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Hands-on Culture of West Africa by Kate O'Halloran Pdf
Six different world cultures are the focus of Hands-On Culture: Japan, Mexico and Central America, Southeast Asia, West Africa, Ancient Egypt, and Ancient Greece and Rome. These colorful volumes examine each culture's art, science, history, geography, and language and literature. From making sushi to designing a drum to reading hieroglyphics, students use an array of hands-on activities to grow more culturally aware and appreciative if differences among peoples. Topics in this volume include: West African money Folktales and Music Benin: appliqué art of Dahomey Nigeria: humor and politics West African cooking: plaintains and rice See other Hands-on Culture titles
In Drawing on Culture, artist and ethnomusicologist Dave Kobrenski explores traditional cultures from around the world. West Africa is the first in the series and consists of more than 30 artworks done on location while traveling through villages along the Niger River in Guinée. Through detailed field drawings accompanied by his own notes, Kobrenski provides a glimpse into the lives and culture of a people maintaining their ancient traditions, even as the modern world encroaches.
Nurturing Sustainable Prosperity in West Africa by Stephen Armah Pdf
“Through the lens of personal experience, Dr. Armah walks us through the scholarly research on culture, corruption and economics as it applies to the Ghanaian experience. We are left with a partially disappointing picture of a country wealthy in people and resources, but poor in growth but cannot help but imagine that Ghana has turned a corner and that history may well turn out to be kind to the country Dr. Armah clearly loves.” –Kenneth Leonard, Associate Professor, University of Maryland at College Park “Management consultants and corporate leadership experts have often verified Peter Drucker’s observation that ‘culture eats strategy for breakfast.’ This book represents a heartfelt effort to recognize and grapple with the power of culture over economic strategy and development policy. Stephen Armah’s reflections on Ghanaian experiences reveal how a deeper appreciation of culture and mindset can help us understand the persistence of corruption and elements of a path forward.” –Alex Winter-Nelson, Director of ACES Office of International Programs, University of Illinois at Urbana-Champaign “This book is an interesting introduction to the ways in which culture influences economic growth and productivity in Ghana. Using a combination of revealing anecdotes and citations from the literature Dr. Armah explores the ways that culture can positively, and negatively, impact the institutions that are necessary to allow a country to thrive. Aspects of culture that are a hindrance cannot be changed immediately, but can, over time, adapt to improve the country.” –Erik Cheever, Professor, Department of Engineering, Swarthmore College "An easy and thought provoking read! It contains a bold message that I expect will facilitate an important conversation not only in Ghana but across Africa.” –Saweda Liverpool-Tasie, Associate Professor of Agricultural, Food, and Resource Economics, Michigan State University “Armah’s thesis is that corruption, economic inefficiency, and weak formal institutions are culturally rooted in Ghana, and that the real work of development involves changing the worldviews that give life events their meaning and determine how people respond to formal policies and institutions. This is a controversial argument that will provoke lively debate. Armah's book puts the literature on economic development and culture into dialogue with stories of life in post-independence Ghana.” –Stephen A. O'Connell, Gil and Frank Mustin Professor of Economics, Swarthmore College Using Ghana as a case study, this book argues that local culture and tradition play a role in shaping economic institutions that operate in a country. This book focuses on how certain cultural practices lead to an environment more susceptible to cronyism and corruption. The book then discusses the relationship between culture and rampant corruption, and how these in sum have harmed Ghana’s economic development. “I have no doubt that culture, in terms of attitudes, values, norms and behavior, is the single most important explanatory factor in Ghana's underdevelopment. It explains the widespread corruption, poor work ethic and indiscipline. These are the issues Stephen Armah courageously takes on in this book as needing to be addressed in Ghana's development.” -Stephen Adei, Professor Emeritus, Ashesi University “Stephen Armah’s Nurturing Sustainable Prosperity in West Africa explores and interprets the economics, transnational organizations, socio-cultural politics as contexts and processes for understanding corruption in Ghana, in particular and Africa as a whole. Focusing on the continuous transactions among Ghanaians with reference to their social and personal obligations against the backdrop of the pervasive corruption exemplified in his case studies, Armah clearly explains the process of constructing socio-political mores and policies to remedy or root out chronic corruption. Armah examines the institutionalized and non-formal customary practices that engender nepotism, absenteeism, lawlessness and general malaise that hamper development. The book provides an important analysis and solutions to corruption. It will be of interest to not only to scholars of economics but also, to the general reader, policymakers and servant- leaders in contemporary Africa.” -Pashington Obeng, Dean of the Faculty of Arts and Science, Ashesi University
The Development Dimension Cotton in West Africa The Economic and Social Stakes by OECD,Sahel and West Africa Club Pdf
At a time when trade negotiations on cotton have been suspended, the publication contends that with 16 million people in West African being dependent on cotton production, the dialogue between developed and developing countries must continue and sets out a framework for discussions.
In the Hand of the Holy Spirit by Mary Shaw Graham Padgelek,John B. Murry Pdf
"How an illiterate farm worker in rural Georgia rose to become an artist of international acclaim is the story of Mary Padgelek's In the Hand of the Holy Spirit: The Visionary Art of J.B. Murray. Padgelek tells Murray's fascinating story and analyzes his art and spiritual message. Throughout history the visionary artist has sought to offer a glimpse of the eternal in the midst of a temporal world. This book unveils the symbols, impetus, and meaning of Murray's art. Padgelek shows how this fascinating folk artist expressed his perceptions of eternity and offered a redemptive metaphor for spiritual healing, regeneration, and ultimate salvation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Many African nations are now described as 'fourth world nations', ones which essentially have no future. How could this have happened? Through the scope of the 1960's, the first decade of African independence, Peter Schwab presents a compelling and provocative answer to this question. Designing West Africa tells the story of a pivotal decade in African history, when the fate of the continent was decided. Focusing on the six most visible leaders of the period - painting detailed portraits of them both as leaders and as people - Schwab looks at how Africa served as a ground to play out larger international conflicts, namely the Cold War. He does not fall back on blaming non-African involvement for the failure to build a visible leadership for the continent; rather he critiques the African leaders themselves for their individual failings.
The Routledge Companion to Decolonizing Art History by Tatiana Flores,Florencia San Martín,Charlene Villaseñor Black Pdf
This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies.
The Recovery of the West African Past by Paul Jenkins Pdf
Betr. den für die Basler Mission tätigen Euro-Afrikaner Carl Christian Reindorf und die Geschichte der Basler Mission an der Goldküste im 19. Jahrhundert.
