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Operation Pedro Pan and the Exodus of Cuba's Children by Deborah Shnookal Pdf
This in-depth examination of one of the most controversial episodes in U.S.-Cuba relations sheds new light on the program that airlifted 14,000 unaccompanied children to the United States in the wake of the Cuban Revolution. Operation Pedro Pan is often remembered within the U.S. as an urgent “rescue” mission, but Deborah Shnookal points out that a multitude of complex factors drove the exodus, including Cold War propaganda and the Catholic Church’s opposition to the island’s new government. Shnookal illustrates how and why Cold War scare tactics were so effective in setting the airlift in motion, focusing on their context: the rapid and profound social changes unleashed by the 1959 Revolution, including the mobilization of 100,000 Cuban teenagers in the 1961 national literacy campaign. Other reforms made by the revolutionary government affected women, education, religious schools, and relations within the family and between the races. Shnookal exposes how, in its effort to undermine support for the revolution, the U.S. government manipulated the aspirations and insecurities of more affluent Cubans. She traces the parallel stories of the young “Pedro Pans” separated from their families—in some cases indefinitely—in what is often regarded in Cuba as a mass “kidnapping” and the children who stayed and joined the literacy brigades. These divergent journeys reveal many underlying issues in the historically fraught relationship between the U.S. and Cuba and much about the profound social revolution that took place on the island after 1959. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Performance in the Borderlands by R. Rivera-Servera,H. Young Pdf
A border is a force of containment that inspires dreams of being overcome and crossed; motivates bodies to climb over; and threatens physical harm. This book critically examines a range of cultural performances produced in relation to the tensions and movements of/about the borders dividing North America, including the Caribbean.
Embodied Economies compares works of Latinx Caribbean fiction and theater that explore the pitfalls and successes of economic upward mobility in diasporic communities. Each chapter compares two works in a counterpoint analysis that reveals the contradictions of using Latinx Caribbean culture to get ahead in the competitive fields of education, business, entertainment, and finance.
A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other-but with certain differences. The neighbour's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates with fathers in the Batista government were attended by chauffeurs and bodyguards. At a home crammed with artifacts and paintings, portraits of Jesus spoke to him in dreams and nightmares. Then, in January 1959, the world changes: Batista is suddenly gone, a cigar-smoking guerrilla has taken his place, and Christmas is cancelled. The echo of firing squads is everywhere. And, one by one, the author's schoolmates begin to disappear-spirited away to the United States. Carlos will end up there himself, without his parents, never to see his father again. Narrated with the urgency of a confession, WAITING FOR SNOW IN HAVANA is both an ode to a paradise lost and an exorcism. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died-and then are somehow, miraculously, reborn.
Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra Pdf
Latinx Theater in the Times of Neoliberalism traces how Latinx theater in the United States has engaged with the policies, procedures, and outcomes of neoliberal economics in the Americas from the 1970s to the present. Patricia A. Ybarra examines IMF interventions, NAFTA, shifts in immigration policy, the escalation of border industrialization initiatives, and austerity programs. She demonstrates how these policies have created the conditions for many of the most tumultuous events in the Americas in the last forty years, including dictatorships in the Southern Cone; the 1994 Cuban Rafter Crisis; femicides in Juárez, Mexico; the Zapatista uprising in Chiapas, Mexico; and the rise of narcotrafficking as a violent and vigorous global business throughout the Americas. Latinx artists have responded to these crises by writing and developing innovative theatrical modes of representation about neoliberalism. Ybarra analyzes the work of playwrights María Irene Fornés, Cherríe Moraga, Michael John Garcés, Caridad Svich, Quiara Alegría Hudes, Victor Cazares, Jorge Ignacio Cortiñas, Tanya Saracho, and Octavio Solis. In addressing histories of oppression in their home countries, these playwrights have newly imagined affective political and economic ties in the Americas. They also have rethought the hallmark movements of Latin politics in the United States—cultural nationalism, third world solidarity, multiculturalism—and their many discontents.
Fifty Key Figures in LatinX and Latin American Theatre by Paola S. Hernández,Analola Santana Pdf
Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.
Rappaccini's Daughter is the Mexican Nobel laureate Octavio Paz' lyrical tale of love, death and living for the present. Night of the Assassins is Cuban Jose Triana's controversial masterpiece, in which three siblings plot the murder of their parents. Griselda Gambaro's Saying Yes is an Argentine black comedy about man's grotesque inhumanity to man. Orchids in the Moonlight is Carlos Fuentes' dream play about the love between two Mexican women exiled in Hollywood's maze of mirrors. In Mistress of Desires, Mario Vargas Llosa erotically interweaves reality and fantasy as he investigates sex and money in darkest Peru.
A “dark, rich, and satisfying” novel of mobsters, baseball, and 1950s Cuba (Entertainment Weekly). It is the fall of 1958 and all of Cuba is riveted to the World Series—the New York Yankees are playing the Milwaukee Braves, and the infamous Meyer Lansky’s gambling empire is raking in millions in bets. But rival mob boss Joe Bonnano, working with a team of Cuba’s boldest and most ingenious criminals, plans to hijack Lanksy’s fortune. The heist goes off brilliantly—until Bonnano’s point man is shot dead. As Lansky’s man in the police department investigates the case, he is caught up in a colorful and dangerous world of gangsters, misfits, and double-crosses . . . “A lively, entertaining read.” —Publishers Weekly “The characters are fascinating, the story compelling . . . You couldn’t ask for more.” —Orlando Sentinel “Suspenseful . . . captures the sights, sounds, smells and rhythms of Havana.” —The Miami Herald
Two Sisters and a Piano and Other Plays by Nilo Cruz Pdf
Nilo Cruz is the most produced Cuban American playwright in the United States and was the first dramatist of Hispanic descent to receive the Pulitzer Prize. In his plays, Cruz almost always journeys back to Cuba, even when the play is not set there. Cruz is a sensualist, a conjurer of mysterious voyages and luxuriant landscapes. He is a poetic chronicler, a documentarian of the presence of Latin people in American life. He conveys the strength and persistence of the Cuban spirit through a wholly dramatic imagination. This volume also includes the one-act play, Capriccio. Two Sisters and a Piano “Cruz’s tightly constructed study of incarcerated sisters provides the spine for an authentic study of oppression that bends but never breaks the human spirit.”—Variety Beauty of the Father “He is that rare American scribe who embraces the role of stage poet and the legacy of Tennessee Williams.”—The Seattle Times Hortensia and the Museum of Dreams “Cruz explores all kinds of loss . . . lost childhood, lost freedom, lost innocence. Yet he infused Hortensia with joy, with desire, with humor and hope and healing.”—The Miami Herald Lorca in a Green Dress “Like Lorca, Cruz is a lyrical writer in whom the surreal is grounded in the musical world of the senses . . . it is fresh, wonderful and dazzling.”—Mail Tribune (Oregon) Nilo Cruz is the author of many plays, including A Park in Our House, A Bicycle Country, Dancing on Her Knees, Night Train to Bolina and other works. He is a recipient of numerous awards, including the Pulitzer Prize for Drama, the Alton Jones Award and the Kesselring Prize. Mr. Cruz is a professor at the Yale School of Drama. He resides in New York City and is a New Dramatists alumnus.
The Modern Ladies of Guanabacoa by Eduardo Machado Pdf
"The Modern Ladies of Guanabacoa shows one family's climb to wealth in the Cuba of 1928-31. The play is at once a political drama and social comedy, ranging from melodrama to farce. Questions of power, control and revolution within the family mirror society's wider conflicts. The father is a butcher who rules his wife and four grown children with an iron hand, even as he spends most of his time philandering outside the house. The only daughter, aged 27, is accused of having lost her virginity simply because she may once have kissed the now-deceased man who courted her for seven years. While her three brothers live less-cloistered sex lives, they benefit from a double standard that allows young Cuban men to go whoring to satisfy their "special needs." This play is a part of Machado's Before and After the Revolution series, a group of four plays about the Cuban Revolution. Other plays in the series are: Once Removed, In the Eye of the Hurricane, and Havana is Waiting."--Publisher's website.