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Costume styles include Egyptian, Roman, Greek, early Christian and Biblical, Gothic, Renaissance, Elizabethan, Restoration, Georgian, Romantic, and Fin de Siec̀le.
A History of the Theatre Costume Business by Triffin I. Morris,Gregory DL Morris,Rachel E. Pollock Pdf
A History of the Theatre Costume Business is the first-ever comprehensive book on the subject, as related by award-winning actors and designers, and first hand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage. Readers will learn why stage clothes are made today, by whom, and how. They will also learn how today’s shops and ateliers arose from the shops and makers who founded the business. This never-before-told story shows that there is as much drama behind the scenes as there is in the performance: famous actors relate their intimate experiences in the fitting room, the glories of gorgeous costumes, and the mortification when things go wrong, while the costume makers explain how famous shows were created with toil, tears, and sweat, and sometimes even a little blood. This is history told by the people who were present at the creation – some of whom are no longer around to tell their own story. Based on original research and first-hand reporting, A History of the Theatre Costume Business is written for theatre professionals: actors, directors, producers, costume makers, and designers. It is also an excellent resource for all theatregoers who have marveled at the gorgeous dresses and fanciful costumes that create the magic on stage, as well as for the next generation of drapers and designers.
Period Costume for Stage & Screen by Jean Hunnisett Pdf
Hunnisett provides comprehensive and complete detailed instruction for creating authentic-looking costumes from the Middle Ages through 1500. Includes over 200 drawings, patterns, and photographs.
Historic Costumes and How to Make Them by Mary Fernald,Eileen Shenton Pdf
Practical, informative guidebook shows how to create everything from short tunics worn by Saxon men in the fifth century to a lady's bustle dress of the late 1800s. 81 illustrations.
American Costume 1915-1970 by Shirley Miles O'Donnol Pdf
Shirley Miles O'Donnol provides both illustrations and written descriptions of styles worn in everyday life and suggests ways of adapting them to stage use. Her animated and informative text gives an overview of social trends as well as insight into the fashions themselves. Since women's fashions change more frequently and more radically than men's, the chapters follow the eras in women's apparel: "The First World War," "The Flaming Twenties," "The Depressed Thirties," "The Second World War," "The Postwar Era and the 'New Look,'" "The Late Fifties: Dawn of the Space Age," and "The Sixties: Unisex and Miniskirts." Lavishly illustrated with original drawings by the author, photographs of costumes now in museum collections, and drawings and photographs taken from fashion magazines spanning more than fifty years, American Costume, 1915-1970 is a practical -- and entertaining -- handbook for the stage costumer.
Modernizing Costume Design, 1820–1920 by Annie Holt Pdf
Annie Holt identifies the roots of contemporary Euro-American practices of costume design, in which costumes are an integrated part of the dramaturgy rather than a reflection of an individual performer’s taste or status. She argues that in the period 1820–1920, as part of the larger project of modernism across the artistic and cultural field, the functions of "clothing" and "costume" diverged. Onstage apparel took on a more specific semiotic task, acting as a fresh channel for the flow of information between the performer, the literary text, and the spectator. Modernizing Costume Design traces how five kinds of artists – directors, performers, writers, couturiers, and painters – made key contributions to this new model of costume design. Holt shows that by 1920, costume design shifted in status from craft to art.
Here is another feast of ideas and practical information from the author of Costumes for the Stage for anyone who needs to dress a drama production on a tight budget or by the simplest means. Sheila Jackson's first book has been in constant demand for over a decade. Now, in addition to developing some of her earlier ideas in areas such as historical cosutme and fabrics, she covers exciting new ground with sections on animal and bird costumes, musical and dance, ethnic costume, headdresses and accessories, plus advice on design and how to manage a costume plan, a section especially for schools, and another dealing with costume for video. Over seventy-five pages of her own lively line drawings, diagrams and patterns illustrate the text throughout.
This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK
Designing Costume for Stage and Screen by Deirdre Clancy Pdf
"In this comprehensive and beautifully illustrated volume, accomplished costume designer Dierdre Clancy draws from her decades of experience to show how to design costume for stage and screen. All budgets and practicalities are considered so whether you are a student, or a designer for the stage or screen, this book has advice from one of the best in the business" --Back cover.
Performance Costume by Sofia Pantouvaki,Peter McNeil Pdf
Costume is an active agent for performance-making; it is a material object that embodies ideas shaped through collaborative creative work. A new focus in recent years on research in the area of costume has connected this practice in vital and new ways with theories of the body and embodiment, design practices, artistic and other forms of collaboration. Costume, like fashion and dress, is now viewed as an area of dynamic social significance and not simply as passive reflector of a pre-conceived social state or practice. This book offers new approaches to the study of costume, as well as fresh insights into the better-understood frames of historical, theoretical, practice-based and archival research into costume for performance. This anthology draws on the experience of a global group of established researchers as well as emerging voices. Below is a list of just some of the things it achieves: 1. Introduces diverse perspectives, innovative new research methods and approaches for researching design and the costumed body in performance. 2. Contributes towards a new understanding of how costume actually 'performs' in time and space. 3. Offers new insights into existing practices, as well as creating a space of connection between practitioners and researchers from design, the humanities and social sciences.
A History of the Theatre Costume Business by Triffin I. Morris,Gregory DL Morris,Rachel E. Pollock Pdf
A History of the Theatre Costume Business is the first-ever comprehensive book on the subject, as related by award-winning actors and designers, and first hand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage. Readers will learn why stage clothes are made today, by whom, and how. They will also learn how today’s shops and ateliers arose from the shops and makers who founded the business. This never-before-told story shows that there is as much drama behind the scenes as there is in the performance: famous actors relate their intimate experiences in the fitting room, the glories of gorgeous costumes, and the mortification when things go wrong, while the costume makers explain how famous shows were created with toil, tears, and sweat, and sometimes even a little blood. This is history told by the people who were present at the creation – some of whom are no longer around to tell their own story. Based on original research and first-hand reporting, A History of the Theatre Costume Business is written for theatre professionals: actors, directors, producers, costume makers, and designers. It is also an excellent resource for all theatregoers who have marveled at the gorgeous dresses and fanciful costumes that create the magic on stage, as well as for the next generation of drapers and designers.
Detailed drawings in continuous chronological format provide a history of costume design from the first century A.D. to 1930. More than 1,400 illustrations, from Roman noble to Jazz Age schoolboy.