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Author : Horatio Parker
Publisher : Alfred Music
Page : 184 pages
File Size : 54,9 Mb
Release : 2024-07-02
Category : Music
ISBN : 1457484609
The comb binding creates a lay-flat book that is perfect for study and performance.
Author : Horatio William Parker
Publisher : Unknown
Page : 192 pages
File Size : 42,6 Mb
Release : 1893
Category : Cantatas, Sacred
ISBN : HARVARD:32044040676033
Author : Anonim
Publisher : Alfred Music
Page : 0 pages
File Size : 46,7 Mb
Release : 1985-03
Category : Oratorios
ISBN : 0769245110
The comb binding creates a lay-flat book that is perfect for study and performance.
Author : Horatio William Parker
Publisher : Unknown
Page : 167 pages
File Size : 49,8 Mb
Release : 1893
Category : Choruses, Sacred (Mixed voices) with orchestra
ISBN : OCLC:222133808
Author : Horatio William Parker
Publisher : Unknown
Page : 208 pages
File Size : 55,9 Mb
Release : 2004
Category : Oratorios
ISBN : UCLA:L0091052274
Author : Horatio W. Parker
Publisher : Unknown
Page : 0 pages
File Size : 41,6 Mb
Release : 1893
Category : Electronic
ISBN : OCLC:165342210
Author : William Kearns
Publisher : Scarecrow Press
Page : 382 pages
File Size : 51,8 Mb
Release : 1990
Category : Biography & Autobiography
ISBN : 081082292X
During the early 1900s, Horatio Parker was one of the best-known composers in the United States. He received numerous commissions and was a patriarchal figure among America's Protestant church musicians and choral societies; his symphonic works were performed by the leading orchestras of the day; and he headed the Yale School of Music for twenty-five years. Kearns's study is a thorough analysis of the circumstances leading to Parker's popularity in pre- World War I America and his neglect thereafter. The book includes a detailed narration of the composer's life and an extensive description of his major works. Over fifty examples of his music are included, as well as a comprehensive listing of works and writings.
Author : Jonathan D. Green
Publisher : Scarecrow Press
Page : 356 pages
File Size : 49,5 Mb
Release : 2008
Category : Music
ISBN : 0810860465
This text serves as a field guide to the principal choral-orchestral repertoire of the nineteenth century. It provides conductors with the information they will need to make programming decisions, and it provides scholars with a starting point for research on these works.
Author : University of Michigan. University Musical Society
Publisher : UM Libraries
Page : 184 pages
File Size : 51,5 Mb
Release : 1954
Category : Concerts
ISBN : UOM:39015024150222
Author : Michael Rosewall
Publisher : Routledge
Page : 633 pages
File Size : 51,8 Mb
Release : 2006-09-12
Category : Music
ISBN : 9781135862282
The Directory of Choral-Orchestral Music is the most comprehensive index of music written for orchestra with chorus in print today.Offering performance information about choral works by more than 900 composers, the more than 3,500 entries include pertinent details such as instrumentation, languages, timings, publishers, and composer information in an easy-to-follow reference style. Users can also browse categorized appendices of works, chronological lists of composers, and an index of popular and original titles. From traditional masterworks to contemporary creations, this book presents an impressive variety of choral compositions and serves as both a research aid and practical performance reference.The first volume of its kind, The Directory of Choral-Orchestral Music is designed to meet the needs of professional directors, music educators and students of choral music. The author's hope is that it will broaden the choices available to programmers and performers, spur further research in the field of choral-orchestral music, and encourage composers, musicologists and performers alike to further explore this rich and varied body of musical literature.
Author : John Spitzer
Publisher : University of Chicago Press
Page : 504 pages
File Size : 46,9 Mb
Release : 2012-04-09
Category : History
ISBN : 9780226769769
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
Author : Robert Ignatius Letellier
Publisher : Cambridge Scholars Publishing
Page : 579 pages
File Size : 50,5 Mb
Release : 2017-06-23
Category : Music
ISBN : 9781443868488
This book explores the relationship between the Bible and the world of music, an association that is recorded from ancient times in the Old Testament, and one that has continued to characterize the cultural self-expression of Western Civilization ever since. The study surveys the emergence of this close relationship in the era following the end of the Roman Empire and through the Middle Ages, taking particular note of the role of Gregorian chant, folk music and the popularity of mystery, morality and passion plays in reflection of the Sacred Scripture and its themes during those times. With the emergence of polyphony and the advent of the Reformation in the sixteenth century, the interaction between the Bible and music increased dramatically, culminating in the evolution of opera and oratorio as specific genres during the Renaissance and the Early Baroque period. Both these genres have proved essential to the interplay between sacred revelation and the various types of music that have come to determine cultural expression in the history of Europe. The book initially provides an overview of how the various themes and types of Biblical literature have been explored in the story of Western music. It then looks closely at the role of oratorio and opera over four centuries, considering the most famous and striking examples and considering how the music has responded in different ages to the sacred text and narrative. The last chapter examines how biblical theology has been used to dramatic purpose in a particular operatic genre – that of French Grand Opera. The academic apparatus includes an iconography, a detailed bibliography and an index of biblical and musical references, themes and subjects.
Author : John Michael Cooper
Publisher : Rowman & Littlefield
Page : 847 pages
File Size : 55,7 Mb
Release : 2024-02-12
Category : Music
ISBN : 9781538157527
Historical Dictionary of Romantic Music, Second Edition covers the persons, ideas, practices, and works that made up the worlds of Western music during the long 19th century (ca. 1780–1918). It’s the first book to recognize that Romantic music was very nearly a global phenomenon. It includes more women, more Black musicians and other musicians of color, and more exponents of musical Romanticism from Central and South America as well as Central and Eastern Europe than any other single-volume study of Romantic music—thus challenging the conventional hegemony of musical Romanticisms by men and by Western European nations. This book includes entries on topics including anti-Semitism, sexism, and racism that were pervasive and defining to the worlds of musical Romanticism but are rarely addressed in general studies of that subject. It includes Romantic musicians who were not primarily composers, as well as topics such as the Haitian Revolution, spirituals, and ragtime that were more important for music in the long 19th century than is generally acknowledged. The result is an expansive, inclusive, diverse, and more richly textured portrayal of Romantic music than is elsewhere available. Historical Dictionary of Romantic Music, Second Edition contains a chronology, an introduction, an extensive bibliography, and a dictionary section with more than 600 cross-referenced entries on traditions, famous pieces, persons, places, technical terms, and institutions of Romantic music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic music.
Author : Stuart Feder
Publisher : Yale University Press
Page : 444 pages
File Size : 43,8 Mb
Release : 1992-01-01
Category : Music
ISBN : 0300054815
A psychoanalytic biography which examines the lives of Charles Ives and his father, George. It shows how a knowledge of their relationship as father and son, teacher and pupil is central to understanding Ives' work. Charles' music is shown as an unconscious collaboration between father and son.
Author : Manfred Holthus
Publisher : Routledge
Page : 560 pages
File Size : 55,9 Mb
Release : 2017-07-12
Category : Music
ISBN : 9781351504188
The subject of this book is accurately defined by its subtitle. Music in a New Found Land does not pretend to be a comprehensive history of American music. Nor does Mellers strive to catalog what he considers to be authentic American music. Instead, he deals, in some detail, with comparatively few composers, most of whom have wellestablished reputations. It has always been difficult to separate American music from its immediate relevance to the twentieth century. Mellers' theme involves the relationship between "art" music, jazz and pop music; he sees the segregation of these genres as both illogical and artifi cial. If the pop music of Tin Pan Alley may be anti-art, it has also produced Gershwin, Ellington, and composing improvisers such as Louis Armstrong, Charlie Parker, and Miles Davis. The study of American music is as relevant into any inquiry into a national culture as the study of American literature and painting. This book contains a large number of quotations from American writers, because Mellers thought American sensibility should parallel, reinforce, and comment on American music. In sum, this is the closest available one-volume history of American music, and a window into American culture.