Hamish Maccunn 1868 1916 A Musical Life

Author : Jennifer L. Oates
Publisher : Routledge
Page : 333 pages
File Size : 54,7 Mb
Release : 2016-04-22
Category : Music
ISBN : 9781317124054

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Hamish MacCunn (1868-1916): A Musical Life by Jennifer L. Oates Pdf

Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relationships influenced his career. While his fierce loyalty to his friends endeared him to influential people who helped him throughout his career, his refusal of his Royal College of Music degree and his failure to complete early commissions assured him a difficult path. Drawing upon primary resources, Oates traces the development of MacCunn’s music chronologically, juxtaposing his Scottish and more cosmopolitan compositions within a discussion of his life and other professional activities. This picture of MacCunn and his music reveals on the one hand a talented composer who played a role in establishing national identity in British music and, on the other, a man who unwittingly sabotaged his own career.

Author : Jennifer Oates
Publisher : Unknown
Page : 270 pages
File Size : 46,9 Mb
Release : 2013
Category : Composers
ISBN : 1315586096

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Hamish MacCunn (1868-1916) by Jennifer Oates Pdf

Author : Michael Allis,Paul Watt
Publisher : Boydell & Brewer
Page : 382 pages
File Size : 42,5 Mb
Release : 2020
Category : Music
ISBN : 9781783275281

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The Symphonic Poem in Britain, 1850-1950 by Michael Allis,Paul Watt Pdf

The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).

Author : Stuart Scott
Publisher : Stuart Scott
Page : 24 pages
File Size : 44,7 Mb
Release : 2002-01-01
Category : Composers
ISBN : 0953251225

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Hamish MacCunn, 1868-1916 by Stuart Scott Pdf

Author : Sarah Kirby
Publisher : Boydell & Brewer
Page : 264 pages
File Size : 42,8 Mb
Release : 2022
Category : Exhibitions
ISBN : 9781783276738

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Exhibitions, Music and the British Empire by Sarah Kirby Pdf

"International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, trading these through the networks of communication that existed within the British Empire at the time. Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into broader debates about music's role in society"--Page 4 of cover.

Author : Simon McKerrell,Gary West
Publisher : Routledge
Page : 310 pages
File Size : 41,8 Mb
Release : 2018-02-15
Category : Music
ISBN : 9781315467559

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Understanding Scotland Musically by Simon McKerrell,Gary West Pdf

Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.

Author : Alan Riach,Alexander Moffatt,John Purser
Publisher : Luath Press Ltd
Page : 332 pages
File Size : 51,8 Mb
Release : 2017-10-26
Category : Art
ISBN : 9781912387168

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Arts and the Nation by Alan Riach,Alexander Moffatt,John Purser Pdf

A panorama of ideas about nationality and culture, Arts and the Nation arose from the conviction that Scotland can never be really democratic until it gives the arts the priority of place and attention they demand. This book is a fresh take on subjects new and old, with multifaceted ideas of nationality and culture. Those featured include: William Dunbar, Duncan Ban MacIntyre and Elizabeth Melville are read alongside international authors such as Wole Soyinka and Edward Dorn. J.D. Fergusson, Joan Eardley and John Bellany are considered with American Alice Neel and the art of the ancient Celts. Composers like John Blackwood McEwen, Cecil Coles and Helen Hopekirk are introduced, amongst discussions of education, politics, social priorities, the mass media and different genres of writing. What was the real reason Robert Louis Stevenson dedicated his dark masterpiece to his cousin Katharine de Mattos? Why was Katharine's own tale of duality published under a pseudonym? When Fanny Stevenson 'stole' another story idea from Katharine, why did RLS explode with Hydelike rage at the cousin for whom he had once been 'the one that loves you – Jekyll, and not Hyde'? Featuring the full text of Katharine's tale of duality, Fanny's stolen story and another tale revealing Katharine's grief at losing her cousin's love forever, Mrs Jekyll & Cousin Hyde sheds new light on one of the greatest Victorian authors.

Author : Lorraine Byrne Bodley
Publisher : Hollitzer Wissenschaftsverlag
Page : 1000 pages
File Size : 42,8 Mb
Release : 2018-05-28
Category : Music
ISBN : 9783990124031

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Music Preferred by Lorraine Byrne Bodley Pdf

The contributions to this Festschrift, honouring the distinguished Irish musicologist Harry White on his sixtieth birthday, have wide repercussions and span a broad timeframe. But for all its variety, this volume is built around two axes: on the one hand, attention is focussed on the history of music and literature in Ireland and the British Isles, and on the other, topics of the German and Austrian musical past. In both cases it reflects the particular interest of a scholar, whose playful, sometimes unconventional way of approaching his subject is so refreshing and time and again leads to innovative, surprising insights. It also reflects a scholar, who – for all the broadening of his perspectives that has taken place over the years – has always adhered to the strands of his scholarly preoccupations that have become dear to him: the music of the 'Austro-Italian Baroque', and Irish musical culture first and foremost. An international cast of authors announces the sustaining influence of Harry White's wide-ranging research. Professor Dr Thomas Hochradner Chair of the Department of Musicology University of Music and Dramatic Arts Mozarteum Salzburg

Author : Judith Barger
Publisher : Taylor & Francis
Page : 352 pages
File Size : 53,5 Mb
Release : 2016-09-13
Category : Music
ISBN : 9781315534923

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Music in The Girl's Own Paper: An Annotated Catalogue, 1880–1910 by Judith Barger Pdf

Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.

Author : Roger Hansford
Publisher : Routledge
Page : 340 pages
File Size : 41,5 Mb
Release : 2017-03-16
Category : Music
ISBN : 9781317135302

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Figures of the Imagination by Roger Hansford Pdf

This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790–1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford’s intersectional reading revolves around a series of imaginative figures – including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice – the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.

Author : Benedict Taylor
Publisher : Routledge
Page : 232 pages
File Size : 45,6 Mb
Release : 2017-08-09
Category : Music
ISBN : 9781317178262

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Arthur Sullivan by Benedict Taylor Pdf

Arthur Sullivan (1842–1900) was Victorian Britain’s most celebrated and popular composer, whose music to this day reaches a wider audience than that of any of his contemporaries. Yet the comic operas on which Sullivan’s reputation is chiefly based have been consistently belittled or ignored by the British musicological establishment, while his serious works have until recently remained virtually unknown. The time is thus long overdue for scholarly re-engagement with Sullivan. The present book offers a new appraisal of the music of this most notable nineteenth-century British composer, combining close analytical attention to his music with critical consideration of the wider aesthetic and social context to his work. Focusing on key pieces in all the major genres in which Sullivan composed, it includes accounts of his most important serious works – the music to The Tempest, the ‘Irish’ Symphony, The Golden Legend, Ivanhoe – alongside detailed examination of the celebrated comic operas created with W.S. Gilbert to present a balanced portrayal of Sullivan’s musical achievement.

Author : Hamish MacCunn
Publisher : A-R Editions, Inc.
Page : 168 pages
File Size : 55,8 Mb
Release : 2010-01-01
Category : Music
ISBN : 9780895796561

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Three Overtures by Hamish MacCunn Pdf

Hamish MacCunn (1868-1916) had his first big success with his concert overture The Land of the Mountain and the Flood, which premiered on 5 November 1887 at the Crystal Palace through the auspices of Sir George Grove (1820-1900) and under the baton of August Manns (1825-1907). A few months later, Manns introduced MacCunn¿s orchestral ballad, The Ship o¿ the Fiend, and The Dowie Dens o¿ Yarrow premiere followed on 13 October 1888. These three overtures established MacCunn as a composer, were three of his most regularly performed works during his lifetime, and remain his most often recorded and performed works today. All three works were published around the time of their premieres, although fewer than a dozen libraries in the United States and the United Kingdom hold these scores. This edition is the first publication of any of MacCunn¿s scores (not including reprints and arrangements by others) since the mid-twentieth century.

Author : Julia Grella O'Connell
Publisher : Routledge
Page : 285 pages
File Size : 53,5 Mb
Release : 2018-04-19
Category : Music
ISBN : 9781317091530

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Sound, Sin, and Conversion in Victorian England by Julia Grella O'Connell Pdf

The plight of the fallen woman is one of the salient themes of nineteenth-century art and literature; indeed, the ubiquity of the trope galvanized the Victorian conscience and acted as a spur to social reform. In some notable examples, Julia Grella O’Connell argues, the iconography of the Victorian fallen woman was associated with music, reviving an ancient tradition conflating the practice of music with sin and the abandonment of music with holiness. The prominence of music symbolism in the socially-committed, quasi-religious paintings of the Pre-Raphaelites and their circle, and in the Catholic-Wagnerian novels of George Moore, gives evidence of the survival of a pictorial language linking music with sin and conversion, and shows, even more remarkably, that this language translated fairly easily into the cultural lexicon of Victorian Britain. Drawing upon music iconography, art history, patristic theology, and sensory theory, Grella O’Connell investigates female fallenness and its implications against the backdrop of the social and religious turbulence of the mid-nineteenth century.

Author : Hamish MacCunn
Publisher : A-R Editions, Inc.
Page : 297 pages
File Size : 50,9 Mb
Release : 2016-01-01
Category : Song cycles
ISBN : 9780895798404

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Complete Songs for Solo Voice and Piano, Part 2 by Hamish MacCunn Pdf

Britain, long revered for its choral music and partsongs, had largely neglected art songs since the Elizabethan era. The middle of the nineteenth century witnessed efforts to revive the genre, particularly in the works of Sir C. Hubert Parry and Sir Charles Villiers Stanford. The following generation, including the Scottish composer Hamish MacCunn (1868–1916), built on the foundations laid by Parry and Stanford and served as the bridge to the vocal music of Ralph Vaughan Williams, Sir Edward Elgar, Ivor Gurney, John Ireland, and ultimately Benjamin Britten. Though best known for his Scottish-influenced compositions, MacCunn composed over 100 songs that, free from national constraints, are some of the most refined and sophisticated examples of his music. Almost no modern editions of MacCunn’s song exist, though many were published during the composer’s lifetime. The current two-part edition presents the composer’s 102 extant songs. Part 1 contains 53 individual songs; Part 2 presents the songs that were first published as small collections.

Author : Intellect Books
Publisher : Intellect Books
Page : 318 pages
File Size : 44,9 Mb
Release : 2013-01-01
Category : Performing Arts
ISBN : 9781783201587

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Who's Who in Research: Performing Arts by Intellect Books Pdf

Increasingly, academic communities transcend national boundaries. “Collaboration between researchers across space is clearly increasing, as well as being increasingly sought after,” noted the online magazine Inside Higher Ed in a recent article about research in the social sciences and humanities. Even for those scholars who don’t work directly with international colleagues, staying up-to-date and relevant requires keeping up with international currents of thought in one’s field. But when one’s colleagues span the globe, it’s not always easy to keep track of who’s who—or what kind of research they’re conducting. That’s where Intellect’s new series comes in. A set of worldwide guides to leading academics—and their work—across the arts and humanities, Who’s Who in Research features comprehensive profiles of scholars in the areas of cultural studies, film studies, media studies, performing arts, and visual arts. Who's Who in Research: Performing Arts includes concise yet detailed listings include each academic’s name, institution, biography, and current research interests, as well as bibliographic information and a list of articles published in Intellect journals. The volumes in the Who’s Who in Research series will be updated each year, providing the most current information on the foremost thinkers in academia and making them an invaluable resource for scholars, hiring committees, academic libraries, and would-be collaborators across the arts and humanities.