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Hindi Publishing in Colonial Lucknow by Shobna Nijhawan Pdf
Investigating the emergence of Hindi publishing in colonial Lucknow, long a stronghold of Urdu and Persian literary culture, Shobna Nijhawan offers a detailed study of literary activities emerging out of the publishing house Gaṅgā Pustak Mālā in the first half of the twentieth century. Closely associated with it was the Hindi monthly Sudhā, a literary, socio-political, and illustrated periodical, in which Hindi writings were promoted and developed for the education and entertainment of the reader. In charting the literary networks established by Dularelal Bhargava, the proprietor of Gaṅgā Pustak Mālā and chief Edited by of Sudhā, this volume sheds light on his role in the development of Hindi language and literature, creation of canonical literature, and commercialization and nationalization of books and periodicals in the north Indian Hindi public sphere. Using vernacular primary sources and drawing on scholarship on periodicals and publishing houses as well as Edited by-publishers that has emerged over the past two decades, Nijhawan shows how one publishing house singlehandedly impacted the role of Hindi in the public sphere.
Hindi Publishing in Colonial Lucknow by Shobna Nijhawan Pdf
Hindi Publishing in Colonial Lucknow centers on the literary activities emerging out of the publishing house Ganga Pustak Mala in colonial Lucknow in the first half of the twentieth century. Closely associated with Ganga Pustak Mala was the Hindi monthly Sudha (lit. nectar, ambrosia), aliterary, social, political and illustrated periodical, in which Hindi writings in prose and poetry, including Hindi literary criticism, and other activities concerning the Hindi public sphere, such as language politics, social reforms, matters concerning lifestyle, health, arts and sciences, andthe political emancipation of women and men were promoted and developed. Building on the defining work of Gerard Genette on paratexts as well as on scholarship on text-image relationships, this book charts the literary networks established by the publishing house's proprietor and chief editor of Sudha, Dularelal Bhargava, who played a pivotal role in the emergence ofHindi literary production out of Lucknow and in the commercialization and nationalization of Hindi literature in the north Indian Hindi public sphere.
"This chapter sets out the located and multilingual approach to literary history employed in the book. It outlines the geographical and historical scope of the book and traces the changing political boundaries of Purab (East), the region east of Delhi in the Gangetic plain of northern India later better known as Awadh, from the fifteenth to the twentieth centuries. The presence of many small towns (qasbas), which were administrative, economic, and cultural nodes, but no capital city until the eighteenth century marks the decentered character of the region. The chapter also makes a case that the multilingual approach 'from the ground up employed in this book can help produce a richer and more textured take on world literature"--
Literary Sentiments in the Vernacular by Charu Gupta,Laura Brueck,Hans Harder,Shobna Nijhawan Pdf
This collection brings together nine essays, accompanied by nine short translations that expand the assumptions that have typically framed literary histories, and creatively re-draws their boundaries, both temporally and spatially. The essays, rooted in the humanities and informed by interdisciplinary area studies, explore multiple linkages between forms of print culture, linguistic identities, and diverse vernacular literary spaces in colonial and post-colonial South Asia. The accompanying translations—from Bengali, Hindi, Marathi, Tamil, and Urdu—not only round out these scholarly explorations and comparisons, but invite readers to recognise the assiduous, intimate, and critical labour of expanding access to the vernacular archive, while also engaging with the challenges—linguistic, cultural, and political—of rendering vernacular articulations of gendered experience and embodiment in English. Collectively, the essays and translations foreground complex and politicised expressions of gender and genre in fictional and non-fictional print materials and thus draw meaningful connections between the vernacular and literature, the everyday and the marginals, and gender and sentiment. They expand vernacular literary archives, canons and genealogies, and push us to theorise the nature of writing in South Asia. Literary Sentiments in the Vernacular is a significant new contribution to South Asian literary history and gender studies, and will be a great resource for academics, researchers, and advanced students of History, Literature, Cultural Studies, Politics, and Sociology. The chapters in this book were originally published as a special issue of South Asia: Journal of South Asian Studies.
This book focuses on subjugated indentured Indian women, who are constantly faced with race, gender, caste, and class oppression and inequality on overseas European-owned plantations, but who are also armed with latent links to the women’s abolition movements in the homeland. Also examining their post-indenture life, it employs a paradigm of male-dominated Indian women in India at the margins of an enduringly patriarchal society, a persisting backdrop to the huge 19th century post-slavery movement of the agricultural indentured workforce drawn largely from India. This book depicts the antithetical and contradictory explanations for the indentured Indian women’s cries, degradation and dehumanization and how the politics of change and control impacted their social organization and its legacy. The book owes its origins to the 2017 centennial commemorative event celebrating 100 years of the abolition of the indenture system of Indian labor that victimized and dehumanized Indians from 1834 through 1917.
Singing Gandhi's India - Music and Sonic Nationalism by Lakshmi Subramanian Pdf
Here is the first ever and only detailed account of Gandhi and music in India. How politics and music interspersed with each other has been paid scanty, if not any, attention, let alone Gandhi’s role in it. Looking at prayer as politics, singing Gandhi’s India traces Gandhi’s relationship with music and nationalism. Uncovering his writings on music, ashram Bhajan practice, the Vande Mataram debate, Subramanian makes a case for a closer scrutiny of Gandhian oeuvre to map sonic politics in twentieth century India.
Hindi Poetry in a Musical Genre by Lalita du Perron Pdf
Indian classical music has long been fascinating to Western audiences, most prominently since the Beatles' sessions with Ravi Shankar in the 1960s. Du Perron examines Thumi Lyrics, a major genre of Hindustani music, from a primarily linguistic perspective.
India's Literary History by Stuart H. Blackburn,Vasudha Dalmia Pdf
Spanning A Range Of Topics-Print Culture And Oral Tales, Drama And Gender, Library Use And Publishing History, Theatre And Audiences, Detective Fiction And Low-Caste Novels-This Book Will Appeal To Historians, Cultural Theorists, Sociologists And All Interested In Understanding The Multiplicity Of India`S Cultural Traditions And Literary Histories.
Explains the Hindi novel’s role in anticipating and creating the story of middle-class modernity and modernization in North India. Vasudha Dalmia offers a panoramic view of the intellectual and cultural life of North India over a century, from the aftermath of the 1857 uprising to the end of the Nehruvian era. The North’s historical cities, rooted in an Indo-Persianate culture, began changing more slowly than the Presidency towns founded by the British. Dalmia takes up eight canonical Hindi novels set in six of these cities—Agra, Allahabad, Banaras, Delhi, Lahore, and Lucknow—to trace a literary history of domestic and political cataclysms. Her exploration of the emerging Hindu middle classes, changing personal and professional ambitions, and new notions of married life provides a vivid sense of urban modernity. She argues that the radical social transformations associated with post-1857 urban restructuring, and the political flux resulting from social reform, Gandhian nationalism, communalism, Partition, and the Cold War shaped the realm of the intimate as much as the public sphere. Love and friendship, notions of privacy, attitudes to women’s work, and relationships within households are among the book’s major themes.
The History of the Book in South Asia by Francesca Orsini Pdf
The History of the Book in South Asia covers not only the various modern states that make up South Asia today but also a multitude of languages and scripts. For centuries it was manuscripts that dominated book production and circulation, and printing technology only began to make an impact in the late eighteenth century. Print flourished in the colonial period and in particular lithographic printing proved particularly popular in South Asia both because it was economical and because it enabled multi-script printing. There are now vibrant publishing cultures in the nation states of South Asia, and the essays in this volume cover the whole range from palm-leaf manuscripts to contemporary print culture.
Hindi Christian Literature in Contemporary India by Rakesh Peter-Dass Pdf
This is the first academic study of Christian literature in Hindi and its role in the politics of language and religion in contemporary India. In public portrayals, Hindi has been the language of Hindus and Urdu the language of Muslims, but Christians have been usually been associated with the English of the foreign ‘West’. However, this book shows how Christian writers in India have adopted Hindi in order to promote a form of Christianity that can be seen as Indian, desī, and rooted in the religio-linguistic world of the Hindi belt. Using three case studies, the book demonstrates how Hindi Christian writing strategically presents Christianity as linguistically Hindi, culturally Indian, and theologically informed by other faiths. These works are written to sway public perceptions by promoting particular forms of citizenship in the context of fostering the use of Hindi. Examining the content and context of Christian attention to Hindi, it is shown to have been deployed as a political and cultural tool by Christians in India. This book gives an important insight into the link between language and religion in India. As such, it will be of great interest to scholars of Religion in India, World Christianity, Religion and Politics and Interreligious Dialogue, as well as Religious Studies and South Asian Studies.
Urdu/Hindi: An Artificial Divide by Abdul Jamil Khan Pdf
In a blow against the British Empire, Khan suggests that London artificially divided India's Hindu and Muslim populations by splitting their one language in two, then burying the evidence in obscure scholarly works outside the public view. All language is political -- and so is the boundary between one language and another. The author analyzes the origins of Urdu, one of the earliest known languages, and propounds the iconoclastic views that Hindi came from pre-Aryan Dravidian and Austric-Munda, not from Aryan's Sanskrit (which, like the Indo-European languages, Greek and Latin, etc., are rooted in the Middle East/Mesopotamia, not in Europe). Hindi's script came from the Aramaic system, similar to Greek, and in the 1800s, the British initiated the divisive game of splitting one language in two, Hindi (for the Hindus) and Urdu (for the Muslims). These facts, he says, have been buried and nearly lost in turgid academic works. Khan bolsters his hypothesis with copious technical linguistic examples. This may spark a revolution in linguistic history! Urdu/Hindi: An Artificial Divide integrates the out of Africa linguistic evolution theory with the fossil linguistics of Middle East, and discards the theory that Sanskrit descended from a hypothetical proto-IndoEuropean language and by degeneration created dialects, Urdu/Hindi and others. It shows that several tribes from the Middle East created the hybrid by cumulative evolution. The oldest groups, Austric and Dravidian, starting 8000 B.C. provided the grammar/syntax plus about 60% of vocabulary, S.K.T. added 10% after 1500 B.C. and Arabic/Persian 20-30% after A.D. 800. The book reveals Mesopotamia as the linguistic melting pot of Sumerian, Babylonian, Elamite, Hittite-Hurrian-Mitanni, etc., with a common script and vocabularies shared mutually and passed on to I.E., S.K.T., D.R., Arabic and then to Hindi/Urdu; in fact the author locates oldest evidence of S.K.T. in Syria. The book also exposes the myths of a revealed S.K.T. or Hebrew and the fiction of linguistic races, i.e. Aryan, Semitic, etc. The book supports the one world concept and reveals the potential of Urdu/Hindi to unite all genetic elements, races and regions of the Indo-Pakistan sub-continent. This is important reading not only for those interested to understand the divisive exploitation of languages in British-led India's partition, but for those interested in: - The science and history of origin of Urdu/Hindi (and other languages) - The false claims of linguistic races and creation - History of Languages and Scripts - Language, Mythology and Racism - Ancient History and Fossil Languages - British Rule and India's Partition.
Author : Vasudha Dalmia Publisher : State University of New York Press Page : 460 pages File Size : 43,6 Mb Release : 2019-08-01 Category : History ISBN : 9781438476070
Explains the Hindi novel’s role in anticipating and creating the story of middle-class modernity and modernization in North India. Vasudha Dalmia offers a panoramic view of the intellectual and cultural life of North India over a century, from the aftermath of the 1857 uprising to the end of the Nehruvian era. The North’s historical cities, rooted in an Indo-Persianate culture, began changing more slowly than the Presidency towns founded by the British. Dalmia takes up eight canonical Hindi novels set in six of these cities—Agra, Allahabad, Banaras, Delhi, Lahore, and Lucknow—to trace a literary history of domestic and political cataclysms. Her exploration of the emerging Hindu middle classes, changing personal and professional ambitions, and new notions of married life provides a vivid sense of urban modernity. She argues that the radical social transformations associated with post-1857 urban restructuring, and the political flux resulting from social reform, Gandhian nationalism, communalism, Partition, and the Cold War shaped the realm of the intimate as much as the public sphere. Love and friendship, notions of privacy, attitudes to women’s work, and relationships within households are among the book’s major themes.