Heaven From Steam Poems

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Heaven from Steam: Poems

Author : Carol Light
Publisher : Able Muse Press
Page : 108 pages
File Size : 55,8 Mb
Release : 2014-01-24
Category : Poetry
ISBN : 9781927409190

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Heaven from Steam: Poems by Carol Light Pdf

Carol Light’s Heaven from Steam, a finalist for the 2012 Able Muse Book Award, moves effortlessly from the humorous to the serious, from mundane concerns to sublime. She writes as convincingly of carnal pleasures as of spiritual mysteries. Light’s playful energy is imbued with pleasing rhythms and sonic patterns. With surprising wordplay and associations, she renders complex vistas as understandable simplicities, finds fresh, inventive turns of phrase that will remain with the reader. Her multifarious themes include questions of faith, divorce, childbearing, cathedrals, the Pacific Northwest, the Prairies, Italy—especially Rome—and beyond. This visionary debut collection will delight the discerning lover of poetry. PRAISE FOR HEAVEN FROM STEAM: Carol Light’s Heaven from Steam is an extraordinary book, formally adept and wonderfully inventive. Light is a poet of arresting images and stunning sound effects; she needs just a few short lines to make even the old symbol of a sunrise worth our attention (“Pink lamé sundogs/ bodyguard/ the bigwig’s dazzled rise”). However perfect her details, though, and however sublime her phrases, it’s Light’s restless intelligence that keeps me returning to her work. Here’s a poet who inhabits, rather than frames the world; a poet of gestures, whose mind and heart are in motion, whether it’s a shrugged shoulder, or rolled eyes, or an open-armed embrace. Heaven from Steam is a thrilling debut. —Jason Whitmarsh The book is marked by a lightness of touch. The overall effect is playful. . . . But she strikes another tone entirely in the crowning sonnet sequence, “Vicolo del Divino Amore” . . . the nimbleness with which she weaves and unweaves her lines and imagery around the birth of a yearned-for child. —Brad Leithauser (from the foreword) In one of his “Dream Song” poems, John Berryman writes, “The glories of the world struck me, made me aria, once.” Carol Light, in Heaven from Steam, performs arias again and again; her songs are equal parts rapturous (“the sun ignites the lantern world”) and disquieting (“billboards blaze/ the end of days”). She takes up the Etruscan dead and the soon-to-be-living (“my one wish kicked/ and stitched herself into the world”), and she does so in lines that are musical and moving and often quite funny. She makes a magnificent debut. Upon finishing the book, readers will demand (like Goethe on his deathbed), “More Light!” — Cody Walker Although these poems span landscapes from the Pacific Northwest to Italy, their true settings are interior, the complex terrain of an acutely observant and questioning mind. At times playful, at times philosophical, at times filled with longing, they take us past gulls and bell buoys, cathedrals and cobblestone piazzas, to the mysteries that surround us—and they do it all with stunning formal dexterity. Heaven from Steam marks the debut of a vivid poet already at ease with her art. —Linda Bierds

Able Muse, Translation Anthology Issue, Summer 2014 (No. 17 - Print Edition)

Author : Alexander Pepple
Publisher : Able Muse Press
Page : 228 pages
File Size : 46,6 Mb
Release : 2014-05-25
Category : Foreign Language Study
ISBN : 9781927409466

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Able Muse, Translation Anthology Issue, Summer 2014 (No. 17 - Print Edition) by Alexander Pepple Pdf

This is the seminannual Able Muse Review (Print Edition) - Summer 2014 issue, Number 17. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse-online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." - Dana Gioia. CONTENTS: A TRANSLATION ANTHOLOGY FEATURE ISSUE - Guest Edited by Charles Martin EDITORIAL - Alexander Pepple. GUEST EDITORIAL - Charles Martin. ESSAYS - Michael Palma. POETRY TRANSLATIONS BY - X.J. Kennedy, A.E. Stallings, Rachel Hadas, William Baer, Willis Barnstone, Tony Barnstone, Michael Palma, Dick Davis, Jay Hopler, Ned Balbo, N.S. Thompson, John Ridland, Kate Light, John Whitworth, Andrew Frisardi, Diane Furtney, Teresa Iverson, Julie Kane, Maryann Corbett, Bilal Shaw, Mark S. Bauer, Michael Bradburn-Ruster, Heidi Czerwiec, Claudia Routon, Brett Foster, Catherine Chandler, Terese Coe, Adam Elgar, Rima Krasauskytė, Kent Leatham, R.C. Neighbors, Deborah Ann Percy, Dona Roşu, Arnold Johnston, Maria Picone, Robert Schechter, Wendy Sloan, Jeff Sypeck, Ryan Wilson, Shifra Zisman, Laine Zisman Newman. POETRY TRANSLATIONS OF - Victor Hugo, Arthur Rimbaud, C.P. Cavafy, Fernando Pessoa, Miguel de Unamuno, Catullus, Charles Baudelaire, Francesco Petrarch, Rainer Maria Rilke, Asadullah Khan Ghalib, Horace, Martial, José Luis Puerto, José Corredor-Matheos, Cecco Angiolieri, Delmira Agustini, Heinrich Heine, Christine de Pizan, Nur Jahan, Ayesheh-ye afghan, Jahan Khanom, Reshheh, Gaspara Stampa, Dante Alighieri, Armand Sully Prudhomme, Gérard de Nerval, François Villon, Euripides, Georg Trakl, Nelly Sachs, Tautvyda Marcinkevičiūtė, Gavin Douglas, William Fowler, William Dunbar, Bertolt Brecht, Antonio Malatesti, Giovanni Raboni, Fosildo Mirtunzio (Pseudonym), Zaharia Stancu, Paul Valéry, Tove Ditlevsen, Sor Juana Inés de la Cruz, Giacomo Leopardi, Paul the Deacon, Giovanni Pascoli, Meleager, Lope de Vega, Dovid Zisman.

Animal Psalms - Poems

Author : Alfred Nicol
Publisher : Able Muse Press
Page : 88 pages
File Size : 54,5 Mb
Release : 2016-05-30
Category : Poetry
ISBN : 9781927409701

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Animal Psalms - Poems by Alfred Nicol Pdf

Alfred Nicol’s Animal Psalms begins with the baseball field’s organized uncertainties, and continues on many a trajectory of animal ruminations—with the human species well accounted for—ending in the imbalance of the everyday “Nuts” around us. The subjects include the elephant, snake, sheep, skunk, bee, couple dynamics, the trials and triumphs of the ruler or the everyman. This is a collection rich in aphorisms on the bright and shady spectra of our interactions. Recognizable soliloquies with the meditative self or dialogues with the beloved are unraveled for keen insights on the human condition—deconstructing them until the knotty connecting threads are exposed. Nicol gives us a mature collection of quiet reflection, with wit and wisdom deployed through finely crafted poems of masterly formal dexterity. PRAISE FOR ANIMAL PSALMS: Dear reader, I’ve fallen in love with this book, and that will happen to you too. Read, for instance, the very last poem, “Nuts,” and read the great “How to Ignore an Invisible Man,” and you’re hooked forever. Read all the rest, these poems by Alfred Nicol which have our numbers, and have his own too, that tell about our lives, and his, and the lives of snakes, and bees, and elephants, with such humor, and pity, and praise, for all of us, human and animal, in our situations. It’s impossible not to fall in love. —David Ferry, author of Bewilderment, winner of the National Book Award As the title Animal Psalms suggests, there is reverence here—a reverence that derives less from religion than from a religious attention to the things of the world, from baseball games to zoo elephants to the newly beloved. Nicol is a melodic writer, called first to the music of words, to “speech that lets the sound/ carry the greater part of what is said.” He’s also a poet whose images you won’t soon forget. They summon the real world and simultaneously render it otherworldly. While the poems offer moments of ecstatic escape, they’re more often held in check by an Augustan wit, ironic humor and a touch of Baudelaire. Poise and wit prevail in these psalms; they give us both despair inflected by light and illumination held fast by darkness. —Erica Funkhouser, author of Earthly If we would only take the time to let one of Alfred Nicol’s poems sink in through the brilliant latticed grid of its formal exterior, how the truth of what he has to say about the human condition would hit us the way a line drive whips toward you on a dreamy summer’s afternoon, startling you back into the electric now. I love these poems because they evoke for me the zany, spiritual energy of the Beats welded as only a workman can work unwieldy things to the tempered grid of six centuries of formalism. Don’t be surprised if—after reading these poems—you find them turning back to their true subject, dear reader, which turns out to be none other than you. —Paul Mariani, author of Epitaphs for the Journey

Uncontested Grounds - Poems

Author : William Conelly
Publisher : Able Muse Press
Page : 90 pages
File Size : 50,7 Mb
Release : 2015-03-24
Category : Poetry
ISBN : 9781927409404

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Uncontested Grounds - Poems by William Conelly Pdf

Uncontested Grounds, William Conelly’s first full-length collection of poetry, is eclectic in people and places, deftly moving from vineyard to beach, to a Hollywood filmmaking set, and even to the cockpit of a jet fighter. This is also a collection of contrasts-the din of war in “The Lead Man” versus the “hot reductive shore” of “R & R,” the tragedy of suicide in “Ernest in Elysium” versus the stir of the unborn “In the Ninth Month.” This collection of masterfully crafted poems of vivid insights, often delivered with minimalist verve and directness, is fittingly a finalist for the 2013 Able Muse Book Award. PRAISE FOR UNCONTESTED GROUNDS: Uncontested Grounds is a splendid, memorable book. The stylistic precision and trim architecture of these poems may remind us of Edgar Bowers and other California formalists. William Conelly, however, has a voice all his own-shrewd, wry, engaging. Even in his more expansive pieces he writes with epigrammatic force. The perceptions fueling his art are equally alert to the world’s kindness and cruelty, and his work is impressive not only for its elegance but for its quality of lived experience-in short, for a kind of wisdom rarely found these days in verse. -Robert B. Shaw This generous collection of the poems of William Conelly is all the more welcome for being long overdue. Here is a poet who finds extraordinary dimensions in ordinary experience, as in “Treasure” and “The Ford Birthday Ode,” two memorable moments of childhood; as in “Aubade,” “The Sailor,” “Memento,” and “In the Ninth Month”-this last from the point of view of a woman about to give birth. Conelly commands both strict form and free verse, and his language is often fresh and unexpected. Uncontested Grounds will stand as a notable book in this or any year. -X.J. Kennedy Midwestern by birth, William Conelly has lived on both US coasts, as well as in England and the Middle East. He is smart and imaginative, and brings a thriving intelligence to life’s experiences. I found the poems in Uncontested Grounds original, diverse, and lucid. Many are poems of place. The first of these features a bankrupt farmer who ponders the “blue, remorseless beauty” that first lured him onto the stricken acreage he must sell. But the places vary, and some exude enchantment. I am taken by the touch of a drowsy wife’s feet in “Aubade,” and the couple along Florida’s “Gulf Coast” pitying “those who’ll wake alone.” Conelly writes so well, in a variety of forms, I initially absorbed his insights heedless of their traditional underpinnings. These poems easily bear rereading then; they compose a fine selection from one of our best writers. -William J. Smith

Sea Level Rising - Poems

Author : John Philip Drury
Publisher : Able Muse Press
Page : 94 pages
File Size : 45,8 Mb
Release : 2015-03-23
Category : Nature
ISBN : 9781927409411

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Sea Level Rising - Poems by John Philip Drury Pdf

Sea Level Rising, John Philip Drury’s fourth collection, revels in water—flowing through rivers, splashing on quays and docked vessels, the wake of speeding boats, the elusive tang of sea salt in the heart of the prairie, even the water of baptism that rebirths the believer. The uplifting lure of water, as with a pair of honeymooners in Venice, may inspire a love “eager to divorce/ anything impeding its energy.” Our state of being might mirror water’s when “everything’s in flux, repeated spasms/ of wake and wave, bright sun, reflecting pool,/ surges made up of intricate detail.” The waves of music, like those of water, are also prominent in the musings of this collection, where that which “rises and returns/ approaches music, a blessing/ beyond sound.” These are masterfully crafted poems of uncommon inspiration, and they whelm with a celebration and longing for that which ebbs or flows inside us. PRAISE FOR SEA LEVEL RISING: Sea Level Rising is about a lot of things, all in some way the same mystery—why we love tidal waters, why we feel a kinship with the pulse and ebb of time and emptiness, why we feel most alive when we stand at the fractal edges of perception, why the singing of a good poem evokes all those correspondences we can’t help loving. John Philip Drury’s new poems will please many and please often as he celebrates, and with mastery, the inexhaustible waters before and within each of us. —Dave Smith, author of Hawks on Wires: Poems, 2005-2010 With candor and a close eye, Drury introduces us to a world of love and literature, nostalgia and new experiences—a world where water pervades everything: a constant and comforting reminder that what we depend on is, like us, also always in flux. Drury is deft at numerous forms, with a delicate touch. You can become so swept up in a poem you may not recognize it as a sonnet until you reach its resounding couplet; but, the beauty of the form—the force of its rhymes and the rapture of their song—has resonated since the opening lines and in all the energy that follows. That’s the wonder of this collection: the “film of beauty, tides that keep on rising,” as Drury writes. Sea Level Rising is an amazing achievement. It should not be missed. —Erica Dawson, author of The Small Blades Hurt John Philip Drury is a Marylander; it makes all the difference. The ever-changing sea defines these poems; Drury explores impermanence—destiny, the future, love, fame, desire—anchored by a rock-solid formal mastery. Land and sea interpenetrate here—loom up, fall away—transmuting one into the other, a way of seeing. His favorite city is Venice, a perfect metaphor for a sensibility too large to be only one thing or its opposite. The masks and play of that ancient meeting place of land, sky and sea divert us from the serious business of its survival—and that might be a good way to describe Drury’s art. In impermanence, through our art, we survive. —James Cummins, author of Still Some Cake

Greed: A Confession - Poems

Author : D.R. Goodman
Publisher : Able Muse Press
Page : 114 pages
File Size : 55,5 Mb
Release : 2014-12-02
Category : Poetry
ISBN : 9781927409374

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Greed: A Confession - Poems by D.R. Goodman Pdf

Greed: A Confession showcases D.R. Goodman’s honed sensitivity to the human experience and the natural world around us. Her sensible scientific background melds with a meditative outlook: “this// is a vertebra/ from a cow.// It will win no prize./ It is just the childish wonder/ from which the rest derives.” This collection is a wellspring of keen observations, insight and secrets of nature, freely spilling out for those greedy for knowledge and enlightenment—as in the immediacy of “a certain joy/ that depends on nothing” and “wraps a tightness around your heart.” Here is a masterfully crafted finalist for the 2013 Able Muse Book Award—one brimming with delight, wit and insight. PRAISE FOR GREED: A CONFESSION I feel incredibly fortunate to have learned of D. R. Goodman’s poetry. Her technical control and powers of observation are extraordinary; diction, meter, and rhyming, superb. Writing about an egret, she details its “mind,/ a laser-focused eye, the weight of will”—attributes that apply equally to the poet. In “Autumn in a Place Without Winter,” she says, “The season brings/ no clarity, but this: we’re here, alive. . . .” This poet is alive to everything. You want this book. It’s terrific. —Kelly Cherry Goodman is greedy for things of this world—not in the rapacious, bottom-line manner of plutocrats, misers, and Wall Street brokers but for the enlightenment of the senses and the enrichment of her poetry. She’s sharing the wealth she accumulates. —John Drury (from the foreword) At the core of Greed: A Confession are natural ironies, or disjunctures, or improbabilities replete with intrigue. The poems are frames through which we view the events. D.R. Goodman is a scientist of natural history, which, for her, includes human experience. The poet shows us how to see. The deep pleasure she takes in the process displays itself, with characteristic irony, in “A Certain Joy.” —Clive Matson D.R. Goodman’s carefully crafted poems register a deep appreciation of the intricate meanings emanating from Nature’s tangible riches. “Depth cannot hide” from Goodman’s keen eye. “And so it flutters, sings,/ Betrays itself upon the face of things.” From the sudden appearance of a hundred tiny, freshly metamorphosed frogs, to ginkgo leaves’ brilliant, moonlit gold that “spurs imagination to those old/ heroic, dangerous quests of greed and sin,” the wondrous wealth of existence evokes joy that compels the poet to confess her “greed” in the presence of such good fortune. Even the blithe partake of a “certain joy”—certain: particular and definite—that is not attained or stumbled upon; it simply is—the gift of being: “There is a certain joy/ that depends on nothing./ One inhabits it./ It is there in the day/ when you walk out, whether chill and gray/ or magnified by light, and you inhale it.” Complex yet accessible, these formal and free-verse poems gift us with abundant insights to enjoy. —Beth Houston

Slingshots and Love Plums - Poems

Author : Wendy Videlock
Publisher : Able Muse Press
Page : 120 pages
File Size : 54,5 Mb
Release : 2015-06-22
Category : Poetry
ISBN : 9781927409534

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Slingshots and Love Plums - Poems by Wendy Videlock Pdf

Slingshots and Love Plums, Wendy Videlock’s third full-length collection, sometimes evokes the lightheartedness of The Dark Gnu and Other Poems previous to it, sometimes enchants with the frolics and insights of her Nevertheless debut. It especially shines with the brilliance of its wit, its spirituality—as in Videlock’s fiat lux invocation for her “Dear Reader” “resembling the first, or the last word.” Harnessing proverbs, myths, paeans, execrations, riddles, and pithy odes to the natural world and the people around her, Videlock delivers an inspired collection that rollicks, startles and uplifts. PRAISE FOR SLINGSHOTS AND LOVE PLUMS: From its title to its last poem, Wendy Videlock’s Slingshots and Love Plums offers a delicious variety of treats, from witty send-ups of contemporary mores to somber reflections on mortality, love, and friendship. The pleasures include off-kilter rhymes, elegant turns, earthy revelations, and the skillful mockery of pretentiousness in its various forms. —David Caplan, author of In the World He Created According to His Will Videlock arrests because she arrests the complacent drift of sense. She is so good at it that what begins as a taste for her work can quickly turn into a craving—for deliciously cryptic spiritual riddles. —David J. Rothman, author of Part of the Darkness, from the foreword Wendy Videlock’s poems in Slingshots and Love Plums sometimes hint at their Colorado origins but are never pinned down by a locality or a life story. They are gleefully universal, taking delight equally in huge abstraction and intimate real-worldliness. Whether enchanting, imploring, or arguing, they always fascinate, concentrating their acrobatics of thought and sound on the knots of the human experience. —Maryann Corbett, author of Mid Evil Wendy Videlock is one of the few poets I can still read at length and purely for pleasure. Playfully wise, sharp-tongued, and surprising as ever, Slingshots and Love Plums is yet another treasure to be read and reread at your leisure. Thereafter you’ll find all your thinking is rhymed—but, don’t mind: it’s just dust from the master. —Timothy Green, editor of Rattle

Romance Language (Able Muse Book Award for Poetry)

Author : Amy Glynn
Publisher : Able Muse Press
Page : 108 pages
File Size : 43,6 Mb
Release : 2024-01-02
Category : Poetry
ISBN : 9781773491417

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Romance Language (Able Muse Book Award for Poetry) by Amy Glynn Pdf

Amy Glynn's Romance Language is a wellspring of culture, nature, natural phenomena, myths, esoterica. A kaleidoscope of sciences and disciplines—spanning archeology, acoustics, botany, zoology, psychology, cosmology, meteorology, mythology—are freely juxtaposed with the bliss of romance gained to longing for the one lost, the celebration of nature and the teeming creatures therein to hope for their enduring sustenance. A logophilic showcase and worthy winner of the 2022 Able Muse Book Award, Romance Language transports the reader into a sensory and cerebral world of the real and imagined, ever reaching for stimulus, wisdom, understanding, and enlightenment. PRAISE FOR ROMANCE LANGUAGE Romance Language thrills to the natural world in all its boggling multiplicity, while reserving a barrage of tart ironies for the fallen humans who inhabit it—the lovers who fail us and those, long gone, we can never let go of. Glynn understands that science is no check to mystery, that we subsist in “an ocean of cadence” that was here before us: “The beginning was music. There was music first.” Her songs channel that original music “of tide, chaos, and rhythm” with such fierceness and sorrow that we are compelled to listen. Their effect is revelatory. —David Yezzi, author of More Things in Heaven and Late Romance: Anthony Hecht The poems in Romance Language consistently, and seemingly without effort, manage a remarkable feat: they’re unfailingly attentive to the situational subtext that underlies each foray, whether into nature, art, or mythology. With their rueful irony and wit, their candor and self-awareness, these poems are not only technically flawless but also insistently, and sometimes tetchily, human. —Rachel Hadas, 2022 Able Muse Book Award judge, author of Love and Dread Amy Glynn has built upon her naturalist’s precision, her musician’s ear, and her talent for unexpected but apt metaphor, with a heightened attention to what we learn in love. Romance Language is as much about language, though, as it is about romance. Glynn is a dazzling word-hoarder and -shaper. With serious wit, she entwines autobiography with the life of other creatures (most beautifully, birds) and knows our own scale in the landscape and seascape. For all her artifice, her plainest truths are the most moving, as when she hopes for a “gift // for seeing as a gift whatever happens / to us.” These poems “happen” to the reader as a great gift, too. —Mary Jo Salter, author of Zoom Rooms and The Surveyors Glynn brings a polymathic sensibility to her writing, conversant in both high and vernacular diction on subjects ranging widely from science and classical literature to current politics and pop culture. The poems—bold, vibrant, mercurial, mysterious, sometimes wickedly funny, and always highly musical—remind me that form is a living, breathing part of our contemporary canon. Whether fixed like the sonnet or ghazal, or nonce, or free verse—these poems are constructed with great passion and precision, and the result is a luminous, powerful, and utterly original outpouring. —Rebecca Foust, author of Paradise Drive and Only ABOUT THE AUTHOR: Amy Glynn is a poet and essayist whose work appears widely in journals and anthologies including The Best American Poetry. She is the author of A Modern Herbal (Measure Press, 2013). She has received the Troubadour Prize, The SPUR Award of the Academy of Western Writers, Poetry Northwest’s Carolyn Kizer Award, and two James Merrill House fellowships, among other honors. She lives in the San Francisco Bay Area.

Trap Street (Able Muse Book Award for Poetry)

Author : Will Cordeiro
Publisher : Able Muse Press
Page : 130 pages
File Size : 50,5 Mb
Release : 2021-08-27
Category : Poetry
ISBN : 9781773490588

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Trap Street (Able Muse Book Award for Poetry) by Will Cordeiro Pdf

Will Cordeiro's Trap Street travels a shifting landscape. Keenly observed deserts, woods, highways, seaside enclaves, mountainsides, and motels parade in an expansive sweep of the natural and the manmade, often returning to inhabited settings and navigating spirited-to-tense family and social situations. Cordeiro's vivid musings are deployed with a precision of craft and diction, buttressed by symphonic wordsmithing worthy of a lexicographer. This exceptional debut poetry collection, winner of the 2019 Able Muse Book Award, does not look away from either grime or beauty, but lays bare the nature of things. PRAISE FOR TRAP STREET The formal elegance and beauty of these poems clash smartly with the hardscrabble world where they occur. Back-road towns and landscapes, down-and-out rust belt cities, the worn-out West-this is a book that bears witness to the fizzled American dream. What's left? Mindless jobs, litter, distraction, addiction, voiceless anxiety, environmental desecration, and we are to make a meaningful life from this. These are poems written in the long pastoral tradition, except the pristine, inspiring pasture-scene, starkly, is no longer there. I expect there is a bit of exaggeration here, along with the honest depiction, and that makes this a book both of witness and warning. -Maurice Manning, author of Railsplitter Trap Street is a map of vanishing dreams, true to the country as it struggles to exist. Yet the person who inhabits these poems has dignified the writing of them with real care and an ear for the elevated vernacular. His declaration that "Earth's everything I am" runs through every page of the book, mordant, restless, and abiding. -David Mason, 2019 Able Muse Book Award judge, author of The Sound "Not everything must have some cosmic meaning." That is the sort of red-wheelbarrow faith Will Cordeiro depends on as his adventurous eye records the variegated appearance of the natural and manmade world, no detail too small to merit commemoration. The scholastic philosopher Duns Scotus cited the "haecceitas" ("this-ness") of observed experience as one component in the quest for the divine, so there is every reason to regard Cordeiro's poems as bridging the gap between life's overlooked detritus and exalted vision itself. And visual acuity here is matched by a strenuous verbality, color-coordinated vowels informing chewable consonants in a lexicon ranging from "cattywampus" to "glumes" to "blear." It's a pied-beauty diction and syntax that remind me of Hopkins and Marianne Moore. We should all join in welcoming Will Cordeiro's amazing debut. -Alfred Corn, author of The Poem's Heartbeat ABOUT THE AUTHOR: Will Cordeiro has work published in Agni, Best New Poets, the Cincinnati Review, Copper Nickel, the Offing, DIAGRAM, Poetry Northwest, Threepenny Review, THRUSH Poetry Journal, and elsewhere. Will coedits the small press Eggtooth Editions and is grateful for a grant from the Arizona Commission on the Arts, a scholarship from Sewanee Writers' Conference, and a Truman Capote Writer's Fellowship, as well as residencies from ART 342, Blue Mountain Center, Ora Lerman Trust, Petrified Forest National Park, and Risley Residential College. Will received an MFA and PhD from Cornell University. Will is also coauthor of Experimental Writing: A Writer's Guide and Anthology, forthcoming from Bloomsbury. Currently, Will lives in Flagstaff and teaches in the Honors College at Northern Arizona University.

The Borrowed World (Able Muse Book Award for Poetry)

Author : Emily Leithauser
Publisher : Able Muse Press
Page : 84 pages
File Size : 44,5 Mb
Release : 2016-07-04
Category : Poetry
ISBN : 9781927409688

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The Borrowed World (Able Muse Book Award for Poetry) by Emily Leithauser Pdf

In The Borrowed World, Emily Leithauser transforms keenly felt experience and bittersweet memories into poems of impressive craftsmanship. She deftly muses on the dichotomies of, among other things, childhood and growing up, the headiness of love gained and the pangs of love lost, the joys of the nuclear family and the trials when it gets broken up. Although a first book, The Borrowed World is the seasoned work of poet of abundant talent coming into her powers and deservedly, the winner of the 2015 Able Muse Book Award. PRAISE FOR THE BORROWED WORLD: In The Borrowed World, Emily Leithauser’s formal mastery—her consummate knack for writing lines and sentences as crisp and elegant as the Edo prints to which she pays homage—entwines with the sheer immediacy and vulnerability of the poet’s voice. Leithauser portrays the inevitability of loss, in romantic and familial relationships, and yet, without ever offering false resolutions or pat conclusions, she manages to make her poems themselves convincing stays against loss. I mean that this book is made to endure. The Borrowed World marks the arrival of a major talent. —Peter Campion, 2015 Able Muse Book Award judge, author of El Dorado Emily Leithauser’s first collection, The Borrowed World, is an elegant meditation on inheritance, the vagaries of love and loss, familial relations—with all the devastating implosions within—and our relationship to the past filtered through the flawed lens of memory. These are deeply felt poems and Leithauser has a finely-tuned ear for the lyricism of syntax and the enduring rhythms of traditional forms. The Borrowed World is her stunning debut. —Natasha Trethewey, 2012–2014 US Poet Laureate, author of Thrall If her intensely accurate perceptions of the physical world and the beautiful forms in which she sets those perceptions were all that Emily Leithauser gave us in these poems, they would be more than enough to satisfy the hungriest poetry reader. But step by perspicuous step, in poem after poem, she enlarges and encompasses, she broadens and deepens and transmutes perception into feeling, feeling into thought, and thought into revelation. —Vijay Seshadri, winner of the Pulitzer Prize, author of 3 Sections Love poems, family poems, narrative poems: The Borrowed World is a moving and memorable debut which covers a lot of ground but is always rooted in actualities. The poems are very well-made, too, but their equally great distinction is to be well-felt—subtle in their account of the observing “I,” and simultaneously generous and shrewd in their understanding of others. Page by page, they create a series of powerful cameos; taken as a whole, their larger purpose emerges: to register what can be known and (especially) not known about our lives as individuals, and to value what time allows us to enjoy on earth, while admitting the brevity of our stay here. —Andrew Motion, 1999–2009 UK Poet Laureate, author of The Customs House I have read The Borrowed World several times, and each time I find more in it to be delighted and touched by. Emily Leithauser’s art waits for you, and I am sure that you will be as pleased and moved by it as I have been. —Michael Palma (from the foreword), author of Begin in Gladness

World Too Loud to Hear

Author : Stephen Kampa
Publisher : Able Muse Press
Page : 134 pages
File Size : 52,9 Mb
Release : 2023-11-24
Category : Poetry
ISBN : 9781773491578

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World Too Loud to Hear by Stephen Kampa Pdf

Stephen Kampa’s World Too Loud to Hear confronts today’s zeitgeist of dark social norms online or off. Our litany of individual and collective shortcomings is laid bare or castigated—as, for instance, with obligations we abhor, avoid, and “can’t wait / to pass down to the upstart generations.” The delivery ranges from straight or subtle to rants and execrations, while the settings range from historic and current affairs to the imaginary, dystopian, sci-fi, or surrealistic. This sui generis collection is fearless in hope, with a sobering take on our acceleratingly fearful national and global trajectory. PRAISE FOR WORLD TOO LOUD TO HEAR: Stephen Kampa’s World Too Loud to Hear is a book about America’s “slow-motion, decades-long cascade / of violence . . .”—gun violence by and against children, violence of tech-driven accelerating change, and violence that permeates almost every aspect of our online lives. These amazing poems manage to be at once outraged and witty, inventive and passionate, nuanced and blunt. I can’t think of another book that captures so completely the lunatic reality of self-destruction. Stephen Kampa is fabulous poet, and this is a fabulous and important book. —Alan Shapiro, author of Proceed to Check Out and Against Translation Stephen Kampa’s World Too Loud to Hear takes on the noise of the twenty-first century with a furious love and attention. The poems in this book lay out our terrible addictions—to gun violence, to scientism, to screens, to empty celebrity, to social division, to anger itself. But they also show us what remains worth saving from those evils: children, magic, and mystery. These poems delight equally in novel syllabic stanzas, calm iambics, and drumming accentuals, and they ratchet up poetic form to the tension of a crossbow, with the same deadly aim. They use change-up rhyme patterns, sonics, wordplay, and narrative drama to keep us tumbling forward, through etymology and child abuse, homage and political hackery, near-despair and struggling faith. And they often arrive at the sort of poetic closure that makes a reader freeze and gasp. —Maryann Corbett, author of In Code and Street View Juggling Horatian and Juvenalian satire with surgical wit and polemical yet coy imbalances, Stephen Kampa’s speakers are the needling social critics, cultural anthropologists, and litigator-jesters. I have not read a collection of poetry that better tackles social injustices and apathies, gun violence, religious hypocrisy, climate change, and our subservience to technology. Kampa shows us ourselves: combing the Almighty WebMD to wrangle with our psychosomatic homunculi, constructing our digital personae and elevating our experiences to impress other inflated personae, and being lured into divisiveness by cartoonish political buffoonery. In this World Too Loud to Hear, Kampa reminds us through his maw-opening critiques and funhouse mirrors that we have lost our benevolence and are becoming untethered from the one objective truth from which we humans can find insights: the natural world. —Adam Vines, author of Lures and Out of Speech ABOUT THE AUTHOR: Stephen Kampa is the author of four collections of poetry: Cracks in the Invisible, Bachelor Pad, Articulate as Rain, and World Too Loud to Hear. He is a winner of the Hollis Summers Poetry Prize, the Theodore Roethke Prize, the Collins Prize, and the Florida Book Awards Gold Medal in Poetry. He has been a resident at Art342 and at the Amy Clampitt House. His work has appeared in The Best American Poetry. He has also worked as a musician and appears on multiple albums from WildRoots Records.

Able Muse, Summer 2016 (No. 21 - print edition)

Author : Amanda Jernigan,Andy Biggs
Publisher : Able Muse Press
Page : 164 pages
File Size : 49,5 Mb
Release : 2016-07-07
Category : Literary Collections
ISBN : 9781927409794

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Able Muse, Summer 2016 (No. 21 - print edition) by Amanda Jernigan,Andy Biggs Pdf

This is the seminannual Able Muse Review (Print Edition) - Summer 2016 issue, Number 21. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse-online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." - Dana Gioia. CONTENTS: EDITORIAL - Alexander Pepple. FEATURED ARTIST - Andy Biggs. FEATURED POET - Amanda Jernigan; (Interviewed by Ange Mlinko). FICTION - Andrew Valentine, Terri Brown-Davidson, John Christopher Nelson, Timothy Reilly. ESSAYS - Ron McFarland, N.S. Thompson, Barbara Haas. BOOK REVIEWS - Amit Majmudar, John Ellis. POETRY - Midge Goldberg, Jean L. Kreiling, Sankha Ghosh, Timothy Murphy, Pedro Poitevin, Joseph Hutchison, Pierre de Ronsard, Heinrich Heine, Catharine Savage Brosman, Rachel Hadas, Stephen Palos, Bruce Bennett, Doris Watts, Jeanne Emmons.

Last Wishes

Author : Rob Wright
Publisher : Able Muse Press
Page : 86 pages
File Size : 46,8 Mb
Release : 2021-02-12
Category : Poetry
ISBN : 9781773490717

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Last Wishes by Rob Wright Pdf

Rob Wright's Last Wishes is eclectic and delves into mining grit and lifestyle as fluently as it does into spiritual hopes and despairs, or the mind's lucidity and aberrations. Well-traveled in time and place, Last Wishes' culturally diverse characters and scenes--framed in Philadelphia, Fort Meyers, Manhattan, São Paulo, Kowloon, Majdanek, or elsewhere--are memorable or miserable. Accounts of ghosts and hauntings, imagined or real, include heart-stopping witness narratives of the Holocaust and other atrocities. This is a seasoned inaugural collection--a special honoree for the 2019 Able Muse Book Award. PRAISE FOR LAST WISHES Rob Wright's poems in Last Wishes ache with a quiet, exquisite music. Whether at the edge of the forest, or before a mirror regarding his own face, or at the limit of what a son can feel for his father, Wright calls us to join him on his search for order and meaning, even as he questions what he finds: "The shell that holds all grief and memory, / in chains of molecules that make a mind, / will turn back into atoms, hungry, free. / We're spirits caught inside our skin and hair-- / ephemeral our dramas, spun from air." Such is the breathtaking beauty of Last Wishes, to long for what seems so close and yet, in the end, we cannot know. --Rafael Campo, author of Comfort Measures Only: New and Selected Poems One of Wright's gifts is the age-old poetic magic of conveying beauty in what might at first appear to offer up nothing but ugliness. . . . It is fitting that one of the titles here is "Prologue for an Imaginary Play," because Wright's poems often are, in essence, little plays. The landscapes here are never static; like a photographer, or a cinematographer, Wright captures his subjects at their most revealing in a flash. Scenes are arranged and rendered at the moment of greatest drama and tension. --Alison Hicks (from the foreword), author of You Who Took the Boat Out  The first poem in Last Wishes describes in evocatively exact and gritty detail a landscape of abandoned mines, and ends with the poet’s mind reaching out toward the miners who once worked there: “I thought/ how hunger drives a man to crawl beneath/ the brittle crust that shuts out sun and sky.” Moments like this are repeated again and again throughout this obsessively compelling book—a surface (often enough a fairly bleak one) is described in richly precise detail, and out of it pasts, ghosts, the dead, revenants and spectral appearances emerge with a kind of beckoning, unreachable clarity that is at times wistful and at times brutal. If these poems were photographs most of them would be in grimmest black and white, but they would make a most marvelously enthralling exhibition. —Dick Davis, author of Faces of Love: Hafez and the Poets of Shiraz

Double-Parked, with Tosca

Author : Ellen Kaufman
Publisher : Able Muse Press
Page : 92 pages
File Size : 46,9 Mb
Release : 2021-05-14
Category : Poetry
ISBN : 9781773490670

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Double-Parked, with Tosca by Ellen Kaufman Pdf

Ellen Kaufman's Double-Parked, with Tosca navigates the natural and the manmade-often with an eye on their strained juxtaposition-or unravels the complex dynamics of the physical, social, and political. Kaufman can go from elegizing an Elizabethan old dress past to the environmentally conscious "now [when] the polar caps / undress themselves." She weaves the history of early settlements and their challenges and triumphs over the sometime inhospitable land; or negotiates the melding and mismatch of cultures in her native New York City. Kaufman's poems assert their claim inside violence, indifference, and exclusion. This surefooted second collection is a fitting special honoree for the 2019 Able Muse Book Award. PRAISE FOR DOUBLE-PARKED, WITH TOSCA Ellen Kaufman's poems pierce the reader the way a needle pierces fabric. With a stunningly precise apprehension of the real, she stitches immigration histories and the intimacies of family life, cityscapes and suburban developments, the recent past and the perilous future. She has the power to shapeshift, too, so that we experience, as if from inside, the hidden life of a retired battleship, an algae bloom, a bird nesting in a traffic light. Marked by grief, endurance, and the truths of beauty made manifest, these are essential poems. - Jennifer Barber, author of Works on Paper Ellen Kaufman's absolutely terrific second book can fearlessly slash through pretext, but also cohere unlikely pairs through the X-ray delicacy of an ace metaphorist. She can use "he wanted to get laid" as a refrain in a satisfyingly avenging villanelle, and also see how a beret looks like a "fluffy flounder," and a chandelier handed down through generations "rattles like a skeleton." A tick can alternate stanzas with its host, and an orchestra can create a landscape from its instruments. Kaufman uses form-including a masterful crown of sonnets about her father's end of life-and the speaker herself takes form in persona poems of NYC landmarks; of the USS Intrepid, she writes, "the old moon / shuttle Discovery perches / like an aphid on a rose leaf." I bet you never heard that before! And so you will feel about this whole body of poems. Kaufman's wit, her craft, her vision-this book celebrates their collaboration. - Jessica Greenbaum, author of Spilled and Gone As a young person, the best poem I ever read in my life was a Petrarchan sonnet by Ellen Kaufman-before I even knew what a Petrarchan sonnet was. Now, in reading Ellen Kaufman's newest book, Double-Parked, with Tosca, I immediately see everything I want poetry to be: imaginative, evocative, observant, musical, filled with sound and living breath, and brilliant. I can't recommend this book and this author enough. - Nicholas Samaras, author of American Psalm, World Psalm ABOUT THE AUTHOR: Ellen Kaufman's first collection, House Music, was a finalist for the Able Muse Book Award (Able Muse, 2013). A poem from that book won the Morton Marr Poetry Prize awarded by Southwest Review, where it also appeared. Her poems have also been published by Beloit Poetry Journal, Carolina Quarterly, Epoch, Hampden-Sydney Poetry Review, the New Yorker, Poetry Northwest, Salamander, Shenandoah, the Yale Review, and other literary magazines. Twice a MacDowell Fellow (2009 and 2013), she holds an AB from Cornell, and MFA and MSLS degrees from Columbia University. Formerly a poetry reviewer for Library Journal, she now reviews for Publishers Weekly. She lives near Straus Park in upper Manhattan.

Able Muse, Winter 2015 (No. 20 - print edition)

Author : Alexander Pepple,Amit Majmudar,Léon Leijdekkers
Publisher : Able Muse Press
Page : 160 pages
File Size : 41,5 Mb
Release : 2015-12-01
Category : Literary Collections
ISBN : 9781927409640

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Able Muse, Winter 2015 (No. 20 - print edition) by Alexander Pepple,Amit Majmudar,Léon Leijdekkers Pdf

This is the seminannual Able Muse Review (Print Edition) - Winter 2015 issue, Number 20. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse—online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." – Dana Gioia. CONTENTS: WITH THE 2015 ABLE MUSE WRITE PRIZE FOR POETRY & FICTION — Includes the winning story and poems from the contest winners and finalists. EDITORIAL — Alexander Pepple. FEATURED ARTIST — Léon Leijdekkers. FEATURED POET — Amit Majmudar; (Interviewed by Daniel Brown). FICTION — Paul Soto, Lynda Sexson, Andrea Witzke Slot. ESSAYS — N.S. Thompson, Moira Egan. BOOK REVIEWS — Stephen Kampa, Robert B. Shaw. POETRY — X.J. Kennedy, Wendy Videlock, Kim Bridgford, Peter Kline, Catharine Savage Brosman, Terese Coe, Steven Winn, Jay Udall, Beth Houston, Jennifer Reeser, Leslie Schultz, Ryan Wilson, Max Gutmann, Freeman Rogers, Dan Campion, Brooke Clark, David Stephenson, Autumn Newman, James Matthew Wilson, Athar C. Pavis, Jeanne Wagner, Elise Hempel.