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The Life and Times of Hector Berlioz by Jim Whiting Pdf
French composer Hector Berlioz believed in love at first sight. When he was 23, he attended a performance of Shakespeare’s play Hamlet and fell head over heels in love with Harriet Smithson, an English actress who had a leading role. Harriet didn’t show any interest in him. She ignored his letters. When he tried to meet her backstage she ordered the guard to throw him out. Berlioz was hurt and angry. He wanted revenge. He got it by murdering Harriet—musically. She inspired Symphonie fantastique, his most famous work. The hero kills his beloved, is executed for the crime, and the symphony ends with a bizarre dance of ghosts, goblins and other monsters. In real life, Berlioz met Harriet several years later. He put on a special concert for her that included a performance of Symphonie fantastique. Harriet was impressed. Soon she fell in love with him and they were married. Did they live happily ever after?
This is a series of studies of individual operas written for the opera-goer or record-collector as well as the student or scholar. Each volume has three main concerns: historical, analytical and interpretative. There is a detailed description of the genesis of each work, the collaboration between librettist and composer, and the first performance and subsequent stage history. A full synopsis considers the opera as a structure of musical and dramatic effects, and there is also a musical analysis of a section of the score. The analysis, like the history, shades naturally into interpretation: by a careful combination of new essays and excerpts from classic statements the editors of the handbooks show how critical writing about the opera, like the production and performance, can direct or distort appreciation of its structural elements. A final section of documents gives a select bibliography, a discography, and guides to other sources. Each book is published in both hard covers and as a paperback.
The Life and Times of Hector Berlioz by Jim Whiting Pdf
French composer Hector Berlioz believed in love at first sight. When he was 23, he attended a performance of Shakespeare s play Hamlet and fell head over heels in love with Harriet Smithson, an English actress who had a leading role. Harriet didn t show any interest in him. She ignored his letters. When he tried to meet her backstage, she ordered the guard to throw him out.Berlioz was hurt and angry. He wanted revenge. He got it by murdering Harriet �musically. She inspired Symphonie fantastique, his most famous work. The hero kills his beloved, is executed for the crime, and the symphony ends with a bizarre dance of ghosts, goblins, and other monsters.
Hector Berlioz by Jeffrey Alan Langford,Jane Denker Graves Pdf
A selective, annotated bibliography comprising 900 of the most significant pieces of Berlioz research and criticism that have appeared. Annotation copyrighted by Book News, Inc., Portland, OR
As a composer, Hector Berlioz embodied his century as the quintessential Romantic artist. Niccolo Paganini called him "Beethoven's only heir," and for a young Richard Wagner, he was dazzling as a composer, orchestra conductor, and critic. But Berlioz was known as much for his writings as for his music, and for decades Berlioz scholars have stressed the need for a good English-language anthology of his criticism. Featuring new translations and commentary by Katherine Kolb and Samuel N. Rosenberg,Berlioz on Music: Selected Criticism 1824-1837 is that volume. Berlioz's centrality as a critic results from his literary brilliance, his location in Paris -- the music capital of the nineteenth century -- and his 28-year tenure at the powerfulJournal des debats. As one of its founding editors and principal writers, Berlioz contributed about 250 articles to the publication.Berlioz on Music comprises articles from the first 14 years of Berlioz's public writings, given in chronological order and, with few exceptions, in their entirety. Following chronology affords an overview of Berlioz's evolution as critic and of a key phase in the development of modern musical culture. The volume also presents explanatory data in engagingly composed introductions and footnotes, which elucidate Berlioz's references to persons, musical and literary works, historical events, and more. The reader is allowed to follow musical events during one of the richest periods in French cultural history, including the revolutionary decade surrounding 1830, a year marked by Victor Hugo's victory for the Romantics in the Classical bastion of the Théâtre-Français, by the premiere of Berlioz's Fantastic Symphony, and by the toppling of the Restoration monarchy. The result is an engaging collection of Berlioz's lively prose, presented with scholarly rigor and rendered in accessible English. Music historians, both professional and amateur, as well 19th century European history enthusiasts will findBerlioz on Music a compelling introduction to one of the richest periods of French culture.
A Critical Study of Beethoven's Nine Symphonies with a Few Words on His Trios and Sonatas, a Criticism of Fidelio, and an Introductory Essay on Music by Hector Berlioz Pdf
A daring composer in his own right, Hector Berlioz made a considerable reputation and a modest living for himself writing about music. This compact volume gathers brief, pithy essays Berlioz wrote on Beethoven's nine symphonies, his opera, Fidelio, and his piano sonatas and trios. Berlioz vividly depicts the salient features of the music with observations that are acute and passionate, as valuable for musicians as for amateurs. Beyond its astute commentary on the music, however, Berlioz's book offers a rare firsthand look at the reception and reputation accorded Beethoven's music in the decades following his death. Berlioz transcribes the comments of amateurs leaving the conservatoire after a performance of Beethoven's Ninth Symphony and provides a mocking glimpse of the French appreciation of the great German composer: What stands in the way of the music of 'Fidelio' as regards the Parisian public is ... the great disdain of the composer for sonorous effects which are not justified. He addresses Beethoven's skillful use of the orchestra as an instrument of drama and the general disapprobation that greeted this approach. He also includes a satirical piece on the fad of calling up the spirit of a composer and transcribing new, posthumous compositions. Berlioz's essays testify to the tumult caused by Beethoven's music in his time and offer ways to approach the music that remain enlightening and fresh.
The Life of Hector Berlioz as Written by Himself in His Letters and Memoirs by Hector Berlioz Pdf
Here, the author provides us with a biography of Hector Berlioz, a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust.
In this delightful and now classic narrative, written by the brilliant composer and critic Hector Berlioz, readers are made privy to 25 highly entertaining evenings with a fascinating group of distracted performers.
Treatise on Instrumentation by Hector Berlioz,Richard Strauss Pdf
This influential work appraises the musical qualities and potential of over 60 stringed, wind, and percussion instruments. Includes 150 full-score musical examples from works by Berlioz, Mozart, Beethoven, Wagner, others. Foreword by Richard Strauss.