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Hey Ho Let's Go: The Story of the Ramones by Everett TRUE Pdf
From their 1974 debut at New York's premier punk dive, through the classic albums and blistering live sets, The Ramones cut an unforgettable swathe through two decades of pop, setting the scene for punk and hardcore with honed-down songs and ferocious 20 minute sets, but always putting the music first. Seen through the eyes of the people who were there at the time, including musicians, managers, producers, publicists and New York punk scenesters, this book shows the heroic Ramones staying faithful to their own unique musical vision right to the bitter end. This updated edition now climaxes with the sad death of guitarist Johnny Ramone.
Punk Rock Blitzkrieg by Marky Ramone,Richard Herschlag Pdf
The “entertaining and enlightening” (Stephen King) final word on the genius and mischief of the Ramones, told by the man who created the beat behind their iconic music and lived to tell about it. When punk rock reared its spiky head in the early seventies, Marc Bell had the best seat in the house. Already a young veteran of the prototype American metal band Dust, Bell took residence in artistic, seedy Lower Manhattan, where he played drums in bands that would shape rock music for decades to come, including Wayne County, who pioneered transsexual rock, and Richard Hell and the Voidoids, who directly inspired the entire early British punk scene. If punk had royalty, in 1978 Marc became part of it when he was knighted “Marky Ramone” by Johnny, Joey, and Dee Dee of the iconoclastic Ramones. The band of tough misfits were a natural fit for Marky, who dressed punk before there was punk, and who brought his “blitzkrieg” style of drumming as well as the studio and stage experience the band needed to solidify its lineup. Together, they changed the world. But Marky Ramone changed, too. The epic wear and tear of a dysfunctional group (and the Ramones were a step beyond dysfunction) endlessly crisscrossing the country and the world in an Econoline—practically a psychiatric ward on wheels—drove Marky from partying to alcoholism. When his life started to look more out of control then Dee Dee’s, he knew he had a problem. Marky left music in the mid-eighties to enter recovery and eventually returned to help the Ramones finally receive their due as one of the greatest and most influential bands of all time. Covering in unflinching detail the cult film Rock ’N’ Roll High School to “I Wanna Be Sedated” to Marky’s own struggles, Punk Rock Blitzkrieg is an authentic and always honest look at the people who reinvented rock music, and not a moment too soon.
When you don’t wanna go down to the pizzeria, whip up these vegan pizzas. Automne Zingg—mastermind behind Comfort Eating with Nick Cave, Defensive Eating with Morrissey, and Enter Sandwich—has illustrated pizza-themed boys-from-Queens homages, as they eat pizza, sneer at pepperoni, and play pizza guitars. Joshua Ploeg’s recipes wittily incorporate vaguely familiar lyrics and humor. Pizzas range from traditional marinara with vegetables and veggie sausage (Texas Chain Sauce Massacre) and white sauce specials (Carbonara Not Glue), to variations like Beet on the Brat, Havana Pizza Affair, Thyme Bomb. “Well, I’m Against It,” comments Johnny, but you’ll find a pineapple pizza recipe in here as well. Pizza is deconstructed, reconstructed, and, like the best bands, turns into something far better than the sum of its parts.
Perfect for STEM and space storytimes, this musical mission to Mars will have young astronauts singing along as they learn the science of space travel. Explore the science behind a trip to Mars, from launch to landing on the Red Planet. Set to the tune of "The Farmer in the Dell," this jaunty journey follows five adorable, bobble-headed astronauts as they learn how to bathe in zero gravity, grow veggies in space, and entertain themselves on the six-month trip. Even the design of the book defies gravity, as text and art float free on the page, encouraging readers to turn the book sideways and upside-down.
Foreword INDIES Book of the Year Award Gold Winner for Mystery When the murder of a "nobody" triggers an avalanche Every human life is supposed to be important. Everyone should matter. But that's not the case in the cutthroat TV news-rating world where Clare Carlson works. Sex, money, and power sell. Only murder victims of the right social strata are considered worth covering. Not the murder of a "nobody." So, when the battered body of a homeless woman named Dora Gayle is found on the streets of New York City, her murder barely gets a mention in the media. But Clare—a TV news director who still has a reporter's instincts—decides to dig deeper into the seemingly meaningless death. She uncovers mysterious links between Gayle and a number of wealthy and influential figures. There is a prominent female defense attorney; a scandal-ridden ex-congressman; a decorated NYPD detective; and—most shocking of all—a wealthy media mogul who owns the TV station where Clare works. Soon there are more murders, more victims, more questions. As the bodies pile up, Clare realizes that her job, her career, and maybe even her life are at stake as she chases after her biggest story ever. Perfect for fans of Harlan Coben and Robert Crais While all of the novels in the Clare Carlson Mystery Series stand on their own and can be read in any order, the publication sequence is: Yesterday's News Below the Fold The Last Scoop Beyond the Headlines It's News to Me (coming in 2022)
Rock and roll is more than just music. Rock is a culture and an ideology, which carries its own ethos. It is forcefully countercultural and exists as a bane in the sight of dominant Western culture. As rock engages and critiques culture, it invariably encounters issues of meaning that are existential and theological. A transformational theology of rock begins with those existential and theological issues raised by and within rock music. With God On Our Side attempts to respond to these queries in a way that is faithful to the work of the kingdom of God on earth by mining our long theological tradition and seeing what cohesive responses can be made to the issues raised by rock music. At its best, rock acknowledges there is something wrong with the world, raises awareness of marginalized voices, and offers an alternative mode of existence within our present reality. By teasing out the theological issues found in rock music, this book synthesizes the findings to create a distinctive cultural theology that is sensitive to the plight of the marginalized in the West. In this way, the book offers a way forward towards a transformational theology of rock and roll.
Author : Hal Leonard Corp. Publisher : Hal Leonard Corporation Page : 250 pages File Size : 44,8 Mb Release : 2015-06-01 Category : Music ISBN : 9781495031069
(Guitar Collection). This collection features streamlined guitar arrangements, with a combo of tab, chords, and lyrics for 50 popular songs, including: Ain't No Sunshine * Beat It * Every Rose Has Its Thorn * Folsom Prison Blues * Hallelujah * Highway to Hell * I Love Rock 'N Roll * I'm Yours * In My Life * La Grange * Otherside * Pork and Beans * Rolling in the Deep * Smells like Teen Spirit * Sweet Home Chicago * Three Little Birds * Wild Night * Wish You Were Here * and many more.
Selections from Rolling Stone Magazine's 500 Greatest Songs of All Time - Classic Rock to Modern Rock by Alfred Music Pdf
Sixty-seven of the best songs of the rock era, all chosen from Rolling Stone magazine's 500 Greatest Songs of All Time list. The book covers 67 classic songs spanning the classic rock era to the modern rock era all arranged to include all important guitar parts and yet remain easily playable. Songs Include: * Alison * Another Brick in the Wall Part 2 * Back in Black * Bad Moon Rising * Beat It * Billie Jean * Bitter Sweet Symphony * Bizarre Love Triangle * Black Dog * Blitzkrieg Bop * Born in the U.S.A. * Born to Run * The Boys of Summer * Brown Sugar * Come Together * Comfortably Numb * Fake Plastic Trees * Family Affair * Fast Car * Get Up (I Feel Like Being a) Sex Machine * Gimme Shelter * Go Your Own Way * God Save the Queen * Good Times * Graceland * Heartbreaker * Highway to Hell * Hotel California * I Wanna Be Sedated * Into the Mystic * Iron Man * Kashmir * Knocking on Heaven's Door * Layla * Like a Prayer * Lola * London Calling * Losing My Religion * Lust for Life * Maggie May * Moondance * No Woman, No Cry * Paradise City * Paranoid * Paranoid Android * (What's So Funny 'Bout) Peace Love and Understanding? * Personality Crisis * Radio Free Europe * (Don't Fear) the Reaper * Respect * Sheena Is a Punk Rocker * Should I Stay or Should I Go * Spirit in the Sky * Stairway to Heaven * Stayin' Alive * Sweet Child O' Mine * Tangled Up in Blue * Thank You (Falettinme Be Mice Elf Agin) * Thunder Road * Walk on the Wild Side * Welcome to the Jungle * What's Going On * Whipping Post * Whole Lotta Love * Wild Horses * Wish You Were Here * You Can't Always Get What You Want
Author : Dee Dee Ramone,Veronica Kofman Publisher : Da Capo Press Page : 310 pages File Size : 52,8 Mb Release : 2016-03-01 Category : Music ISBN : 9780306824999
Lobotomy is a lurid and unlikely temperance tract from the underbelly of rock 'n' roll. Taking readers on a wild rollercoaster ride from his crazy childhood in Berlin and Munich to his lonely methadone-soaked stay at a cheap hotel in Earl's Court and newfound peace on the straight and narrow, Dee Dee Ramone catapults readers into the raw world of sex, addiction, and two-minute songs. It isn't pretty. With the velocity of a Ramones song, Lobotomy rockets from nights at CBGB's to the breakup of the Ramones' happy family with an unrelenting backbeat of hate and squalor: his girlfriend ODs; drug buddy Johnny Thunders steals his ode to heroin, "Chinese Rock"; Sid Vicious shoots up using toilet water; and a pistol-wielding Phil Spector holds the band hostage in Beverly Hills. Hey! Ho! Let's go!
The Semantic Web: Research and Applications by Lora Aroyo,Grigoris Antoniou,Eero Hyvönen,Annette ten Teije,Heiner Stuckenschmidt,Liliana Cabral,Tania Tudorache Pdf
The books (LNCS 6088 and 6089) constitute the refereed proceedings of the 7th European Semantic Web Conference, ESWC 2010, held in Heraklion, Crete, Greece, in May/June 2010. The 52 revised full papers of the research track presented together with 10 PhD symposium papers and 17 demo papers were carefully reviewed and selected from more than 245 submissions. The papers are organized in topical sections on mobility track, ontologies and reasoning track, semantic web in use track, sensor networks track (part I), and services and software track, social web track, web of data track, demo and poster track, PhD symposium (part II).
Culture from the Slums explores the history of punk rock in East and West Germany during the 1970s and 1980s. These decades witnessed an explosion of alternative culture across divided Germany, and punk was a critical constituent of this movement. For young Germans at the time, punk appealed to those gravitating towards cultural experimentation rooted in notions of authenticity-endeavors considered to be more 'real' and 'genuine.' Adopting musical subculture from abroad and rearticulating the genre locally, punk gave individuals uncomfortable with their societies the opportunity to create alternative worlds. Examining how youths mobilized music to build alternative communities and identities during the Cold War, Culture from the Slums details how punk became the site of historical change during this era: in the West, concerning national identity, commercialism, and politicization; while in the East, over repression, resistance, and collaboration. But on either side of the Iron Curtain, punks' struggles for individuality and independence forced their societies to come to terms with their political, social, and aesthetic challenges, confrontations which pluralized both states, a surprising similarity connecting democratic, capitalist West Germany with socialist, authoritarian East Germany. In this manner, Culture from the Slums suggests that the ideas, practices, and communities which youths called into being transformed both German societies along more diverse and ultimately democratic lines. Using a wealth of previously untapped archival documentation, this study reorients German and European history during this period by integrating alternative culture and music subculture into broader narratives of postwar inquiry and explains how punk rock shaped divided Germany in the 1970s and 1980s.
A photo-packed memoir by the Ramones guitarist and “true iconoclast” (Publishers Weekly). Raised in Queens, New York, Johnny Ramone founded one of the most influential rock bands of all time, but he never strayed from his blue-collar roots and attitude. He was truly imbued with the angry-young-man spirit that would characterize his persona both on and off stage. Through it all, Johnny kept the band focused and moving forward, ultimately securing their place in music history by inventing punk rock. The Ramones were inducted into the Rock and Roll Hall of Fame in 2002—and two years later, Johnny died of cancer, having outlived two other founding members. Revealing, inspiring, and told on his own terms, this memoir also features Johnny’s assessment of the Ramones’ albums; a number of eccentric Top Ten lists; rare historical artifacts; and scores of personal and professional photos, many of which have never before been published. “Feels like a conversation with Johnny.” —The Boston Globe
Stealing All Transmissions is a love story. It’s the story of how The Clash fell in love with America, and how America loved them back. The romance began in full in 1977, when select rock journalists and deejays aided the band’s quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s and culminates with their September 1979 performance at the Palladium in New York City. This concert was broadcast live on WNEW, and it concluded with Paul Simonon treating his Fender bass like a woodcutter’s ax. This performance produced one of the most exhilarating Clash bootleg recordings, and the photo of Simonon’s outburst which graced the cover of the London Calling LP was recently deemed the greatest rock’n’roll photograph of all time. That night marked one of the last opportunities for American audiences to see The Clash as a punk band, teetering between conviction and uncertainty, before they became a seriously brilliant rock group. Stealing represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordings, many of which are now widely available on the web. This story, which takes its title from the 1981 single “Radio Clash,” includes original interviews with key figures from the New York punk scene. This secret history concludes with an analysis of how we listen to music today and its impact on the written word.