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Author : John Franceschina
Publisher : Praeger
Page : 368 pages
File Size : 45,6 Mb
Release : 1997-11-30
Category : Drama
ISBN : UOM:39015042152382
Examines representations of homosexuality in the English theatre from the Renaissance to the close of the 19th century.
Author : Nicholas de Jongh
Publisher : Routledge
Page : 232 pages
File Size : 47,9 Mb
Release : 1992-03-26
Category : Performing Arts
ISBN : 9781134967308
First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Author : John M. Clum
Publisher : Columbia University Press
Page : 350 pages
File Size : 50,7 Mb
Release : 1992
Category : Drama
ISBN : 0231075103
Clum (English and theater, Duke U.) examines 20th-century American and British plays that revolve around gay men, including those by Noel Coward, Arthur Miller, Tennessee Williams, Edward Albee, Harold Pinter, and Peter Shaffer. He considers the representation of bodies and acts, the closet dramas between 1930 and 1968, and recent works portraying a culture that has to do with more than sex.--Annotation © Book News, Inc., Portland, Ore.
Author : Alan Sinfield
Publisher : Yale University Press
Page : 428 pages
File Size : 54,8 Mb
Release : 1999-01-01
Category : Social Science
ISBN : 0300081022
This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Le Roi Jones, and Joe Orton.
Author : Arzoo Singh
Publisher : GRIN Verlag
Page : 46 pages
File Size : 47,7 Mb
Release : 2018-03-19
Category : Foreign Language Study
ISBN : 9783668663053
Bachelor Thesis from the year 2017 in the subject Didactics for the subject English - Literature, Works, grade: 74, , course: B A (Hons) with English, language: English, abstract: This Research paper aims at highlighting various homo sexual instances in four of Shakespeare’s Comedies - A Midsummer Night’s Dream, As You Like It, The Merchant of Venice and Twelfth Night. When I discuss "levels" of relationships, I refer to one of three levels: the first is the playhouse level, which denotes the Early Modern theatrical world and assumes the use of boy actors. The second level is the true-character level, which signifies the "true plot" that lies under the exterior plot where characters do not yet know that Cesario is actually Viola or that Ganymede is actually Rosalind. The third and final level is the plot level, or what is currently occurring in the story line at that moment without invoking the playhouse level or citing the use of boy actors. I also refer to other works of Shakespeare like his sonnets and his plays (Romeo and Juliet, Henry IV and V, Troilus and Cressida, Othello, Timon of Athens and Tragedy of Coriolanus) and try to determine the disruption of hetero-normative Renaissance England by homo-erotic characters developed by Shakespeare. In this paper, I also shed light on the Playwright’s life and the socio-cultural environment of Elizabethan England. The difference between the societies of then and now is highlighted and are accordingly used to interpret the plays.
Author : Timothy Murphy
Publisher : Routledge
Page : 749 pages
File Size : 48,5 Mb
Release : 2013-10-18
Category : Reference
ISBN : 9781135942342
The Reader's Guide to Lesbian and Gay Studies surveys the field in some 470 entries on individuals (Adrienne Rich); arts and cultural studies (Dance); ethics, religion, and philosophical issues (Monastic Traditions); historical figures, periods, and ideas (Germany between the World Wars); language, literature, and communication (British Drama); law and politics (Child Custody); medicine and biological sciences (Health and Illness); and psychology, social sciences, and education (Kinsey Report).
Author : Carl Miller
Publisher : Burns & Oates
Page : 296 pages
File Size : 43,9 Mb
Release : 1996
Category : Drama
ISBN : UOM:39015040663091
"This is the first book to chart the history of lesbian and gay representation on the stage from the beginnings of drama in English until the nineteenth century. Carl Miller's wide-ranging survey uncovers a hidden heritage of romantic heroines, depraved villains, noble martyrs and hysterical queens. Voices of characters unheard for centuries are brought back to life in rare, rediscovered texts, alongside bold reassessments of classic plays. Offstage, the book investigates theatrical records, memoirs, history and erotica to reconstruct what went on in the dressing rooms and bedrooms of British theatres leading players. With provocative detail and contemporary insights, Stages of Desire demonstrates that Shakespeare cannot have been heterosexual; that David Garrick's fear of outing made him betray his friends; and that touring gay agitprop began in the reign of Henry VIII. It investigates sex scandals involving Nicholas Udall, Christopher Marlowe, Charlotte Charke, Samuel Foote, Isaac Bickerstaffe, Lord Byron and Oscar Wilde. Why, this book asks, why was arse-play a feature of fourteenth-century Christian drama? How did Elizabeth I enjoy lesbian romances? What dangers were involved in criticizing the King's boyfriend on stage? Who were Georgian London's lesbian stars? Why do theatre-goers applaud homosexuals on stage, yet persecute them in the street?"--Back cover.
Author : Andrew Wyllie
Publisher : Intellect Books
Page : 162 pages
File Size : 55,6 Mb
Release : 2009-03-01
Category : Performing Arts
ISBN : 9781841502922
In the years just after World War II, theater provided an important critique of British society’s engagement with gender and sexual politics. Sex on Stage examines how British playwrights, actors, and directors brought women’s sexuality and gay and lesbian issues to the cutting edge of drama after World War II. Through a close reading of playwrights such as John Osborne, Harold Pinter, and Terence Rattigan, alongside accounts of their sociopolitical context and public reception, Andrew Wyllie reveals that this more progressive age was also one of reactionary statements and industry-wide anxiety.
Author : J. Clum
Publisher : Springer
Page : 387 pages
File Size : 47,5 Mb
Release : 2012-01-02
Category : Performing Arts
ISBN : 9781137013101
In studying performances of marriage in modern and contemporary British and American drama, Clum highlights the fact that - paradoxically - at a time when theatre was both popular entertainment and high culture, many of the most commercially and artistically successful plays about marriage were written by homosexual men. Beginning with Oscar Wilde and focusing on some of the most successful British and American playwrights of the past century, including Somerset Maugham, Noël Coward, Terence Rattigan, and Emlyn Williams in England and Clyde Fitch, George Kelly, Tennessee Williams, William Inge, and Edward Albee in the US, The Drama of Marriagelooks at how the plays they wrote about heterosexual marriage continue to impact contemporary gay playwrights and the depiction of marriage today.
Author : Dan Rebellato
Publisher : Routledge
Page : 288 pages
File Size : 41,9 Mb
Release : 2002-03-11
Category : Performing Arts
ISBN : 9781134657827
It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the 'problem' of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the Making of Modern British Drama.
Author : John M. Clum
Publisher : Palgrave Macmillan
Page : 336 pages
File Size : 55,7 Mb
Release : 2000-06-17
Category : Literary Criticism
ISBN : 0312223846
Still Acting Gay is a revision and expansion of Clum's celebrated book, Acting Gay. The book focuses on the relationship between American and British dramas written by and about gay men and the changing gay culture those plays reflect, from the carefully enforced closet to liberation politics to AIDS to the qualified security of the present. Still Acting Gay chronicles the transition of the gay man as subject for sensational melodrama to creator of many of the most powerful and celebrated plays of the late 20th century.
Author : D. Keith Peacock
Publisher : Bloomsbury Publishing USA
Page : 244 pages
File Size : 49,9 Mb
Release : 1999-03-30
Category : Social Science
ISBN : 9780313031779
The Thatcher administration of 1979 to 1990 had a profound and apparently lasting effect on British theatre and drama. It is now roughly a decade since the fall of Margaret Thatcher and, with the benefit of hindsight, it has become possible to disentangle fact from fantasy concerning her effect on the British theatre. During her administration, there was a significant cultural shift which affected drama in Britain. While some critics have argued that the theatre was simply affected by financial cutbacks in arts subsidies, this volume challenges that view. While it looks at the economic influence of Thatcher's policies, it also examines how her ideology shaped theatrical and dramatic discourse. It begins by defining Thatcherism and illustrating its cultural influence. It then examines the consequences of Thatcherite policies through the agency of the Arts Council of Great Britain. Having established this political and cultural environment, the book considers in detail the effect of Thatcher's administration on the subject-matter and dramatic and theatrical discourse of left-wing drama and on the subsidized political theatre companies which proliferated during the 1970s. Attention is then given to the development of constituency theatres, such as Women's and Black Theatre, which assumed an oppositional cultural stance and, in some cases, attempted to develop characteristic theatrical and dramatic discourses. The penultimate chapter deals with the effect of Thatcherite economic policy and ideology on new writing and performance, while the final chapter draws conclusions and suggests that the cultural shift perpetrated by the Thatcher regime has altered the status of subsidized theatre from an agency of cultural, spiritual, social, or psychological welfare to an entertainment industry which is viewed as largely irrelevant to the workings of society.
Author : Deborah Philips
Publisher : Unknown
Page : 256 pages
File Size : 47,5 Mb
Release : 2021
Category : Gay culture
ISBN : 1350174246
"This book situates the production of The Boy Friend and the Players' Theatre in the context of a post-war London and reads The Boy Friend , and Wilson's later work, as exercises in contemporary camp. It argues for Wilson as a significant and transitional figure both for musical theatre and for modes of homosexuality in the context of the pre-Wolfenden 1950s. Sandy Wilson's The Boy Friend is one of the most successful British musicals ever written. First produced at the Players' Theatre Club in London in 1953 it transferred to the West End and Broadway, making a star out of Julie Andrews and gave Twiggy a leading role in Ken Russell's 1971 film adaptation. Despite this success, little is known about Wilson, a gay writer working in Britain in the 1950s at a time when homosexuality was illegal. Drawing on original research assembled from the Wilson archives at the Harry Ransom Center, this is the first critical study of Wilson as a key figure of 1950s British theatre. Beginning with the often overlooked context of the Players' Theatre Club through to Wilson's relationship to industry figures such as Binkie Beaumont, Noël Coward and Ivor Novello, this study explores the work in the broader history of Soho gay culture. As well as a critical perspective on The Boy Friend , later works such as Divorce Me, Darling!, The Buccaneer and Valmouth are examined as well as uncompleted musical versions of Pygmalion and Goodbye to Berlin to give a comprehensive and original perspective on one of British theatre's most celebrated yet overlooked talents."--
Author : Drewey Wayne Gunn
Publisher : McFarland
Page : 206 pages
File Size : 47,7 Mb
Release : 2017-05-19
Category : Performing Arts
ISBN : 9781476670195
Previous surveys of the gay theatrical repertoire have concentrated on plays produced on Broadway or in London's West End. This comprehensive guide goes well beyond these earlier studies by introducing productions from Off Broadway, from regional theaters in the U.S. and U.K., and from Ireland, Canada, Australia, New Zealand and South Africa. Also included are Puerto Rican, Indian and Filipino plays written in English, as well as translations from other languages. Well over half of the works discussed here appear for the first time in such a study.
Author : Gilli Bush-Bailey
Publisher : Manchester University Press
Page : 254 pages
File Size : 46,7 Mb
Release : 2006-10-31
Category : Performing Arts
ISBN : 0719072506
"[This book] challenges the traditional boundaries that have separated the histories of the first actresses and the early female playwright. It brings the approaches of new histories and historiography to bear on old stories to make alternative connections between women working in the business of theatre. Drawing from feminist cultural materialist theories and historiographies, Bush-Bailey analyses the collaboration between the actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn Mary Pix, tracing a line of influence from the time of the first Theatres Royal to the rebellion that resulted in the creation of a players' co-operative. This is a story about public and private identity fuelling profit at the box office and gossip on the streets and investigating how women's on- and off-stage personae feed each other in the emerging commercial world of the business of theatre."--Jacket.