Hollywood Highbrow

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Hollywood Highbrow

Author : Shyon Baumann
Publisher : Princeton University Press
Page : 242 pages
File Size : 49,8 Mb
Release : 2018-06-05
Category : Performing Arts
ISBN : 9780691187280

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Hollywood Highbrow by Shyon Baumann Pdf

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.

Quality Hollywood

Author : Geoff King
Publisher : Bloomsbury Publishing
Page : 336 pages
File Size : 54,6 Mb
Release : 2015-11-30
Category : Performing Arts
ISBN : 9780857728852

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Quality Hollywood by Geoff King Pdf

What defines 'quality' in contemporary Hollywood film? Although often seen as inhospitable to such work, the studios of the blockbuster-franchise era continue to produce features that make claims to higher status. Films such as The Social Network, The Assassination of Jesse James by the Coward Robert Ford and Mystic River are marked as distinctive from the mainstream norm. But how exactly, and how are such qualities mixed with more familiar Hollywood ingredients, as found in larger doses in other examples such as Blood Diamond and the blockbuster-scale Inception? Quality Hollywood is the first book to address these issues, featuring close analysis of case study films, critical responses and the wider notions of cultural value on which these draw. Geoff King argues that such films retain a presence as a minority strand of studio output. The reasons for this combine factors relating to economics, the power of certain filmmakers and Hollywood's investment in its own prestige.

Theorizing Art Cinemas

Author : David Andrews
Publisher : University of Texas Press
Page : 309 pages
File Size : 47,6 Mb
Release : 2013-11-01
Category : Performing Arts
ISBN : 9780292747760

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Theorizing Art Cinemas by David Andrews Pdf

The term “art cinema” has been applied to many cinematic projects, including the film d’art movement, the postwar avant-gardes, various Asian new waves, the New Hollywood, and American indie films, but until now no one has actually defined what “art cinema” is. Turning the traditional, highbrow notion of art cinema on its head, Theorizing Art Cinemas takes a flexible, inclusive approach that views art cinema as a predictable way of valuing movies as “art” movies—an activity that has occurred across film history and across film subcultures—rather than as a traditional genre in the sense of a distinct set of forms or a closed historical period or movement. David Andrews opens with a history of the art cinema “super-genre” from the early days of silent movies to the postwar European invasion that brought Italian Neorealism, the French New Wave, and the New German Cinema to the forefront and led to the development of auteur theory. He then discusses the mechanics of art cinema, from art houses, film festivals, and the academic discipline of film studies, to the audiences and distribution systems for art cinema as a whole. This wide-ranging approach allows Andrews to develop a theory that encompasses both the high and low ends of art cinema in all of its different aspects, including world cinema, avant-garde films, experimental films, and cult cinema. All of these art cinemas, according to Andrews, share an emphasis on quality, authorship, and anticommercialism, whether the film in question is film festival favorite or a midnight movie.

Hollywood's Artists

Author : Virginia Wright Wexman
Publisher : Columbia University Press
Page : 191 pages
File Size : 45,5 Mb
Release : 2020-07-21
Category : Performing Arts
ISBN : 9780231551434

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Hollywood's Artists by Virginia Wright Wexman Pdf

Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema? In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.

Hollywood's Last Golden Age

Author : Jonathan Kirshner
Publisher : Cornell University Press
Page : 281 pages
File Size : 42,7 Mb
Release : 2012-11-15
Category : Performing Arts
ISBN : 9780801465406

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Hollywood's Last Golden Age by Jonathan Kirshner Pdf

Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period—including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves—were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood’s embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters’ interior lives.

New Wave, New Hollywood

Author : Nathan Abrams,Gregory Frame
Publisher : Bloomsbury Publishing USA
Page : 270 pages
File Size : 53,8 Mb
Release : 2021-09-23
Category : Performing Arts
ISBN : 9781501360398

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New Wave, New Hollywood by Nathan Abrams,Gregory Frame Pdf

As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heaven's Gate, it produced films that continue to be watched, discussed, analysed and poured over. It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the 'New Wave proper'. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the 'legacy' of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of 'New Wave, New Hollywood', and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967.

Prestige Television

Author : Seth Friedman,Amanda Keeler
Publisher : Rutgers University Press
Page : 184 pages
File Size : 41,8 Mb
Release : 2022-11-11
Category : Performing Arts
ISBN : 9781978818286

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Prestige Television by Seth Friedman,Amanda Keeler Pdf

Prestige Television explores how a growing array of 21st century US programming is produced and received in ways that elevate select series above the competition in a saturated market. Contributing authors demonstrate that these shows are positioned and understood as comprising an increasingly recognizable genre characterized by familiar markers of distinction. In contrast to most accounts of elite categorizations of contemporary US television programming that center on HBO and its primary streaming rivals, these essays examine how efforts to imbue series with prestigious or elevated status now permeate the rest of the medium, including network as well as basic and undervalued premium cable channels. Case study chapters focusing on diverse series, ranging from widely recognized examples such as The Americans (2013-2018) and The Knick (2014-15) to contested examples like Queen of the South (2016-2021) and How I Met Your Mother (2005-2014), highlight how contributing authors extend conceptions of the genre beyond expected parameters.

Pleasing Everyone

Author : Jeffrey Knapp
Publisher : Oxford University Press
Page : 312 pages
File Size : 51,7 Mb
Release : 2017
Category : Art
ISBN : 9780190634063

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Pleasing Everyone by Jeffrey Knapp Pdf

Shakespeare's plays were immensely popular in their own day -- so why do we refuse to think of them as mass entertainment? In Pleasing Everyone, author Jeffrey Knapp opens our eyes to the uncanny resemblance between Renaissance drama and the incontrovertibly mass medium of Golden-Age Hollywood cinema. Through fascinating explorations of such famous plays as Hamlet, The Roaring Girl, and The Alchemist, and such celebrated films as Citizen Kane, The Jazz Singer, and City Lights, Knapp challenges some of our most basic assumptions about the relationship between art and mass audiences. Above all, Knapp encourages us to resist the prejudice that mass entertainment necessarily simplifies and cheapens whatever it touches. As Knapp shows, it was instead the ceaseless pressure to please everyone that helped generate the astonishing richness and complexity of Renaissance drama as well as of Hollywood film.

The Formation of Chinese Art Cinema

Author : Li Yang
Publisher : Springer
Page : 228 pages
File Size : 47,8 Mb
Release : 2018-10-31
Category : Performing Arts
ISBN : 9783319972114

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The Formation of Chinese Art Cinema by Li Yang Pdf

The Formation of Chinese Art Cinema: 1990–2003 examines the development of Chinese art film in the People’s Republic of China from 1990, when the first Sixth Generation film Mama was released, to 2003, when authorities acknowledged the legitimacy of underground filmmakers. Through an exploration of the production and consecration mechanisms of the new art wave and its representative styles, this book argues that the art wave of the 1990s fundamentally defined Chinese art cinema. In particular, this vital art wave was not enabled by democratic liberalism, but by the specific industrial development, in which the film system transitioned from Socialist propaganda into a commercialized entity. Allowing Chinese art film to grow but at the same time denying its legitimacy, this paradoxical transition process shaped Chinese art film’s institutional and aesthetical alternative positioning, which eventually helped consolidate the art wave into art cinema. Ultimately, this book is a history of the Chinese portion of global art cinema, which also reveals the complex Chinese cultural experiences during the Reform Era.

Francis Ford Coppola

Author : Jeff Menne
Publisher : University of Illinois Press
Page : 176 pages
File Size : 54,5 Mb
Release : 2014-12-15
Category : Performing Arts
ISBN : 9780252096785

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Francis Ford Coppola by Jeff Menne Pdf

Acclaimed as one of the most influential and innovative American directors, Francis Ford Coppola is also lionized as a maverick auteur at war with Hollywood's power structure and an ardent critic of the postindustrial corporate America it reflects. However, Jeff Menne argues that Coppola exemplifies the new breed of creative corporate person and sees the director's oeuvre as vital for reimagining the corporation in the transformation of Hollywood. Reading auteur theory as the new American business theory, Menne reveals how Coppola's vision of a new kind of company has transformed the worker into a liberated and well-utilized artist, but has also commodified individual creativity at a level unprecedented in corporate history. Coppola negotiated the contradictory roles of shrewd businessman and creative artist by recognizing the two roles are fused in a postindustrial economy. Analyzing films like The Godfather (1970) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family--and how his studio American Zoetrope came to represent a new brand of auteurism and the model for post-Fordist Hollywood.

Indie

Author : Michael Z. Newman
Publisher : Columbia University Press
Page : 314 pages
File Size : 42,6 Mb
Release : 2011
Category : Performing Arts
ISBN : 9780231144650

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Indie by Michael Z. Newman Pdf

By locating the American indie in the historical context of the Sundance-Miramax era, the author considers indie cinema as an alternative American film culture.

Highbrow/Lowbrow

Author : Lawrence W. Levine
Publisher : Harvard University Press
Page : 324 pages
File Size : 43,6 Mb
Release : 1990-09
Category : History
ISBN : 0674390776

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Highbrow/Lowbrow by Lawrence W. Levine Pdf

In this unusually wide-ranging study, spanning more than a century and covering many diverse forms of expressive culture, a leading cultural historian demonstrates how variable and dynamic cultural boundaries have been and how fragile and recent the cultural categories we have learned to accept as natural and eternal are.

Fearless Vulgarity

Author : Ken Feil
Publisher : Wayne State University Press
Page : 319 pages
File Size : 46,6 Mb
Release : 2022-11-29
Category : Social Science
ISBN : 9780814346051

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Fearless Vulgarity by Ken Feil Pdf

The enduring queer feminist engagement with Valley of the Dolls author Jacqueline Susann's camp comedy legacy.

Transnational Cinematic and Popular Music Icons

Author : Aaron Lefkovitz
Publisher : Lexington Books
Page : 146 pages
File Size : 44,6 Mb
Release : 2017-09-08
Category : Social Science
ISBN : 9781498555760

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Transnational Cinematic and Popular Music Icons by Aaron Lefkovitz Pdf

This book explores the films and popular music of Lena Horne, Dorothy Dandridge, and Queen Latifah,connecting each performer to female black-transnational histories and nonwhite female performers’ representational struggles.

Demanding Respect

Author : Paul Lopes
Publisher : Temple University Press
Page : 260 pages
File Size : 51,9 Mb
Release : 2009-04-07
Category : COMICS & GRAPHIC NOVELS
ISBN : 9781592134441

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Demanding Respect by Paul Lopes Pdf

From pulp comics to Maus, the story of the growth of comics in American culture.