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Author : Bernd Engler,Kurt Müller
Publisher : Paderborn [Germany] : F. Schöningh
Page : 524 pages
File Size : 53,8 Mb
Release : 1994
Category : American fiction
ISBN : STANFORD:36105016318169
Author : Markus Schneider
Publisher : GRIN Verlag
Page : 14 pages
File Size : 45,5 Mb
Release : 2008-11-05
Category : Literary Collections
ISBN : 9783640201341
Seminar paper from the year 2008 in the subject American Studies - Literature, grade: 2,3, University of Bamberg (Professur für Amerikanistik), course: American Historiographic Metafiction, 10 entries in the bibliography, language: English, abstract: The representation of history depends mainly on the perspective, attitude and cultural background of the beholder; which at the same time marks the major flaw of historiography. One topic or event will never be identically described by two historians, even if they are given the very same materials and sources to work with. As a consequence, historiography can only try to create an image, as true and original as possible, but is never able to depict everything that happened as it actually was in its full scope. So there were and always will be fictional elements and interpretations in the reports and writings about past events. This assumption leads us to historiographic metafiction, a style of writing that emerged during the postmodern era. If there is fiction in scholarly historiography, where is the difference between that and a novel that deals with history? This term paper will try to give an answer to that question and examine features and characteristics of historiographic metafiction, which eventually will be applied to Kurt Vonnegut’s Slaughterhouse-Five. In postmodern literature and, of course, especially in historiographic metafiction, authors tried to find new ways of telling stories and particularly representing history. I will take a closer look at the narrative frame and especially the concept of time Vonnegut used in the novel. But how is history represented in Slaughterhouse-Five? This will be the second part of the analysis that will attempt to find answers why Vonnegut wrote the novel the way he did. The third part will deal with intertextual elements in the novel. All citations from the novel and the pages indicated in brackets are taken from the edition cited below.
Author : Markus Schneider
Publisher : GRIN Verlag
Page : 37 pages
File Size : 40,9 Mb
Release : 2011-11
Category : Biography & Autobiography
ISBN : 9783656057642
Seminar paper from the year 2008 in the subject American Studies - Literature, grade: 2,3, University of Bamberg (Professur für Amerikanistik), course: American Historiographic Metafiction, 10 entries in the bibliography, language: English, abstract: The representation of history depends mainly on the perspective, attitude and cultural background of the beholder; which at the same time marks the major flaw of historiography. One topic or event will never be identically described by two historians, even if they are given the very same materials and sources to work with. As a consequence, historiography can only try to create an image, as true and original as possible, but is never able to depict everything that happened as it actually was in its full scope. So there were and always will be fictional elements and interpretations in the reports and writings about past events. This assumption leads us to historiographic metafiction, a style of writing that emerged during the postmodern era. If there is fiction in scholarly historiography, where is the difference between that and a novel that deals with history? This term paper will try to give an answer to that question and examine features and characteristics of historiographic metafiction, which eventually will be applied to Kurt Vonnegut's Slaughterhouse-Five. In postmodern literature and, of course, especially in historiographic metafiction, authors tried to find new ways of telling stories and particularly representing history. I will take a closer look at the narrative frame and especially the concept of time Vonnegut used in the novel. But how is history represented in Slaughterhouse-Five? This will be the second part of the analysis that will attempt to find answers why Vonnegut wrote the novel the way he did. The third part will deal with intertextual elements in the novel. All citations from the novel and the pages indicated in brackets are taken from the edition cited below.
Author : Eva Gruber
Publisher : Camden House
Page : 278 pages
File Size : 53,5 Mb
Release : 2008
Category : Literary Criticism
ISBN : 1571132570
Encompassing view of humor in recent Native North American literature, with particular focus on Native self-image and identity. In contrast to the popular cliché of the "stoic Indian," humor has always been important in Native North American cultures. Recent Native literature testifies to the centrality of this tradition. Yet literary criticism has so farlargely neglected these humorous aspects, instead frequently choosing to concentrate on representations of trauma and cultural disruption, at the risk of reducing Native characters and Native cultures to the position of the tragicvictim. This first comprehensive study explores the use of humor in today's Native writing, focusing on a wide variety of texts spanning all genres. It combines concepts from cultural studies and humor studies with approaches byNative thinkers and critics, analyzing the possible effects of humorous forms of representation on the self-image and identity formation of Native individuals and Native cultures. Humor emerges as an indispensable tool for engaging with existing stereotypes: Native writers subvert degrading clichés of "the Indian" from within, reimagining Nativeness in a celebration of laughing survivors, "decolonizing" the minds of both Native and non-native readers, andcontributing to a renewal of Native cultural identity. This book will be of interest to scholars and students of Native Studies both literary and cultural. Due to its encompassing approach, it will also provide a point of entry for the wider readership interested in contemporary Native writing. Eva Gruber is Assistant Professor in the American Studies section of the Department of Literature at the University of Konstanz, Germany.
Author : Marc Colavincenzo
Publisher : BRILL
Page : 261 pages
File Size : 55,5 Mb
Release : 2021-10-18
Category : Literary Criticism
ISBN : 9789004487833
This study brings together three major areas of interest - history, postmodern fiction, and myth. Whereas neither history and postmodern fiction nor history and myth are strangers to one another, postmodernism and myth are odd bedfellows. For many critics, postmodern thought with its resistance to metanarratives stands in direct and deliberate contrast to myth with its apparent tendency to explain the world by means of neat, complete narratives. There is a strain of postmodern Canadian historical fiction in which myth actually forms a complement not only to postmodernism's suspicion of master-narratives but also to its privileging of those marginal and at times ignored areas of history. The fourteen works of Canadian fiction considered demonstrate a doubled impulse which at first glance seems contradictory. On the one hand, they go about demythologizing - in the Barthesian sense - various elements of historical discourse, exposing its authority as not simply a natural given but as a construct. This includes the fact that the view of history portrayed in the fiction has been either underrepresented or suppressed by official historiography. On the other hand, the history is then re-mythologized, in that it becomes part of a pre-existing myth, its mythic elements are foregrounded, myth and magic are woven into the narrative, or it is portrayed as extraordinary in some way. The result is an empowering of these histories for the future; they are made larger than life and unforgettable.
Author : R. Hulan
Publisher : Springer
Page : 198 pages
File Size : 54,8 Mb
Release : 2014-06-12
Category : Literary Criticism
ISBN : 9781137398895
Canadian Historical Writing presents an archaeology of contemporary Canadian historical writing within the theory and practice of historiography. Drawing on international debates within the fields of literary studies and history, the book focuses on the roles played by time, evidence, and interpretation in defining the historical.
Author : James J. Donahue
Publisher : University of Virginia Press
Page : 309 pages
File Size : 42,8 Mb
Release : 2015-02-04
Category : Literary Criticism
ISBN : 9780813936840
In Failed Frontiersmen, James Donahue writes that one of the founding and most persistent mythologies of the United States is that of the American frontier. Looking at a selection of twentieth-century American male fiction writers—E. L. Doctorow, John Barth, Thomas Pynchon, Ishmael Reed, Gerald Vizenor, and Cormac McCarthy—he shows how they reevaluated the historical romance of frontier mythology in response to the social and political movements of the 1960s (particularly regarding the Vietnam War, civil rights, and the treatment of Native Americans). Although these writers focus on different moments in American history and different geographic locations, the author reveals their commonly held belief that the frontier mythology failed to deliver on its promises of cultural stability and political advancement, especially in the face of the multicultural crucible of the 1960s. Cultural Frames, Framing Culture American Literatures Initiative
Author : Ina Bergmann
Publisher : Routledge
Page : 266 pages
File Size : 42,8 Mb
Release : 2020-12-29
Category : Literary Criticism
ISBN : 9781000295627
The Nineteenth Century Revis(it)ed: The New Historical Fiction explores the renaissance of the American historical novel at the turn of the twenty-first century. The study examines the revision of nineteenth-century historical events in cultural products against the background of recent theoretical trends in American studies. It combines insights of literary studies with scholarship on popular culture. The focus of representation is the long nineteenth century – a period from the early republic to World War I – as a key epoch of the nation-building project of the United States. The study explores the constructedness of historical tradition and the cultural resonance of historical events within the discourse on the contemporary novel and the theory formation surrounding it. At the center of the discussion are the unprecedented literary output and critical as well as popular success of historical fiction in the USA since 1995. An additional postcolonial and transatlantic perspective is provided by the incorporation of texts by British and Australian authors and especially by the inclusion of insights from neo-Victorian studies. The book provides a critical comment on current and topical developments in American literature, culture, and historiography.
Author : Leena Kirstinä
Publisher : Suomalaisen Kirjallisuuden Seura
Page : 199 pages
File Size : 45,9 Mb
Release : 2012-06-13
Category : Social Science
ISBN : 9789522224095
This book examines phenomena from Finnish and Finnish-Swedish literature written in the years between the 1980s and the first decade of the new millennium. Its objective is to study this interesting era of literary history in Finland and to sketch some possible directions for future development by identifying literary turning points which have already occurred.
Author : Brian W. Shaffer
Publisher : John Wiley & Sons
Page : 1581 pages
File Size : 48,6 Mb
Release : 2011-01-18
Category : Literary Criticism
ISBN : 9781405192446
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile
Author : Andrea Cabajsky,Brett Josef Grubisic
Publisher : Wilfrid Laurier Univ. Press
Page : 276 pages
File Size : 45,9 Mb
Release : 2010-07-09
Category : Literary Criticism
ISBN : 9781554581610
Fiction that reconsiders, challenges, reshapes, and/or upholds national narratives of history has long been an integral aspect of Canadian literature. Works by writers of historical fiction (from early practitioners such as John Richardson to contemporary figures such as Alice Munro and George Elliott Clarke) propose new views and understandings of Canadian history and individual relationships to it. Critical evaluation of these works sheds light on the complexity of these depictions. The contributors in National Plots: Historical Fiction and Changing Ideas of Canada critically examine texts with subject matter ranging from George Vancouver’s west coast explorations to the eradication of the Beothuk in Newfoundland. Reflecting diverse methodologies and theoretical approaches, the essays seek to explicate depictions of “the historical” in individual texts and to explore larger questions relating to historical fiction as a genre with complex and divergent political motivations and goals. Although the topics of the essays vary widely, as a whole the collection raises (and answers) questions about the significance of the roles historical fiction has played within Canadian culture for nearly two centuries.
Author : Herb Wyile
Publisher : Wilfrid Laurier Univ. Press
Page : 337 pages
File Size : 52,9 Mb
Release : 2007
Category : History
ISBN : 9780889205116
Consists of interviews with eleven Canadian historical novelists.
Author : Gurpreet Kaur
Publisher : Partridge Publishing
Page : 258 pages
File Size : 49,6 Mb
Release : 2015-07-24
Category : Literary Collections
ISBN : 9781482850857
This referential collection of essays is an important guide to the emergence and development of literary journalism through the centuries. The book begins with the defining of genres, literature and journalism, which blur the lines between them. It also gives an insight into the theories of narratology. Some practitioners included in this book are great American writers like, John Hersey, Truman Capote, Norman Mailer and Don DeLillo. These literary journalists bring to life both major as well trivial issues of the society. New journalists coalesce all the fictional techniques with the journalistic methods to present a unique and sophisticated style which requires extensive research and even more careful reporting than done in the typical news articles. The book closes with the concluding thoughts followed by list of works cited.
Author : Elizabeth Rich
Publisher : Rowman & Littlefield
Page : 243 pages
File Size : 40,9 Mb
Release : 2021-08-23
Category : Literary Criticism
ISBN : 9781793644848
After the Fact: Authority and the Historical Document in Late Twentieth-Century Literature examines historiographic metafiction’s epistemological concern with the historical document. The six texts herein recover official and neglected documents, viewing history from marginal perspectives endeavoring an ethical reconsideration of dominant historical narratives. Thematically paired chapters focus on eye-witness narratives, legal and official government documents, and news publications. The first two chapters, D.M. Thomas’ The White Hotel with Toni Morrison’s Beloved, explore the writers’ reconsideration of eye-witness accounts, specifically the Holocaust survivor narrative and the slave narrative. The second pair reviews mythologies of the nation in the United States. Susan Howe’s Singularities rewrites the Indian captivity narrative. Hannah Weiner’s Spoke revises the 1868 Black Hills treaty to focus on how popular and official texts promote the colonial imaginary and function to justify colonial expansion. The final two chapters examine Margaret Atwood’s Alias Grace and Robert Coover’s The Public Burning, which critique the press’s authority by questioning its claim to objectivity.
Author : Sonia Zyngier,Anna Chesnokova
Publisher : LIT Verlag Münster
Page : 333 pages
File Size : 50,9 Mb
Release : 2007
Category : Linguistics
ISBN : 9783825807504
This fine collection of papers is the successful outcome of an international research project carried out by advanced undergraduate and graduate students from four different countries. Exceptionally, the papers do not rehash old ideas or themes but offer a fresh approach to a wide range of topics from language, literature and culture. This innovative attitude is the result of newly devised empirical methods of research, which clearly show that these students are well on their way to becoming inventive and resourceful researchers. The book connects three important themes and acts upon them. First, it provides empirical studies of literary texts and experiences, once again proving the value of empirical studies of literature. It thereby nicely forecasts the future of literary studies. Secondly, it highlights the connections between research groups in different continents, showing the strength of international collaborations. It thereby nicely forecasts the future of intercultural research. Thirdly, it presents work from students, illustrating upcoming talent. It thereby nicely forecasts the future of academia.
