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How to Make a Living from Music by David Stopps Pdf
Building a successful career in music involves abilities to manage intellectual property (IP) rights. WIPO supports authors and performers in enhancing their knowledge of the intellectual property aspects involved in their professional work. Copyright and related rights can help musical authors and performers to generate additional income from their talent.
How to Make a Living from Music - by David Stopps Pdf
This guide is designed for musicians and music professionals who wish to hone their knowledge of the music business. It is intended as a practical tool to help composers, performers and all those involved in the music world get into the specifics of the management of their intellectual property rights. The guide aims to provide instructive advice on how to build a successful career in music in both developed and developing countries, by generating income from musical talent.
Starting Your Career as a Musician by Neil Tortorella Pdf
Whether you dream about becoming a rock star or a sought-after talent playing local gigs, Starting Your Career as a Musician will guide you along the path to success. Author Neil Tortorella explores the myriad opportunities in music today and details proven strategies for seeking them out. He reveals the common pitfalls and traps that are often encountered and provides aspiring musicians with time-tested advice on how to avoid them. Jam-packed with the practical know-how you need for success in the music business, Starting Your Career as a Musician is brought to life and made easy-to grasp through the wisdom and experiences shared by numerous working musicians. While it won’t show you how to be a better musician, this indispensable guide will teach you how to make a living with your music, promote yourself or your band, get booked, and maximize additional revenue streams.
How To Make It in the New Music Business: Practical Tips on Building a Loyal Following and Making a Living as a Musician (Third) by Ari Herstand Pdf
Now Magazine: “Top 5 Music Business Books” Hailed as an “indispensable” guide (Forbes), How to Make It in the New Music Business returns in a significantly revised and expanded third edition. How to Make It in the New Music Business, since its first publication in 2016, has become the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by ambitious individuals and music schools across the world and considered “the best how-to book of its kind” (Music Connection), this essential work has inspired tens of thousands of aspiring artists to stop waiting around for that “big break” and take matters into their own hands. In this highly anticipated new edition, Ari Herstand reveals how to build a profitable career with the many tools at our fingertips in the post-COVID era and beyond, from conquering social media and mastering the digital landscape to embracing authentic fan connection and simply learning how to persevere. This edition breaks down these phenomena and more, resulting in a timeless must-have for anyone hoping to navigate the increasingly complex yet advantageous landscape that is the modern music business.
Making a Living in Your Local Music Market by Dick Weissman Pdf
You can survive happily as a musician in your local music market. This book shows you how to expand and develop your skills as a musician and a composer right in your own backyard. Making a Living in Your Local Music Market explores topics relevant to musicians of every level: Why should a band have an agreement? How can you determine whether a personal manager is right for you? Are contests worth entering? What trade papers are the most useful? Why copyright your songs? Also covers: * Developing and packaging your artistic skills in the marketplace * Dealing with contractors, unions, club owners, agents, etc. * Producing your own recordings * Planning your future in music * Music and the Internet * Artist-operated record companies * The advantages and disadvantages of independent and major record labels * Grant opportunities for musicians and how to access them * College music business programs * Seminars and trade shows * Detailed coverage of regional music markets, including Austin, Atlanta, Denver, Miami, Seattle, and Portland, Oregon.
How To Make It in the New Music Business: Practical Tips on Building a Loyal Following and Making a Living as a Musician (Second Edition) by Ari Herstand Pdf
Hailed as an “indispensable” guide (Forbes), How to Make It in the New Music Business returns in this extensively revised and expanded edition. When How to Make It in the New Music Business hit shelves in 2016, it instantly became the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by music schools everywhere and considered “the best how- to book of its kind” (Music Connection), it inspired thousands to stop waiting around for that “big break.” Now trusted as the leading expert for “do it yourself” artists, Ari Herstand returns with this second edition, maintaining that a stable career can be built by taking advantage of the many tools at our fi ngertips: conquering social media, mastering the art of merchandising, embracing authentic fan connection, and simply learning how to persevere. Comprehensively updated to include the latest online trends and developments, it offers inspiring success stories across media such as Spotify and Instagram. The result is a must- have for anyone hoping to navigate the increasingly complex yet advantageous landscape that is the modern music industry.
How to Make Big Money with Your Band - A by Eric Christian Smith Pdf
A Quick Simple Guide to show you how to make big money with your band - Any Style. Written by Eric Christian Smith, a recognized business development expert with specialized knowledge of the Arts Industry. Eric offers you this helpful guide using his Twenty-plus-years of professional performance experience touring internationally and developing many successful companies. Gene Simmons, the famous rock star from the band KISS (one of the most successful rock bands in history - and founded and led by Gene Simmons), summarized things very simply in his book SEX MONEY KISS. He said, "Remember, it's - Rich and Famous - not - Famous and Rich." Using this book, you can find out how to Make BIG MONEY with your band right now.
This Book Makes it Easy for Almost Anyone to Generate Over $500,000.00 or More a Year as An Independent Artist in The Music Industry! Get the Insiders Secrets on How To Successfully: . Negotiate TOP DOLLAR when booking shows . Promote yourself PROFESSIONALLY . Develop the TOOLS YOU NEED to make a name for yourself . BREAK OUT of the gig to gig existence . Have clubs LINING UP to book YOU! . EARN MORE MONEY from the gigs you are already working . ALWAYS have a venue to play . Organize a HIGH PAYING TOUR . Work the media for MAXIMUM EXPOSURE . Negotiate for FREE advertising . Sell your CDs WITHOUT A RECORD LABEL . GRAB THE ATTENTION of the 'big guys' . SUCCESSFULLY promote yourself to the 'hidden markets' . MAKE YOURSELF RICH AND FAMOUS If you're seriously ready to kick start your career, this is the book you need, It's everything you need to make it to the top, except the talent!
Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand in a studio, some coded 'on the fly', others 'plundered' from the widest possible range of sources. But others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. Some composers claim they just 'respond' to sound and compose 'with their ears', while others use models and analogies of previously 'non-musical' processes. It is evident that in such new musical practices the human body has a new relationship to the sound. There is a historical dimension to this, for since the earliest electroacoustic experiments in 1948 the body has been celebrated or sublimated in a strange 'dance' of forces in which it has never quite gone away but rarely been overtly present. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.
Living Music in Schools 1923-1999: Studies in the History of Music Education in England by Gordon Cox Pdf
This title was first published in 2002: This volume explores educational reforms and innovations in music teaching in England between 1923 and 1999. Gordon Cox investigates the key reforms which attempted to give life to music in schools, and describes teachers' reactions to such innovations. By taking classroom practice and teacher experiences as seriously as policy making and education rhetoric, this book broadens the horizons of historical investigation into music education.
The Successful Musician Mindset by Jack Norton Pdf
Do you dream of making a six-figure income with your music? Would you like to leave your job and be a full-time, touring musician? This book will show you how. I spent almost three decades making my living as a professional musician - playing over 300 shows a year. I make a very comfortable living - well into the six figures - every year, and have for over a decade now. I do not have a record label, a manager or an agent. I am 100% independent and run my entire business from my laptop, my phone and with my guitar. I am a master at booking great paying gigs - and I will teach you all the tips and tricks you need to know. This book is for any musician in any genre of music. Beyond the money - which is awesome - I am able to live the life of my dreams! I can not guarantee that this book will make you famous. I am definitely not famous. This is not a "get rich quick" scheme. This takes hard work. However, if you follow the steps in this book, I can absolutely guarantee that you will make money. Good money. And if you are really serious about your craft and about your business, I can guarantee without a shadow of a doubt, that you will make GREAT money by following the methods I outline in this book. Here are just a few things you will learn in this book: • How to easily book 300+ great paying shows a year! • How to earn a six-figure income from your music! • How to develop yourself as a marketable artist • How to send emails that will get results...gig bookings! • How to find gigs and contact venues successfully • How to form a "brand bible" around yourself • How to create a fan base and impressive social media stats • How to manipulate reality to be taken more seriously as an artist • How to focus on your true goals, desires and dreams • How to "give birth to a star"...you! • How to build an impressive team - from agent to record label • How to have an awesome website with the essentials to get gigs • How to build a website for almost no money • How to build a database of awesome gigs and leads • How to always get repeat bookings ...and so much more! This book includes multiple email templates which I have used successfully for the past decade to book gigs...you can copy and paste them to start booking your own shows immediately. Oh! Be sure to look for the two companion books - Tour Europe and The Contract - both are a nice addition to The Successful Musician Mindset. Testimony from G.R., a reader of this book: “I purchased your Successful Musician Mindset book and was extremely impressed! Honestly the best book on the practical application of the music business I have ever read! I have read your book twice and, I have to say again, the information you gave was absolutely golden! I have been looking EVERYWHERE for a practical music business book discussing how to book a national tour step by step and you delivered a phenomenal amount of information in the most specific manner.”
Informed by her in-depth ethnomusical knowledge, the result of detailed fieldwork, Mans’s book is about musical worlds and how we as people inhabit them. The book asserts that an understanding of our musical worlds can be a transformative educational tool that could have a significant role to play in multicultural music and arts education. She explores the way in which musical expression, with its myriad cultural variations, reveals much about identity and cultural norms, and shows how particular musical sounds are aesthetically related to these norms. The author goes further to suggest that similar systems can be detected across cultures, while each world remains colored by a distinctive soundscape. Mans also looks at the way each cultural soundscape is a symbolic manifestation of a society’s collective cognition, sorting musical behavior and sounds into clusters and patterns that fulfill each society’s requirements. She probes the fact that in today’s globalized and mobile world, as people move from one society to another, cross-cultural acts and hybrids result in a number of new aesthetics. Finally, in addition to three personal narratives by musicians from different continents, the author has invited scholars from diverse specializations and locations to comment on different sections of the book, opening up a critical dialogue with voices from different parts of the globe. Musical categorization, identity, values, aesthetic evaluation, creativity, curriculum, assessment and teacher education are some of the issues tackled in this manner.
Living Well with Dementia through Music by Catherine Richards Pdf
Music is an essential tool in dementia care. This accessible guide embraces ways in which music can enhance the daily lives of those with dementia. It draws on the expertise of practitioners regularly working in dementia settings, as well as incorporating research on people with dementia, to help anyone, whether or not they have any musical skills or experience, to successfully use music in dementia care. Guiding the reader through accessible activities with singing, percussion, sounding bowls and other musical tools, the book shows how music may can be used from the early to late stages of dementia. This creative outlet can extend to inspire dance, movement, poetry and imagery. The chapters include creative uses of technology, such as tablets and personal playlists. The book also covers general considerations for using music with people living with dementia in institutional settings, including evaluating and recording outcomes. Living Well with Dementia through Music is the perfect go-to guide for music-based activities with people living with dementia.
Living Politics, Making Music by Jan Fairley,edited by Simon Frith,Ian Christie Pdf
The late Jan Fairley (1949-2012) was a key figure in making world music a significant topic for popular music studies and an influential contributor to such world music magazines as fRoots and Songlines. This book celebrates her contribution to popular music scholarship by gathering her most important work together in a single place. The result is a richly informed and entertaining volume that will be of interest to all scholars in the field while also serving as an excellent introduction for students interested in popular music as a global phenomenon. Fairley’s work was focused on the problems and possibilities of cross-cultural musical influences, fantasies and flows and on the importance of performing circuits and networks. Her interest in the details of music-making and in the lives of music-makers means that this collection is also an original and illuminating study of music and politics. In drawing on Jan Fairley’s journalism, this volume also offers students a guide to various genres of world music, from Cuban son to flamenco, as well as an insight into the lives of such world music stars as Mercedes Sosa and Silvio Rodríguez. This is inspiring as well as essential reading.
