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Author : H. J. P. Bergmeier,Rainer E. Lotz Publisher : Yale University Press Page : 384 pages File Size : 40,9 Mb Release : 1997 Category : History ISBN : 9780300067095
Hitler's Airwaves by H. J. P. Bergmeier,Rainer E. Lotz Pdf
This is an account of the range, dexterity and ingenuity of Nazi public relations. In addition to obvious historical interest, this is the authors' complete discography of 500 commercial and propaganda recordings, with text of the insidious lyrics.
The first in-depth look at German home service radio stations during WW2, this is a fascinating insight into how the Nazi war machine sought to shape public opinion at home and abroad. Based on original research and unlimited access of German archives, Radio Hitler is an important new addition to the literature surrounding Nazi Germany.
During World War II, jazz embodied everything that was appealing about a democratic society as envisioned by the Western Allied powers. Labelled `degenerate' by Hitler's cultural apparatus, jazz was adopted by the Allies to win the hearts and minds of the German public. It was also used by the Nazi Minister for Propaganda, Joseph Goebbels, to deliver a message of Nazi cultural and military superiority. When Goebbels co-opted young German and foreign musicians into `Charlie and his Orchestra' and broadcast their anti-Allied lyrics across the English Channel, jazz took centre stage in the propaganda war that accompanied World War II on the ground. The Jazz War is based on the largely unheard oral testimony of the personalities behind the German and British wartime radio broadcasts, and chronicles the evolving relationship between jazz music and the Axis and Allied war e orts. Studdert shows how jazz both helped and hindered the Allied cause as Nazi soldiers secretly tuned in to British radio shows while London party-goers danced the night away in demimonde `bottle parties', leading them to be branded a `menace' in Parliament. This book will appeal to students of the history of jazz, broadcasting, cultural studies, and the history of World War II.
This work traces the extraordinary journeys of three World War II radio broadcasters in Germany and Japan whose wartime choices became treason in Britain, Australia, and the United States. John Amery, a member of a well-connected British family, joined Hitler's propagandists in Berlin. He was executed for treason by Britain after the war. Charles Cousens was a soldier in Japanese captivity when he was put to work on Radio Tokyo with a team of Allied POWs. Cousens was later tried as a traitor in Australia. Iva Toguri, better known as Tokyo Rose, was an American student visiting Japan when war broke out. She broadcast her English show on Radio Tokyo out of necessity rather than conviction. The United States jailed Toguri for treason. Through these powerful stories, this work not only sheds new light on the history of wartime radio broadcasting in Germany and Japan, but also examines the laws of treason in Britain, Australia, and the United States and the ways in which trials such as these helped shape modern-day treason trials. All three accounts provoke thoughtful questions as to the nature of justice—and the justice of retribution. This work traces the extraordinary journeys of three World War II radio broadcasters in Germany and Japan whose wartime choices became treason in Britain, Australia, and the United States.
Author : Richard Overy Publisher : W. W. Norton & Company Page : 1085 pages File Size : 48,5 Mb Release : 2006-01-17 Category : History ISBN : 9780393651751
The Dictators: Hitler's Germany, Stalin's Russia by Richard Overy Pdf
"A book of great importance; it surpasses all others in breadth and depth."--Commentary If the past century will be remembered for its tragic pairing of civilized achievement and organized destruction, at the heart of darkness may be found Hitler, Stalin, and the systems of domination they forged. Their lethal regimes murdered millions and fought a massive, deadly war. Yet their dictatorships took shape within formal constitutional structures and drew the support of the German and Russian people. In the first major historical work to analyze the two dictatorships together in depth, Richard Overy gives us an absorbing study of Hitler and Stalin, ranging from their private and public selves, their ascents to power and consolidation of absolute rule, to their waging of massive war and creation of far-flung empires of camps and prisons. The Nazi extermination camps and the vast Soviet Gulag represent the two dictatorships in their most inhuman form. Overy shows us the human and historical roots of these evils.
A Jewish Orchestra in Nazi Germany by Lily E. Hirsch Pdf
"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues." ---Michael Meyer, author of The Politics of Music in the Third Reich "Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust. A Jewish Orchestra in Nazi Germany is a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence." ---Philip V. Bohlman, author of Jewish Music and Modernity "An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid." ---Karen Painter, author of Symphonic Aspirations: German Music and Politics, 1900-1945 The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch's A Jewish Orchestra in Nazi Germany is the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactly is Jewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration? Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.
This book tells the story of Nazi international broadcasting before and during the Second World War. Using archival material, it dissects the message that Germany's overt and covert propaganda stations broadcast to their audiences, as well as the lives and motivations of the broadcasters.
During World War II, jazz embodied everything that was appealing about a democratic society as envisioned by the Western Allied powers. Labelled `degenerate' by Hitler's cultural apparatus, jazz was adopted by the Allies to win the hearts and minds of the German public. It was also used by the Nazi Minister for Propaganda, Joseph Goebbels, to deliver a message of Nazi cultural and military superiority. When Goebbels co-opted young German and foreign musicians into `Charlie and his Orchestra' and broadcast their anti-Allied lyrics across the English Channel, jazz took centre stage in the propaganda war that accompanied World War II on the ground. The Jazz War is based on the largely unheard oral testimony of the personalities behind the German and British wartime radio broadcasts, and chronicles the evolving relationship between jazz music and the Axis and Allied war e orts. Studdert shows how jazz both helped and hindered the Allied cause as Nazi soldiers secretly tuned in to British radio shows while London party-goers danced the night away in demimonde `bottle parties', leading them to be branded a `menace' in Parliament. This book will appeal to students of the history of jazz, broadcasting, cultural studies, and the history of World War II.
This wide-ranging, insightful book will make readers keenly aware of the media’s power, while underscoring the role that we all play in fostering a media climate that cultivates a greater sense of humanity, cooperation, and fulfillment of human potential. What role do the media have in creating the conditions for atrocities such as occurred in Rwanda? Conversely, can the media be used to preserve democracy and safeguard the human rights of all citizens in a diverse society? How will the media, now global in scope, affect the fate of the planet itself? The author explores these intriguing questions and more in this in-depth examination of the media’s power to either help or harm. She begins by documenting how the media were used to spread a contagion of hate in three deadly conflicts: Rwanda, Nazi Germany, and the former Yugoslavia. She then turns to areas of the world where the media acted constructively—by aiding the peace process in Northern Ireland, rebuilding democracy in Chile, bridging ethnic divides in South Africa, improving the lot of women in Senegal, and boosting transparency and democratization in Mexico and Taiwan. Finally, she explains how the media interact with psychological and cultural forces to impact perceptions, fears, peer-pressure, "groupthink," and the creation of heroes and villains.
Next to nothing has been written about the U-boat war in the Indian Ocean. This is the story of a forgotten campaign. The battle began in August 1943, when a German submarine arrived in the Malaysian harbor of Georgetown. In total, nearly forty U-boats were assigned to penetrate the Indian Ocean, serving alongside troops of the occupying Imperial Japanese forces. The Japanese allowed U-boats to use Malaysia as an operational station. From that base, they mixed with Japanese forces on a hitherto unseen scale: a move which spread the U-boat war throughout the vast Indian Ocean and into the Pacific. Success in this theater of war held a real chance to swing the tide of battle in North Africa in favor of Rommel, but the Germans essentially did too little too late. The joint action also gave U-boats the opportunity to penetrate the Pacific Ocean for the first time, attacking shipping off the Australian coast and hunting off New Zealand. Plans were even afoot for an assault on American supply lines. The cooperation' also brought into stark relief the fundamental differences of German and Japanese war aims. After the crews of Italian supply submarines joined the Germans and Japanese, relations between the fighting men of the three main Axis powers were often brutal and almost constantly turbulent. Stories of U-boats laden with gold and treasure stem almost exclusively from boats destined to and returning from Japanese-controlled Malaysia, laden with material exchanged between the two major partners of the Triple Axis Alliance.
Lisa Pine's Hitler's 'National Community' explores German culture and society during the Nazi era and analyses how this impacted upon the Germany that followed this fateful regime. Drawing on a range of significant scholarly works on the subject, Pine informs us as to the major historiographical debates surrounding the subject whilst establishing her own original, interpretative arc. The book is divided into four parts. The first section explores the attempts of the Nazi regime to create a Volksgemeinschaft ('national community'). The second part examines men, women, the family, the churches and religion. The third section analyses the fate of those groups that were excluded from the Volksgemeinschaft. The final section of the book considers the impact of the Nazi government upon German culture, in particular focusing on the radio and press, cinema and theatre, art and architecture, music and literature. This new edition includes historiographical updates throughout, an additional chapter on the early Nazi movement and brand new primary source excerpt boxes and illustrations. There is also expanded material on key topics like resistance, women and family, men and masculinity and religion. A crucial text for all students of Nazi Germany, this book provides a sophisticated window into the social and cultural aspects of life under Hitler's rule.
Telling the stories of mothers, fathers and children in their own words, Vaizey recreates the experience of family life in Nazi Germany. From last letters of doomed soldiers at Stalingrad to diaries kept by women trying to keep their families alive in cities under attack, the book vividly describes family life under the most extreme conditions.
Searching for Lord Haw-Haw is an authoritative account of the political lives of William Joyce. He became notorious as a fascist, an anti-Semite and then as a Second World War traitor when, assuming the persona of Lord Haw-Haw, he acted as a radio propagandist for the Nazis. It is an endlessly compelling story of simmering hope, intense frustration, renewed anticipation and ultimately catastrophic failure. This fully-referenced work is the first attempt to place Joyce at the centre of the turbulent, traumatic and influential events through which he lived. It challenges existing biographies, which have reflected not only Joyce’s frequent calculated deceptions but also the suspect claims advanced by his family, friends and apologists. By exploring his rampant, increasingly influential narcissism it also offers a pioneering analysis of Joyce’s personality and exposes its dangerous, destructive consequences. "What a saga my life would make!" Joyce wrote from prison just before his execution. Few would disagree with him.
Author : Adrian Johns Publisher : W. W. Norton & Company Page : 337 pages File Size : 52,5 Mb Release : 2010-11-08 Category : History ISBN : 9780393080308
Death of a Pirate: British Radio and the Making of the Information Age by Adrian Johns Pdf
“A superb account of the rise of modern broadcasting.” —Financial Times When the pirate operator Oliver Smedley shot and killed his rival Reg Calvert in Smedley’s country cottage on June 21, 1966, it was a turning point for the outlaw radio stations dotting the coastal waters of England. Situated on ships and offshore forts like Shivering Sands, these stations blasted away at the high-minded BBC’s broadcast monopoly with the new beats of the Stones and DJs like Screaming Lord Sutch. For free-market ideologues like Smedley, the pirate stations were entrepreneurial efforts to undermine the growing British welfare state as embodied by the BBC. The worlds of high table and underground collide in this riveting history.
This A–Z biographical sourcebook provides information about the life and times of Adolf Hitler, along with insight into the political movement and world conflict he created. The Hitler regime warns us of the destruction that ensues when a perverted ideology and a cult of leadership are combined with a polity where power is divorced from morality. This illustrated A–Z biographical companion provides easily accessible information about the key events in Hitler's life, his most important collaborators and opponents, his domestic and foreign policies, the use of propaganda and the forging of the Hitler cult, racial persecution and the Holocaust, and Hitler as a war leader. Adolf Hitler also includes an introduction, a chronology, maps, primary source documents, a general bibliography, and index.