How To Enter Vaudeville Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of How To Enter Vaudeville book. This book definitely worth reading, it is an incredibly well-written.
Frederic LaDelle was a successful vaudeville entertainer when he wrote this book in 1913. Please be aware it was not at all a politically correct era. This is offered as part of the history of vaudeville. Those easily offended should not purchase.
Historical Dictionary of Vaudeville by James Fisher Pdf
Vaudeville, as it is commonly known today, began as a response to scandalous variety performances appealing mostly to adult, male patrons. When former minstrel performer and balladeer Tony Pastor opened the Fourteenth Street Theatre in New York in 1881, he was guided by a mission to provide family-friendly variety shows in hopes of drawing in that portion of the audience – women and children – otherwise inherently excluded from variety bills prior to 1881. There he perfected a framework for family-oriented amusements of the highest obtainable quality and style. Historical Dictionary of Vaudeville contains a chronology, an introduction, an extensive bibliography, and the dictionary section has more than 1,000 cross-referenced entries on performing artists, managers and agents, theatre facilities, and the terminology central to the history of vaudeville. This book is an excellent resource for students, researchers, and anyone wanting to know more about vaudeville.
A seriously funny look at the roots of American Entertainment When Groucho Marx and Charlie Chaplin were born, variety entertainment had been going on for decades in America, and like Harry Houdini, Milton Berle, Mae West, and countless others, these performers got their start on the vaudeville stage. From 1881 to 1932, vaudeville was at the heart of show business in the States. Its stars were America's first stars in the modern sense, and it utterly dominated American popular culture. Writer and modern-day vaudevillian Trav S.D. chronicles vaudeville's far-reaching impact in No Applause--Just Throw Money. He explores the many ways in which vaudeville's story is the story of show business in America and documents the rich history and cultural legacy of our country's only purely indigenous theatrical form, including its influence on everything from USO shows to Ed Sullivan to The Muppet Show and The Gong Show. More than a quaint historical curiosity, vaudeville is thriving today, and Trav S.D. pulls back the curtain on the vibrant subculture that exists across the United States--a vast grassroots network of fire-eaters, human blockheads, burlesque performers, and bad comics intent on taking vaudeville into its second century.
The Encyclopedia of Vaudeville by Anthony Slide Pdf
The Encyclopedia of Vaudeville provides a unique record of what was once America's preeminent form of popular entertainment from the late 1800s through the early 1930s. It includes entries not only on the entertainers themselves, but also on those who worked behind the scenes, the theatres, genres, and historical terms. Entries on individual vaudevillians include biographical information, samplings of routines and, often, commentary by the performers. Many former vaudevillians were interviewed for the book, including Milton Berle, Block and Sully, Kitty Doner, Fifi D'Orsay, Nick Lucas, Ken Murray, Fayard Nicholas, Olga Petrova, Rose Marie, Arthur Tracy, and Rudy Vallee. Where appropriate, entries also include bibliographies. The volume concludes with a guide to vaudeville resources and a general bibliography. Aside from its reference value, with its more than five hundred entries, The Encyclopedia of Vaudeville discusses the careers of the famous and the forgotten. Many of the vaudevillians here, including Jack Benny, George Burns and Gracie Allen, Jimmy Durante, W. C. Fields, Bert Lahr, and Mae West, are familiar names today, thanks to their continuing careers on screen. At the same time, and given equal coverage, are forgotten acts: legendary female impersonators Bert Savoy and Jay Brennan, the vulgar Eva Tanguay with her billing as “The I Don't Care Girl,” male impersonator Kitty Doner, and a host of “freak” acts.
F. F. Proctor - Vaudeville Pioneer by William Moulton Marston Pdf
This vintage book contains William Marston's 1943 biography of Frederick Freeman Proctor, the famous variety entertainer of early twentieth century. Proctor was a vaudeville impresario who invented the method of continuous vaudeville. This fascinating and detailed biography is highly recommended for those with an interest in the life of this secretive theatrical legend. Contents include: "Top Billing", "Program Note", "An Acknowledgement to a Host of Contributions", "A Letter from Mr. George M. Cohan", "Enter: Freddie Proctor", "The Great Levantine", "King of the Vaudeville", "Building the Big Time", "Double Harness", "A Sterling Helpmate" "Ring Down the Curtain", et cetera. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with its original artwork and text.
Transatlantic Stage Stars in Vaudeville and Variety by L. Woods Pdf
This book shows eminent actors performing under stringent conditions in vaudeville. It was a strange notion in 1900 that leading lights of the legitimate stage would ever join a bill of 'turns', with everything from song-and-dance to criminals regaling crowds with their exploits. It chronicles renowned actors showing rough fare in rough times.
New York City Vaudeville provides a unique pictorial record of America’s preeminent entertainment medium in the late 1800s through the early 1930s. New York’s Palace Theatre served as the flagship for vaudeville, on which stage every vaudevillian aspired to perform. New York City Vaudeville features photographs of some of the greatest names from the Palace Theatre, including Jack Benny, George Burns and Gracie Allen, Anna Held, the Marx Brothers, and Eva Tanguay, as well as legendary African American performers such as Bill Robinson, Ethel Waters, and Bert Williams. Through the photographs and the capsule biographies, the reader is transported back to a time when vaudeville was the people’s entertainment, with a new bill of fare each week and an ever-changing number of performers with ever-changing styles of presentation.
The definitive biography of Al Hirschfeld, renowned caricaturist and artist. Al Hirschfeld knew everybody and drew everybody. He occupied the twentieth century, and illustrated it. Hirschfeld: The Biography is the first portrait of the renowned artist's life—as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and—his favorite—celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends—Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan—flocked in and out. He played the piano, went to jazz joints with Eugene O'Neill, and wrote a musical that bombed. He drove until he was ninety-eight years old and always found a parking space. He worked every day, threw dinner parties twice a week, and hosted New Year's Eve soirees that were legendary. He had three wives, a formidable agent, and a daughter, Nina, the most famous little girl that no one knows. Hirschfeld died in 2003, at the age of ninety-nine. "If you live long enough," he liked to say, "everything happens." For him, it did. And good and bad—it's all here. Through interviews with Hirschfeld himself, his friends and family (including the mysterious Nina), and his famous subjects, as well as through letters, scrapbooks, and home movies, Ellen Stern has crafted a delightful, detailed, and definitive portrait of Al Hirschfeld, one of our most beloved, and most influential, artists.
While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing! Explanation of comedic archetypes and devices will both inspire and inform your creative choices Exploration of various modes of storytelling allows you to give the right context for your story and characters Tips for creating worlds, scenarios, and casts for your characters to flourish in Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com! Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!
Here is the eagerly anticipated new novel from a brilliant writer whose last book, Good to a Fault, was shortlisted for the prestigious Giller Prize and won the Commonwealth Prize for Canada and the Caribbean. The Little Shadows revolves around three sisters in the world of vaudeville before and during the First World War. We follow the lives of all three in turn: Aurora, the eldest and most beautiful, who is sixteen when the book opens; thoughtful Clover, a year younger; and the youngest sister, joyous headstrong sprite Bella, who is thirteen. The girls, overseen by their fond but barely coping Mama, are forced to make their living as a singing act after the untimely death of their father. They begin with little besides youth and hope, but Marina Endicott’s genius is to show how the three girls slowly and steadily evolve into true artists even as they navigate their way to adulthood among a cast of extraordinary characters – some of them charming charlatans, some of them unpredictable eccentrics, and some of them just ordinary-seeming humans with magical gifts. Using her gorgeous prose and extraordinary insight, Endicott lures us onto the brightly lit stage and then into the little shadows that lurk behind the curtain, and reveals how the art of vaudeville -- in all its variety, madness, melodrama, hilarity and sorrow -- echoes the art of life itself.
