Harmony Counterpoint Improvisation Book 1

Author : Benjamin Dale,Gordon Jacob,Hugo Anson
Publisher : Novello & Co Ltd.
Page : 5 pages
File Size : 44,6 Mb
Release : 2011-01-01
Category : Music
ISBN : 9781783235100

Get Book

Harmony, Counterpoint & Improvisation: Book 1 by Benjamin Dale,Gordon Jacob,Hugo Anson Pdf

This is the first volume of Harmony, Counterpoint & Improvisation, a textbook which offers each of these three facets as one organic course of study. The harmony section covers the whole technique of common chords and their inversions. Counterpoint is initially discussed as a vocal art and the early exercises explore the art of Palestrina and the English Tudor composers. In the improvisation section many keyboard techniques are introduced, such as transposition, chord progression and simple harmonisation.

Author : Benjamin Dale,Gordon Jacob,Hugo Anson
Publisher : Unknown
Page : 154 pages
File Size : 51,8 Mb
Release : 1940
Category : Counterpoint
ISBN : OCLC:1113544966

Get Book

Harmony, Counterpoint & Improvisation by Benjamin Dale,Gordon Jacob,Hugo Anson Pdf

Author : B. J. Dale,Gordon Jacob,H. V. Anson
Publisher : Unknown
Page : 0 pages
File Size : 42,8 Mb
Release : 1950
Category : Electronic
ISBN : OCLC:663096667

Get Book

Harmony, Counterpoint & Improvisation by B. J. Dale,Gordon Jacob,H. V. Anson Pdf

Author : Benjamin James Dale
Publisher : Unknown
Page : 128 pages
File Size : 53,9 Mb
Release : 1957
Category : Electronic
ISBN : OCLC:651918805

Get Book

Harmony Counterpoint Improvisation by Benjamin James Dale Pdf

Author : Benjamin Dale,Gordon Jacob,Hugo Anson
Publisher : Novello & Co Ltd.
Page : 8 pages
File Size : 54,5 Mb
Release : 2011-01-01
Category : Music
ISBN : 9781783235117

Get Book

Harmony, Counterpoint & Improvisation Book 2 by Benjamin Dale,Gordon Jacob,Hugo Anson Pdf

This is the second volume of Harmony, Counterpoint & Improvisation, a textbook which offers each of these three facets as one organic course of study. The harmony section covers the whole technique of common chords and their inversions. Counterpoint is initially discussed as a vocal art and the early exercises explore the art of Palestrina and the English Tudor composers. In the improvisation section many keyboard techniques are introduced, such as transposition, chord progression and simple harmonisation.

Author : Benjamin Dale,Gordon Jacob,Hugo Anson
Publisher : Unknown
Page : 0 pages
File Size : 40,5 Mb
Release : 2024-06-30
Category : Counterpoint
ISBN : OCLC:317756370

Get Book

Harmony, Counterpoint and Improvisation by Benjamin Dale,Gordon Jacob,Hugo Anson Pdf

Author : Benjamin Dale,Gordon Jacob,Hugo Anson
Publisher : Unknown
Page : 106 pages
File Size : 42,5 Mb
Release : 1978
Category : Electronic
ISBN : OCLC:521072982

Get Book

Harmony, Counterpoint & Improvisation by Benjamin Dale,Gordon Jacob,Hugo Anson Pdf

Author : B. J. Dale,Novello & Company, Limited,Gordon Jacob,H. V. Anson
Publisher : Unknown
Page : 154 pages
File Size : 50,5 Mb
Release : 2000-01-01
Category : Counterpoint
ISBN : 0853602689

Get Book

Dale Harmony, Counterpoint and Improvisation by B. J. Dale,Novello & Company, Limited,Gordon Jacob,H. V. Anson Pdf

Author : Job IJzerman
Publisher : Oxford University Press, USA
Page : 417 pages
File Size : 54,7 Mb
Release : 2018
Category : Music
ISBN : 9780190695002

Get Book

Harmony, Counterpoint, Partimento by Job IJzerman Pdf

A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: · the hardcopy text, providing essential stylistic and technical information and repertoire discussion; · an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; · an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.

Author : Job IJzerman
Publisher : Oxford University Press, USA
Page : 417 pages
File Size : 50,9 Mb
Release : 2018
Category : Music
ISBN : 9780190695002

Get Book

Harmony, Counterpoint, Partimento by Job IJzerman Pdf

A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: · the hardcopy text, providing essential stylistic and technical information and repertoire discussion; · an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; · an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.

Author : Serge Pierro
Publisher : Unknown
Page : 118 pages
File Size : 49,7 Mb
Release : 2020-10
Category : Electronic
ISBN : 0578751135

Get Book

Contrapuntal Improvisation by Serge Pierro Pdf

The first book to teach the necessary mechanisms in an organized format that will be used for improvising two lines at once on the guitar (bass lines and melody lines). The material covered in the method includes: All of the diatonic seventh arpeggios in both ascending and descending forms, organized by the root in the bass, third in the bass and the fifth in the bass. Scale fragments with both static and moving bass lines. Basic rhythms with moving lines and syncopation. Each of these sections is further broken down into individual chapters focusing on a specific aspect of the topic. The material is geared towards both the intermediate and advanced guitarist. Topics such as fingerings, finger stretches and finger independence are also discussed. Having taught professionally for 35+ years, the author has the experience and curriculum to help takes students to the next level. The book is suitable for guitarists interested in players such as Ted Greene, Chet Atkins, Howard Morgen, George Van Eps, Jimmy Wyble and Charlie Christian. Classical guitarists looking to build a foundation on learning how to improvise multiple lines, will find the material suitable for their technique. Although improvisation is the focus of the book, the material can also be used for composition and song writing.

Author : Anonim
Publisher : Hal Leonard Corporation
Page : 130 pages
File Size : 54,9 Mb
Release : 1996-05-01
Category : Music
ISBN : 9781476863122

Get Book

Connecting Chords with Linear Harmony by Anonim Pdf

(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.

Author : Monika Andrianopoulou
Publisher : Routledge
Page : 232 pages
File Size : 43,7 Mb
Release : 2019-10-16
Category : Music
ISBN : 9781000693218

Get Book

Aural Education by Monika Andrianopoulou Pdf

Aural Education: Reconceptualising Ear Training in Higher Music Learning explores the practice of musical ‘aural training’ from historical, pedagogical, psychological, musicological, and cultural perspectives, and uses these to draw implications for its pedagogy, particularly within the context of higher music education. The multi-perspective approach adopted by the author affords a broader and deeper understanding of this branch of music education, and of how humans relate to music more generally. The book extracts and examines one by one different parameters that appear central to ‘aural training’, proceeding in a gradual and well-organised way, while at the same time constantly highlighting the multiple interconnections and organic unity of the many different operations that take place when we interact with music through any music-related activity. The resulting complex profile of the nature of our relationship with music, combined with an exploration of non-Western cultural perspectives, offer fresh insights on issues relating to musical ‘aural training’. Emerging implications are proposed in the form of broad pedagogical principles, applicable in a variety of different music educational settings. Andrianopoulou propounds a holistic alternative to ‘aural training’, which acknowledges the richness of our relationship to music and is rooted in absorbed aural experience. The book is a key contribution to the existing literature on aural education, designed with researchers and educators in mind.

Author : Sol Berkowitz
Publisher : Prentice Hall
Page : 248 pages
File Size : 43,8 Mb
Release : 1975
Category : Music
ISBN : UOM:39015056397709

Get Book

Improvisation Through Keyboard Harmony by Sol Berkowitz Pdf

Author : Johann Fux
Publisher : National Geographic Books
Page : 0 pages
File Size : 48,5 Mb
Release : 1981-01-06
Category : Music
ISBN : 9780393002775

Get Book

Study of Counterpoint by Johann Fux Pdf

The essence of the most celebrated book on counterpoint, Fux's Gradus ad Parnassum. The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, "Perhaps the craft of composition would really have fallen into decline if Fux's Gradus had not set up a standard." Originally written in Latin, Steps to Parnassus was translated into the principal European languages, but the only English version was a free paraphrase published in 1886. The present translation by Alfred Mann is therefore the first faithful rendering in English from the original Latin and presents the essence of Fux's teachings. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library.