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Author : Susan F. Beegel
Publisher : University of Alabama Press
Page : 392 pages
File Size : 55,9 Mb
Release : 1992
Category : Literary Criticism
ISBN : 9780817305864
Some 25 Hemingway scholars critique Hemingway's works from the early apprentice fiction of 1919, stories Hemingway wrote, dog."
Author : Ernest Hemingway
Publisher : Aegitas
Page : 22 pages
File Size : 43,9 Mb
Release : 2022-01-25
Category : Fiction
ISBN : 9780369406897
In Our Time is the title of Ernest Hemingway's first collection of short stories, published in 1925 by Boni & Liveright, New York, and of a collection of vignettes published in 1924 in France titled in our time. Its title is derived from the English Book of Common Prayer, "Give peace in our time, O Lord". The stories's themes – of alienation, loss, grief, separation – continue the work Hemingway began with the vignettes, which include descriptions of acts of war, bullfighting and current events. The collection is known for its spare language and oblique depiction of emotion, through a style known as Hemingway's "theory of omission" (iceberg theory). According to his biographer Michael Reynolds, among Hemingway's canon, "none is more confusing ... for its several parts – biographical, literary, editorial, and bibliographical – contain so many contradictions that any analysis will be flawed."
Author : Ernest Hemingway
Publisher : Simon and Schuster
Page : 576 pages
File Size : 46,8 Mb
Release : 2014-05-22
Category : Fiction
ISBN : 9781476770192
Before he gained wide fame as a novelist, Ernest Hemingway established his literary reputation with his short stories. This collection, The Short Stories, originally published in 1938, is definitive. Among these forty-nine short stories are Hemingway's earliest efforts, written when he was a young foreign correspondent in Paris, and such masterpieces as “Hills Like White Elephants,” “The Killers,” “The Short, Happy Life of Francis Macomber,” and “The Snows of Kilimanjaro.” Set in the varied landscapes of Spain, Africa, and the American Midwest, this collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style—from the plain, bald language of his first story, “Up in Michigan,” to the seamless prose and spare, eloquent pathos of “A Clean, Well-Lighted Place” to the expansive solitude of the Big Two-Hearted River stories. These stories showcase the singular talent of a master, the most important American writer of the twentieth century.
Author : Jackson J. Benson
Publisher : Duke University Press
Page : 530 pages
File Size : 47,8 Mb
Release : 2013-07-12
Category : Literary Criticism
ISBN : 9780822382348
With an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. The contributors interpret a variety of individual stories from a number of different critical points of view—from a Lacanian reading of Hemingway’s “After the Storm” to a semiotic analysis of “A Very Short Story” to an historical-biographical analysis of “Old Man at the Bridge.” In identifying the short story as one of Hemingway’s principal thematic and technical tools, this volume reaffirms a focus on the short story as Hemingway’s best work. An overview essay covers Hemingway criticism published since the last volume, and the bibliographical checklist to Hemingway short fiction criticism, which covers 1975 to mid-1989, has doubled in size. Contributors. Debra A. Moddelmog, Ben Stotzfus, Robert Scholes, Hubert Zapf, Susan F. Beegel, Nina Baym, William Braasch Watson, Kenneth Lynn, Gerry Brenner, Steven K. Hoffman, E. R. Hagemann, Robert W. Lewis, Wayne Kvam, George Monteiro, Scott Donaldson, Bernard Oldsey, Warren Bennett, Kenneth G. Johnston, Richard McCann, Robert P. Weeks, Amberys R. Whittle, Pamela Smiley, Jeffrey Meyers, Robert E. Fleming, David R. Johnson, Howard L. Hannum, Larry Edgerton, William Adair, Alice Hall Petry, Lawrence H. Martin Jr., Paul Smith
Author : Ernest Hemingway
Publisher : Simon and Schuster
Page : 672 pages
File Size : 53,7 Mb
Release : 2014-05-22
Category : Fiction
ISBN : 9781476770413
This stunning collection of short stories by Nobel Prize–winning author, Ernest Hemingway, contains a lifetime of work—ranging from fan favorites to several stories only available in this compilation. In this definitive collection of short stories, you will delight in Ernest Hemingway's most beloved classics such as “The Snows of Kilimanjaro,” “Hills Like White Elephants,” and “A Clean, Well-Lighted Place,” and discover seven new tales published for the first time in this collection. For Hemingway fans The Complete Short Stories is an invaluable treasury.
Author : Gabriela Tucan
Publisher : Cambridge Scholars Publishing
Page : 299 pages
File Size : 48,5 Mb
Release : 2021-04-09
Category : Literary Criticism
ISBN : 9781527568143
How do readers make sense of Hemingway’s short stories? How is it possible that the camera-like quality of his narrative can appeal to our senses and arouse our emotions? How does it capture us? With reserved narrators and protagonists engaged in laconic dialogs, his texts do not seem to say much. This book consciously revisits our responses to the Hemingway story, a belated response to his invitation to discover what lies beneath the surface of his iceberg. What this pioneering critical endeavor seeks to understand is the thinking required in reading Hemingway’s short fiction. It proposes a cognitively informed model of reading which questions the resources of the reader’s imaginative powers. The cognitive demonstrations here are designed to have potentially larger implications for the short story’s general mode of knowing. Drawing from both cognitively oriented poetics and narratology in equal measure, this book explains what structures our interaction with literary texts.
Author : Paul Smith
Publisher : Cambridge University Press
Page : 158 pages
File Size : 52,7 Mb
Release : 1998-05-28
Category : Literary Collections
ISBN : 0521556511
The introduction and four scholarly essays in this volume constitute an overview of Hemingway's career as a short story writer and offer an overview of practical problems involved in reading this work. The early short story Up in Michigan is explained in relation to the short story cycle In Our Time. Problems of narration are analysed in Now I Lay Me, an integral part of the famous Nick Adams stories. A detailed look at ecological and Native American backgrounds is presented in Fathers and Sons, in the collection Winner Take Nothing; and Snows of Kilimanjaro is examined from a postcolonial perspective. Also included is a selected bibliography designed to direct readers to the most valuable resources for the study of Hemingway's short fiction.
Author : Ernest Hemingway
Publisher : Turtleback Books
Page : 650 pages
File Size : 45,5 Mb
Release : 1998-08-01
Category : Fiction
ISBN : 1417660511
Collects all the stories Hemingway published in his lifetime, those published posthumously, and some that are appeaing in print for the first time
Author : Ernest Hemingway
Publisher : Unknown
Page : 650 pages
File Size : 49,7 Mb
Release : 1987
Category : English
ISBN : 9690007084
Author : George Monteiro
Publisher : McFarland
Page : 192 pages
File Size : 51,6 Mb
Release : 2017-03-23
Category : Literary Criticism
ISBN : 9781476629186
Ernest Hemingway revolutionized the American short story, establishing himself as a master of realist fiction in the tradition of Guy de Mauppasant. Yet none of Hemingway’s emulators has succeeded in duplicating his understated, minimalist style. In his Iceberg Theory of fiction, only the tip of the story is seen on the surface—the rest is submerged out of sight. This study surveys the scope of Hemingway’s mastery of the short story form, enabling a fuller understanding of such works as “Indian Camp,” “Big Two-Hearted River,” “The Killers,” “The Mother of a Queen,” “In Another Country,” “Hills Like White Elephants,” “The Snows of Kilimanjaro,” and “The Mercenaries,” among many others. All 13 stories from his underrated Winner Take Nothing collection are evaluated in detail.
Author : Wendolyn E. Tetlow
Publisher : Bucknell University Press
Page : 172 pages
File Size : 41,8 Mb
Release : 1992
Category : Fiction
ISBN : 0838752195
"Many scholars consider In Our Time to be Hemingway's finest work, yet the cohesiveness of this sequence of stories and interchapters has often been questioned. Hemingway himself, however, had a clear idea of the work's integrity, as his manuscripts and letters reveal. As he wrote to his publisher Horace Liveright on 31 March 1925, "There is nothing in the book that has not a definite place in its organization and if I at any time seem to repeat myself I have a good reason for doing so" (Selected Letters, 154)." "According to Ms. Tetlow, author of this thoughtful study of Hemingway's In Our Time, the relationship among the stories and interchapters is precisely analogous to that within a modern poetic sequence as characterized by M.L. Rosenthal and Sally M. Gall in The Modern Poetic Sequence: The Genius of Modern Poetry: ". . . a grouping of mainly lyric poems and passages, rarely uniform in pattern, which tend to interact as an organic whole. It usually includes narrative and dramatic elements, and ratiocinative ones as well, but its structure is finally lyrical" (9). The structure of In Our time, then, is similar to such works as Ezra Pound's Hugh Selwyn Mauberley and T.S. Eliot's The Waste Land, works that progress tonally." "Looking closely at the language of In Our Time, Ms. Tetlow pays particular attention to recurring images and sounds, and the successive sets of feeling these tonal complexes project. She traces the lyrical pattern in the sequence as it builds in intensity from denial of fear, suffering, and death in the first stories and early interchapters, and then traces the progression to cautious resignation in the latter stories and interchapters. The author also takes into account the importance for Hemingway of Pound's and Eliot's aesthetics and demonstrates how Eliot's idea of the objective correlative and Pound's idea of "direct treatment of the 'thing'" apply to Hemingway's stories and interchapters (Literary Essays, 3)." "Opening with a discussion of the six prose pieces in the original version--the shorter "In Our Time" (1923)--the study considers the aesthetic choices Hemingway made in revising these pieces when he incorporated them in his longer sequence of eighteen in in our time (1924). The study then discusses the lyrical progression of the prose sequence in the fully developed volume In Our Time (1925). Finally, it looks at A Farewell to Arms and shows how the lyrical structure of In Our Time anticipates the longer work with its more continuous narrative pattern."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author : Joseph M. Flora
Publisher : Unknown
Page : 240 pages
File Size : 46,7 Mb
Release : 1989
Category : Fiction
ISBN : UOM:39015056250213
A critical analysis of Hemingway's short fiction plus biographical information.
Author : Robert P. McParland
Publisher : Cambridge Scholars Publishing
Page : 224 pages
File Size : 43,6 Mb
Release : 2009-10-02
Category : Music
ISBN : 9781443815949
In Music and Literary Modernism, the intersections of music, literature and language are examined by an international group of scholars who engage in studies of modernist art and practice. The essays collected here present the significant place of music in the writing of T.S. Eliot, Ernest Hemingway, James Joyce, James Weldon Johnson, Mina Loy, Stephen Mallarme, Ezra Pound, Marcel Proust, Gertrude Stein,Wallace Stevens and Virginia Woolf, as well as the importance of literary art for composers such as George Antheil, Pierre Boulez, Olivier Messaein, and The Beatles. Contributors explore the role of music and literary modernism in the postmodern sublime, sound and "music" in language, the uneasy alliance of jazz and pop song in high modernist work, the Beatles as modernists, and other topics. This is a revised and updated second edition.
Author : Alfred Bendixen,James Nagel
Publisher : John Wiley & Sons
Page : 536 pages
File Size : 49,9 Mb
Release : 2020-08-24
Category : Literary Criticism
ISBN : 9781119685647
Author : Nicole J. Camastra
Publisher : McFarland
Page : 202 pages
File Size : 50,6 Mb
Release : 2023-12-21
Category : Literary Criticism
ISBN : 9781476690162
Both Ernest Hemingway and F. Scott Fitzgerald grew up in the Midwest and were strongly influenced by Romantic music, anchored by the aesthetic tastes of the German immigrants who settled across that region. Hemingway's ear for form and Fitzgerald's penchant for lyricism stem from early and frequent exposure to such masters as Johannes Brahms and Franz Schubert. Nostalgia is typically associated with romanticism, and the acoustic longing found in Hemingway and Fitzgerald's fiction resonates with it, characterized in the narrative voices in Hemingway's Winner Take Nothing, Fitzgerald's Tender Is the Night, and other of their fiction from the early thirties. Understanding that each writer has his own kind of musical biography charts new ways to read material we already think we know. Reading their work within a musico-historical context means acknowledging it as an extension of the 19th century; it means reading them as Romantic Modernists. This work reads each author's prose musically, considering how Romantic music inspired their craft and distinguished their work through the pivotal juncture of the early to mid-1930s, when each man faced an artistic crisis of conscience. Initial chapters provide background information in music history. Following chapters focus on how the life of each author was shaped by music and how they worked with specific influences that grew out of steady interactions with it, evidence of which is found in archival documents and collections.
