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Author : Henry Moore
Publisher : Unknown
Page : 98 pages
File Size : 42,5 Mb
Release : 1970
Category : Electronic
ISBN : PSU:000023246430
Author : Alan G. Wilkinson,Art Gallery of Ontario,Woodstock Art Gallery
Publisher : Gallery = Musée des beaux-arts de l'Ontario
Page : 23 pages
File Size : 53,6 Mb
Release : 1985
Category : Sculpture
ISBN : 0919777163
Author : Anonim
Publisher : Unknown
Page : 0 pages
File Size : 52,6 Mb
Release : 1968
Category : Electronic
ISBN : LCCN:68008313
Author : Henry Moore
Publisher : Unknown
Page : 128 pages
File Size : 40,5 Mb
Release : 1970
Category : Electronic
ISBN : LCCN:75588763
Author : Henry Moore
Publisher : Unknown
Page : 240 pages
File Size : 52,7 Mb
Release : 1983
Category : Electronic
ISBN : UVA:X000689102
Author : Henry Moore
Publisher : Unknown
Page : 240 pages
File Size : 52,6 Mb
Release : 1983
Category : Electronic
ISBN : MINN:31951001082657U
Author : Henry Moore
Publisher : Unknown
Page : 24 pages
File Size : 48,9 Mb
Release : 1996
Category : Electronic
ISBN : OCLC:1008052805
Author : Henry Moore
Publisher : Unknown
Page : 38 pages
File Size : 53,5 Mb
Release : 1982
Category : Art, Modern
ISBN : UCAL:B4299796
Author : Henry Moore
Publisher : Unknown
Page : 84 pages
File Size : 49,8 Mb
Release : 1970
Category : Etching
ISBN : UCSC:32106015706515
Author : Henry Moore,Kenneth Clark
Publisher : Unknown
Page : 112 pages
File Size : 41,5 Mb
Release : 2009
Category : Sheep in art
ISBN : 0500600384
In February 1972 Henry Moores sculpture studios in the English countryside at Much Hadham were filled with the preparations for his retrospective exhibition in Florence. In search of peace and quiet, he went into a smaller room overlooking the fields where a local farmer grazed his sheep. The sheep came very close to the window, attracting his attention, and he began to draw them. Initially he saw them as nothing more than four-legged balls of wool, but his vision changed as he explored what they were really like the way they moved, the shape of their bodies under the fleece. They also developed strong human and biblical associations, and the sight of a ewe with her lamb evoked the mother-and-child theme a large form sheltering a small one which has been important to Henry Moore in all his work. He drew the sheep again that summer after they were shorn, when he could see the shapes of the bodies which had been covered by wool. Solid in form, sudden and vigorous in movement, Henry Moores sheep are created through a network of swirling and zigzagging lines in the rapid (and in Moores hands) sensitive medium of ballpoint pen. The effect is both familiar and monumental; as Lord Clark comments, We expect Henry Moore to give a certain nobility to everything he draws; but more surprising is the way in which these drawings express a feeling of real affection for their subject.
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 47,6 Mb
Release : 1981
Category : Electronic
ISBN : OCLC:901201852
Author : Dorothy M. Kosinski,Henry Moore,Julian Andrews,Anita Feldman Bennett,Museum of Fine Arts (Dallas, Tex.),Dallas Museum of Art,Gail Davitt,Elizabeth Ann Brown,Fine Arts Museums of San Francisco,David Cohen,National Gallery of Art (U.S.),Steven A. Nash,Harriet F. Senie,Alan G. Wilkinson
Publisher : Yale University Press
Page : 332 pages
File Size : 55,9 Mb
Release : 2001-01-01
Category : Art
ISBN : 9780300089929
Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.
Author : Francis Bacon,Henry Moore,Richard Calvocoressi,Martin Harrison,Francis Warner
Publisher : Unknown
Page : 0 pages
File Size : 49,9 Mb
Release : 2013
Category : Painting
ISBN : 1851497471
Illustrates stunning works by two giants of twentieth-century western art. Highlights the important influences and experiences shared by Henry Moore and Francis Bacon, and explores specific themes in their work.
Author : Martina Droth,Paul Messier
Publisher : Yale University Press
Page : 0 pages
File Size : 42,9 Mb
Release : 2020
Category : Art
ISBN : 030025105X
Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021.
Author : Henry Moore,Feheley Collection,York University (Toronto, Ont.). Art Gallery
Publisher : Unknown
Page : 28 pages
File Size : 40,8 Mb
Release : 1974
Category : Electronic
ISBN : 0919604110
