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Everyone is treating Kevin as a hero. He was in the right place and the right time and he saved a girl from being murdered. Only Kevin knows though, why he was able to save her. Things get even more complicated when Kevin is seen removing two patriotic “Support the Troops” ribbons from his car bumper. Now the town that lauded him as a hero turns on him, calling him unpatriotic. Kevin, who hadn't thought much about it up to then, becomes politcially engaged, suddenly questioning what exactly supporting the troops or even saying the pledge of allegiance every day means.
The Russian Hero in Modern Chinese Fiction by Mau-sang Ng Pdf
The Russian influence took root in the Chinese intellectual tradition that evolved after the Literary Revolution of 1917. When the Chinese communists turned to Russia for their inspiration they also accepted the Russian version of the novels form and function in society. However, they did not accept it uncritically. Chinese understanding of the arts goes back for thousands of years and thus Chinese intellectuals brought their own kinds of tradition and intelligence to these new arts and political solutions. In this lucid study, the author demonstrates how Chinese writers, guided by Russian authors such as Chekhov, Turgenev, and Andreyev, created works of art that are both original and Chinese. However, he also shows that the familiar heroes of such famous novelists as Lu Xun, Yu Dafu, Mao Dun, and Ba Jin have a strong Russian flavor linked to prototypes in the Russian literary tradition. The author depicts the fortune of Soviet literature and the fate of the intellectual hero in the Peoples Republic of China. He believes that the humanistic May Fourth intellectual tradition, which inspired enthusiasm for classical Russian literature, has been revived with the publication of works like Dai Houyings Man ah, Man! and Zhao Zhenkais Waves.
Raoul Wallenberg is remembered for his humanitarian activity on behalf of the Hungarian Jews at the end of World War II, and as the Swedish diplomat who disappeared into the Soviet Gulag in 1945. This book examines how thirty-one Wallenberg monuments, in twelve countries on five continents commemorate the man.
Author : Michael Lusztig Publisher : State University of New York Press Page : 379 pages File Size : 43,8 Mb Release : 2023-11-01 Category : Political Science ISBN : 9781438495385
Politically speaking, do heroes matter? Are we living in a post-heroic age? The Republican Hero addresses both these questions. The general tenor of modern thinking is that heroes do matter but that the modern age is characterized by a narrowing of moral horizons once illuminated by heroes, secular and spiritual. Michael Lusztig argues that the modern world is not post-heroic. He makes the case that the modern age is the most heroic age, if measured in terms of the Aristotelian currency of balance and completeness. To this end, he identifies four main hero-types—the epic, magnanimous, Romantic, and common. Each can rightfully be called a republican hero: each contributes to the promotion or protection or provision of republican values. Each exemplifies the heroic virtues of their age. However, taken conjunctively, each contributes to what Lusztig conceives as the complete republican hero of the modern age.
Selected by Choice Magazine as an Outstanding Academic Title From Odysseus to Aeneas, from Beowulf to King Arthur, from the Mahâbhârata to the Ossetian "Nart" tales, epic heroes and their stories have symbolized the power of the human imagination. Drawing on diverse disciplines including classics, anthropology, psychology, and literary studies, this product of twenty years' scholarship provides a detailed typology of the hero in Western myth: birth, parentage, familial ties, sexuality, character, deeds, death, and afterlife. Dean A. Miller examines the place of the hero in the physical world (wilderness, castle, prison cell) and in society (among monarchs, fools, shamans, rivals, and gods). He looks at the hero in battle and quest; at his political status; and at his relationship to established religion. The book spans Western epic traditions, including Greek, Roman, Nordic, and Celtic, as well as the Indian and Persian legacies. A large section of the book also examines the figures who modify or accompany the hero: partners, helpers (animals and sometimes monsters), foes, foils, and even antitypes. The Epic Hero provides a comprehensive and provocative guide to epic heroes, and to the richly imaginative tales they inhabit.
Invulnerable Super Hero RPG Vigilante Edition by Joshua Kubli Pdf
Invulnerable Super Hero RPG: Vigilante Edition is here! Invulnerable's flexible point-based system emphasizes versatility and roleplaying. Invulnerable heroes gain a wide variety of Power Enhancements to show the amazing feats they can perform, and their Motivations and Central Contradiction tell you what kind of hero they are behind the mask! Heroes need a world to protect. Invulnerable includes a detailed setting, Earth-Omega, filled with heroes to join, and villains to trounce, and legacies to uphold! So what are you waiting for? Grab Some Dice And Save The World!
Almost all Americans believe in God. But, the author shows, this belief has little impact on their lives. He finds them unable to see any meaning in life, lacking any heroes, and without a compelling moral vision.
The Byronic Hero in Film, Fiction, and Television by Atara Stein Pdf
The Byronic Hero in Film, Fiction, and Television bridges nineteenth- and twentieth-century studies in pursuit of an ambitious, antisocial, arrogant, and aggressively individualistic mode of hero from his inception in Byron’s Manfred, Childe Harold, and Cain, through his incarnations as the protagonists of Westerns, action films, space odysseys, vampire novels, neo-Gothic comics, and sci-fi television. Such a hero exhibits supernatural abilities, adherence to a personal moral code, ineptitude at human interaction (muddled even further by self-absorbed egotism), and an ingrained defiance of oppressive authority. He is typically an outlaw, most certainly an outcast or outsider, and more often than not, he is a he. Given his superhuman status, this hero offers no potential for sympathetic identification from his audience. At best, he provides an outlet for vicarious expressions of power and independence. While audiences may not seek to emulate the Byronic hero, Stein notes that he desires to emulate them; recent texts plot to “rehumanize” the hero or to voice through him approbation and admiration of ordinary human values and experiences. Tracing the influence of Lord Byron’s Manfred as outcast hero on a pantheon of his contemporary progenies—including characters from Pale Rider, Unforgiven, The Terminator, Alien, The Crow, Sandman, Star Trek: The Next Generation,and Angel—Atara Stein tempers her academic acumen with the insights of a devoted aficionado in this first comprehensive study of the Romantic hero type and his modern kindred. Atara Stein was a professor of English at California State University, Fullerton. Her articles on the development of the Byronic hero have appeared in Popular Culture Review, Romantic Circles Praxis Series, Genders, and Philological Quarterly.
Zero to Hero, Hero to Zero by Lydia Langerwerf,Cressida Ryan Pdf
Hercules is a hero; we were all brought up to appreciate the basic idea of the ancient hero. But what about him makes him one? This book aims to challenge some of the standard expectations as to what constitutes a hero, considering the phenomenon of heroism from a range of viewpoints. In this book we invite you to walk around the monumental notions of the hero and heroism, and endeavour to reach out and touch them on all sides. The chapters in this volume testify to the difficulty of answering the question ‘what is a hero?’ and engage with a variety of themes in attempting to offer some replies. They demonstrate not just the variety of ways in which the protagonists of ancient literature can be deemed heroic, but also the tendency for aspects of heroism to turn sour once identified. It seems that the moment we recognise heroic features, we are forced to question them. Do heroes necessitate anti-heroes, for example? Portraying protagonists’ heroic qualities in an ambigous light focuses the reader’s attention on the problem of realising the ideals of heroism in historic actuality. Various chapters ask the rhetorical question of whether we should expect, or more importantly, desire historical actors to behave like mythical heroes. To what extent can a hero ever be integrated into normal society? What difference might there be between a tragic and an epic hero? The commonplace ‘The only good hero is a dead hero’ summarises the extent to which this book also focuses on heroic death and dying. Covering Euripides to Monty Python, Roman soldiers to the modern military, this volume offers the reader a chance to think about the changing notion of the hero and recognise heroic qualities throughout western culture.
The trickster and the hero, found in so many of the world’s oral traditions, are seemingly opposed but often united in one character. Trickster and Hero provides a comparative look at a rich array of world oral traditions, folktales, mythologies, and literatures—from The Odyssey, The Epic of Gilgamesh, and Beowulf to Native American and African tales. Award-winning folklorist Harold Scheub explores the “Trickster moment,” the moment in the story when the tale, the teller, and the listener are transformed: we are both man and woman, god and human, hero and villain. Scheub delves into the importance of trickster mythologies and the shifting relationships between tricksters and heroes. He examines protagonists that figure centrally in a wide range of oral narrative traditions, showing that the true hero is always to some extent a trickster as well. The trickster and hero, Scheub contends, are at the core of storytelling, and all the possibilities of life are there: we are taken apart and rebuilt, dismembered and reborn, defeated and renewed.
The Positive Hero in Russian Literature by Rufus W. Mathewson Pdf
"The positive hero was defined by the Soviets as one who set an example for the reader's behavior. As early as 1860, the merits of this ideal model were a central issue in the war between literary imagination and ideological criticism that raged in Russia for a hundred years." "In The Positive Hero in Russian Literature, Rufus W. Mathewson, Jr., brings a period of Russian literature to life and demonstrates how the battles over the positive hero reappeared with dramatic clarity in the dissident literary movement that developed after Stalin's death. Mathewson argues that the true continuity between nineteenth- and twentieth-century Russian prose was to be found in this persistent conflict between contrary views of the real nature and proper uses of literature. This new edition of a widely acclaimed work, first published in 1958 and covering literary developments through 1946, includes chapters on Belinsky, Pasternak, Solzhenitsyn, and Sinyavsky." --Book Jacket.
Lermontov's "A Hero of Our Time" by Lewis Bagby Pdf
Mikhail Lermontov's book, A Hero of Our Time, was written in 1840 and is an important work of psychological realism. This volume includes articles by theorists from various perspectives.
A Hero Like You looks at everyday heroes and highlights qualities such as loyalty, compassion, resourcefulness, justice, and courage. The lyrical rhyme and relatable illustrations remind us that we all have the opportunity to be a hero by helping others, doing right and making the world a better place. "What the world needs is a hero like you!"
The Hero in Contemporary American Fiction by S. Halldorson Pdf
This book sets out to write nothing short of a new theory of the heroic for today's world. It delves into the "why" of the hero as a natural companion piece to the "how" of the hero as written by Northrop Frye and Joseph Campbell over half a century ago. The novels of Saul Bellow and Don DeLillo serve as an anchor to the theory as it challenges our notions of what is heroic about nymphomaniacs, Holocaust survivors, spurious academics, cult followers, terrorists, celebrities, photographers and writers of novels who all attempt to claim the right to be "hero."