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How the Movies Got a Past presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures, and films about the cinema as a technology, artform, and source of entertainment, from its inception up to 1930. With a wealth of case studies and illustrations, this book will appeal to media historians, silent movie buffs, film archivists, and students alike.
How the Movies Got a Past presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures, and films about the cinema as a technology, artform, and source of entertainment, from its inception up to 1930. With a wealth of case studies and illustrations, this book will appeal to media historians, silent movie buffs, film archivists, and students alike.
This exceptional collection explores the mutual concerns of dramatic theater, film, and those who comment on them. Plays, Movies, and Critics opens with an original play by Don DeLillo. In the form of an interview, DeLillo's short play works as a kind of paradigm of the theatrical or cinematic event and serves as a keynote for the volume. DeLillo's interview play is accompanied in this collection by interviews with theater director Roberta Levitow, Martin Scorsese, and film/theater critic Stanley Kauffmann. Other contributions include a critical look at the current American theater scene, analyses of the place of politics in the careers of G. B. Shaw and Luigi Pirandello, a compelling reading of Chekhov's "The Seagull", a detailed inquiry into the obsessions that energize the works of Sam Shepard, provocative reinterpretations of the films Mean Streets and The Sheltering Sky, and a translation of André Bazin's important piece on theology and film. Contributors. André Bazin, Robert Brustein, Bert Cardullo, Anthony DeCurtis, Don DeLillo, Jesse Ward Engdhal, Richard Gilman, Jim Hosney, Mame Hunt, Jonathan Kalb, Stanley Kauffmann, Jody McAuliffe, Mary Ann Frese Witt, Jacquelyn Wollman, David Wyatt
Author : Jason E. Squire Publisher : Simon and Schuster Page : 481 pages File Size : 45,7 Mb Release : 2001-07-18 Category : Performing Arts ISBN : 9780743219358
Behind the glitter of Hollywood lies a high-powered, multibillion-dollar business whose workings are known only to industry insiders.InThe Movie Business Book,forty of Hollywood's most celebrated producers, directors, screenwriters, agents, lawyers, marketers, distributors, exhibitors, and deal makers reveal the secrets of their trade in personal accounts that are both highly informative and wonderfully entertaining.This new edition -- fully revised and updated for the movie industry of the '90s -- includes such unique perspectives as David Puttnam on producers, Sydney Pollack on directors, Henry Jaglom on independent filmmaking, Mike Medavoy on studio management, Richard Childs on home video, Martin Polon on new technology, and thirty-four more.
An inside look at how some of the biggest names in the film industry view their craft In this unique collection, New York Times film critic Rick Lyman sits down with notable directors, actors, screenwriters, cinematographers, and other film industry professionals to watch and discuss a movie that each person considers seminal or influential on his or her career. Steven Soderbergh on how All the President's Men influenced Erin Brockovich * Quentin Tarantino on The Golden Stallion * Ang Lee on Love Eternal * Denzel Washington on Ordinary People * Ron Howard on The Graduate and many more Each interviewee's character is revealed in the resulting essays, which deepen our appreciation of landmark films, and give us extraordinary insight into the process of filmmaking. Lyman enhances every essay with a brief biography, career history, and complete filmography of each of the subjects, which puts them in a historical and creative context. Drawn from the enormously popular series in The New York Times, Watching Movies will fascinate film students and curious moviegoers alike.
The 1990s was an amazing decade for movies, witnessing the release of dozens of incredible films, including The Matrix, The Shawshank Redemption, Pulp Fiction, Goodfellas, Fargo, Jurassic Park, and so many more. Despite this embarrassment of riches, author Riley Webster believes this decade has never received as much praise or as many kudos as it deserves—until now. Whether you’re a serious cinephile, a casual viewer, or merely seeking a heavy dose of 1990s nostalgia, this is the book for you.
The untold stories behind the 50 greatest movies never made, illustrated by 50 new and original posters For most films, it’s a long, strange road from concept to screen, and sometimes those roads lead to dead ends. In Underexposed! The 50 Greatest Movies Never Made, screenwriter and filmmaker Joshua Hull guides readers through development hell. With humor and reverence, Hull details the speed bumps and roadblocks that kept these films from ever reaching the silver screen. From the misguided and rejected, like Stanley Kubrick’s Lord of the Rings starring the Beatles; to films that changed hands and pulled a U-turn in development, like Steven Spielberg’s planned Oldboy adaptation starring Will Smith; to would-be masterpieces that might still see the light of day, like Guillermo del Toro’s In the Mountains of Madness, Hull discusses plotlines, rumored casting, and more. To help bring these lost projects to life, 50 artists from around the world, in association with the online art collective PosterSpy, have contributed original posters that accompany each essay and give a glimpse of what might have been.
Other Hollywood Renaissance by Lennard Dominic Lennard Pdf
In the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era's most innovative and artistically successful releases.With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing - a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.
Roger Ebert's Four Star Reviews--1967-2007 by Roger Ebert Pdf
Presents a collection of the critic's most positive film reviews of the last four decades, arranged alphabetically from "About Last Night" to "Zodiac."
The Gratz family is in pieces. Martin stands alone, looking for a way to reunite them against a government still looking for him... Martin Gratz watched his family sail to safety in the protection of an old friend. Now he must find a way to rescue Judy-Anne, contained by the CDC and shipped off to carry out her life sentence in a containment facility. Judy-Anne is forced to adapt to life on her own inside the CDC long-term holding facility. If she wants to survive, she will have to learn to protect herself in a place where people from all walks of life are thrown together against their will; the good, and the bad. Lisbeth heads for Russia, leaving behind her daughter and husband. With the help of Alexei, a friend from Martin's mysterious past, she must find a way to protect her children in a world she barely knows. Quarantine is the second part of the thrilling Containment Series, following the story of a family fighting to survive. If you're a fan of chilling dystopian futures, gripping post-apocalyptic worlds, and shocking conspiracies, then you'll love Quarantine. Buy Quarantine today, and keep moving.
For three hundred years, a stolen relic passes from one fortune-seeker to the next, indelibly altering the lives of those who possess it. In modern-day Tokyo, Robin Swann’s life has sputtered to a stop. She’s stuck in a dead-end job testing antiquities for an auction house, but her true love is poetry, not pottery. Her stalled dissertation sits on her laptop, unopened in months, and she has no one to confide in but her goldfish. On the other side of town, Nori Okuda sells rice bowls and tea cups to Tokyo restaurants, as her family has done for generations. But with her grandmother in the hospital, the family business is foundering. Nori knows if her luck doesn’t change soon, she’ll lose what little she has left. With nothing in common, Nori and Robin suddenly find their futures inextricably linked to an ancient, elusive tea bowl. Glimpses of the past set the stage as they hunt for the lost masterpiece, uncovering long-buried secrets in their wake. As they get closer to the truth—and the tea bowl—the women must choose between seizing their dreams or righting the terrible wrong that has poisoned its legacy for centuries.
A Clinician's Guide to Foundational Story Psychotherapy by Hugh K. Marr Pdf
A Clinician's Guide to Foundational Story Psychotherapy draws together a range of theories and models to examine the use of narrative psychotherapy in clinical practice. Illustrated with case examples and biographical vignettes, the book outlines the importance of foundational and life stories in treatment and delineates new techniques for co-assessing and changing stories. A wealth of concrete tools are included, such as the Foundational Story Interview and Family of Origin Map, as well as diagram templates and questionnaires for use during clinical sessions. Integrating theory and practical applications, A Clinician's Guide to Foundational Story Psychotherapy introduces a range of therapeutic options rooted in a narrative context and is a valuable resource for practicing and student psychotherapists.
The men of Fertile FC, a six-a-side football team, came together to get fit, played for fun and then stayed up far too late after every game having a good time. But before they had the chance to kick a ball for their second season, they'd all, bar one, scored a goal of a different kind. They'd become expectant fathers and were looking at entirely new goals of responsibility and commitment. Jim, Yari, Ross, Rick, Neil and Nick tell of their journeys into fatherhood - how they dealt with the good bits (more sex before pregnancy); the bad bits (less sex after pregancy); the sticky bits (the birth); and finally bringing home the trophy - a shiny new baby. These men aren't experts at childbirth (or football) but their stories will appeal to new fathers (and mothers) as they prepare the game of their lives.
A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex & Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.
