How To See A Work Of Art In Total Darkness

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How to See a Work of Art in Total Darkness

Author : Darby English
Publisher : MIT Press
Page : 387 pages
File Size : 44,8 Mb
Release : 2010-09-24
Category : Art
ISBN : 9780262514934

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How to See a Work of Art in Total Darkness by Darby English Pdf

Going beyond the 'blackness' of black art to examine the integrative and interdisciplinary practices of Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L—five contemporary black artists in whose work race plays anything but a defining role. Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial blackness—his metaphorical "total darkness"—primacy over his subjects' other concerns and contexts, he brings to light problems and possibilities that arise when questions of artistic priority and freedom come into contact, or even conflict, with those of cultural obligation. English examines the integrative and interdisciplinary strategies of five contemporary artists—Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L—stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture. The necessity for "black art" comes both from antiblack racism and resistances to it, from both segregation and efforts to imagine an autonomous domain of black culture. Yet to judge by the work of many contemporary practitioners, English writes, black art is increasingly less able—and black artists less willing—to maintain its standing as a realm apart. Through close examinations of Walker's controversial silhouettes' insubordinate reply to pictorial tradition, Wilson's and Julien's distinct approaches to institutional critique, Ligon's text paintings' struggle with modernisms, and Pope.L's vexing performance interventions, English grounds his contention that to understand this work is to displace race from its central location in our interpretation and to grant right of way to the work's historical, cultural, and aesthetic specificity.

Bound to Appear

Author : Huey Copeland
Publisher : University of Chicago Press
Page : 275 pages
File Size : 54,5 Mb
Release : 2013-10-28
Category : Art
ISBN : 9780226013121

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Bound to Appear by Huey Copeland Pdf

At the close of the twentieth century, black artists began to figure prominently in the mainstream American art world for the first time. Thanks to the social advances of the civil rights movement and the rise of multiculturalism, African American artists in the late 1980s and early ’90s enjoyed unprecedented access to established institutions of publicity and display. Yet in this moment of ostensible freedom, black cultural practitioners found themselves turning to the history of slavery. Bound to Appear focuses on four of these artists—Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson—who have dominated and shaped the field of American art over the past two decades through large-scale installations that radically departed from prior conventions for representing the enslaved. Huey Copeland shows that their projects draw on strategies associated with minimalism, conceptualism, and institutional critique to position the slave as a vexed figure—both subject and object, property and person. They also engage the visual logic of race in modernity and the challenges negotiated by black subjects in the present. As such, Copeland argues, their work reframes strategies of representation and rethinks how blackness might be imagined and felt long after the end of the “peculiar institution.” The first book to examine in depth these artists’ engagements with slavery, Bound to Appear will leave an indelible mark on modern and contemporary art.

Singularities

Author : Andre Lepecki
Publisher : Routledge
Page : 204 pages
File Size : 55,8 Mb
Release : 2016-06-17
Category : Art
ISBN : 9781317441106

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Singularities by Andre Lepecki Pdf

How does the production of performance engage with the fundamental issues of our advanced neo-capitalist age? André Lepecki surveys a decade of experimental choreography to uncover the dual meaning of ‘performance’ in the twenty-first century: not just an aesthetic category, but a mode of political power. He demonstrates the enduring ability of performance to critique and subvert this power, examining this relationship through five ‘singularities’ in contemporary dance: thingness, animality, persistence, darkness, and solidity. Exploring the works of Mette Ingvartsen, Yvonne Rainer, Ralph Lemon, Jérôme Bel and others, Lepecki uses his concept of ‘singularity’—the resistance of categorization and aesthetic identification—to examine the function of dance and performance in political and artistic debate.

Hold It Against Me

Author : Jennifer Doyle
Publisher : Duke University Press
Page : 228 pages
File Size : 46,9 Mb
Release : 2013-04
Category : Art
ISBN : 9780822353133

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Hold It Against Me by Jennifer Doyle Pdf

Examining the relationship between emotional intensity and difficulty in works of avant-garde art, Jennifer Doyle seeks to develop a critical language for understanding affectively charged contemporary art.

The Routledge Companion to African American Art History

Author : Eddie Chambers
Publisher : Routledge
Page : 467 pages
File Size : 45,6 Mb
Release : 2019-11-12
Category : Art
ISBN : 9781351045179

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The Routledge Companion to African American Art History by Eddie Chambers Pdf

This Companion authoritatively points to the main areas of enquiry within the subject of African American art history. The first section examines how African American art has been constructed over the course of a century of published scholarship. The second section studies how African American art is and has been taught and researched in academia. The third part focuses on how African American art has been reflected in art galleries and museums. The final section opens up understandings of what we mean when we speak of African American art. This book will be of interest to graduate students, researchers, and professors and may be used in American art, African American art, visual culture, and culture classes.

Artificial Darkness

Author : Noam M. Elcott
Publisher : University of Chicago Press
Page : 352 pages
File Size : 55,8 Mb
Release : 2016-05-30
Category : Art
ISBN : 9780226329024

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Artificial Darkness by Noam M. Elcott Pdf

Darkness has a history and a uniquely modern form. Distinct from night, shadows, and artificial light, “artificial darkness” has been overlooked—until now. In fact, controlled darkness was essential to the rise of photography and cinema, science and spectacle, and a century of advanced art and film. Artificial Darkness is the first book to historicize and theorize this phenomenon and map its applications across a range of media and art forms. In exploring how artificial darkness shaped modern art, film, and media, Noam M. Elcott addresses seminal and obscure works alongside their sites of production—such as photography darkrooms, film studios, and laboratories—and their sites of reception, including theaters, cinemas, and exhibitions. He argues that artists, scientists, and entertainers like Étienne-Jules Marey, Richard Wagner, Georges Méliès, and Oskar Schlemmer revolutionized not only images but also everything surrounding them: the screen, the darkness, and the experience of bodies and space. At the heart of the book is “the black screen,” a technology of darkness that spawned today’s blue and green screens and has undergirded numerous advanced art and film practices to this day. Turning familiar art and film narratives on their heads, Artificial Darkness is a revolutionary treatment of an elusive, yet fundamental, aspect of art and media history.

Dark Humor: Joyce J. Scott & Peter Williams

Author : J. Susan Isaacs
Publisher : Lulu.com
Page : 69 pages
File Size : 48,7 Mb
Release : 2017
Category : Art
ISBN : 9781365804830

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Dark Humor: Joyce J. Scott & Peter Williams by J. Susan Isaacs Pdf

"Center for the Arts Gallery, Towson University, February 10-April 1, 2017"--Cover.

Mapplethorpe and the Flower

Author : Derek Conrad Murray
Publisher : Bloomsbury Publishing
Page : 247 pages
File Size : 54,8 Mb
Release : 2020-06-11
Category : Art
ISBN : 9781350108783

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Mapplethorpe and the Flower by Derek Conrad Murray Pdf

Mapplethorpe and the Flower: Radical Sexuality and the Limits of Control is the first dedicated book-length critical study of the late artist Robert Mapplethorpe's flower photographs. The book is an interdisciplinary investigation into the symbolism of the flower as envisioned by a photographer whose production was mired in controversy – triggered in large part by his thematic exploration of radical sexuality and queer subcultural life. Mapplethorpe came into international prominence due to the public response to his polarizing retrospective exhibition, The Perfect Moment (1989-1990), a ground breaking collection of images exploring three largely traditional genres of photography: the still life, the portrait, and the human figure. If there is one characteristic that unifies the artist's approach to these genres, however, it is his meticulous attention to the materiality of the photograph as object. Mapplethorpe was a dedicated formalist, committed to locating what is most beautiful about his chosen subject-producing work under carefully controlled studio conditions that enabled the development of a unique and singular aesthetic vision. Bearing this in mind, Mapplethorpe and the Flower is dedicated to unpacking how the artist's unique brand of formal sophistication and discipline, combined with his conceptual bravado, interpenetrates all of his photographs – and reaches its formal and conceptual maturation in his flower images. There has been significant critical attention paid to the artist's more notorious photographs, namely the S&M imagery, and his now infamous persona as provocateur and sexual renegade. Fixation on this dimension of the artist's mythology overshadows the formal details and interlocking representational and political commitments crosscutting the artist's oeuvre. Mapplethorpe and the Flower is a recuperative effort: one that seeks to locate persistent threads running through the artist's seemingly disparate aesthetic and conceptual investigations.

How To See An Image In Total Darkness

Author : Rodshir Daile,Daile Galerie
Publisher : Blurb
Page : 136 pages
File Size : 53,7 Mb
Release : 2022-06-04
Category : Electronic
ISBN : 9798210306548

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How To See An Image In Total Darkness by Rodshir Daile,Daile Galerie Pdf

How To See An Image In Total Darkness, is the first published book by Interdisciplinary visual artist Rodshir Dailë (American, b.1984). Rodshir Dailë lives and works in Paris, France, and his multidisciplinary practice merges new contemporary fine arts with new media art. He labeled his work "MONOCHROMVISION", which derives from the medical condition known as monochromatism. Monochromatism makes the individual only able to perceive black, white, and shades of gray. His exhibition "How To See An Image In Total Darkness" was held at the Institut für Alles Mögliche in Berlin, Germany in 2022. It featured a retrospective of his photography work with various subject matter. Including architectural photography, fashion photography, and portraits. The book includes images from the exhibition as well as additional curated images.

Third Text

Author : Rasheed Araeen,Sean Cubitt,Ziauddin Sardar
Publisher : Routledge
Page : 117 pages
File Size : 44,6 Mb
Release : 2020-11-25
Category : Art
ISBN : 9781000115734

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Third Text by Rasheed Araeen,Sean Cubitt,Ziauddin Sardar Pdf

Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. Third Text addresses the complex cultural realities that emerge when different worldviews meet, and the challenge this poses to Eurocentrism and ethnocentric aesthetic criteria.

Black Post-Blackness

Author : Margo Natalie Crawford
Publisher : University of Illinois Press
Page : 288 pages
File Size : 54,5 Mb
Release : 2017-05-12
Category : Social Science
ISBN : 9780252099557

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Black Post-Blackness by Margo Natalie Crawford Pdf

A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic.

The Black Art Renaissance

Author : Joshua I. Cohen
Publisher : University of California Press
Page : 301 pages
File Size : 54,9 Mb
Release : 2020-07-21
Category : Art
ISBN : 9780520309685

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The Black Art Renaissance by Joshua I. Cohen Pdf

Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.

A Concise Companion to Visual Culture

Author : A. Joan Saab,Aubrey Anable,Catherine Zuromskis
Publisher : John Wiley & Sons
Page : 512 pages
File Size : 40,7 Mb
Release : 2021-03-08
Category : Art
ISBN : 9781119415404

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A Concise Companion to Visual Culture by A. Joan Saab,Aubrey Anable,Catherine Zuromskis Pdf

Provides an up-to-date overview of the present state Visual Cultural Studies, featuring new original content, topics, and methods The Wiley Blackwell Concise Companion to Visual Culture brings together original research by both established scholars and new voices in the dynamic field, exploring the history, current state, and possible future directions of visual cultural studies. Organized as a series of non-traditional keyword essays, this innovative volume engages readers with a diversity of ideas and perspectives to broaden and enrich their understanding of visual culture and its operations. This accessible, reader-friendly volume begins with a brief introduction to the history and practices of visual studies, featuring interviews and conversations with key figures such as W.J.T. Mitchell and Douglas Crimp. The majority of the text explores key concepts within a broad framework of history, ecologies, mediations, agencies, and politics while placing particular emphasis on interdisciplinarity and intersectionality. Essays cover keyword topics including Identities, Representation, Institutions, Architectures, Memes, Environment, Temporality, and many more. Offering a unique approach to the subject, this timely resource: Presents new work from a diverse group of scholars with a broad range of social, cultural, and generational perspectives Emphasizes the importance of activism and political urgency in humanities scholarship Discusses engaging objects and discourses beyond film and art, such as architecture, video games, political activism, and the nonhuman Highlights the diverse and interconnecting elements of visual culture scholarship Includes case studies and short introductions that provide context and reinforce core concepts The Wiley Blackwell Concise Companion to Visual Culture is essential reading for advanced undergraduate students, graduate students, and scholars in the fields of visual studies, art history, film studies, and media studies.

Black Art and Aesthetics

Author : Michael Kelly,Monique Roelofs
Publisher : Bloomsbury Publishing
Page : 425 pages
File Size : 50,5 Mb
Release : 2023-11-30
Category : Philosophy
ISBN : 9781350294615

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Black Art and Aesthetics by Michael Kelly,Monique Roelofs Pdf

Black Art and Aesthetics comprises essays, poems, interviews, and over 50 images from artists and writers: GerShun Avilez, Angela Y. Davis, Thomas F. DeFrantz, Theaster Gates, Aracelis Girmay, Jeremy Matthew Glick, Deborah Goffe, James B. Haile III, Vijay Iyer, Isaac Julien, Benjamin Krusling, Daphne Lamothe, George E. Lewis, Sarah Elizabeth Lewis, Meleko Mokgosi, Wangechi Mutu, Fumi Okiji, Nell Painter, Mickaella Perina, Kevin Quashie, Claudia Rankine, Claudia Schmuckli, Evie Shockley, Paul C. Taylor, Kara Walker, Simone White, and Mabel O. Wilson. The stellar contributors practice Black aesthetics by engaging intersectionally with class, queer sexuality, female embodiment, dance vocabularies, coloniality, Afrodiasporic music, Black post-soul art, Afropessimism, and more. Black aesthetics thus restores aesthetics to its full potential by encompassing all forms of sensation and imagination in art, culture, design, everyday life, and nature and by creating new ways of reckoning with experience, identity, and resistance. Highlighting wide-ranging forms of Black aesthetics across the arts, culture, and theory, Black Art and Aesthetics: Relationalities, Interiorities, Reckonings provides an unprecedented view of a field enjoying a global resurgence. Black aesthetics materializes in communities of artists, activists, theorists, and others who critique racial inequities, create new forms of interiority and relationality, uncover affective histories, and develop strategies for social justice.

The Life and Art of Felrath Hines

Author : Rachel Berenson Perry
Publisher : Indiana University Press
Page : 211 pages
File Size : 47,7 Mb
Release : 2019-01-01
Category : Biography & Autobiography
ISBN : 9780253037336

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The Life and Art of Felrath Hines by Rachel Berenson Perry Pdf

Felrath Hines (1913–1993), the first African American man to become a professional conservator for the Smithsonian National Portrait Gallery, was born and raised in the segregated Midwest. Leaving their home in the South, Hines's parents migrated to Indianapolis with hopes for a better life. While growing up, Hines was encouraged by his seamstress mother to pursue his early passion for art by taking Saturday classes at Herron Art Institute in Indianapolis. He moved to Chicago in 1937, where he attended the Art Institute of Chicago in pursuit of his dreams. The Life and Art of Felrath Hines: From Light to Dark chronicles the life of this exceptional artist who overcame numerous obstacles throughout his career and refused to be pigeonholed because of his race. Author Rachel Berenson Perry tracks Hines's determination and success as a contemporary artist on his own terms. She explores Hines's life in New York City in the 1950s and 60s, where he created a close friendship with jazz musician Billy Strayhorn and participated in the African American Spiral Group of New York and the equal rights movement. Hines's relationship with Georgia O'Keeffe, as her private paintings restorer, and a lifetime of creating increasingly esteemed Modernist artwork, all tell the story of one man's remarkable journey in 20th-century America. Featuring exquisite color photographs, The Life and Art of Felrath Hines will explore the artist's life, work, and significance as an artist and as an art conservator.