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History of Early Stone Sculpture at Mathura, ca. 150 BCE - 100 CE by Sonya Rhie Quintanilla Pdf
This volume provides the first comprehensive chronology of the earliest known stone sculptures from the north Indian city of Mathura. It includes new evidence for the reattribution of objects, emergence of the anthropomorphic Buddha image, and predominance of a heterodox sect of Jainism.
History of Early Stone Sculpture at Mathura by Sonya Rhie Quintanilla Pdf
This volume provides the first comprehensive chronology of the earliest known stone sculptures from the north Indian city of Mathura. It includes new evidence for the reattribution of objects, emergence of the anthropomorphic Buddha image, and predominance of a heterodox sect of Jainism.
Religion, Landscape and Material Culture in Pre-modern South Asia by Tilottama Mukherjee,Nupur Dasgupta Pdf
This book highlights emerging trends and new themes in South Asian history. It covers issues broadly related to religion, materiality and nature from differing perspectives and methods to offer a kaleidoscopic view of Indian history until the late eighteenth century. The essays in the volume focus on understanding questions of premodern religion, material culture processes and their spatial and environmental contexts through a study of networks of commodities and cultural and religious landscapes. From the early history of coastal regions such as Gujarat and Bengal to material networks of political culture, from temples and their connection with maritime trade to the importance of landscape in influencing temple-building, from regions considered peripheral to mainstream historiography to the development of religious sects, this collection of articles maps the diverse networks and connections across regions and time. The volume will be of great interest to scholars and researchers of history, archaeology, museum and heritage studies, religion, especially Hinduism, Sufism and Buddhism, and South Asian studies.
Locating Pleasure in Indian History is one of the first works on the subject of the 'discourse of pleasure' in Indian history and culture. A rigorous, source-based work, it examines the cultural practices and the underlying philosophic matrix of pleasures, big or small. It recovers the production and consumption of beauty, desire and gratification in the world of pleasure, pleasurable pursuits and pleasant experiences of viewing, performing, thinking, debating, cooking, eating, listening, writing, creating and procreating. The contributions retrieve the discourse of pleasure in visual and literary cultures-in elite and popular spheres, including the public and private domains of the bazaar, the temple, the household, the court and the garden. Further, it is examined in the urbane art of Mathura, Ravana's palace in the art of 7th CE western Deccan, the suratkhana of Rajput royalty or domestic pleasures of women in the labyrinths of the Puranas. With over 40 photographs, it historicises ideological and experiential conundrums thrown up by the idea of pursuing alimentary, carnal and even pious desires in visual and literary cultures. The reflexivity inherent in the work of artists, poets, dramatists and even shastrins is brought out through moments of pleasure and counter-pleasure as revealed through anecdotes, narratives, artefacts and objects of aesthetic gratification.
Author : Prof. P. CHENNA REDDY Publisher : Blue Rose Publishers Page : 399 pages File Size : 48,7 Mb Release : 2023-01-09 Category : History ISBN : 8210379456XXX
THAKUR VIJAYAM:Spectrum of History, Culture and Archaeological Studies by Prof. P. CHENNA REDDY Pdf
Thakur Vijayam: Spectrum of History, Culture and Archaeological Studies is a Commemoration Volume presented to Prof. Vijay Kumar Thakur was a renowned Historian in India, on his Eighty second birth anniversary (15th July 1941). These articles are in other way serve as garland of flowers to decor Prof. Vijay Kumar Thakur. A great scholar in History, Buddhism, Epigraphy, Archaeology, andCulture. There are more than 35 articles shedding light on History, Culture and Archaeological Studies. This prestigious volume contains a wide spectrum of research articles covering Archaeology, History, Art, Architecture, Epigraphy and Numismatics, Buddhism, Religion and Philosophy Tourism, Modern History and Economic history, Folklore, literature and culture, This volume was edited by Prof. Pedarapu Chenna Reddy who is already well-known for similar volumes in honour of Prof. B. Rama Raju, Dr. P. V. P. Sastry, Prof. R. Soma Reddy, Dr. I. K. Sarma, Dr. V. V. Krishna Sastry, Dr. Robert G. Bednarik, Prof. A. Sundara, Dr. Deme Raja Reddy, Dr. Annapareddy Venkateswara Reddy, Prof. K. V. Raman, Dr. Janumaddi Hanumath Sastry, Prof. K. Rajayyan, Prof. Alan Dundes, Prof. Bhakthavathsala Reddy, Prof. K. K. N. Kurup, Dr. A. K. V. S Reddy, Dr. Y. Gopala Reddy, Prof. M. L. K. Murty, Dr. M. D. Sampath, Prof. Katta Narasimha Reddy, Prof. Hampa Nagarajaiah etc.
Problems of Chronology in Gandhāran Art by Wannaporn Rienjang,Peter Stewart Pdf
Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. It presents the proceedings of the first of three international workshops on fundamental questions in the study of Gandhāran art, held at Oxford in March 2017.
Religious Cultures in Early Modern India by Rosalind O'Hanlon,David Washbrook Pdf
Religious authority and political power have existed in complex relationships throughout India’s history. The centuries of the ‘early modern’ in South Asia saw particularly dynamic developments in this relationship. Regional as well as imperial states of the period expanded their religious patronage, while new sectarian centres of doctrinal and spiritual authority emerged beyond the confines of the state. Royal and merchant patronage stimulated the growth of new classes of mobile intellectuals deeply committed to the reappraisal of many aspects of religious law and doctrine. Supra-regional institutions and networks of many other kinds - sect-based religious maths, pilgrimage centres and their guardians, sants and sufi orders - flourished, offering greater mobility to wider communities of the pious. This was also a period of growing vigour in the development of vernacular religious literatures of different kinds, and often of new genres blending elements of older devotional, juridical and historical literatures. Oral and manuscript literatures too gained more rapid circulation, although the meaning and canonical status of texts frequently changed as they circulated more widely and reached larger lay audiences. Through explorations of these developments, the essays in this collection make a distinctive contribution to a critical formative period in the making of India’s modern religious cultures. This book was published as a special issue of South Asian History and Culture.
A History of India through 75 Objects by Sudeshna Guha Pdf
With a curation of objects from the prehistoric ages through twenty-first century India, Sudeshna Guha provides a panoramic view of the rich histories of the subcontinent. The incisive essays in this collection detail not just the objects but the histories of their reception: examining how changing times and attitudes cast their shadow on the ways in which the past is interpreted and narrated. In doing so, A History of India through 75 Objects inspires us to interrogate our own notions of a knowable past and fixed national history. Teeming with thought-provoking insights and surprising anecdotes, the essays instill a sense of wonder about the continuous processes by which histories are constructed.
Early Buddhist Art of China and Central Asia, Volume 3 by Marylin Martin Rhie Pdf
Presenting new studies on the chronology and iconography of Buddhist art during the Western Ch'in (385-431 A.D.) in northwest China, including Ping-ling ssu and Mai-chi shan, this book addresses issues of dating, textual sources, the five-Buddhas, and relation with Gandhara.
Early Buddhist Art of China and Central Asia, Volume 3 by Marylin M. Rhie Pdf
Presenting new studies on the chronology and iconography of Buddhist art during the Western Ch'in (385-431 A.D.) in northwest China, including Ping-ling ssu and Mai-chi shan, this book addresses issues of dating, textual sources, the five-Buddhas, and relation with Gandhara.
Delights and Disquiets of Leisure in Premodern India by Anonim Pdf
Leisure is a corollary to pleasure. Essays in this historical exploration trace how leisure and recreation were often imagined and celebrated during premodern times, from the ancient to the precolonial period. This book takes into account the differential access to leisure and pleasure based on class and gender where masculinity is projected through manly sports and femininity though beauty and indulgence in the projection of recreation, entertainment and luxury. The counter-discourse representing labour for those who cater for this leisure is invisibilized as is their transactional nature. The volume dwells on the attitudes, prescribed and proscribed, and brings to the fore the differences across religious ideologies such as Brahmanism, Buddhism, Jaina and Muslim in various periods. Further it looks at leisure in the various classes and cultural spaces such as the elite, women, the king in the bed chamber, the court with dancing girls, public areas such as orchards and gardens and performance spaces.
Early Buddhist Transmission and Trade Networks by Jason Neelis Pdf
This exploration of early paths for Buddhist transmission within and beyond South Asia retraces the footsteps of monks, merchants, and other agents of cross-cultural exchange. A reassessment of literary, epigraphic, and archaeological sources reveals hisorical contexts for the growth of the Buddhist saṅgha from approximately the 5th century BCE to the end of the first millennium CE. Patterns of dynamic Buddhist mobility were closely linked to transregional trade networks extending to the northwestern borderlands and joined to Central Asian silk routes by capillary routes through transit zones in the upper Indus and Tarim Basin. By examining material conditions for Buddhist establishments at nodes along these routes, this book challenges models of gradual diffusion and develops alternative explanations for successful Buddhist movement.
The Authenticity of the Early Buddhist Texts by Bhikkhu Sujato and Bhikkhu Brahmali Pdf
The book is essentially a collection of short articles that gather much of what we know about the historical background of Early Buddhism into one place. We believe that the debate on the authenticity of the texts in academic circles has been badly skewed by an unscientific emphasis on extreme scepticism, and it is time for the pendulum to swing back.
Author : Robert Daniel DeCaroli Publisher : University of Washington Press Page : 280 pages File Size : 55,8 Mb Release : 2015-04-30 Category : Art ISBN : 9780295805795
This deft and lively study by Robert DeCaroli explores the questions of how and why the earliest verifiable images of the historical Buddha were created. In so doing, DeCaroli steps away from old questions of where and when to present the history of Buddhism�s relationship with figural art as an ongoing set of negotiations within the Buddhist community and in society at large. By comparing innovations in Brahmanical, Jain, and royal artistic practice, DeCaroli examines why no image of the Buddha was made until approximately five hundred years after his death and what changed in the centuries surrounding the start of the Common Era to suddenly make those images desirable and acceptable. The textual and archaeological sources reveal that figural likenesses held special importance in South Asia and were seen as having a significant amount of agency and power. Anxiety over image use extended well beyond the Buddhists, helping to explain why images of Vedic gods, Jain teachers, and political elites also are absent from the material record of the centuries BCE. DeCaroli shows how the emergence of powerful dynasties and rulers, who benefited from novel modes of visual authority, was at the root of the changes in attitude toward figural images. However, as DeCaroli demonstrates, a strain of unease with figural art persisted, even after a tradition of images of the Buddha had become established.
The Yields of Transition by Jana S. Rošker,Nataša Vampelj Suhadolnik Pdf
The present volume is dedicated to the Wei Jin and Southern and Northern Dynasties (220–589 AD), which is generally regarded as one of the most fascinating phases in Chinese history. The collection opens new theoretical and methodological pathways in sinological studies, bringing to the forefront a new idea of intercultural encounters based upon a culture of recognition. It highlights the significance of transition in the making of Chinese culture and history, revises prevailing historical approaches in the study and research of China and develops and enhances existing theories or methodologies in this specific area of research. The wide diversity of contributions to the present volume reflects the multifaceted potential for creativity and renewal of this period. The focus is upon the interaction of ideas, researches and perspectives concerning a broad scope of relevant and significant issues in contemporary sinology. In order to understand this diversity, a wide range of cultural, theoretical and historical aspects are considered. The book reveals a new image of the period, thereby undermining the absolute authority and putative objectivity of common historical sources and interpretations. It shows that this was a period rich with political, economic, cultural and theoretical achievements that would prove decisive for the future development of Chinese culture and society.
