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Julia M. White,Reiko Mochinaga Brandon,Yoko Woodson
Author : Julia M. White,Reiko Mochinaga Brandon,Yoko Woodson Publisher : University of Washington Press Page : 270 pages File Size : 52,5 Mb Release : 1998 Category : Art ISBN : 0295977663
This lavishly produced authoritative monograph presents an in-depth view of the life and work of Utagawa Hiroshige, one of Japan’s most revered artists. Presented in a style as stunning as the prints it celebrates, this survey of Hiroshige tells the fascinating story of the last great practitioner of ukiyo-e, or "pictures of the floating world." Hiroshige is considered to be the tradition’s most poetic artist and his work had a marked influence on Western painting towards the end of the 19th century. Vincent van Gogh, Claude Monet, Paul Cézanne, and James Whistler were inspired by Hiroshige’s serene depictions of the natural world. Arranged chronologically, this book illustrates through text and magnificent reproductions Hiroshige’s youth and early career; his artistic development in the genre of landscape prints; his depictions of Edo and the provinces; the flower and bird prints; and his many popular books and paintings. It discusses the historic and cultural environment in which Hiroshige flourished and the many reasons his art continues to be revered and imitated. Filled with 300 color reproductions, and featuring a clamshell box and Japanese-style binding, this volume is destined to become the definitive examination of Hiroshige’s oeuvre.
Add decorative panache to letters, notes, gift packages, and other flat surfaces with the lovely art stickers in this inexpensive collection. Excellent reproductions of 16 prints by Ando Hiroshige, Choki, and other revered Japanese artists are featured. Encompassing land- and seascapes, flowers, portraits of courtesans, actors, and other subjects, the prints include Katsushika Hokusai's Kingfisher, Irises, and Pinks; Kitagawa Utamaro's The Courtesan Hinazuru at the Keizetsuro, Eisui's Somenosuke of the Matsubaya, and 13 more.
This magnificent boxed set includes a silk- bound volume of stunning, accordion-fold, color reproductions of Hiroshige’s complete series, accompanied by a separate booklet with background and descriptions of each print. Roughly twenty-five years after Hokusai released his series of ukiyo-e prints depicting Japan’s most recognizable symbol, Hiroshige took on the subject as well—a common practice among the era’s printmakers. This volume features reproductions of the horizontal version of Hiroshige’s woodblock series, first published in 1852, and which reveal a mature artist working at the height of his powers. In the background of each of the views Mount Fuji is featured under varying vantage points and changing lights, towering over sites of sublime beauty, often animated by a few characters living in harmony with nature. These exquisite fold-out plates are perfect for appreciating Hiroshige’s eye for composition, his nontraditional use of line, and the subtle gradations of color and mood. Viewers can also learn much about daily life and culture in 19th-century Japan through carefully applied detail and symbolism. In his introductory booklet, Jocelyn Bouquillard provides captions for each print, as well as an appreciation of the remarkable and painstaking process of woodblock printing. Packaged in an elegant slipcase, these volumes reflect the beautiful artistry and traditions that are embodied in the prints themselves.
The Japanese landscape print has had a tremendous influence on Western art of the nineteenth and twentieth centuries. In Japan and in the West it is often seen as the dominant form in Ukiyo-e, pictures from the floating world. And yet for all its importance, it is a genre whose history has never been written. Beyond The Great Wave is a survey or overview for all those interested in discovering the inner dynamics of one of art history's most remarkable achievements. However, it is also a quest narrative, in which landscapes and notions of Japan as a homeland are intertwined and interconnected. Although there has never been a book-length study of the Japanese landscape print in either Japanese or English, a great deal has been written about the two giants of the genre, Hokusai and Hiroshige. From what traditions did these two nineteenth-century artists emerge? Who were their predecessors? What influence, if any, did they have on other Ukiyo-e artists? Can their influence be seen in the shin-hanga and sôsaku-hanga artists of the twentieth century? This book addresses these issues, but it also looks at a number of other factors, such as the growth of tourism in nineteenth-century Japan, necessary for understanding this genre.
Hiroshige: Visions of Japan by Utagawa Hiroshige,Rossella Menegazzo Pdf
With Hokusai, Utamaro and Kuniyoshi, Utagawa Hiroshige (1797-1858) is one of the great protagonists of ukiyo-e . With respect to Hokusai, whom he constantly compared himself to, since he was around thirty years younger, Hiroshige made landscape and nature the focus of his work by instilling in the viewer a sense of harmony, serenity and peace that, still today, is universally admired. In fact, thanks to these qualities he is one of the most praised artists and is considered the "master of nature". Hiroshige renders the human figure with quick, direct lines that at times call to mind manga and anime sketches, though simplified and essential. This monograph presents a selection of around 230 works from the most important series by Hiroshige, including views of famous places in the capital of Edo as well as in the farthest provinces, but also a body of work with the most admirable images portraying animals, flowers and insects plus original drawings and print plates that are still intact. This publication, which covers the Japanese master's entire career, is divided into eight themed sections that discuss the most important series in a thorough and illustrative way: Early Works; Travel Images; Flowers, Birds and the Moon; Views of Distant Places; View of the Oriental Capital; Hiroshige: Life and Work; Hiroshige and His Print Work: Contemporaries and the West.
Hokusai was one of the great masters of the Japanese woodblock print. His exquisite compositions and dynamic use of color set him apart from other printmakers, and his unequalled genius influenced both Japanese and a whole generation of Western artists. Now available for the first time in paperback, this book reproduces the artist's finest works in plates that convey the full variety of his invention, each of which is provided with an informative commentary. In his introduction, Hokusai expert Matthi Forrer traces the artist's career and defines his place in relation to his contemporaries and to the history of Japanese art. Examining all genres of the artist's prolific output -- including images of city life, maritime scenes, landscapes, views of Mount Fuji, bird and flower illustrations, literary scenes, waterfalls and bridges -- Hokusai, Prints and Drawings provides a detailed account of the artist's genius.
Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning pictures of the floating world , ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Though Hiroshige captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his most famous work was a series known as 100 Famous Views of Edo (1856-1858). This book provides an introduction to his work and an overview of his career.
Utamaro, Hokusai Hiroshige by Francesco Paolo Campione,Marco Fagioli,Moira Luraschi Pdf
The ukiyo-e masters are brought together in a volume that illustrates Japan's "floating world" between the 17th and 19th century. he so-called Edo period (1603-1868) was extremely productive for Japan from a historical and artistic standpoint; later its influence would extend beyond the archipelago, as far as the West, where it gave rise to a real passion for Japanese aesthetics and culture. The term ukiyo-e, which translates as "pictures of a floating world," refers to the woodblock colour prints that were first created in the Edo period by combining the talents of painters like Utamaro, Hokusai, and Hiroshige with the absolute mastery of block carvers and printers. These prints are the highest aesthetic expression of what could be called a "culture of pleasure," pervaded by the awareness that the beauties of life must be enjoyed to the full because they are bound to end. The book offers a chance to discover the world of Japanese ukiyo-e prints through over 300 works by some of the most important artists, and the themes that characterize them: from elegant female beauties to delicate flowers and birds, famous kabuki actors, valiant samurai, and even erotic subjects with their insouciant celebration of love.
Hiroshige Famous Views of the Sixty-Odd Provinces by Cristina Berna,Eric Thomsen Pdf
What was Japan like in 1853, when this print series was started by Utagawa Hiroshige with one print from each of the 69 provinces. It is an outstanding picture book from just before photography. Hiroshige travelled the Tōkaidō road to participate in an important procession in Kyoto in 1832 and published his 53 Stations of the Tōkaidō which was the most popular print series ever made in Japan, see the author’s ISBN 9781956215090. It was even more popular than Hokusai’s series Thirty-six Views of Mount Fuji, which had been recently published and which had influenced Hiroshige tremendously ISBN 9781956215243. The Famous Views from the Sixty-Odd Provinces contains some of Hiroshige’s most beloved prints and he again uses the horizontal format he pioneered for landscape prints.
This work presents colour reproductions, details and full explanations of theasterpieces that crown the work of one of the greatest ukiyo-e artists, Andoiroshige.