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Iconography of the Buddhist Sculpture of Orissa by Thomas E. Donaldson Pdf
The Present Book On The Iconography Of The Buddhist Sculpture Of Orissa Utilizes The Author'S Expertise Of Orissan Brahmanical Art To Develop A Similar Consistent And Reliable Iconographic And Stylistic Evolution For The Buddhist Arts Of Orissa And Its Adherence To, Or Deviation From, Surviving Textual Icono-Graphic Peculiarities. There Is Little Doubt That Orissa Played A Major Role In The Creation, Development And Dissemination Of Buddhist Doctrines And Concepts Throughout India And The Buddhist World, Particularly In Respect To Vajrayana Buddhism And The Iconography Of Sculptural Mandalas. Particular Emphasis In This Book Is Placed On The Reciprocal Influence Between Brahmanical And Buddhist Art In Orissa, Both Religions Expanding At The Same Time In Regard To The Proliferation Of Deities And Their Variant Forms, And Each Apparently Competing With The Other For Patronage And Converts.
Iconography of the Buddhist Sculpture of Orissa: Plates by Thomas E. Donaldson Pdf
Utilizing knowledge of the Orissan Brahmanical Art, this text seeks to develop a similar consistent and reliable iconographic and stylistic evolution for the Buddhist Arts of Orissa and its adherence to, or deviation from, surviving textual iconographic peculiarities. The reciprocal influence between Brahmanical and Buddhist Art in Orissa is emphasized with both religions expanding at the same time in regard to proliferation of deities and variant forms, and each apparently competing with the other for patronage and converts.
Iconography of the Buddhist Sculpture of Orissa: Text by Thomas E. Donaldson Pdf
Utilizing knowledge of the Orissan Brahmanical Art, this text seeks to develop a similar consistent and reliable iconographic and stylistic evolution for the Buddhist Arts of Orissa and its adherence to, or deviation from, surviving textual iconographic peculiarities. The reciprocal influence between Brahmanical and Buddhist Art in Orissa is emphasized with both religions expanding at the same time in regard to proliferation of deities and variant forms, and each apparently competing with the other for patronage and converts.
The Iconography of Hindu Tantric Deities by Gudrun Bühnemann Pdf
While Volume I of this two-volume monograph focuses on the deity pantheon of the sixteenth-century Mantramahodadhi, this volume compares for the first time deity descriptions extracted from two earlier and closely related texts, the anonymous Prapañcasāra (ca. tenth century) and Lakṣmaṇadeśika’s Sāradātilaka (tenth/eleventh centuries). The latter work, though based on the Prapañcasāra, treats the topics independently and incorporates new deity descriptions while omitting others. Both texts are still influential and are frequently cited. The Sanskrit text of the 78 deity descriptions extracted from the Prapañcasāra and the 101 descriptions from the Sāradātilaka is based on a comparison of different printed editions of these texts, as well as citations found in other works. The Sanskrit text is presented with a literal translation and remarks on the iconography. The introductory section addresses basic questions related to these two works. In addition, a new edition and translation of the important chapters I (on cosmogony) and 25 (on yoga) of the Sāradātilaka are presented in two appendices. A large number of illustrations of deities complement the volume. The print edition is available as a set of two volumes (9789069801193).
On its broadest level, this book contributes to an ongoing expansion of both the history of religions and Buddhist studies by focusing on what is a far too frequently ignored aspect of religious experience: visual images. This is a study that is intended to speak to, and be relevant for, not only those interested specifically in Buddhism, but also scholars and students in the field of religion at large who are interested in the dialectical ways abstract, abstruse and even rarified textual discourses interact with devotional practices 'on the ground'. The specific focus of this book is on the Buddhist visual practices surrounding the visual representation of a single, central concept, prajna, or wisdom, in medieval north India. Prajna, however, was not only an intellectual state and spiritual goal to which to aspire. Rather, wisdom also becomes a quality to be visually represented and ritually responded to, and even an active presence to be venerated in much the same manner as the Buddha himself. This book explores the ways in which the production and use of artistic images involving prajna constituted a central, if not the central, component of Buddhist religious practice in Medieval India.
Numbers, Their Iconographic Consideration in Buddhist and Hindu Practices by Fredrick W. Bunce Pdf
The Book Highlights The True Iconographic Import Of Numbers/ Numerology In Hindu And Buddhist Practices Bringing Out, In Detail, The Unique Properties Of Each Iconographically Significant Number: Ranged Between One (1) And One Thousand And Twenty Four (1024).
Mudrās in Buddhist and Hindu Practices by Fredrick W. Bunce Pdf
This Book Is A Dictionary Of Mudras In Hindu And Buddhist Religious Practices That Lists Various Mudras And Contains Detailed And Revealing Notes About Them. It Scrutinizes The Work Done By A Number Of Scholars To Throw Further Light On The Subject.
The Iconography of Architectural Plans by Fredrick W. Bunce Pdf
With surveys of diverse 'Buddhic' and 'Hindic' temples in India, Sri Lanka, Indonesia, Myanmar, Thailand, Vietnam, and even Malaysia, the book shows how the basic element in their architecture: the plan, was fraught with iconographic import and input, necessitating the guidance of an authoritative compendia, the arcane knowledge of the sthapati (priest-architect), and other complex procedures steeped in symbolism.
Iconography of Tibetan Lamaism by Antoinette K. Gordon Pdf
The Iconography of Tibetan Lamaism is an authoritative text on the specifically Tibetan branch of Buddhism—one which possesses a rich visual history of Buddhist art and Iconagraphy. This book gives a descriptive outline of the principal gods in the Tibetan pantheon, tracing the main features and symbols that are used to denote each one. A Comprehensive illustrated list of the various ritual objects, talismans, symbols, mudras (symbolic hand poses), and asanas and vahanas (position of the lower limbs) that are used in the images of the gods is accompanied with a word list of the Sanskrit terms most commonly encountered in a study of Lamaism. A set of thirty-one thang-kas from the famous collection of Baron A. von Stael-Holstein, formerly of Peking, China, which came to America after the publication of the original edition of the book, has been included in this new and revised edition.
Ramesh Chandra Sharma,Pranati Ghosal,Jñāna Pravāha (Organization : Vārānasi, Uttar Pradesh, India),Acharya Narendra Dev International Research Institute of Buddhist Studies
Author : Ramesh Chandra Sharma,Pranati Ghosal,Jñāna Pravāha (Organization : Vārānasi, Uttar Pradesh, India),Acharya Narendra Dev International Research Institute of Buddhist Studies Publisher : Unknown Page : 256 pages File Size : 48,6 Mb Release : 2004 Category : Art ISBN : UOM:39015061006840
Interaction Between Brāhmaṇical and Buddhist Art by Ramesh Chandra Sharma,Pranati Ghosal,Jñāna Pravāha (Organization : Vārānasi, Uttar Pradesh, India),Acharya Narendra Dev International Research Institute of Buddhist Studies Pdf
The Present Volume Is An Outcome Of The Expert Discussion On The Theories Of Brahmanism And Buddhism, In An International Meet At Jnana-Pravaha. Philosophical And Artistic Interaction Between The Two Have Been Brilliantly Discussed With References To Famous Places As Well As Texts To Unravel Basic Principles.