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Donald and Lillian were never a match made in heaven, but they have a child, Tina, and she is the love of Donald's heart. For her he would give up everything: his home, his work and even his freedom. When his marriage fails, he does just that. A chance meeting with a stranger on a train changes his life - and his daughter's - in ways he could never have imagined. From her earliest years Tina is exceptional, a brilliant student and a joyous person with a loving spirit. At university she falls in love with Gilbert who, three years older than she, graduates from law school just as she is about to enter medical school. Together they go to New York, where they learn a truth about Donald that shatters Tina's regard for the father who has for so long protected and cherished her. When a terrible lie has been told for love, can it be forgiven?
The renowned analyst and author here provides deep insight into the process required to bring feminize wisdom to consciousness in a patriarchal culture—as struggle in which many women are more fully engaged today that ever before. Presenting the personal journeys of three wise women as maps, she points the way to the state of inner wholeness and balance she calls "conscious femininity."
A historian's personal journey into the complex questions of immigration, home and nation From Ireland to London in the 1950s, Derry in the Troubles to contemporary, de-industrialised Manchester, Joyce finds the ties of place, family and the past are difficult to break. Why do certain places continue to haunt us? What does it mean to be British after the suffering of Empire and of war? How do we make our home in a hypermobile world without remembering our pasts? Patrick Joyce's parents moved from Ireland in the 1930s and made their home in west London. But they never really left the homeland. And so as he grew up among the streets of Paddington and Notting Hill and when he visited his family in Ireland he felt a tension between the notions of home, nation and belonging. Going to My Father's House charts the historian's attempt to make sense of these ties and to see how they manifest in a globalised world. He explores the places - the house, the street, the walls and the graves - that formed his own identity. He ask what place the ideas of history, heritage and nostalgia have in creating a sense of our selves. He concludes with a plea for a history that holds the past to account but also allows for dynamic, inclusive change.
Now with 250K copies in print! Revised and Updated Edition. Anne affirms that Heaven truly is the home of your dreams: a home of lasting value that's fully paid for and filled with family, where you will be wanted and welcomed. Best of all, Heaven is a home you are invited to claim as your own. With over 40 percent new and revised content, Anne Graham Lotz has updated her classic book on Heaven for a whole new generation of readers, and also for herself. With her father, mother, and husband now gone, Lotz beautifully adds her own vulnerability and stories to the journey contained in Heaven: My Father's House. Jesus promised us, "In My Father's house are many rooms...I am going there to prepare a place for you." Amid the turbulence of today's world, we cling to the hope of a heavenly home where we will be welcomed into eternal peace and safety. Anne affirms that Heaven truly is the home of your dreams: a home of lasting value that's fully paid for and filled with family, where you will be wanted and welcomed. Best of all, Heaven is a home you are invited to claim as your own.
From the Pulitzer Prize-winning New York Times journalist: a pathbreaking examination of our huge crime and incarceration problem that looks at the influence of the family--specifically one Oregon family with a generations-long legacy of lawlessness. The United States currently holds the distinction of housing nearly one-quarter of the world's prison population. But our reliance on mass incarceration, Fox Butterfield argues, misses the intractable reality: As few as 5 percent of families account for half of all crime, and only 10 percent account for two-thirds. In introducing us to the Bogle family, the author invites us to understand crime in this eye-opening new light. He chronicles the malignant legacy of criminality passed from parents to children, grandchildren, and even great-grandchildren. Examining the long history of the Bogles, a white family, Butterfield offers a revelatory look at criminality that forces us to disentangle race from our ideas about crime and, in doing so, strikes at the heart of our deepest stereotypes. And he makes clear how these new insights are leading to fundamentally different efforts at reform. With his empathic insight and profound knowledge of criminology, Butterfield offers us both the indelible tale of one family's transgressions and tribulations, and an entirely new way to understand crime in America.
The beating of Rodney King and the resulting riots in South Central Los Angeles. The violent clash between Hasidim and African-Americans in Crown Heights. The boats of Haitian refugees being turned away from the Land of Opportunity. These are among the many racially-charged images that have burst across our television screens in the last year alone, images that show that for all our complacent beliefs in a melting-pot society, race is as much of a problem as ever in America. In this vastly important, widely-acclaimed volume, Kwame Anthony Appiah, a Ghanaian philosopher who now teaches at Harvard, explores, in his words, "the possibilities and pitfalls of an African identity in the late twentieth century." In the process he sheds new light on what it means to be an African-American, on the many preconceptions that have muddled discussions of race, Africa, and Afrocentrism since the end of the nineteenth century, and, in the end, to move beyond the idea of race. In My Father's House is especially wide-ranging, covering everything from Pan Africanism, to the works of early African-American intellectuals such as Alexander Crummell and W.E.B. Du Bois, to the ways in which African identity influences African literature. In his discussion of the latter subject, Appiah demonstrates how attempts to construct a uniquely African literature have ignored not only the inescapable influences that centuries of contact with the West have imposed, but also the multicultural nature of Africa itself. Emphasizing this last point is Appiah's eloquent title essay which offers a fitting finale to the volume. In a moving first-person account of his father's death and funeral in Ghana, Appiah offers a brilliant metaphor for the tension between Africa's aspirations to modernity and its desire to draw on its ancient cultural roots. During the Los Angeles riots, Rodney King appeared on television to make his now famous plea: "People, can we all get along?" In this beautiful, elegantly written volume, Appiah steers us along a path toward answering a question of the utmost importance to us all.
In My Father's House Are Many Mansions by Orville Vernon Burton Pdf
Burton traces the evolution of Edgefield County from the antebellum period through Reconstruction and beyond. From amassed information on every household in this large rural community, he tests the many generalizations about southern black and white families of this period and finds that they were strikingly similar. Wealth, rather than race or class, was the main factor that influenced family structure, and the matriarchal family was but a myth.
From Steven V. Roberts comes My Fathers' Houses, a memoir of growing up in Bayonne, New Jersey, an immigrant community in the shadow of the Statue if Liberty, and the story of how his father and his grandfather's dreams–and their own passion for writing and ideas–influenced Steven's future, and inspired him to seek his fortune in New York City, the media capital of the world. This is a story of a town and a time and a boy who grew up there, a boy who became a New York Times correspondent, TV and radio personality, and best–selling author. The town was Bayonne, New Jersey, a European village so close to New York that Steve could see the Statue of Liberty from his bedroom window. The time was the forties and fifties, when children of immigrants were striving to become American and find a place in a booming post–war world. The core of Steve's world was one block, where he lived in a house his grandfather, Harry Schanbam, had built with his own hands. But the story starts back in Russia, where the family business of writing and ideas began. Steve's other grandfather, Abraham Rogowsky, stole money to become a Zionist pioneer in Palestine before moving to America. The tale continues through the Depression, when Steve's parents lived one block apart in Bayonne, wrote letters to each other and married in secret. During the war years, Steve's father wrote children's books and based one of his best sellers on outings he took with his twin sons to the local train station. As his byline, he used his boys' middle names–Jeffrey Victor–so Steve got his first writing credit before he was two. The story concludes with the boy leaving Bayonne, going on to Harvard, meeting the Catholic girl who became his wife, and starting work at the New York Times–across the river, and worlds away, from where he began. Now a grandfather of five, Steve Roberts looks in the mirror and sees his own father and grandfather looking back at him–a family chain that started in 19th century Russia and thrives today in 21st century America.
She was a beautiful blond child, a quintessential Canadian teenager: she loved Saturday film matinees, giggled at pyjama parties, ran for student president, led the cheerleading squad, went steady with the right boy and married him, her proud father at her side. But from the age of seven Sylvia Fraser shared her body with a 'twin' who lived a separate life from her. This other self was created to do the things Sylvia was too frightened, too ashamed, too repelled to do - the things her father made her do. As an adult, she had no recollection of a sexual relationship with her father, yet some connection always remained - pain, terror and guilt were never far from the surface. With tremendous power, candour and eloquence, Sylvia Fraser breaks through her amnesia to discover and embrace the self she left behind. MY FATHER'S HOUSE is at once a terrible account of a woman's coming of age and a lyric story of love and forgiveness.
In My Father's House by Corrie Ten Boom,Carole C. Carlson Pdf
Here is an intimate look at the human side of one of our generation's most authentic Christians; how her faith kept her going for years to prepare for the suffering and victories ahead.
Let Me Go to the Father's House by Stanisław Dziwisz Pdf
On April 2, 2005, the world kept vigil at the bedside of John Paul II and together mourned his passing.A man of suffering--the child who lost his parents; the youth who endured war, Nazi persecution, and the subsequent communist regime; the youthful Pope who was shot in an attempt on his life; the elderly Pope whose Parkinson's prompted numerous trips to Gemelli hospital--Wojtyla was always constantly attentive to the sick and suffering, who knew they would find a place of listening and understanding in his heart.Acquainted with sorrow throughout his life, John Paul II demonstrated the value of redemptive suffering to a world keeping vigil during his final hours. Now, his private secretary and personal physician, and others nearest him during his last days, share their own memories of that precious time: a story of courage, gratitude and love.Stanislaw Dziwisz is today the archbishop of Krakow, after having dedicated the past 27 years to John Paul II as his secretary. Czeslaw Drazek, SJ, is the publisher of the Polish edition of L?Osservatore Romano.Renato Buzzonetti was John Paul II's personal physician.Angelo Comastri is the President of the Fabbrica di San Peitro and was the Vicar General of Vatican City under John Paul II. He has published numerous books in spirituality.
As a young girl growing up in the 40s on a vast estate near Munich, Trixi Ost lives a life that is charmed by talent and privilege yet scarred by place and time. Everyday routine is upended as the estate becomes temporary home to friends, family, Prussian royals, Polish peasants and others displaced by the war. In one eerie scene, a band of Serbian gypsies arrive in tattered red-and-orange rags - escapees from Dachau. Rendered with insight, humour and acute visual lyricism, Ost's memoir is a unique exploration of the lasting influence of childhood.