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The story of the struggle for women's suffrage is not just that of the Pankhursts and Emily Davison. Thousands of others were involved in peaceful protest and sometimes more militant activity and they included women from all walks of life. This book presents the lives of forty-eight less well-known women who tirelessly campaigned for the vote, from all parts of Great Britain and Ireland and from all walks of life. They were the hidden heroines who paved the way for women to gain greater equality in Britain. Fully illustrated with 52 black and white photographs.
Warrior Women by Jeannine Davis-Kimball,Mona Behan Pdf
Davis-Kimball weaves science, mythology and mystical cultures into a bold new historical tapestry of female warriors, heroines and leaders who have been left out of the history books-- until now.
Scotland's Hidden Harlots and Heroines by Annie Harrower-Gray Pdf
Annie Harrower-Gray opens up an alternative view of Scotland's turbulent history, revealing three centuries through the eyes of the nation's women. The whole of society appears, from ordinary labourers, prostitutes and factory hands to their more celebrated sisters and even witches, bodysnatchers and female Jacobites. ??All their tales are freshly researched and told with a sense of humour. Colourful characters abound! Step inside the boudoirs of Edinburgh's ladies of pleasure, whose civilised manners so confused one church minister that he 'accidentally' took tea in a brothel. Creep into the graveyard with Helen Torrance and Jean Lapiq, convicted of bodysnatching half a century before Burke and Hare. Uncover the murky history of Scotland's last witch Helen Duncan, whose eerily accurate wartime predictions led to her imprisonment. This book offers an exciting and erudite voyage through the social history of Scotland. ??Honour the heroines who helped to shape Scotland, yet rest in unvisited tombs!??As featured in Alloa & Hillfoots Advertiser and Scottish Memories Magazine.
In the first decades of the 20th century, five women - Katherine Routledge, Maria Czaplicka, Winifred Blackman, Beatrice Blackwood and Barbara Freire-Marreco - arrived at Oxford to take the newly created Masters in Anthropology. Though their circumstances differed radically, all were intent on visiting and studying remote communities a world away from their own. Through their work, they resisted the prejudices of the male establishment, proving that women could be explorers and scientists, too. In the wastes of Siberia; in the villages and pueblos of the Nile and New Mexico; on Easter Island; and in the uncharted interior of New Guinea, they found new freedoms - yet when they returned to England, loss, madness and self-doubt awaited them. Frances Larson's masterful group biography is a revelatory portrait of five hidden heroines of British scholarship.
Who says women don’t go to war? From Vikings and African queens to cross-dressing military doctors and WWII Russian fighter pilots, these are the stories of women for whom battle was not a metaphor. The woman warrior is always cast as an anomaly—Joan of Arc, not GI Jane. But women, it turns out, have always gone to war. In this fascinating and lively world history, Pamela Toler not only introduces us to women who took up arms, she also shows why they did it and what happened when they stepped out of their traditional female roles to take on other identities. These are the stories of women who fought because they wanted to, because they had to, or because they could. Among the warriors you’ll meet are: * Tomyris, ruler of the Massagetae, who killed Cyrus the Great of Persia when he sought to invade her lands * The West African ruler Amina of Hausa, who led her warriors in a campaign of territorial expansion for more than 30 years * Boudica, who led the Celtic tribes of Britain into a massive rebellion against the Roman Empire to avenge the rapes of her daughters * The Trung sisters, Trung Trac and Trung Nhi, who led an untrained army of 80,000 troops to drive the Chinese empire out of Vietnam * The Joshigun, a group of 30 combat-trained Japanese women who fought against the forces of the Meiji emperor in the late 19th century * Lakshmi Bai, Rani of Jhansi, who was regarded as the “bravest and best” military leader in the 1857 Indian Mutiny against British rule * Maria Bochkareva, who commanded Russia’s first all-female battalion—the First Women’s Battalion of Death—during WWII * Buffalo Calf Road Woman, the Cheyenne warrior who knocked General Custer off his horse at the Battle of Little Bighorn * Juana Azurduy de Padilla, a mestiza warrior who fought in at least 16 major battles against colonizers of Latin America and who is a national hero in Bolivia and Argentina today * And many more spanning from ancient times through the 20th century. By considering the ways in which their presence has been erased from history, Toler reveals that women have always fought—not in spite of being women but because they are women.
"He died so Jewry should suffer no more." These words on a Canadian Jewish soldier's tombstone in Normandy inspired the author to explore the role of Canadian Jews in the war effort. As PM Mackenzie King wrote in 1947, Jewish servicemen faced a "double threat" - they were not only fighting against Fascism but for Jewish survival. At the same time, they encountered widespread antisemitism and the danger of being identified as Jews if captured. Bessner conducted hundreds of interviews and extensive archival research to paint a complex picture of the 17,000 Canadian Jews - about 10 per cent of the Jewish population in wartime Canada - who chose to enlist, including future Cabinet minister Barney Danson, future game-show host Monty Hall, and comedians Wayne and Shuster. Added to this fascinating account are Jews who were among the so-called "Zombies" - Canadians who were drafted, but chose to serve at home - the various perspectives of the Jewish community, and the participation of Canadian Jewish women.
Heroines from literature come to life and visit Anne-Marie's bed and breakfast, where she tries not to interfere with their lives in fear it will change the outcome of their novels.
In contemporary Western societies, the visual domain has come to assume a hitherto unprecedented cultural centrality. Daily life is replete with a potentially endless stream of images and other visual messages: from the electronic and paper-based billboards of the street, to the TV and Internet feeds of the home. The visual has become imbued with a symbolic potency, a signifying power that seemingly eclipses that of all other sensory data. The central aim of this four-volume collection is to explore key approaches to visual research methods and to consider some of the core principles, issues, debates and controversies surrounding the use of visual techniques in relation to three key enterprises: 1) documentation and representation; 2) interpretation and classification and 3) elicitation and collaboration. Volume One: Principles, Issues, Debates and Controversies in Visual Research serves as a theoretical backdrop to the field as a whole. It introduces core epistemological, ethical and methodological debates that effectively cut across the four volume collection as a whole. Volume Two: Documentation and Representation illustrates approaches to visual documentation and representation, from classical documentaries to contemporary, state of the art modes of visual anthropology and ethnography. Volume Three: Interpretation and Classification examines core debates surrounding and approaches to visual analysis. Volume Four: Elicitation and Collaboration explores participative approaches to visual inquiry.
This book explores how the next generation of teen and young adult heroines in popular culture are creating a new feminist ideal for the 21st century. Representations of a teenage girl who is unique or special occur again and again in coming-of-age stories. It's an irresistible concept: the heroine who seems just like every other, but under the surface, she has the potential to change the world. This book examines the cultural significance of teen and young adult female characters—the New Heroines—in popular culture. The book addresses a wide range of examples primarily from the past two decades, with several chapters focusing on a specific heroic figure in popular culture. In addition, the author offers a comparative analysis between the "New Woman" figure from the late 19th and early 20th century and the New Heroine in the 21st century. Readers will understand how representations of teenage girls in fiction and nonfiction are positioned as heroic because of their ability to find out about themselves by connecting with other people, their environment, and technology.
Discusses the role of women in the United States as they helped to build the colonies, settle the frontier, and defend their country and then struggled to possess the fundamental rights of citizens.
NATIONAL BESTSELLER “A delectable brew of gothic horror and Hollywood satire . . . [and] what makes all this so much fun is Danforth’s deliciously ghoulish voice . . . exquisite." —Ron Charles, THE WASHINGTON POST "A multi-faceted novel, equal parts gothic, sharply funny, sapphic romance, historical, and, of course, spooky.” —ENTERTAINMENT WEEKLY Named a Most Anticipated Book by Entertainment Weekly • Washington Post • USA Today • Time • O, The Oprah Magazine • Buzzfeed • Harper's Bazaar • Vulture • Parade • HuffPost • Refinery29 • Popsugar • E! News • Bustle • The Millions • GoodReads • Autostraddle • Lambda Literary • Literary Hub • and more! The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls—a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period-inspired illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read. “Full of Victorian sapphic romance, metafictional horror, biting misandrist humor, Hollywood intrigue, and multiple timeliness—all replete with evocative illustrations that are icing on a deviously delicious cake.” –O, THE OPRAH MAGAZINE
Ellen Alpsten's stunning new novel, The Tsarina's Daughter, is the dramatic story of Elizabeth, daughter of Catherine I and Peter the Great, who ruled Russia during an extraordinary life marked by love, danger, passion and scandal. Born into the House of Romanov to the all-powerful Peter the Great and his wife, Catherine, a former serf, beautiful Tsarevna Elizabeth is the envy of the Russian empire. She is insulated by luxury and spoiled by her father, who dreams for her to marry King Louis XV of France and rule in Versailles. But when a woodland creature gives her a Delphic prophecy, her life is turned upside down. Her volatile father suddenly dies, her only brother has been executed and her mother takes the throne of Russia. As friends turn to foes in the dangerous atmosphere of the Court, the princess must fear for her freedom and her life. Fate deals her blow after blow, and even loving her becomes a crime that warrants cruel torture and capital punishment: Elizabeth matures from suffering victim to strong and savvy survivor. But only her true love and their burning passion finally help her become who she is. When the Imperial Crown is left to an infant Tsarevich, Elizabeth finds herself in mortal danger and must confront a terrible dilemma--seize the reins of power and harm an innocent child, or find herself following in the footsteps of her murdered brother. Hidden behind a gorgeous, wildly decadent façade, the Russian Imperial Court is a viper’s den of intrigue and ambition. Only a woman possessed of boundless courage and cunning can prove herself worthy to sit on the throne of Peter the Great.
The first book to seriously study the double goddess that figures prominently in Neolithic and Bronze Age cultures. • Offers an important symbol for modern women seeking to reconnect with their ancient, integral sense of self and wholeness. • Presents an archetype for the sacred potential of female bonding, whether between mother and daughter, teacher and student, friends, or lovers. • Illustrated with 149 examples of double goddess images. Numerous figures depicting two women in intimate relation with one another, or as a single body with two heads, have been discovered in important centers of early civilizations such as Catal Huyuk and Gozo. These have been routinely ignored by scholars or dismissed as mere dolls with no sacred connotations whatsoever. Vicki Noble shows, to the contrary, that this double goddess is an ancient icon that can considerably expand our understanding of female sovereignty, as well as provide contemporary women with a way to reconnect with the integral sense of self and wholeness enjoyed by their ancestors. Ancient Goddess religion was informed by the organic cycles of nature--the dual poles of Life and Death. The double goddess represents phenomena such as the Earth-Moon pair, the Upper-Underworld pair, the Summer and Winter poles of the seasonal year, and the dual poles of the female biological reality of menstruation and ovulation--the dark and the light. The double goddess in all her varied forms also depicts the vast array of potential relationships women can form with themselves and each other. This book is a celebration of an archetype that not only empowers women, but also teaches them how to share that power with each other.
The endangered and dangerous female figures of "Rebecca", of "Jagged Edge" and "What Lies Beneath" have a deserved and endures fascination. Helen Hanson re-examines these gothic heroines of Hollywood and their meanings, in two of Hollywood's key generic cycles, film noir and the female gothic film. Starting at the beginning, with the origin of these cycles and the ways in which they represented women in the American film industry and culture of the 1940s, she traces their revival in neo-noir and neo-gothic films from the 1980s to the present. She also places the female figures of the femme fatale, female investigator and gothic heroine within the shifting contexts of the film industry and debates in feminist film criticism. Hanson examines a wide range of films from both periods, including 'Suspicion', 'Gaslight' and 'Pacific Heights', and gives particular attention to their presentation of female stories, actions and perspectives. She reveals a diversity of female figures, representations and actions in film noir and the female gothic film, and argues that these women are part of a negotiation of female identities, desires and roles across a long historical period. "Hollywood Heroines" therefore offers us new ways of thinking about classic and contemporary Hollywood heroines, and about the interrelationships of gender and genre.
The Heroines of Henry Longfellow by Timothy E.G. Bartel Pdf
Henry Wadsworth Longfellow’s poems are filled with powerful heroines, from Evangeline, the exiled wanderer, to Vittoria Colonna, the aging genius of the Italian renaissance. In The Heroines of Henry Longfellow: Domestic, Defiant, Divine, Timothy E. G. Bartel provides a survey of Longfellow’s major heroines, placing them in the context of Longfellow’s body of work and the poet’s interests in theology, politics, and history. Though Longfellow’s heroines have sometimes been dismissed as mere domestic caricatures, Bartel argues that Longfellow’s heroines are nothing of the sort. Instead, they provide us with unique pictures of how one’s individual talents and desires can be harmonized with the Christian ideals of communal justice, ethical living, and ultimate union with the Divine.
