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You've devoured the Fifty Shades Trilogy. Now experience a place like no other in the... House of Decadence At twenty-three, Megan Stewart feels that there should be more to life than working in a library, so she answers an advert for a post in a country house - and discovers what she has been missing. Handsome Fabrizio Balocchi is far from his Tuscan home and feeling bored. But he instinctively knows that Megan will be a natural player in his games of domination and step by step, he leads her into a darker world, a world where pleasure is mixed with pain. Now Megan must decide how far she is willing to go in order to stay in Fabrizio's house of decadence . . . This title has also been published under the pseudonym Lucia Cubelli.
'Why do you keep tormenting me?' She moaned, as his hand left her breasts and crept down between her spread thighs. 'Because I love watching you struggle as you learn each lesson,' explained Fabrizio. 'I want to teach you everything about sex. I promised you that your life would change if you came here, and I always keep my promises.' At twenty-three, Megan Stewart feels there should be more to life than working in a public library, so she answers an advert for a post in a country house - and discovers what she has been missing. Handsome Fabrizio Balocchi is far from his Tuscan home and feeling bored. But he instinctively knows that Megan will be a natural player in his games of domination and, step by step, he leads her into a darker world, a world where pleasure is mixed with pain. Now Megan must decide how far she is willing to go in order to stay in Fabrizio's house of decadence... This title has also been published under the author name Marina Anderson.
‘A riveting account of the pre-First World War years . . . The Age of Decadence is an enormously impressive and enjoyable read.’ Dominic Sandbrook, Sunday Times ‘A magnificent account of a less than magnificent epoch.’ Jonathan Meades, Literary Review The folk-memory of Britain in the years before the Great War is of a powerful, contented, orderly and thriving country. She commanded a vast empire. She bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamt of, and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence is familiar from Elgar’s Pomp and Circumstance marches, newsreels of George V’s coronation and the London’s great Edwardian palaces. Yet things were very different below the surface. In The Age of Decadence Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation’s massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century’s gravest constitutional crisis and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists’ public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press and the science fiction of H. G. Wells, but also the Arts and Crafts of William Morris and the nostalgia of A. E. Housman. And he concludes with the crisis that in the summer of 1914 threatened the existence of the United Kingdom – a looming civil war in Ireland. He lights up the era through vivid pen-portraits of the great men and women of the day – including Gladstone, Parnell, Asquith and Churchill, but also Mrs Pankhurst, Beatrice Webb, Baden-Powell, Wilde and Shaw – creating a richly detailed panorama of a great power that, through both accident and arrogance, was forced to face potentially fatal challenges. ‘A devastating critique of prewar Britain . . . disturbingly relevant to the world in which we live.’ Gerard DeGroot, The Times ‘You won’t put it down . . . A really riveting read.’ Rana Mitter, BBC Radio 3 Free Thinking
In this international bestseller, originally published in 1959, Jacques Barzun, acclaimed author of From Dawn to Decadence, takes on the whole intellectual -- or pseudo-intellectual -- world, attacking it for its betrayal of Intellect. "Intellect is despised and neglected," Barzun says, "yet intellectuals are well paid and riding high." He details this great betrayal in such areas as public administrations, communications, conversation and home life, education, business, and scholarship. In this edition's new Preface, Jacques Barzun discussess the intense -- and controversial -- reaction the world had to The House of Intellect.
From the New York Times columnist and bestselling author of Bad Religion, a “clever and stimulating” (The New York Times Book Review) portrait of how our turbulent age is defined by dark forces seemingly beyond our control. The era of the coronavirus has tested America, and our leaders and institutions have conspicuously failed. That failure shouldn’t be surprising: Beneath social-media frenzy and reality-television politics, our era’s deep truths are elite incompetence, cultural exhaustion, and the flight from reality into fantasy. Casting a cold eye on these trends, The Decadent Society explains what happens when a powerful society ceases advancing—how the combination of wealth and technological proficiency with economic stagnation, political stalemate, and demographic decline creates a unique civilizational crisis. Ranging from the futility of our ideological debates to the repetitions of our pop culture, from the decline of sex and childbearing to the escapism of drug use, Ross Douthat argues that our age is defined by disappointment—by the feeling that all the frontiers are closed, that the paths forward lead only to the grave. Correcting both optimism and despair, Douthat provides an enlightening explanation of how we got here, how long our frustrations might last, and how, in renaissance or catastrophe, our decadence might ultimately end.
"What Nia Simone Bijou desires, she works hard to achieve. Her accomplishments as a respected writer have not only brought her to Hollywood, but she's now poised for worldwide success, and pursued and desired by Prada, a man of international power and wealth. With everything Nia has, she remains restless and on a journey to quell her inner storm. Then someone introduces her to a place called Decadence ..."--Page [4] cover.
This is a beautiful introduction to the multicultural art and architecture of the "Crescent City," the cognomen given to the city nestled along a tight bend of the Mississippi River. In this introductory history, the reader is familiarized with many new terms reflecting the multiethnic complexity of the local population. The combination of African, French, and Anglo-American immigrants formed a unique Creole culture that has produced its own music, cuisine, art, and architecture, displayed superbly in a vast variety of photographs.
The Lost Diary of Don Juan by Douglas Carlton Abrams Pdf
Capturing the decadent and dangerous world of the Spanish Golden Age, this historical novel explores universal questions about the nature of love and desire--brought to life through Don Juan's secret childhood in a convent to his inescapable fall into the madness of love.
This casebook provides detailed information on business crime. The casebook provides the tools for fast, easy, on-point research. Part of the University Casebook Series®, it includes selected cases designed to illustrate the development of a body of law on a particular subject. Text and explanatory materials designed for law study accompany the cases.
Decadence and the Senses by Jane Desmarais,Alice Condé Pdf
This collection of essays explores the Decadent sensorium in the work of established and less well-known Decadent writers and artists, including Rachilde, Theodore Wratislaw, Arthur Symons, Mark Andre Raffalovich, J.-K. Huysmans, Theodore Watts-Dunton, Michael Field, Ernest Dowson, and Stephane Mallarme.
An icon of the Jazz Age, Art Deco painter Tamara de Lempicka lived a life well worth recording. Until now, however, no one has written the story of this woman of extraordinary talent and notoriety. She was a great beauty, an aristocratic refugee of the Russian Revolution, and a frankly erotic painter who insisted upon Renaissance aesthetics, figuration, and painterly craft in modern art. The sky-high prices attached to her canvases in recent years have still not dispelled the suspicions that a woman of Lempicka's glamour and fame could be a truly serious artist. Yet the reviews of the early twentieth century tell a different story: her work was routinely singled out as competing with major figures of the School of Paris, including Léger, Laurençin, Kisling, and Picasso. In this first critical biography, Laura Claridge draws upon her exclusive access to Lempicka's family, friends, and archives to re-create the life that the painter carefully withheld even from her own daughter: the truth of her birth; her escape from Bolshevik Russia; her determination to become a New Woman; her lifelong bouts of depression; her numerous affairs with the women and men she painted; her flight from Nazi Europe via Havana; and her years in Hollywood and New York as the "Baroness with a brush," all informed by the artistic integrity and social anachronism that condemned her to being written out of the canons of modern art. Emblematic of '20s excess and indulgence, Tamara de Lempicka's life of great wealth, indiscriminate sexuality, and endless intrigue makes for a fascinating narrative. But her paintings have inspired fierce disagreements over issues of class, wealth, and gender in modern art, making her work ripe for critical re-evaluation. In Tamara de Lempicka: A Life of Deco and Decadence, Laura Claridge has succeeded brilliantly on both counts, bringing to light the contradictions that fueled the life and work of this provocative painter. Though Paris in the early twenties certainly earned its bohemian reputation, Tamara was playing the game hard by anyone's standards. It seemed to her that she could have it all: respect, money, and sexual gratification on the side. She had arrived at the Gare du Nord only four years earlier, gifted with a painter's talent and a family history of feminine power. Encountering a cultural climate that affirmed art as a remunerative career for women, she also felt freed personally by the Modernist mantra to "make it new" that underwrote every aspect--trivial and profound--of daily life. She was determined to embody that icon of the age, the new woman.
A “bold and unflinchingly sexy” (Vogue) debut novel about a young woman who follows her desires into a world of pleasure, decadence, and privilege, unraveling everything she thought she knew about sex . . . and herself. “One of the most entertaining books about sex I’ve ever read . . . The perfect read for fans of Raven Leilani and Ottessa Moshfegh, this is a book that will have people talking.”—BuzzFeed “A sex masterpiece.”—The Guardian ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, The Hollywood Reporter “Anytime I want, I can forsake this dinner party and jump into real life.”—Eve Babitz Eve has an adoring girlfriend, an impulsive streak, and a secret fear that she’s wasting her brief youth with just one person. So one evening she posts some nudes online. This is how Eve meets Olivia, and through Olivia the charismatic Nathan. Despite her better instincts, the three soon begin a relationship—one that disturbs Eve as much as it enthralls her. As each act of their complicated, three-way affair unfolds across a cold and glittering New York, Eve is forced to confront the questions that most consume her: What do we bring to sex? What does it reveal of ourselves, and one another? And how do we reconcile what we want with what we think we should want? In the way only great fiction can, Acts of Service takes between its teeth the contradictions written all over our ideas of sex and sexuality. At once juicy and intellectually challenging, sacred and profane, Lillian Fishman’s riveting debut is bold, unabashed, and required reading of the most pleasurable sort.
The gripping story of the tumultuous destruction of the Irish country house, spanning the revolutionary years of 1912 to 1923 During the Irish Revolution nearly three hundred country houses were burned to the ground. These "Big Houses" were powerful symbols of conquest, plantation, and colonial oppression, and were caught up in the struggle for independence and the conflict between the aristocracy and those demanding access to more land. Stripped of their most important artifacts, most of the houses were never rebuilt and ruins such as Summerhill stood like ghostly figures for generations to come. Terence Dooley offers a unique perspective on the Irish Revolution, exploring the struggles over land, the impact of the Great War, and why the country mansions of the landed class became such a symbolic target for republicans throughout the period. Dooley details the shockingly sudden acts of occupation and destruction--including soldiers using a Rembrandt as a dart board--and evokes the exhilaration felt by the revolutionaries at seizing these grand houses and visibly overturning the established order.
