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Author : Robert E. Weinberg
Publisher : Unknown
Page : 270 pages
File Size : 51,8 Mb
Release : 2000
Category : Horror films
ISBN : UVA:X004465433
The most renowned writers, illustrators, publishers, actors, and filmmakers are drawn together in this exquisite portrayal of horror. Every media from comics, paperbacks, hardcovers, and movies is represented in full color.
Author : Jess Nevins
Publisher : Bloomsbury Publishing USA
Page : 395 pages
File Size : 48,5 Mb
Release : 2020-01-07
Category : Literary Criticism
ISBN : 9798216098997
Providing an indispensable resource for academics as well as readers interested in the evolution of horror fiction in the 20th century, this book provides a readable yet critical guide to global horror fiction and authors. Horror Fiction in the 20th Century encompasses the world of 20th-century horror literature and explores it in a critical but balanced fashion. Readers will be exposed to the world of horror literature, a truly global phenomenon during the 20th century. Beginning with the modern genre's roots in the 19th century, the book proceeds to cover 20th-century horror literature in all of its manifestations, whether in comics, pulps, paperbacks, hardcover novels, or mainstream magazines, and from every country that produced it. The major horror authors of the century receive their due, but the works of many authors who are less well-known or who have been forgotten are also described and analyzed. In addition to providing critical assessments and judgments of individual authors and works, the book describes the evolution of the genre and the major movements within it. Horror Fiction in the 20th Century stands out from its competitors and will be of interest to its readers because of its informed critical analysis, its unprecedented coverage of female authors and writers of color, and its concise historical overview.
Author : Joe Hill
Publisher : Harper Collins
Page : 58 pages
File Size : 54,7 Mb
Release : 2009-02-03
Category : Fiction
ISBN : 9780061843228
From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .
Author : Christoph Grunenberg
Publisher : MIT Press (MA)
Page : 0 pages
File Size : 40,6 Mb
Release : 1999
Category : Art, Gothic
ISBN : 0262571285
Taking its starting point and title from the Gothic novel, this book investigates the revival of a Gothic sensibility in contemporary art: in American and British fiction labelled the "New Gothic"; in film with its long tradition of horror; and in video, music, fashion, design, and underground culture. Gothic accompanies an exhibition at The Institute of Contemporary Art, Boston, of 23 artists. Some employ a detached and reductive formal language to transmute images of excessive and gruesome violence. The old Gothic themes of the fantastic and pathological are infused with potency as they address concerns about the body, disease, voyeurism, and power.
Author : William Hope Hodgson
Publisher : BoD - Books on Demand
Page : 196 pages
File Size : 53,6 Mb
Release : 2023-04-10
Category : Fiction
ISBN : 9791041805266
We rely on your support to help us keep producing beautiful, free, and unrestricted editions of literature for the digital age. Will you support our efforts with a donation? The House on the Borderland is unique in several ways. The narrative itself is a double-frame narrative: the editor of the volume is presenting a manuscript he found under mysterious circumstances, describing the account of two fishermen who themselves discovered a hand-written account of the cosmic haunting of a recluse’s remote home. Additionally, the novel is one of the earliest examples of the departure of horror fiction from the Gothic style of supernatural, psychological hauntings, to more realist, science-fiction/cosmic horror themes. The recluse is, among other events, transported to a mysterious supra-universal plane populated by monsters and elder gods; and his house withstands assaults from legions of monsters as he travels across time and the solar system. The book was very influential on H. P. Lovecraft, who himself was famous for the cosmic horror themes in his work. The concept of an uncaring, and even evil, universe that Lovecraft found so disturbing is front and center in this supremely strange novel.
Author : Alain Besancon
Publisher : ISI Books
Page : 0 pages
File Size : 48,8 Mb
Release : 2018-05-15
Category : Political Science
ISBN : 1933859180
The twentieth century bears the indelible imprint of both communism and Nazism. Today, it sometimes seems as if the former is all but forgotten, at least among Western elites, while our cultural memory of the latter is an inextinguishable fire. This inequality is surprising and calls out for explanation, a task the French political thinker Alain Besancon attempts here in a wise and elegant meditation. In examining the horror and destruction caused by both of these terrible ideologies, Besancon finds that recourse to theology is necessary if we are to achieve even feeble illumination. He also explains why, even with the full knowledge of the extent of communism's crimes, the uniqueness of the Shoah ought to be accepted without reservation.
Author : Steve Hutchison
Publisher : Unknown
Page : 378 pages
File Size : 52,7 Mb
Release : 2021-01-20
Category : Electronic
ISBN : 9798598044469
Included in this book are condensed analyses of 1067 horror movies released between 1919 and 2000, listed in chronological order. Each evaluation consists of a picture of one or multiple major antagonists, a release year, a synopsis, and eight ratings: Stars, Story, Creativity, Acting, Quality, Gimmick, Rewatch, and Creeps.
Author : David H. Keller
Publisher : Read Books Ltd
Page : 30 pages
File Size : 48,7 Mb
Release : 2020-10-16
Category : Fiction
ISBN : 9781528763936
David H. Keller was one of the first psychiatrists to start writing science fiction. His work is regarded as far more complex and literary than that of his contemporaries, thereby foreshadowing the science fiction 'golden age' of the mid-20th century. Many of the best science fiction stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author : Steve Hutchison
Publisher : Unknown
Page : 380 pages
File Size : 49,8 Mb
Release : 2021-07-21
Category : Electronic
ISBN : 9798541325041
Included in this book are condensed analyses of 1067 horror movies released between 1919 and 2000, listed in chronological order. Each evaluation consists of a picture of one or multiple major antagonists, a release year, a synopsis, and eight ratings: Stars, Story, Creativity, Acting, Quality, Gimmick, Rewatch, and Creeps.
Author : Robin R. Means Coleman
Publisher : Routledge
Page : 294 pages
File Size : 44,5 Mb
Release : 2013-03
Category : Performing Arts
ISBN : 9781136942945
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
Author : William Gillard,James Reitter,Robert Stauffer
Publisher : McFarland
Page : 254 pages
File Size : 43,5 Mb
Release : 2021-11-08
Category : Literary Criticism
ISBN : 9781476644950
Speculative modernists--that is, British and American writers of science fiction, fantasy and horror during the late 19th and early 20th centuries--successfully grappled with the same forces that would drive their better-known literary counterparts to existential despair. Building on the ideas of the 19th-century Gothic and utopian movements, these speculative writers anticipated literary Modernism and blazed alternative literary trails in science, religion, ecology and sociology. Such authors as H.G. Wells and H.P. Lovecraft gained widespread recognition--budding from them, other speculative authors published fascinating tales of individuals trapped in dystopias, of anti-society attitudes, post-apocalyptic worlds and the rapidly expanding knowledge of the limitless universe. This book documents the Gothic and utopian roots of speculative fiction and explores how these authors played a crucial role in shaping the culture of the new century with their darker, more evolved themes.
Author : Günter Grass
Publisher : Vintage Books USA
Page : 588 pages
File Size : 51,7 Mb
Release : 1964
Category : Fiction
ISBN : IND:32000002525576
The greatest German novel since the end of World War II, The Tin Drum is the autobiography of Oskar Matzerath, thirty years old, detained in a mental hospital, convicted of a murder he did not commit. On the day of his third birthday, Oskar had "declared, resolved, and determined [to] stop right there, remain as I was, stay the same size, cling to the same attire" (striped pullover and patent-leather shoes). That same day Oskar receives his first tin drum, and from then on it is the means of his expression, allowing him to draw forth memories from the past as well as judgments about the horrors, injustices, and eccentricities he observes through the long nightmare of the Nazi era. As that era ebbs bloodily away, as drum succeeds drum, Oskar participates in the German postwar economic miracle -- working variously in the black market, as an artist's model, in a troupe of traveling musicians. With the onset of affluence and fame, Oskar decides to grow a few inches, only to develop a humpback. But despite his newfound status (and stature), Oskar remains haunted by the deaths of his parents, afflicted by his responsibility for past sins -- and so assumes guilt for a murder he did not commit as an act of atonement and an opportunity to find consolation.The rhythms of Oskar's drums are intricate and insistent, and they lead us, often by way of shocking fantasies, through the dark forest of German history. Through Oskar's piercing, outspoken voice and deformed little figure, through the imaginative distortion and exaggeration of historical experience, a pathetically hilarious yet startlingly true portrayal of the human situation comes into view.
Author : John Pelan
Publisher : Unknown
Page : 0 pages
File Size : 50,9 Mb
Release : 2011-06
Category : Fiction
ISBN : 1587670801
Presents a collection of chronologically arranged horror stories from such authors as H.G. Wells, H.P. Lovecraft, Stephen King, and Jack Ketchum.
Author : Clive Barker
Publisher : Crossroad Press
Page : 128 pages
File Size : 45,7 Mb
Release : 2017-11-19
Category : Young Adult Fiction
ISBN : 8210379456XXX
Mr. Hood's Holiday House has stood for a thousand years, welcoming countless children into its embrace. It is a place of miracles, a blissful rounds of treats and seasons, where every childhood whim may be satisfied... There is a price to be paid, of course, but young Harvey Swick, bored with his life and beguiled by Mr. Hood's wonders, does not stop to consider the consequences. It is only when the House shows it's darker face — when Harvey discovers the pitiful creatures that dwell in its shadows — that he comes to doubt Mr. Hood's philanthropy. The House and its mysterious architect are not about to release their captive without a battle, however. Mr. Hood has ambitious for his new guest, for Harvey's soul burns brighter than any soul he has encountered in a thousand years...
Author : Jess Nevins
Publisher : Unknown
Page : 242 pages
File Size : 54,5 Mb
Release : 2018-07-28
Category : Horror tales, English
ISBN : 1717952259
The first book to cover global horror fiction during the twentieth century, the decades in which the horror genre matured and came of age, HORROR NEEDS NO PASSPORT covers hundreds of authors and stories and novels from 72 countries. The great majority of these works have never been translated into English and are mentioned only slightly, if at all, in the standard horror genre reference books. Yet these stories and novels contain a wealth of high quality horror, whether written by Angolan authors or Uruguayan authors. It's a shame that nearly all of these horror stories and novels are unknown to readers in the United States and the United Kingdom, as they would enjoy these works greatly if they could read them. The book does not contain an over-arching narrative; the horror literatures of the world are far too varied for any one narrative to fit. Instead, each author gets their own one or two paragraph entry, placing them in the context of their time and place and describing what their horror fiction is about, why their horror fiction matters, and whether or not their horror fiction is worth reading. The following, about the fantastic Belgian horror writer Thomas Owen, is typical of the entries: "A much different writer from Ghelderode was Thomas Owen, a lawyer, plant manager, and art critic who became interested in writing following a meeting with detective writer Stanislas-Andr Steeman. From 1941-1943 Owen wrote detective novels, but in 1942, inspired by and perhaps jealous of the success of his friend Jean Ray, Owen began writing fantastika, primarily horror of l'ecole belge de l'etrange variety. In his lifetime Owen would write two dozen novels and over 300 short stories, most of which were fantastika. Owen would become (with Jean Ray) the most important Belgian writer of fantastika and horror, and arguably its best writer and stylist. Jean Ray never produced Art (and never bothered to try), while Owen routinely achieved it. Owen had obsessions distinctive to himself: morbid eroticism, perversity, and the animalistic. And Owen's characters were usually present to create the effect of horror in the reader rather than existing as sympathetic beings. But Owen's style-evocative, precise, restrained, clear and cold-overwhelmed these flaws, and the doomed atmosphere, erotically macabre imagery, and general existential dread Owen generates in the stories make them memorably frightening. Owen's brand of terror has been called "intimate horror," as it focuses closely on ordinary lives rent by the moral and emotional ambiguities of life to the point that Owen's protagonists are vulnerable to supernatural assault. "Owen refined the tale of supernatural horror to an almost anachronistic degree of economy and purity...his unsettling work has been compared to that of Poe and Buzzati." Other reference books about horror fiction cover a scant handful of the authors and works described and analyzed in HORROR NEEDS NO PASSPORT and rarely venture outside Western Europe, Japan, and parts of Latin America. HORROR NEEDS NO PASSPORT covers multiple countries from every continent, going back to at least the turn of the twentieth century and in some cases well into the nineteenth century. Written for both casual readers and interested academics, HORROR NEEDS NO PASSPORT is unlike anything else on the market.