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Reimagines the lives of the Brontë siblings—Charlotte, Emily, Anne, and brother Branwell—from their precocious childhoods, to the writing of their great novels, to their early deaths. A form-shattering novel by an author praised as “laugh-out-loud hilarious and thought-provokingly philosophical” (Boston Globe). How did sisters Emily, Charlotte, and Anne write literary landmarks Jane Eyre, Wuthering Heights, and Agnes Grey? What in their lives and circumstances, in the choices they made, and in their close but complex relationships with one another made such greatness possible? In her new novel, Rachel Cantor melds biographical fact with unruly invention to illuminate the siblings’ genius, their bonds of love and duty, periods of furious creativity, and the ongoing tolls of illness, isolation, and loss. As it tells the story of the Brontës, Half-Life of a Stolen Sister itself perpetually transforms and renews its own style and methods, sometimes hewing close to the facts of the Brontë lives as we know them (or think we know them), and at others radically reimagining the siblings, moving them into new time periods and possibilities. Chapter by chapter, the novel brings together diaries, letters, home movies, television and radio interviews, deathbed monologues, and fragments from the sprawling invented worlds of the siblings’ childhood. As it does so, a kaleidoscopic portrait emerges, giving us with startling intensity and invention new ways of seeing—and reading—the sisters who would create some of the supreme works of literature of all time.
A brilliant sliding-doors reimagining of the passionate life of the first woman to win a Nobel Prize – and the life Marie Curie might have led if she had chosen love over science. Poland, 1891. Marie Curie (then Marya Sklodowska) was engaged to a budding mathematician, Kazimierz Zorawski. But when his mother insisted Marya was not good enough, he broke off the engagement. A heartbroken Marya left Poland for Paris to study chemistry and physics at the Sorbonne. Marie would go on to change the course of science forever and become the first woman to win a Nobel Prize. But what if Marie had made a different choice? What if she had stayed in Poland, married Kazimierz, and never attended the Sorbonne or discovered radium? What if Marie had chosen her first love and a life of domesticity, still ravenous for knowledge in Russian Poland where education for women was restricted, instead of studying science in Paris and meeting Pierre Curie? Seamlessly entwining the lives of Marya and Marie, Half Life is a powerful story of love and friendship, motherhood and sisterhood, fame and anonymity – and a woman destined to change the world.
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
THE HIGHLY ANTICIPATED SECOND NOVEL FROM THE WRITER EMILY ST. JOHN MANDEL (STATION ELEVEN) CALLS “SHARP, WITTY, AND IMMENSELY ENTERTAINING” Is a new life possible? Because Shira Greene’s life hasn’t quite turned out as planned. She’s a single mom living with her daughter and her gay friend, Ahmad. Her PhD on Dante’s Vita Nuova hasn’t gotten her a job, and her career as a translator hasn’t exactly taken off either. But then she gets a call from a Nobel Prize-winning Italian poet who insists she’s the only one who can translate his newest book. Stunned, Shira realizes that—just like that— her life can change. She sees a new beginning beckoning: academic glory, demand for her translations, and even love (her good luck has made her feel more open to the entreaties of a neighborhood indie bookstore owner). There’s only one problem: It all hinges on the translation, and as Shira starts working on the exquisitely intricate passages of the poet’s book, she realizes that it may in fact be, well ... impossible to translate. A deft, funny, and big-hearted novel about second chances, Good on Paper is a grand novel of family, friendship, and possibility.
‘The queen of high-tension grip lit delivers a twisted tale that won’t let you go’ Sunday Times Crime Club ‘With great skill, Jensen slowly unveils the well-hidden aspects of all three characters and propels the book to a moving and convincing conclusion’ Daily Mail
NEW YORK TIMES BESTSELLER • From the bestselling author of Before We Were Yours comes a dramatic historical novel of three young women searching for family amid the destruction of the post–Civil War South, and of a modern-day teacher who learns of their story and its vital connection to her students’ lives. “An absorbing historical . . . enthralling.”—Library Journal Bestselling author Lisa Wingate brings to life startling stories from actual “Lost Friends” advertisements that appeared in Southern newspapers after the Civil War, as newly freed slaves desperately searched for loved ones who had been sold away. Louisiana, 1875: In the tumultuous era of Reconstruction, three young women set off as unwilling companions on a perilous quest: Hannie, a freed slave; Lavinia, the pampered heir to a now destitute plantation; and Juneau Jane, Lavinia’s Creole half sister. Each carries private wounds and powerful secrets as they head for Texas, following roads rife with vigilantes and soldiers still fighting a war lost a decade before. For Lavinia and Juneau Jane, the journey is one of stolen inheritance and financial desperation, but for Hannie, torn from her mother and siblings before slavery’s end, the pilgrimage west reignites an agonizing question: Could her long-lost family still be out there? Beyond the swamps lie the limitless frontiers of Texas and, improbably, hope. Louisiana, 1987: For first-year teacher Benedetta Silva, a subsidized job at a poor rural school seems like the ticket to canceling her hefty student debt—until she lands in a tiny, out-of-step Mississippi River town. Augustine, Louisiana, is suspicious of new ideas and new people, and Benny can scarcely comprehend the lives of her poverty-stricken students. But amid the gnarled live oaks and run-down plantation homes lie the century-old history of three young women, a long-ago journey, and a hidden book that could change everything.
How can Shane reconcile his feelings for David with his desire for a better life? Shane is still reeling from the suicide of his kid sister, Destiny. How could he have missed the fact that she was so sad? He tries to share his grief with his girlfriend, Tara, but she’s too concerned with her own needs to offer him much comfort. What he really wants is to be able to turn to the one person on the rez whom he loves—his friend, David. Things go from bad to worse as Shane’s dream of going to university is shattered and his grieving mother withdraws from the world. Worst of all, he and David have to hide their relationship from everyone. Shane feels that his only chance of a better life is moving to Toronto, but David refuses to join him. When yet another tragedy strikes, the two boys have to make difficult choices about their future together. With deep insight into the life of Indigenous people on the reserve, this book masterfully portrays how a community looks to the past for guidance and comfort while fearing a future of poverty and shame. Shane’s rocky road to finding himself takes many twists and turns, but ultimately ends with him on a path that doesn’t always offer easy answers, but one that leaves the reader optimistic about his fate.
‘I did something terrible Grace. I hope you can forgive me…’ Grace hasn't been the same since the death of her best friend Charlie. She is haunted by Charlie's last words, and in a bid for answers, opens an old memory box of Charlie's. It soon becomes clear there was a lot she didn't know about her best friend. When Grace starts a campaign to find Charlie's father, Anna, a girl claiming to be Charlie's sister steps forward. For Grace, finding Anna is like finding a new family, and soon Anna has made herself very comfortable in Grace and boyfriend Dan's home. But something isn't right. Things disappear, Dan's acting strangely and Grace is sure that someone is following her. Is it all in Grace's mind? Or as she gets closer to discovering the truth about both Charlie and Anna, is Grace in terrible danger? There was nothing she could have done to save Charlie... or was there? A compelling, gripping psychological thriller perfect for fans of The Girl on the Train, I Let You Go and The Girl With No Past. What people are saying about The Sister: ‘I was gripped to The Sister from the first page until the very end. I thought I had it all worked out until I was proven sooo wrong.’ Robert Bryndza ‘I could not put this book down. I neglected all the house work and put off cooking dinner until I was finished… I loved every page.’ Renee Reads ‘My eyes were racing down the pages… had me guessing right up to the very end and I had tears in my eyes as I relived Charlie's last moments… exceptional… It's an addictive page-turner that begs time and again for just one more chapter until the whole book has been devoured and thoroughly enjoyed.’ The Book Magnet ‘Wow! What an amazing debut novel! Full of intense twists! Fantastic book to start off summer reading! Highly recommend.’ Loud and Proud Book Junkie, 5 stars ‘I loved this book, it grabbed me right from the beginning.' Beady Jans Books 'I genuinely struggled to put this book down… I can't recommend this book enough, it's made it to my favourites... I can't wait for more books to come from Louise Jensen… A well-deserved five stars from me.' Emporio Epidemic 'I couldn't put my Kindle down until I had answers!!… I wasn't sure which characters to trust and which to not trust… a 5 star book that would make a fantastic summer read!' Steph and Chris’ Book Review 'As the skillfully woven web of lies and deceit starts to untangle the author throws in a massive twist that I certainly didn't see coming… a definite must read for all psychological thriller fans and it's one of those books that deserves to be talked about.' The Haphazardous Hippo 'One of those books that you can't stop thinking about even when you're not reading it!!... the tension never seems to drop for one second!… an absolute treat, albeit a scary one, to read!! Highly recommended!' Books and Me! 'Just as I thought the story was wrapping up BANG! I was hit again with another twist. Brilliant! It is chilling and sinister and yet heart-breaking and tragic, and I felt really emotional on finishing it… I can’t wait to read more by Louise.' Bloomin Brilliant Books 'OMG I love this... one corker of a psychological thriller which ticked all the boxes for me giving it an easy 5 stars.' Chelle’s Book Reviews 'Hooked from the first page till the end... A gripping tale for fans of I Let You Go and The Girl on the Train. A must read.' Berlitz Chile 'I was left gaping… You cannot help but speed read through this novel. You have to know what happens.' Aloha Reviews 'I was hooked on the story from the word go.' Hollie in Wanderlust
"When Elfie's little sister, Rosalind Trelawney, is stolen from outside her school, her parents will do anything to get her back. But Rosalind's safe return comes at great cost.... As Elfie and Joe untangle the threads of the kidnappers' plot, it leads them closer to a devious mastermind who will stop at nothing -- not even murder. It's a race against time to locate the villain before Elfie's family falls apart under the strain."--P. [4] of cover.
The epic third novel in the #1 New York Times bestselling Court of Thorns and Roses series by Sarah J. Maas. Feyre has returned to the Spring Court, determined to gather information on Tamlin's actions and learn what she can about the invading king threatening to bring her land to its knees. But to do so she must play a deadly game of deceit. One slip could bring doom not only for Feyre, but for everything-and everyone-she holds dear. As war bears down upon them all, Feyre endeavors to take her place amongst the High Fae of the land, balancing her struggle to master her powers-both magical and political-and her love for her court and family. Amidst these struggles, Feyre and Rhysand must decide whom to trust amongst the cunning and lethal High Lords, and hunt for allies in unexpected places. In this thrilling third book in the #1 New York Times bestselling series from Sarah J. Maas, the fate of Feyre's world is at stake as armies grapple for power over the one thing that could destroy it.
Sometimes the difference between a love story and a horror story is where the ending comes... While Jude fought for power in the Court of Elfhame against the cruel Prince Cardan, her sister Taryn began to fall in love with the trickster, Locke. Half-apology and half-explanation, it turns out that Taryn has some secrets of her own to reveal. The Lost Sisters is a companion e-novella to the New York Times bestselling novel The Cruel Prince, by master writer Holly Black.
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
The Vanishing Act of Esme Lennox by Maggie O'Farrell Pdf
From the Costa Award winning, bestselling author of THIS MUST BE THE PLACE and I AM, I AM, I AM, comes an intense, breathtakingly accomplished story of a woman's life stolen, and reclaimed. 'Unputdownable' Ali Smith Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done. Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox and the one person who should know more, her grandmother Kitty, seems unable to answer Iris's questions. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?
