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Author : Nicola Masciandaro
Publisher : Glossator
Page : 293 pages
File Size : 47,6 Mb
Release : 2010
Category : Music
ISBN : 9781450572163
A collection of essays and documents presented at "Hideous Gnosis," a symposium on black metal theory held in Brooklyn, December 2009.
Author : Stephen Graham
Publisher : University of Michigan Press
Page : 305 pages
File Size : 50,8 Mb
Release : 2016-04
Category : Music
ISBN : 9780472119752
The first scholarly examination of underground music in the digital age
Author : Niall Scott,Steven Shakespeare
Publisher : punctum books
Page : 118 pages
File Size : 43,5 Mb
Release : 2015-05-19
Category : Music
ISBN : 9780692361436
Not to be confused with metal studies, music criticism, ethnography, or sociology, Black Metal Theory is a speculative and creative endeavor, one which seeks ways of thinking that count as Black Metal events - and indeed, to see how Black Metal might count as thinking. Theory of Black Metal, and Black Metal of theory. Mutual blackening. Therefore, we eschew any approach that treats theory and Metal discretely, preferring to take the left-hand path by insisting on "some kind of connaturality between the two, a shared capacity for nigredo."Issue 2 focuses on the theme of Inversions in Black Metal: Nailed at the heart of many a logo, suspended from the neck, held out in Satanic blessing: the inverted cross is one of black metal's anti-icons. The antithesis of a revelation of light, it signifies an originary blasphemy. Forsaking ascension and mining a path towards the centre of the earth, black metal finds a satanic stain lodged at the core of being. However, the significance of this movement is not bound by a simple reversal. The inverted cross hangs above a swarming logic of inversion: the overturning of Christianity, but also a mimesis of Christian self-desecration; the rejection of certain forms of religion, but also of modernity's pallid enlightenment; the invocation of strange gods of the earth, even as the earth is cursed. When thought becomes poison, it is no longer so easy to determine which way is up and which way is down. To throw down one's head, to push oneself into the cursed earth, to occupy the place of the inverted crucified: is this to think-by-not-thinking an unconditioned rapture beyond negation and affirmation?
Author : Emília Barna,Tamás Tófalvy
Publisher : Routledge
Page : 248 pages
File Size : 54,8 Mb
Release : 2017-01-06
Category : Music
ISBN : 9781351709798
Emília Barna is Assistant Professor at the Budapest University of Technology and Economics. She is a founding member and Chair of IASPM Hungary, editor of Zenei Hálózatok Folyóirat (Music Networks Journal), and Advisory Board Member of IASPM@Journal. Tamás Tófalvy is Assistant Professor at the Budapest University of Technology and Economics. He was the founding Chair and is the current Vice-Chair of IASPM Hungary.
Author : Scott Wilson
Publisher : John Hunt Publishing
Page : 238 pages
File Size : 41,6 Mb
Release : 2014-09-26
Category : Music
ISBN : 9781780991900
Melancology addresses the notorious musical genre black metal as a negative form of environmental writing that ‘blackens’ the cosmos. This book conjures a new word and concept that conjoins ‘black’ and ‘ecology’: melancology, a word in which can be heard the melancholy affect appropriate to the conjunction. Black metal resounds from the abyss and it is precisely only in relation to its sonic forces that the question of intervention in the environment arises in the articulation of melancology with ethics. That is, in deciding ‘which way out’ we should take, in deciding with what surpluses to dwell, with what waste, what detritus or decay in a process of unbinding with sonic forces that traverse an earth choking in wealth and death. The book thus provides a provocative and challenging contribution both to popular and intellectual debates on ecology.
Author : Jasmine Hazel Shadrack
Publisher : Emerald Group Publishing
Page : 256 pages
File Size : 43,8 Mb
Release : 2020-12-18
Category : Music
ISBN : 9781787569256
This important book weaves together trauma, black metal theory and disability into a story of both pain and freedom. Drawing on her many years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender-based violence, misogyny and the healing power of performance.
Author : Helvete Journal
Publisher : punctum books
Page : 145 pages
File Size : 51,8 Mb
Release : 2016-12-14
Category : Music
ISBN : 9780615894294
Black Metal Theory is noise. Lacking one clear manifesto or position, it fails to become an elite circle. It is amplified and transmitted electronically: through instruments, lo-fi recordings, internets, and print-on-demand publishers...yet rather than a clear direction of progress we glean only its subversive raw dissonance, disruptions, animalistic screams, resonating disturbances, high-pitched feedback, primitive growls, and its atmospheric statics, hisses, and drones. Black Metal Theory refuses to be hi-fi. It quenches its sonic thirsts from primordial-ditch stews that resemble the dark sludge of recently melted snowfall - pristine white flakes transmuted into a tumultuously sexy and delicious mixture of trash and dirt and ash and poison that swirls and splashes in ditches before seeping into the underground. Our ears drink this disharmonious black bile and our bodies suspend in its intoxicating formless complexities. The third issue of Helvete, "Bleeding Black Noise," features artwork and essays that focus on the sonic aspects of Black Metal, specifically its interactions with Noise - the interruptions, creations, and destructions of signals as black noise. "Bleeding Black Noise" is a revision of Steven Parrino's statement, "My relation between Rock and visual art: I will bleed for you." In this issue, Rock is replaced with Noise, and Bleeding is celebrated as a release of the Black Noise - raw energy and formless potential. The essays and art portfolios included here experiment with sonic and conceptual feedback, as well as the way that black noise works through feedback as a process, resonating as background hums or drones, and cascading in foregrounded screams. TABLE OF CONTENTS // "Untitled," by Alessandro Keegan - "Black Noise: The Throb of the Anthropocene," by Susanna Pratt - "Dead Body of a Performance," by Micha l Sellam - "Vocal Distortion," by Simon Pr ll - "1558-2016," by Gast Bouschet and Nadine Hilbert - "Distraction," by Bagus Jalang - "Leaving the Self Behind," by Nathan Snaza - "Excerpts from z/w/a/r/t24 and Z/W/A/R/T Magazine 5," by Max Kuiper - "False Atonality, True Non-tonality," by Bert Stabler - "Untitled," by Faith Coloccia - "Nonevent: Grotesque Indexicality, Black Sites, and the Cryptology of the Sonorous Irreflective in T.O.M.B.," by Kyle McGee
Author : Steven Shakespeare,Niamh Malone,Gary Anderson
Publisher : Rowman & Littlefield
Page : 287 pages
File Size : 54,6 Mb
Release : 2021-09-23
Category : Philosophy
ISBN : 9781538147474
Non-philosophy poses a challenge to philosophical thought, inspired by the work of François Laruelle. It questions the idea that philosophy, or other disciplines, can tell us what it means to think. This edited collection brings together an internationally known and interdisciplinary group of scholars, including a major new essay by Laruelle himself. Together they use non-philosophy to cross the boundaries between philosophy and performance. Philosophers have been busy for centuries looking for the foundations of truth, value, and reality. They try to say what it all means and how it all fits together. Areas of life like science and art have to wait for the philosopher to show up to tell them what they are really about. Theory dictates meaning: performance just puts it into effect. Non-philosophy is different. It says that reality is not an object out there that we can think and understand. The Real is the place we stand: it is where we think from. Crucially, non-philosophy understands philosophy itself to be performative. It enacts modes of thinking that do not dominate the material of thought and do not capture the Real in concepts. Philosophy is mutated by its performances; and performances themselves think, are modes of theory. What happens when we bring philosophy, art, and performance together, without hierarchy? How can they get inside and change one another? The thinkers in this collection answer these pressing questions.
Author : Eugene Thacker
Publisher : John Hunt Publishing
Page : 180 pages
File Size : 54,5 Mb
Release : 2011-08-26
Category : Philosophy
ISBN : 9781780990101
#1 Amazon Best Seller in Philosophy Criticism. The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live – a central motif of the horror genre. In the Dust of This Planet explores these relationships between philosophy and horror. In Thacker's hands, philosophy is not academic logic-chopping; instead, it is the thought of the limit of all thought, especially as it dovetails into occultism, demonology, and mysticism. Likewise, Thacker takes horror to mean something beyond the focus on gore and scare tactics, but as the under-appreciated genre of supernatural horror in fiction, film, comics, and music. This relationship between philosophy and horror does not mean the philosophy of horror, if anything, it means the reverse, the horror of philosophy: those moments when philosophical thinking enigmatically confronts the horizon of its own existence. For Thacker, the genre of supernatural horror is the key site in which this paradoxical thought of the unthinkable takes place. The cover of In the Dust of this Planet can be seen in a New York gallery, on a banner at the 2014 Climate Change march in New York and on Jay-Z's back promoting Run. The book influenced the writers of the US TV series True Detective and has been lambasted by ex-Fox News broadcaster, Glenn Beck in this podcast https://www.youtube.com/watch?v=2IW8OK4_1gQ
Author : Gabby Riches,Dave Snell,Bryan Bardine,Brenda Gardenour Walter
Publisher : Springer
Page : 231 pages
File Size : 46,8 Mb
Release : 2016-12-18
Category : Sports & Recreation
ISBN : 9781137456687
Elaborating on themes of resilience, memory, critique and metal beyond metal, this volume highlights how the development and future of metal music scholarship is predicated on the engagement with other forms of popular culture such as comics, documentaries, and popular music.
Author : Nick Groom
Publisher : Yale University Press
Page : 325 pages
File Size : 55,6 Mb
Release : 2018-01-01
Category : Literary Criticism
ISBN : 9780300232233
An authoritative new history of the vampire, two hundred years after it first appeared on the literary scene Published to mark the bicentenary of John Polidori's publication of The Vampyre, Nick Groom's detailed new account illuminates the complex history of the iconic creature. The vampire first came to public prominence in the early eighteenth century, when Enlightenment science collided with Eastern European folklore and apparently verified outbreaks of vampirism, capturing the attention of medical researchers, political commentators, social theorists, theologians, and philosophers. Groom accordingly traces the vampire from its role as a monster embodying humankind's fears, to that of an unlikely hero for the marginalized and excluded in the twenty-first century. Drawing on literary and artistic representations, as well as medical, forensic, empirical, and sociopolitical perspectives, this rich and eerie history presents the vampire as a strikingly complex being that has been used to express the traumas and contradictions of the human condition.
Author : Anonim
Publisher : BRILL
Page : 153 pages
File Size : 42,5 Mb
Release : 2020-04-14
Category : Social Science
ISBN : 9781848881471
This volume was first published by Inter-Disciplinary Press in 2012. Heavy Metal Generations is the fourth volume in the series of papers drawn from the 2012 Music, Metal and Politics international conference, which attracted scholars from around the globe, working within a diverse range of academic disciplines, to converge in Prague, Czech Republic, for three days of panel presentations, debate and conjecture about the past, present and future of metal music studies. The flavour of diversity, synchronicity and inter-disciplinarity that characterised the event can be gauged from the selection of chapters presented in this volume. We hope this collection contributes to the rising tide of academic work that serves to broaden and deepen heavy metal music studies’ intellectual and aesthetic grounds, critical agenda and political value by undermining old certainties and suggesting new horizons in the context of current social conditions, politics and society.
Author : Robert Edgar,Wayne Johnson
Publisher : Taylor & Francis
Page : 460 pages
File Size : 53,8 Mb
Release : 2023-10-09
Category : Literary Criticism
ISBN : 9781000951851
The Routledge Companion to Folk Horror offers a comprehensive guide to this popular genre. It explores its origins, canonical texts and thinkers, the crucial underlying themes of nostalgia and hauntology, and identifies new trends in the field. Divided into five parts, the first focuses on the history of Folk Horror from medieval texts to the present day. It considers the first wave of contemporary Folk Horror through the films of the ‘unholy trinity’, as well as discussing the influence of ancient gods and early Folk Horror. Part 2 looks at the spaces, landscapes, and cultural relics, which form a central focus for Folk Horror. In Part 3, the contributors examine the rich history of the use of folklore in children’s fiction. The next part discusses recent examples of Folk Horror-infused music and image. Chapters consider the relationship between different genres of music to Folk Horror (such as folk music, black metal, and new wave), sound and performance, comic books, and the Dark Web. Often regarded as British in origin, the final part analyses texts which break this link, as the contributors reveal the larger realms of regional, national, international, and transnational Folk Horror. Featuring 40 contributions, this authoritative collection brings together leading voices in the field. It is an invaluable resource for students and scholars interested in this vibrant genre and its enduring influence on literature, film, music, and culture.
Author : Amy Wegener,Jenni Page-White
Publisher : Rowman & Littlefield
Page : 385 pages
File Size : 54,7 Mb
Release : 2020-04-15
Category : Performing Arts
ISBN : 9781538136355
The Humana Festival of New American Plays has been a leading home for extraordinary playwrights and their imaginations for more than four decades, making Actors Theatre of Louisville one of the nation’s preeminent powerhouses for new play development. For six weeks every spring, Louisville exerts a gravitational pull on producers and theatre lovers from around the country, who travel from far and wide for the adventure of seeing a diverse slate of fully-produced new plays. Many Humana Festival plays have gone on to garner awards and subsequent productions, making a sustained impact on the international dramatic repertoire. Humana Festival 2018: The Complete Plays brings together all six scripts from the 42nd annual cycle of world premieres, featuring a remarkable array of work by some of the most exciting voices in the American theatre. This anthology makes the Humana Festival plays available to an even wider audience, allowing readers to experience the collision of perspectives, styles and stories that makes the festival such an invigorating celebration of the art form. This compilation features the full-length plays Do You Feel Anger? by Mara Nelson-Greenberg, Evocation to Visible Appearance by Mark Schultz, we, the invisibles by Susan Soon He Stanton, Marginal Loss by Deborah Stein, and God Said This by Leah Nanako Winkler, as well as You Across from Me, a collaboratively-written play by four writers—Jaclyn Backhaus, Dipika Guha, Brian Otaño, and Jason Gray Platt.
Author : Ruth Barratt-Peacock,Ross Hagen
Publisher : Emerald Group Publishing
Page : 216 pages
File Size : 41,7 Mb
Release : 2019-09-06
Category : Music
ISBN : 9781787563957
This edited collection investigates metal music’s enduring fascination with the medieval period from a variety of critical perspectives, exploring how metal musicians and fans use the medieval period as a fount for creativity and critique.