of Main Street by Miles Orvell Pdf
For more than a century, the term "Main Street" has conjured up nostalgic images of American small-town life. Representations exist all around us, from fiction and film to the architecture of shopping malls and Disneyland. All the while, the nation has become increasingly diverse, exposing tensions within this ideal. In The Death and Life of Main Street, Miles Orvell wrestles with the mythic allure of the small town in all its forms, illustrating how Americans continue to reinscribe these images on real places in order to forge consensus about inclusion and civic identity, especially in times of crisis. Orvell underscores the fact that Main Street was never what it seemed; it has always been much more complex than it appears, as he shows in his discussions of figures like Sinclair Lewis, Willa Cather, Frank Capra, Thornton Wilder, Margaret Bourke-White, and Walker Evans. He argues that translating the overly tidy cultural metaphor into real spaces--as has been done in recent decades, especially in the new urbanist planned communities of Elizabeth Plater-Zyberk and Andres Duany--actually diminishes the communitarian ideals at the center of this nostalgic construct. Orvell investigates the way these tensions play out in a variety of cultural realms and explores the rise of literary and artistic traditions that deliberately challenge the tropes and assumptions of small-town ideology and life.
From Growing Up Country: “I learned early in life that country is not a place on a map. Country is a place in your heart. In your soul. In the very depth of your being.” —Bill Anderson “One of the things I like most about country life is that nothing much has really changed . . . My grandchildren and I are still walking and hunting in the same woods and fishing in the same creeks as I did with my father.” —President Jimmy Carter “Food was at the heart of our home. And, other than those troublesome vegetables, I loved all of it. We fried everything—we’d have even fried water if we could’ve.” —Keith Anderson “I can’t imagine what my life would have been without peaceful days, mountain streams, homegrown and home-cooked food, country church, and all-day singing with dinner on the grounds with family and friends.” —Dolly Parton “Growing up country—there’s nothing like it. It’s growing up with your grandmother and granddaddy around . . . it’s a lot of love when you need it, great cooking in the kitchen, and always being real.” —Eddie Montgomery Blackberry pie on the window ledge. The Grand Ole Opry on the radio. Sunday dinners on the table. Families swinging on the front porch after a hard day’s work. It’s all part of the country way of life. Here, legendary country music singer Charlie Daniels introduces and edits a collection of heartfelt essays from an all-star cast of contributors on what it means to grow up country. United by a love of music, these notables show us that country means more than just the twang of a guitar. They share a belief in hard work, integrity, strength of character, and having the courage not to quit. The stories here tell of rustic upbringings and rich spirits, of parents who believed in tough love and old-fashioned common sense, and of a strong sense of community, pride in your country, and a love of the natural world. You’ll get an intimate glimpse into the lives of: Country music royalty and all-time greats: such as Dolly Parton, Barbara Mandrell, Brenda Lee, Dobie Gray, and Lee Greenwood Southern rock gods: such as Gary Rossington and Donnie Van Zant The newest crop of stars: such as Sara Evans, Toby Keith, and Clint Black Special guests: such as former president Jimmy Carter, and seven-time all around rodeo champion Ty Murray These snapshots show how living country has allowed our favorite singers, songwriters, and stage performers to make a career out of doing what they love while never forgetting that when you’ve grown up country, home isn’t just a place where you live, it’s a state of the heart.
Mindy Thompson Fullilove traverses the central thoroughfares of our cities to uncover the ways they bring together our communities After an 11-year study of Main Streets in 178 cities and 14 countries, Fullilove discovered the power of city centers to “help us name and solve our problems.” In an era of compounding crises including racial injustice, climate change, and COVID-19, the ability to rely on the power of community is more important than ever. However, Fullilove describes how a pattern of disinvestment in inner-city neighborhoods has left Main Streets across the U.S. in disrepair, weakening our cities and leaving us vulnerable to catastrophe. In the face of urban renewal programs built in response to a supposed lack of “personal responsibility,” Fullilove offers “a different story, that of a series of forced displacements that had devastating effects on inner-city communities. Through that lens, we can appreciate the strength of segregated communities that managed to temper the ravages of racism through the Jim Crow era, and build political power and many kinds of wealth. . . . Only a very well-integrated, powerful community—one with deep spiritual principles—could have accomplished such a feat.” This is the power she hopes we will find again. Throughout Main Street, readers glimpse strong, vibrant communities who have conquered a variety of disasters, from the near loss of a beloved local business to the devastation of a hurricane. Using case studies to illustrate her findings, Fullilove turns our eyes to the cracks in city centers, the parts of the city that tend to be avoided or ignored. Providing a framework for those who wish to see their communities revitalized, Fullilove’s Main Street encourages us all to look both inward and outward to find the assets that already exist to create meaningful change.
Seán O'Connor was born in Francis Street, in the Liberties of Dublin, a neighbourhood famous over the centuries for the sturdy independence of its people. Now, in this evocative and affectionate book, he recollects the unique and colourful district of his childhood: the neighbours who lived there, their traditions, talk and lore, the music and poetry of the laneways and markets. Remembrances of the 1940s classroom, of bird-watching in Phoenix Park, of roaming towards adolescence in the streets of his ancestors are mingled with tales of ancient ghosts and the coming of change to the Liberties. O'Connor, father of the novelist Joseph, tells his story with honesty, warmth and style, and the often wry wit of his home-place. This tenderly written testament of one Liberties boy builds into a vivid and heart-warming picture of his own extended family as part of a proud community and its all-but-vanished way of life.
He thinks in time-lines and relates whatever he comes across to its origins in the past. So while readers will discover what happened to the Lord family between 1939 and 1945 - not much really, they had it dead cushy - the narrative is interspersed with interpretation and discussion about how the war changed things. Although Richard inevitably became a history teacher, his lifelong passion for retrospection was triggered, long before he could even read, by three things - the pictures in an old schoolbook, wartime news bulletins read by the BBC’s Alvar Liddell, and what his Dad told him about how it had been in the trenches in 1918. Although the author takes his history seriously he is typically irreverent and usually up for a laugh. There is also a poignant element in a memoir that sometimes takes a confessional turn.
Author : Neil Sutherland Publisher : University of Toronto Press Page : 354 pages File Size : 50,5 Mb Release : 1997-01-01 Category : Social Science ISBN : 0802079830
By laying out the structure of children's lives and their childhood experiences in such settings as the home, the classroom, the church, and on streets and in the playground, the author describes how English-Canadian children grew up in 'modern' Canada.
Growing Up in Bridgeport in the '40s and '50s by Arthur L. Dale Pdf
GROWING UP IN BRIDGEPORT IN THE 40S AND 50S is a collection of essays written by the author and published in The Bridgeport Leader over a two-year period, from 2002 to 2004. Drawn from the author's memory, these essays describe the sights and sounds, adventures, drama, humor and tragedies of the author's youth. With its informal and familiar tone, and its recurring references to local figures and locales, the author draws the reader into this world, making it more than just the memoirs of a single individual; instead the memoirs of a small Midwestern oil town.
An updated version of the author's discovery of the real person behind the mythology Bob Dylan created includes an interview with the author, previously unpublished photographs, and a new preface by the author. Original.
