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This interdisciplinary study of history programming identifies and examines different genres employed by producers and tracks their commissioning, production, marketing and distribution histories. With comparative references to other European nations and North America, the authors focus on British history programming over the last two decades and analyse the relationship between the academy and media professionals. They outline and discuss often-competing discourses about how to 'do' history and the underlying assumptions about who watches history programmes. History on Television considers recent changes in the media landscape, which have affected to a great degree how history in general, and whose history in particular, appears onscreen.
The Television History Book by Michele Hilmes,Jason Jacobs Pdf
Traces the history of broadcasting and the infludence developments in broadcasting have had over our social, cultural and economic practices. Examining the broadcasting traditions of the UK and USA, 'The Television History Book' make connections between events and tendencies that both unite and differentiate these national broadcasting traditions.
The History of Television, 1880 to 1941 by Albert Abramson Pdf
No other technological innovation can be cited whose impact on the fabric of daily living has been as pervasive as that of television. A sole inventor does not exist; television came about through the remarkable interactions of several hundred scientists. Interviews with these scientists, extensive archival research worldwide, and rare photos make this book--and its following volume--the one definitive history and the only authoritative account. Herein are the early inventions, the first devices, early camera tubes, the mechanical era, the kinescope, the iconoscope, and more. There are very extensive references.
Author : Gary Richard Edgerton Publisher : Columbia University Press Page : 513 pages File Size : 48,7 Mb Release : 2007 Category : History ISBN : 9780231121651
The Columbia History of American Television by Gary Richard Edgerton Pdf
Richly researched and engaging, The Columbia History of American Television tracks the growth of TV into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. Renowned media historian Gary R. Edgerton follows the technological progress and increasing cultural relevance of television from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. In conclusion, Edgerton takes a discerning look at our current Digital Era and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape.
Author : Charles L. Ponce de Leon Publisher : University of Chicago Press Page : 331 pages File Size : 54,9 Mb Release : 2016-09-09 Category : History ISBN : 9780226421520
That's the Way It Is by Charles L. Ponce de Leon Pdf
Ever since Newton Minow taught us sophisticates to bemoan the descent of television into a vast wasteland, the dyspeptic chorus of jeremiahs who insist that television news in particular has gone from gold to dross gets noisier and noisier. Charles Ponce de Leon says here, in effect, that this is misleading, if not simply fatuous. He argues in this well-paced, lively, readable book that TV news has changed in response to broader changes in the TV industry and American culture. It is pointless to bewail its decline. "That s the Way It Is "gives us the very first history of American television news, spanning more than six decades, from Camel News Caravan to Countdown with Keith Oberman and The Daily Show. Starting in the latter 1940s, television news featured a succession of broadcasters who became household names, even presences: Eric Sevareid, Walter Cronkite, David Brinkley, Peter Jennings, Brian Williams, Katie Couric, and, with cable expansion, people like Glenn Beck, Jon Stewart, and Bill O Reilly. But behind the scenes, the parallel story is just as interesting, involving executives, producers, and journalists who were responsible for the field s most important innovations. Included with mainstream network news programs is an engaging treatment of news magazines like "60 Minutes" and "20/20, " as well as morning news shows like "Today" and "Good Morning America." Ponce de Leon gives ample attention to the establishment of cable networks (CNN, and the later competitors, Fox News and MSNBC), mixing in colorful anecdotes about the likes of Roger Ailes and Roone Arledge. Frothy features and other kinds of entertainment have been part and parcel of TV news from the start; viewer preferences have always played a role in the evolution of programming, although the disintegration of a national culture since the 1970s means that most of us no longer follow the news as a civic obligation. Throughout, Ponce de Leon places his history in a broader cultural context, emphasizing tensions between the public service mission of TV news and the quest for profitability and broad appeal."
The Birth of British Television by Mark Aldridge Pdf
When the BBC launched the world's first regular, high-definition television service on 2 November, 1936 it was the culmination of decades of technological innovations. More than this, however, the service meant that the principle of television had finally found its place. The Birth of British Television – A History traces the early history and development of television, from the experiments of amateurs to the institutionalised developments that led to the world's first regular, high definition television service. Author Mark Aldridge provides a clear, in-depth and accessible introduction for those either exploring the period for the first time or seeking new insights into the beginnings of the industry. In tracing the origins and development of television, Aldridge focuses on a number of important factors including the attitude of the press towards early television and examines the way that expectations of television changed over time prior to its official launch. Utilising new research, this illuminating study examines how the aims for a new television service developed, and the extent to which content and technology were linked. The Birth of British Television approaches this formative period from several perspectives, from private individuals to the BBC and government, while also examining the broader opinions at the time towards the new medium through press reports and feedback from the general public. Also included is an assessment of early programming, which helps to offer a new and profound evaluation of the development of early television. Mark Aldridge is a Lecturer in Film and TV Studies at Southampton Solent University, UK. He specialises in British television and both film and television history. His previous publications include T is for Television (2008), an analysis of the work of Russell T. Davies, co-written with Andy Murray.
A History of Independent Television in Wales by Jamie Medhurst Pdf
Despite the growing body of work on the media in Wales, very little exists on the history of commercial television in Wales. This book seeks to address this imbalance by tracing the growth and development of ITV in Wales and assessing its contribution to the life of the nation. ITV has been a powerful force in British broadcasting since its inception in 1955. When commercial television came to Wales for the first time in 1958, it immediately got caught up in with matters of national identity, language and geography. Compared with the BBC, it is a relative newcomer; its growth was slower than that of the BBC and it took until 1962 to complete the network across the UK. Once it had arrived, however, its impact was considerable. The book will provide an historical narrative and critical analysis of independent television (ITV) in Wales from 1958 up until the present day.
This book presents a balanced, thorough history of television to 1940, considering the factors technical, financial and social which influenced and led to the establishment of many of the world's high-definition TV broadcasting services. This is a major book in the study of history of science, technology and media.
Between Truth and Time by Christine Elaine Evans Pdf
CHAPTER SIX: "KVN Is an Honest Game": Game Shows and the Problem of Authority -- CHAPTER SEVEN: A Dress Rehearsal for Life: Artloto and What? Where? When? -- Epilogue: The Origins of Central Television's Perestroika -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
First demonstrated in 1928, color television remained little more than a novelty for decades as the industry struggled with the considerable technical, regulatory, commercial, and cultural complications posed by the medium. Only fully adopted by all three networks in the 1960s, color television was imagined as a new way of seeing that was distinct from both monochrome television and other forms of color media. It also inspired compelling popular, scientific, and industry conversations about the use and meaning of color and its effects on emotions, vision, and desire. In Bright Signals Susan Murray traces these wide-ranging debates within and beyond the television industry, positioning the story of color television, which was replete with false starts, failure, and ingenuity, as central to the broader history of twentieth-century visual culture. In so doing, she shows how color television disrupted and reframed the very idea of television while it simultaneously revealed the tensions about technology's relationship to consumerism, human sight, and the natural world.
Author : Bernard M. Timberg,Robert J. Erler Publisher : University of Texas Press Page : 416 pages File Size : 49,6 Mb Release : 2010-01-01 Category : Performing Arts ISBN : 9780292773660
Television Talk by Bernard M. Timberg,Robert J. Erler Pdf
Flip through the channels at any hour of the day or night, and a television talk show is almost certainly on. Whether it offers late-night entertainment with David Letterman, share-your-pain empathy with Oprah Winfrey, trash talk with Jerry Springer, or intellectual give-and-take with Bill Moyers, the talk show is one of television's most popular and enduring formats, with a history as old as the medium itself. Bernard Timberg here offers a comprehensive history of the first fifty years of television talk, replete with memorable moments from a wide range of classic talk shows, as well as many of today's most popular programs. Dividing the history into five eras, he shows how the evolution of the television talk show is connected to both broad patterns in American culture and the economic, regulatory, technological, and social history of the broadcasting industry. Robert Erler's "A Guide to Television Talk" complements the text with an extensive "who's who" listing of important people and programs in the history of television talk.
This title examines television's origin in the United States, the ways different networks and shows have shaped history, and how it has grown to capture the nation's attention. Special features include a timeline, Art Spotlights, infographics, and fact bubbles. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.
From its earliest beginnings, television was destined to become one of the great new forces at work in the twentieth century. This new edition (which includes six completely new chapters) greatly expands the original and unique historical coverage of this most influential cultural phenomenon. Written by a distinguished international team of specialists, the book describes the history of television from its technical conception in the nineteenth century right through to the bewildering multi-media developments of the present. Alongside this historical account, chapters provide important discussion of the central debates affecting television world-wide, from America, Canada, and Britain to Europe, Scandinavia, Japan, China, South Asia, the Arab world, Australia, Africa, and the Third World. All genres of programme making--news, sport, drama, comedy--are examined in the light of key questions: how viewing practices affect particular societies; how standards of taste and decency are arrived at; the influence of television of government power; the role of public service broadcasting; and the relationship of television to terrorism and violence. A thought-provoking Epilogue ponders the likely impact and influence of television in the coming years. This book is accessibly written and is a major exploration of the world's most dominant medium. QUOTES FROM THE FIRST EDITION `Those who wish to take a close look at the way television has affected the lives of people in other countries as well as their own will find all the information they need here . . . a work which will earn its keep in the reference libraries, but also merits a place on the bookshelves of individuals.' THES `For those desiring to fully understand the medium that has dominated the later twentieth century.' The Business of Film `What a terrific assembly of contributors to document an international story of television . . . so many outstanding features in this book . . . an important addition to documenting the global story of television in a single volume.' Journalism History
Hands on Media History by Nick Hall,John Ellis Pdf
Hands on Media History explores the whole range of hands on media history techniques for the first time, offering both practical guides and general perspectives. It covers both analogue and digital media; film, television, video, gaming, photography and recorded sound. Understanding media means understanding the technologies involved. The hands on history approach can open our minds to new perceptions of how media technologies work and how we work with them. Essays in this collection explore the difficult questions of reconstruction and historical memory, and the issues of equipment degradation and loss. Hands on Media History is concerned with both the professional and the amateur, the producers and the users, providing a new perspective on one of the modern era’s most urgent questions: what is the relationship between people and the technologies they use every day? Engaging and enlightening, this collection is a key reference for students and scholars of media studies, digital humanities, and for those interested in models of museum and research practice.
