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Hairstyles of the Damned (Punk Planet Books) by Joe Meno Pdf
The debut novel from Akashic’s new imprint, Punk Planet Books. Also check out the smash hits How the Hula Girl Sings, Tender as Hellfire, and The Boy Detective Fails. “A funny, hard-rocking first-person tale of teenage angst and discovery.” —Booklist “Captures the loose, fun, recklessness of midwestern punk.” —MTV.com Hairstyles of the Damned is an honest, true-life depiction of growing up punk on Chicago’s south side: a study in the demons of racial intolerance, Catholic school conformism, and class repression. It is the story of the riotous exploits of Brian, a high school burnout, and his best friend, Gretchen, a punk rock girl fond of brawling. Based on the actual events surrounding a Chicago high school’s segregated prom, this work of fiction unflinchingly pursues the truth in discovering what it means to be your own person.
You Must Be This Happy to Enter by Elizabeth Crane Pdf
“Crane seems to be carving out a younger, brassier, less dystopic territory to complement the fiction of George Saunders and David Foster Wallace.” —The Quarterly Conversation In her third short story collection, following When the Messenger is Hot and All This Heavenly Glory, Elizabeth Crane presents a quirky cast of characters all searching for, showing off, or seriously questioning what makes them happy. There’s a woman who speaks in all exclamation points, one enamored by her boyfriend’s closet, a zombie reality TV star, a mother whose baby turns into Ethan Hawke, and a woman whose moods are printed on her forehead. Whether breathlessly enthusiastic, serenely calm, or really concentrating right now on their issues, Elizabeth Crane’s characters shine a spotlight on our spirituality-starved, self-improvement-seeking, celebrity-obsessed culture. “In her third collection of inventive short stories, Crane continues to ingeniously satirize our muddled quest for meaning in all the wrong places.” —Booklist “A well-crafted collection of short stories, one whose clarity of tone and theme unites each and every piece into a cohesive whole. At a time when it seems almost antediluvian to be optimistic, Crane’s sincerity stands as a bewitching reminder that there is more to literature than tragedy.” —Bookslut “Zombies, time travelers, reality TV contestants and even a few normalish folks populate the pages of Elizabeth Crane’s quirky, charming new collection.” —PopMatters
In this “charming” and melancholic novel, a former child sleuth “investigates the hard-to-crack case of Lost Innocence” (Entertainment Weekly). A Chicago Tribune, Kirkus Reviews, and Booklist Book of the Year In the twilight of a mysterious childhood full of wonder, Billy Argo, boy detective, is brokenhearted to find that his younger sister and crime-solving partner, Caroline, has committed suicide. Ten years later, Billy, age thirty, returns from an extended stay at St. Vitus’ Hospital for the Mentally Ill to discover the world full of unimaginable strangeness: office buildings vanish without reason, small animals turn up without their heads, and cruel villains ride city buses to complete their evil schemes. Lost within this unwelcoming place, Billy befriends two lonely, extraordinary children—one a science fair genius, the other a charming, silent bully. With a nearly forgotten bravery, he experiences the unendurable boredom of a telemarketing job; encounters a beautiful, desperate pickpocket; and confronts the nearly impossible solution to his sister’s case. Along a path laden with hidden clues and codes, the boy detective may learn the greatest secret of all: the necessity of the unknown. “Haunted by the mystery of his sister’s death and feeling that a lapse in his sleuthing may be to blame, Billy is determined to find out the reason for her suicide and to punish those responsible . . . The story of Billy’s search for truth, love and redemption is surprising and absorbing. Swaddled in melancholy and gentle humor, it builds in power as the clues pile up.” —Publishers Weekly “The author gives Billy a gallery of rogues to combat and even sends him to investigate the Convocation of Evil at a local hotel (‘Featured Panel: To Wear a Mask?’). Meno sets himself a complicated task, marooning his straight-arrow, pulp-fiction protagonist in a world uglier than the Bobbsey Twins ever faced but refusing to go for satire. Instead, the author takes his compulsive investigator at face value.” —Kirkus Reviews, starred review “Comedic, imaginative, empathic . . . investigates the precincts of grief [and] our longing to combat chaos with reason.” —Booklist
A collection of 20 short stories, with illustrations by 20 artists from the fine art, graphic art and comic book worlds - including Charles Burns, Paul Hornschemeier and Caroline Hwang. The hardback edition was a finalist in the Granta's 2009 Story Prize, alongside the works of Jumpa Lahiri and Tobias Wolff. In these stories, oddly modern moments occur in the most familiar of public places.
Strange and darkly magical, this wonderful novel begins where most pulp fiction usually ends, with the vivid episode of the terrible crime itself. Three years later, Luce Lemay, out on parole for the awful tragedy, does his best to find hope: in a new job at the local Gas-N-Go; in his companion and fellow ex-con Junior Breen; and finally in the arms of the lovely but reckless Charlene. 'A wonderful accomplishment. The power is in the writing. Mr. Meno is a superb craftsman.' - Hubert Selby, Jr.
Lessons in Taxidermy: A Compendium of Safety and Danger (Punk Planet Books) by Bee Lavender Pdf
A riveting tale of sickness and survival from the first female author on the Punk Planet Books imprint that brought you the indie hit Hairstyles of the Damned. “[One of] the reigning mother superiors of the crowd [is] Bee Lavender.” —Time Magazine Diagnosed with cancer at age twelve and perilously pregnant at eighteen, surviving surgeries and violent accidents: sometimes you can’t believe Bee Lavender is still alive; sometimes you think nothing could kill her. Lessons in Taxidermy is Lavender’s fierce and expressive search for truth and an elusive sense of safety. This autobiographical tale is stark and resolved, but strangely euphoric, tying together moments and memories into a frantic, delicate, and often transcendently funny account of anguish and confusion, pain and poverty, isolation and illusion. While staying conscious of the particulars of her circumstances, Lavender frames her life in the context of history, traveling, landscape, and freak show culture. Lessons in Taxidermy is apocryphal, troubling, cathartic, and important.
Bluebirds Used to Croon in the Choir by Joe Meno Pdf
Novelist, music journalist, and playwright Meno writes squarely in the American tradition of wringing large effects from small change, revealing the subtlety in the broad stroke and conveying complexity with seeming simplicity.
'Hairstyles' is an honest depiction of growing up punk on Chicago's south side: a study in the demons of racial intolerance, Catholic school conformism and class repression. It is the story of the riotous exploits of Brian, a high school burnout, and his best friend Gretchen, a punk rock girl fond of brawling. Joe Meno won the 2003 Nelson Algren Literary Award and is the author of 'Tender as Hellfire' (St. Martin's, 1999) and 'How the Hula Girl Sings' (HarperCollins, 2001). His online fictional serial, 'The Secret Hand', is published through 'Playboy Magazine'. His short fiction has been published in 'TriQuarterly', 'Bridge', 'Other Voices Washington Square', and has been broadcast on National Public Radio. He lives in Chicago, and he is a columnist for 'Punk Planet' magazine.
From the award-winning author of The Boy Detective Fails: A novel of two brothers growing up on the other side of the tracks. “A trailer park in the Plains town of Tenderloin is the setting of this crusty coming-of-age debut, which features some of the liveliest characters just this side of believable that one is apt to meet in a contemporary novel. The first-person narrator is a moral but susceptible eleven-year-old called Dough, who lusts after his fifth-grade teacher and idolizes his trouble-making older brother, Pill-Bug. The boys, who are new to the town and shamed by the stigma of living in a trailer, were named by a father who wanted them to remain tough and who ended up dying while smuggling cigarettes along a Texas highway. Their mother and her new boyfriend, French, are low-life swingers, allowing the siblings to spend nights with Val, who entertains a slew of men but whom Dough worships as a virginal Madonna. Dough’s own adoring friend is Lottie, a slightly deranged girl who offers Dough a gift of one of her taxidermist father’s specimens; meanwhile, Pill-Bug earns a special affection from Lunna, a high school floozy. Each character is vividly described . . . Meno’s passionate new voice makes him a writer to watch.” —Publishers Weekly
This quirky tale of two young artists in love in 1990s Chicago is “a gorgeous little indie romance . . . A sweetheart of a novel” (Kirkus Reviews). In the last year of the twentieth century, Odile is a lovely twenty-three-year-old art-school dropout, a minor vandal, and a hopeless dreamer. Jack is a twenty-five-year-old shirker who’s most happy capturing the endless noises of the city on his out-of-date tape recorder. Together they decide to start their own art movement, in defiance of a contemporary culture made dull by both the tedious and the obvious. Set just before the end of one world and the beginning of another, this is the story of two people trying to capture a moment in the face of an uncertain future. Named a Best Book of the Year by Daily Candy and chosen as a favorite fiction work of the year in The Believer’s readers’ poll, Office Girl “reads as a parody of art-school types . . . and as a tribute to their devil-may-care spirit” (The New York Times Book Review). “Mr. Meno excels at capturing the way that budding love can make two people feel brave and freshly alive to their surroundings . . . The story of the relationship has a sweet simplicity.” —The Wall Street Journal “Meno’s tender, hip, funny, and imaginative portrayal of two Chicago misfits . . . dramatizes that anguished and awkward passage between legal age and actual adulthood.” —Booklist Features black-and-white illustrations by artist Cody Hudson and photographs by Todd Baxter.
“This ambitious, adventurous writer . . . recalls Anton Chekhov with his amused appreciation of human foibles.”—Wendy Smith, Chicago Tribune The sky is falling for the Caspers, a family of cowards. When the parents decide to separate, this family is forced to appreciate the cloudiness of this modern age.
We Tell Ourselves Stories in Order to Live by Joan Didion Pdf
From the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean, this collection includes seven books in one volume: the full texts of Slouching Towards Bethlehem; The White Album; Salvador; Miami; After Henry; Political Fictions; and Where I Was From. As featured in the Netflix documentary Joan Didion: The Center Will Not Hold. Joan Didion’s incomparable and distinctive essays and journalism are admired for their acute, incisive observations and their spare, elegant style. Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection. Slouching Towards Bethlehem captures the counterculture of the sixties, its mood and lifestyle, as symbolized by California, Joan Baez, Haight-Ashbury. The White Album covers the revolutionary politics and the “contemporary wasteland” of the late sixties and early seventies, in pieces on the Manson family, the Black Panthers, and Hollywood. Salvador is a riveting look at the social and political landscape of civil war. Miami exposes the secret role this largely Latin city played in the Cold War, from the Bay of Pigs through Watergate. In After Henry Didion reports on the Reagans, Patty Hearst, and the Central Park jogger case. The eight essays in Political Fictions–on censorship in the media, Gingrich, Clinton, Starr, and “compassionate conservatism,” among others–show us how we got to the political scene of today. And in Where I Was From Didion shows that California was never the land of the golden dream.
In 2003, Brad Warner blew the top off the Buddhist book world with his irreverent autobiography/manifesto, Hardcore Zen: Punk Rock, Monster Movies, and the Truth about Reality. Now in his second book, Sit Down and Shut Up, Brad tackles one of the great works of Zen literature, the Shobogenzo, by thirteenth-century Zen master Dogen. Illuminating Dogen’s enigmatic teachings in plain language, Brad intertwines musings on sex, meditation, death, God, sin, and happiness with an exploration of the punk rock ethos. In chapters such as “Evil Is Stupid,” “Kill Your Anger,” and “Enlightenment Is for Sissies,” Brad melds the antiauthoritarianism of punk with that of Zen, mixing in a travelogue of his triumphant return to Ohio to play in a reunion concert of Akron punk bands. For those drawn to Buddhist teachings but scared off by their stiff austerity, Brad writes with a sharp smack of truth, in teachings and stories that cut to the heart of reality.
A compilation of the first nine issues of the author's sporadically published and widely acclaimed personal zine, this volume reflects the do-it-yourself attitude of the 1990s punk music scene and includes humorous anecdotes, philosophical musings, and nuanced descriptions of odd locales and curious characters, all of which were taken mostly from outside of the punk milieu. This new release of a cult classic shows the far reaching influence of self-publishing with contemporary popular indie culture and bridges the gap between sub-culture and the world at large.
