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Author : Jean Charbonneaux,Roland Martin,François Villard
Publisher : George Braziller
Page : 440 pages
File Size : 51,7 Mb
Release : 1973
Category : Art, Hellenistic
ISBN : STANFORD:36105003278673
Author : Anonim
Publisher : Unknown
Page : 0 pages
File Size : 51,8 Mb
Release : 1973
Category : Electronic
ISBN : OCLC:495438062
Author : Brunilde Sismondo Ridgway
Publisher : Univ of Wisconsin Press
Page : 612 pages
File Size : 40,5 Mb
Release : 1990
Category : Art
ISBN : 029911824X
Now available in paperback, this rigorous and challenging book questions the Hellenistic dating of many famous monuments, based on careful examination of evidence. "Fluently written, clearly organized, and thoroughly and impeccably documented. Anyone who has a serious interest in Hellenistic art will want to read it and refer to it."--Jerome J. Pollitt, Yale University
Author : Andrew Stewart
Publisher : Cambridge University Press
Page : 373 pages
File Size : 40,6 Mb
Release : 2014-10-06
Category : Art
ISBN : 9781107048577
This book offers a new thematic, contextualized, and richly illustrated approach to art of the Hellenistic world (c.330-30 BC).
Author : Lucilla Burn
Publisher : Unknown
Page : 196 pages
File Size : 52,7 Mb
Release : 2004
Category : Art
ISBN : UOM:39015059198062
His vast territory, split up among his generals after his premature death, was ruled by several great Hellenistic dynasties, whose kingdoms encompassed a variety of strongly independent cultural traditions. Eventually, by the late first century BC, all of the Hellenistic kingdoms had come under the dominion of Rome.
Author : Beazley,John Davidson Beazley,B. Ashmole,Bernard Ashmole
Publisher : Cambridge University Press
Page : 242 pages
File Size : 49,8 Mb
Release : 1932-01-03
Category : History
ISBN : 9780521041317
A reprint of the original book, first issued in 1932.
Author : Jerome Jordan Pollitt
Publisher : Cambridge University Press
Page : 348 pages
File Size : 47,9 Mb
Release : 1986-06-12
Category : Art
ISBN : 0521276721
This 1986 book is an interpretative history of Greek art during the Hellenistic period.
Author : Licia Ragghianti Collobi
Publisher : Unknown
Page : 174 pages
File Size : 52,9 Mb
Release : 1979
Category : Antiquities
ISBN : 0882252429
Author : John Davidson Beazley,Bernard Ashmole
Publisher : Unknown
Page : 250 pages
File Size : 55,5 Mb
Release : 1932
Category : Art, Greek
ISBN : UOM:39015015808085
Author : Mark D. Fullerton
Publisher : John Wiley & Sons
Page : 384 pages
File Size : 49,5 Mb
Release : 2016-03-16
Category : Literary Criticism
ISBN : 9781119115311
Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD. Compares the evolution of Greek sculpture over the centuries to works of contemporaneous Mediterranean civilizations Emphasizes looking closely at the stylistic features of Greek sculpture, illustrating these observations where possible with original works rather than copies Places the remarkable progress of stylistic changes that took place in Greek sculpture within a broader social and historical context Facilitates an understanding of why Greek monuments look the way they do and what ideas they were capable of expressing Focuses on the most recent interpretations of Greek sculptural works while considering the fragile and fragmentary evidence uncovered
Author : Kristen Seaman
Publisher : Cambridge University Press
Page : 203 pages
File Size : 52,7 Mb
Release : 2020-04-16
Category : Architecture
ISBN : 9781108490917
Explores how rhetorical techniques helped to produce innovations in art of the Hellenistic courts at Pergamon and Alexandria.
Author : Jens M. Deahner,Kenneth Lapatin
Publisher : Getty Publications
Page : 18 pages
File Size : 46,7 Mb
Release : 2015-05-24
Category : Art
ISBN : 9781606064399
For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.
Author : Thomas Bertram Lonsdale Webster
Publisher : London : Methuen
Page : 334 pages
File Size : 48,8 Mb
Release : 1967
Category : Art, Greco-Roman
ISBN : STANFORD:36105003278624
Author : William A. P. Childs
Publisher : Princeton University Press
Page : 592 pages
File Size : 42,5 Mb
Release : 2018-04-10
Category : Art
ISBN : 9781400890514
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Author : William A. P. Childs
Publisher : Princeton University Press
Page : 400 pages
File Size : 48,8 Mb
Release : 2018-04-10
Category : Art
ISBN : 9780691176468
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.