How Language Speaks To Music Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of How Language Speaks To Music book. This book definitely worth reading, it is an incredibly well-written.
Author : Mathias Scharinger,Richard Wiese Publisher : Walter de Gruyter GmbH & Co KG Page : 293 pages File Size : 50,7 Mb Release : 2022-09-06 Category : Language Arts & Disciplines ISBN : 9783110770254
How Language Speaks to Music by Mathias Scharinger,Richard Wiese Pdf
Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral transfer effects between language and music are best illustrated on the level of prosody. Highlighting the first two aspects, this book shows that it is a fruitful endeavor to use prosody for a principled comparison of language and music. In its broader sense, prosody as sound structure of communicative systems may be considered a »meta«-language that formalizes the way of "how music speaks to language and vice versa". Prosody is firmly established within linguistic theory, but is also applied in the musical domain. Therefore, prosody is not just a field of inquiry that shares elements or features between music and language, but can additionally provide a common conceptual ground.
Music, Language, and the Brain by Aniruddh D. Patel Pdf
In the first comprehensive study of the relationship between music and language from the standpoint of cognitive neuroscience, Aniruddh D. Patel challenges the widespread belief that music and language are processed independently. Since Plato's time, the relationship between music and language has attracted interest and debate from a wide range of thinkers. Recently, scientific research on this topic has been growing rapidly, as scholars from diverse disciplines, including linguistics, cognitive science, music cognition, and neuroscience are drawn to the music-language interface as one way to explore the extent to which different mental abilities are processed by separate brain mechanisms. Accordingly, the relevant data and theories have been spread across a range of disciplines. This volume provides the first synthesis, arguing that music and language share deep and critical connections, and that comparative research provides a powerful way to study the cognitive and neural mechanisms underlying these uniquely human abilities.Winner of the 2008 ASCAP Deems Taylor Award
Language is Music focuses on making learning foreign languages fun, easy and affordable for anyone with a desire to communicate effectively with people around the world. By applying over 100 simple tips to things you already do, such as listening to music or surfing the Web, you can experience the joy of "fluency" in any language without having to study abroad or spend money on private tutors. In Language is Music, Susanna Zaraysky masterfully shares her listening methods so that anyone can have fun learning any language. With over 100 tips and 100 free or low-cost Internet resources, you will learn how to use daily activities, such as watching T.V. or listening to music; conversation partners; and attendance at cultural events to become a masterful speaker of any tongue. "Learning foreign languages is like learning to sing a song or play music," says self-made linguist Susanna Zaraysky and author of Language is Music. Zaraysky has what you might call "an ear" for languages, having used music to successfully learn English, Russian, French, Spanish, Italian, Portuguese, and Serbo-Croatian-all with excellent accents. Advance Praise for Language is Music "I love it! I think it will help people who want to learn, and those who are curious about additional language learning. Many people want to learn a language but are frightened, or disappointed by the courses they have taken. Reading Language is Music will encourage them to try again, on their own and with friendly supporters." -Dr. Elba Maldonado-Colon, Professor Department of Elementary Education Bilingual Program, San Jose State University LET IT JUST ROLL OFF YOUR TONGUE. With lyrical insight and solid experience, Susanna Zaraysky, author of Language is Music, provides easy steps for learning a language. Gone are the boring, disconnected strategies that most of us remember from school. You've never learned a language this quickly and easily. Zaraysky's methods embody fun, connection, rhythm, and above all...music. -Suzanne Lettrick, M.Ed Educator and Founder of The Global Education and Action Network "Forget dictionaries and phrase books . . . Susanna Zaraysky's easy-to-use guide to language learning is indispensable for any serious language learner wanting to become fluent--not just conversationally proficient--in another language. Language is Music will teach you how to make language acquisition a part of your daily life, and to recreate the kind of total-immersion environment necessary for fluency. Highly recommended reading for aspiring polyglots. Pick up this book and you too will be all ears!" -Justin Liang, Japanese, Mandarin, Cantonese, Marshallese, intermediate Spanish Back in France, I spent many years learning "academic" English in school. But I progressed much faster when I forced myself to listen to the BBC or not look at the subtitles when watching an American movie. I wish I had Susanna's book with me then. It's full of creative ideas and practical tips that are indispensable complements to the traditional methods of learning foreign languages -- and it's coming from someone you can trust, she speaks so many of them! -Philippe Levy, French native speaker This book is great. It showed me another aspect and a new approach of learning a language. I will put the book to good use. As a foreign English speaker, I spent many years at school learning English and did not make much progress. A lot of the tips that I read in this book, I learned them with time. However if I had read this book earlier, it would have made my life much easier and I would have saved so much time. I am going to apply the tips in Language is Music into learning a third language: Spanish. This time, I am sure I will make huge progress much faster. Not only is Language is Music useful in acquiring a foreign language, but the resources and websites in the book are valuable for someone who wants to travel abroad. -Fabien Hsu, French native speaker
Thought is to language as audiation is to music. Musician, educator, and creator of The Improving Musician Andy Mullen has created a guide for self-starting musicians to learn to hear, think, speak and read the language of music. Based on the pedagogy of Dr. Edwin E. Gordon's Music Learning Theory, this long overdue book contains: *A concise overview and sequential guide for how to learn to audiate *Tonal patterns and rhythm patterns which form the basis of a musician's musical vocabulary *An overview of all tonalities and meters *Explanations of how to improvise within a tonal or rhythmic context *How to read all of the musical patterns one has already learned to think and speak *5 Reading Sequences and over 15 Reading Benchmarks which combine tonal and rhythm patterns into "real" music The Literate Musician is an ideal workbook for music students aged 10 to 100.
***REVISED 2ND EDITION*** Thought is to language as audiation is to music. Musician, educator, and creator of The Improving Musician Andy Mullen has created a guide for self-starting musicians to learn to hear, think, speak read and write the language of music. Based on the pedagogy of Dr. Edwin E. Gordon's Music Learning Theory, this long overdue book contains: *A concise overview and sequential guide for how to learn to audiate *Tonal patterns and rhythm patterns which form the basis of a musician's musical vocabulary *An overview of all tonalities and meters *Explanations of how to improvise within a tonal or rhythmic context *How to read all of the musical patterns one has already learned to think and speak *10 Reading Sequences and over 25 Reading Benchmarks which combine tonal and rhythm patterns into "real" music The Literate Musician is an ideal workbook for music students aged 10 to 100. The revised second edition contains additional rhythm functions (division/elongations, rests, ties, upbeats), a unit on subdominant, instrumental connections, music theory connections, an updated order, and guidance on navigating the book.
Teaching English Through Songs by Richard Grünert Pdf
Seminar paper from the year 2009 in the subject English - Pedagogy, Didactics, Literature Studies, grade: 15, Justus-Liebig-University Giessen (Anglistik), course: Teaching English as a Foreign Language II, language: English, abstract: Abstract Music has been used for the ESL/EFL class for decades. This is mainly due to the fact that songs from English speaking countries are a worldwide predominant cultural fact. One can even go so far as to state that English became the lingua franca on account of the major influences this medium has had on cultures around the globe up to date. With a humongous variety of youth oriented - and most notably, youth accepted - songs in the target language, it is patently obvious that this material is most suitable, practical and applicable for the integration of literacy skills in the classroom. After all, infants learn to sing before they speak and it appears that this natural propensity is maintained over a long period, considering the fact that most youngsters spend more time with American music than with anything else. This poses two questions; can music enhance the acquisition of a second language in general and the student's reading, writing, speaking and listening abilities in particular? In this essay, I will commence with the establishment of a connection between these literacy skills and music. In the process, I will then try to shed some light on various linguistic hypotheses that can serve to be used as a scientific basis for the song oriented approach, enhance my attempt using examples and conclude with some assorted practical applications.
Speak Without Words: The Secrets of Body Language and How to Decode Them by Shu Chen Hou Pdf
Unlock the Secrets of Nonverbal Mastery! Do you ever wonder what lies beyond the spoken word, the language of the body that whispers hidden truths and reveals unspoken desires? In "Speak Without Words: The Secrets of Body Language and How to Decode Them," we invite you to dive headfirst into the captivating world of nonverbal communication. This book is your passport to decoding the enigmatic cues that shape human interactions, whether in personal relationships, professional endeavors, or everyday social scenarios. From the subtlest facial expressions to the language of posture and gesture, we unlock the cryptic messages our bodies convey, often without us even realizing it. Imagine the power of being able to read minds, spot deception, and understand the unspoken emotions of those around you. With the knowledge you'll gain from this book, you'll unlock the secrets of body language, equipping yourself with a skill set that's both fascinating and invaluable. Unearth the ancient roots of nonverbal communication, a universal language that has shaped societies and bridged linguistic divides for millennia. Journey through the evolution of this science, from its historical origins to its emergence as a vital field of study in the 20th century, thanks to the pioneering work of visionaries like Albert Mehrabian and Paul Ekman. But this book isn't just about unraveling the mysteries of the past. It's your guide to harnessing the incredible power of body language in the modern world. You'll learn how to apply this knowledge in psychology, sociology, anthropology, criminology, business management, and more. It's not just a book; it's a toolkit for success. Are you ready to navigate the complex world of nonverbal cues, build stronger connections, and enhance your social and professional life? "Speak Without Words" is your key to unlocking the secrets of body language, and it's just a click away. Get your copy now and embark on a transformative journey into the silent language of humanity!
How to Speak Any Language Fluently by Alex Rawlings Pdf
This book will give you the skills to learn to speak any language with confidence. It uses techniques that can easily be incorporated into your daily life, while making use of whatever resources you have available. Whether you are starting out with your first foreign language or wishing to add to your repetoire, you'll find a wealth of easy-to-follow advice and achievable goals. Discover how to: -Speak with greater confidence and accuracy -Effectively learn vocabulary and grammar -Use time on the internet and social media to learn a language -Read real books, websites and articles in a foreign language -Pass exams that certify your language skills
Music: An Art and a Language by Walter Raymond Spalding Pdf
Excerpt from Music: An Art and a Language Although "of the making of books there is no end," this book, on so human a subject as music, we believe should justify itself. A twenty-years' experience in teaching the Appreciation of Music at Harvard University and Radcliffe College has convinced the author that a knowledge of musical grammar and structure does enable us, as the saying is, to get more out of music. This conviction is further strengthened by the statement of numerous students who testify that after analyzing certain standard compositions their attitude towards music has changed and their love for it greatly increased. In the illustrations (published in a Supplementary Volume) no concessions have been made to so-called "popular taste"; people have an instinctive liking for the best when it is fairly put before them. We are not providing a musical digest, since music requires active cooperation by the hearer, nor are we trying to interpret music in terms of the other arts. Music is itself. For those who may be interested in speculating as to the connection between music and art, numerous books are available - some of them excellent from their point of view. This book concerns itself with music as music. It is assumed that, if anyone really loves this art, he is willing and glad to do serious work to quicken his sense of hearing, to broaden his imagination, and to strengthen his memory so that he may become intelligent in appreciation rather than merely absorbed in honeyed sounds. Music is of such power and glory that we should be ready to devote to its study as much time as to a foreign language. In the creed of the music-lover the first and last article is familiarity. When we thoroughly know a composition so that its themes sing in our memory and we feel at home in the structure, the music will speak to us directly, and all books and analytical comments will be of secondary importance - those of the present writer not excepted. Special effort has been made to select illustrations of musical worth, and upon these the real emphasis in study should be laid. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.