History Of English Literature From Beowulf To Swinburne
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History of English Literature from "Beowulf" to Swinburne by Andrew Lang Pdf
"History of English Literature from "Beowulf" to Swinburne" by Andrew Lang. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
History of English Literature, From Beowulf to Swinburne (Classic Reprint) by Andrew Lang Pdf
Excerpt from History of English Literature, From Beowulf to Swinburne That sins of commission as well as of omission will be discovered the author cannot doubt, for through much reading and writing they that look out of window are darkened, and errors come. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A History Of English Literature by William Vaughn Moody Pdf
First published in 1902, this volume contains a detailed history of English literature beginning in the Anglo-Saxon Period and ending with contemporary literature. “A History of English Literature” is highly recommended for all students of literature, and it would make for a worthy addition to any collection. Contents include: “The Anglo-Saxon Period”, “The Norman-French Period”, “The Age of Chaucer”, “The Renaissance: Non-Dramatic Literature to the Death of Spenser”, “The Renaissance: Shakespeare”, ‘The Seventeenth Century: Shakespeare’s Contemporaries and Successors in the Drama”, “The Seventeenth Century: Non-dramatic Literature before the Restoration”, etc. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with the original text and artwork.
The Renaissance, English Cultural Nationalism, and Modernism, 1860–1920 by L. Hinojosa Pdf
Contextualising the emergence of literary and aesthetic modernism and cultural nationalism within the popularity of the Renaissance, this volume offers new insights into high and low culture, as well as historical periodization.
Virginia Woolf's career was shaped by her impression of the conflict between poetry and the novel, a conflict she often figured as one between masculine and feminine, old and new, bound and free. In large part for feminist reasons, Woolf promoted the triumph of the novel over poetry, even as she adapted some of poetry's techniques for the novel in order to portray the inner life. Woolf considered poetry the rival form to the novel. A monograph on Woolf's sense of genre rivalry thus offers a thorough reinterpretation of the motivations and aims of her canonical work. Drawing on unpublished archival material and little-known publications, the book combines biography, book history, formal analysis, genetic criticism, source study, and feminist literary history. Woolf's attitude towards poetry is framed within contexts of wide scholarly interest: the decline of the lyric poem, the rise of the novel, the gendered associations with these two genres, elegy in prose and verse, and the history of English Studies. Virginia Woolf and Poetry makes three important contributions. It clarifies a major prompt for Woolf's poetic prose. It exposes the genre rivalry that was creatively generative to many modernist writers. And it details how holding an ideology of a genre can shape literary debates and aesthetics.
The Faerie Queene as Childrenäó»s Literature by Velma Bourgeois Richmond Pdf
Edmund Spenser’s vast epic poem The Faerie Queene is the most challenging masterpiece in early modern literature and is praised as the work most representative of the Elizabethan age. In it he fused traditions of medieval romance and classical epic, his religious and political allegory creating a Protestant alternative to the Catholic romances rejected by humanists and Puritans. The poem was later made over as children’s literature, retold in lavish volumes and schoolbooks and appreciated in pedagogical studies and literary histories. Distinguished writers for children simplified the stories and noted artists illustrated them. Children were less encouraged to consider the allegory than to be inspired to the moral virtues. This book studies The Faerie Queene’s many adaptations for a young audience in order to provide a richer understanding of both the original and adapted texts.
British Romanticism in Asia by Alex Watson,Laurence Williams Pdf
This book examines the reception of British Romanticism in India and East Asia (including China, Japan, Korea and Taiwan). Building on recent scholarship on “Global Romanticism”, it develops a reciprocal, cross-cultural model of scholarship, in which “Asian Romanticism” is recognized as itself an important part of the Romantic literary tradition. It explores the connections between canonical British Romantic authors (including Austen, Blake, Byron, Shelley, and Wordsworth) and prominent Asian writers (including Natsume Sōseki, Rabindranath Tagore, and Xu Zhimo). The essays also challenge Eurocentric assumptions about reception and periodization, exploring how, since the early nineteenth century, British Romanticism has been creatively adapted and transformed by Asian writers.
Women Novelists Before Jane Austen by Brian Corman Pdf
By the time Ian Watt published The Rise of the Novel. in 1957, it was clear that many women novelists before Jane Austen had been overlooked in critical studies of literature and that some of them had been completely forgotten by the reading public. In this book, Brian Corman explores the question of how and why this came about. Corman provides a systematic survey of the reputations of early women novelists as canons of the novel developed over a period of roughly two hundred years, and, in so doing, suggests reasons for their frequent exclusion. Women Novelists before Jane Austen challenges the view that exclusion from the canon was a simple function of gender and goes deeper to examine potential reasons why certain women writers were overlooked. In the process, it provides an overview of histories of the British novel from the beginning through to the mid-twentieth century, ending with the publication of Watt's famous text. Further, Corman offers a prolegomenon to the important recovery work of the late-twentieth century in which many revised accounts of the history of the novel appeared, essentially improving the scope covered by Watt. This study historicizes the place of early women novelists in the British canon in order to provide an informed context for current views.
A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.
The Anglo-Saxon Chronicle (Illustrated) by Delphi Classics Pdf
A collection of Old English annals, the original manuscript of ‘The Anglo-Saxon Chronicle’ was created late in the ninth century, during the reign of Alfred the Great. It is the oldest history of a European country in its vernacular, offering a treasure trove of knowledge of the Anglo-Saxon period. Along with Bede’s ‘Ecclesiastical History of the English People’, it provides an insight into the history of the English in the period following Roman rule up until the Norman Conquest, preserving a variety of depictions of Anglo-Saxon life. Delphi’s Medieval Library provides eReaders with rare and precious works of the Middle Ages, with noted English translations and the original texts. This eBook presents multiple translations of ‘The Anglo-Saxon Chronicle’, with illustrations, a concise introduction and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to the Anglo-Saxon texts * Features the complete extant text of ‘The Anglo-Saxon Chronicle’, in both English translation and the original Old English * Concise introduction to the text * Two translations: James Ingram Translation (1823); J. A. Giles Translation (1914) * Includes the translators’ original hyperlinked footnotes * Excellent formatting of the texts * Easily locate the sections you want to read with individual contents tables * Features five bonus resource texts, including Hall’s seminal ‘Concise Anglo-Saxon Dictionary’ — immerse yourself in the world of the Anglo-Saxons CONTENTS: The Translations Anglo-Saxon Chronicle — James Ingram Translation (1823) Anglo-Saxon Chronicle — J. A. Giles Translation (1914) The Original Texts Old English Manuscripts The Resources History of the Anglo-Saxons (1850) by Thomas Miller Anglo-Saxon Britain (1881) by Grant Allen The Chronicles (1884) by John Earle A Concise Anglo-Saxon Dictionary (1916) by J. R. Clark Hall Anglo-Saxon Learning and Prose (1921) by Andrew Lang
The Selected Writings of Andrew Lang by Tom Hubbard Pdf
A novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The first volume covers the general and theoretical aspects of Lang’s work on folklore, mythology and anthropology along with the tools and concepts which he used in his often combative contributions to these inter-related disciplines. As a companion to the first volume, the second is comprised of various case studies made by Lang, ranging from ‘The Aryan Races of Peru’ and ‘The Folk-lore of France’ to ‘Irish Fairies’ and ‘The Ballads, Scottish and English’. The third volume arranges his literary criticism, first by geo-cultural context and then chronologically. It begins with Lang’s views on the nature and purpose of fiction, then presents samples of his work on some of the most important authors in the respective canons of French, American, Scottish and English literature including Victor Hugo, Edgar Allan Poe, Robert Burns and Charles Dickens among many others, mainly of the nineteenth century. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). The Introduction to Volume III sets Lang within the context of the literature of his times, comparing and contrasting him with significant contemporaries. Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.