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How to Write a Damn Good Novel by James N. Frey Pdf
Written in a clear, crisp, accessible style, this book is perfect for beginners as well as professional writers who need a crash course in the down-to-earth basics of storytelling. Talent and inspiration can't be taught, but Frey does provide scores of helpful suggestions and sensible rules and principles. An international bestseller, How to Write a Damn Good Novel will enable all writers to face that intimidating first page, keep them on track when they falter, and help them recognize, analyze, and correct the problems in their own work.
How to Write a Damn Good Mystery by James N. Frey Pdf
Edgar award nominee James N. Frey, author of the internationally best-selling books on the craft of writing, How to Write a Damn Good Novel, How to Write a Damn Good Novel II: Advanced Techniques, and The Key: How to Write Damn Good Fiction Using the Power of Myth, has now written what is certain to become the standard "how to" book for mystery writing, How to Write a Damn Good Mystery. Frey urges writers to aim high-not to try to write a good-enough-to-get-published mystery, but a damn good mystery. A damn good mystery is first a dramatic novel, Frey insists-a dramatic novel with living, breathing characters-and he shows his readers how to create a living, breathing, believable character who will be clever and resourceful, willful and resolute, and will be what Frey calls "the author of the plot behind the plot." Frey then shows, in his well-known, entertaining, and accessible (and often humorous) style , how the characters-the entire ensemble, including the murderer, the detective, the authorities, the victims, the suspects, the witnesses and the bystanders-create a complete and coherent world. Exploring both the on-stage action and the behind-the-scenes intrigue, Frey shows prospective writers how to build a fleshed-out, believable, and logical world. He shows them exactly which parts of that world show up in the pages of a damn good mystery-and which parts are held back just long enough to keep the reader guessing. This is an indispensable step-by-step guide for anyone who's ever dreamed of writing a damn good mystery.
How to Write a Damn Good Thriller by James N. Frey Pdf
A quick look at any fiction bestseller list reveals that thrillers make up most of the titles at the top. HOW TO WRITE A DAMN GOOD THRILLER will help the aspiring novelist or screenwriter to design, draft, write, and polish a thriller that is sure to grab readers. Frey uses examples from both books and movies and addresses the following hot topics: *Germinal ideas *Breathing life into great thriller characters *Crafting a gripping opening *Maintaining tension *Creating obstacles and conflicts *Writing a mean, lean thriller scene *Adding surprise twists *Building a smashing climax and many more. In his trademark approachable and humorous style, Frey illuminates the building blocks of great thrillers and gives the reader the tools to write his or her own.
How to Write a Damn Good Novel, II by James N. Frey Pdf
"Damn good" fiction is dramatic fiction, Frey insists, whether it is by Hemingway or Grisham, Le Carre or Ludlum, Austen or Dickens. Despite their differences, these authors' works share common elements: strong narrative lines, fascinating characters, steadily building conflicts, and satisfying conclusions. Frey's How to Write a Damn Good Novel is one of the most widely used guides ever published for aspiring authors. Here, in How to Write a Damn Good Novel, II, Frey offers powerful advanced techniques to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy, and identification. How to Write a Damn Good Novel, II also warns against the pseudo-rules often inflicted upon writers, rules such as "The author must always be invisible" and "You must stick to a single viewpoint in a scene," which cramp the imagination and deaden the narrative. Frey focuses instead on promises that the author makes to the reader—promises about character, narrative voice, story type, and so on, which must be kept if the reader is to be satisfied. This book is rich, instructive, honest, and often tellingly funny about the way writers sometimes fail their readers and themselves.
Author : James N. Frey Publisher : Pan Macmillan Page : 161 pages File Size : 53,6 Mb Release : 2002 Category : Language Arts & Disciplines ISBN : 0333907590
How to Write Damn Good Fiction by James N. Frey Pdf
The one book that should be on every fiction writer's shelf...From the author of How to Write a Damn Good Novel, this book offers powerful advanced techniques in fiction writing - how to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy and identification. Quoting a range of writers from Stephen King and Kafka to Peter Benchley and Stephen Crane, this is a practical, readable, down to earth and concise book which analyses what makes good (and commercial) fiction work and shows how to apply this understanding in an author's own writing. It is a must for any serious writer.
In his widely read guides How to Write a Damn Good Novel and How to Write a Damn Good Novel II: Advanced Techniques, popular novelist and fiction-writing coach James N. Frey showed tens of thousands of writers how--starting with rounded, living, breathing, dynamic characters--to structure a novel that sustains its tension and development and ends in a satisfying, dramatic climax. Now, in The Key, Frey takes his no-nonsense, "Damn Good" approach and applies it to Joseph Campbell's insights into the universal structure of myths. Myths, says Frey, are the basis of all storytelling, and their structures and motifs are just as powerful for contemporary writers as they were for Homer. Frey begins with the qualities found in mythic heros--ancient and modern--such as the hero's special talent, his or her wound, status as an "outlaw," and so on. He then demonstrates how the hero is initiated--sent on a mission, forced to learn the new rules, tested, and suffers a symbolic death and rebirth--before he or she can return home. Using dozens of classical and contemporary novels and films as models, Frey shows how these motifs and forms work their powerful magic on the reader's imagination. The Key is designed as a practical step-by-step guide for fiction writers and screen writers who want to shape their own ideas into a mythic story.
An unconventional, irreverent, yet heartfelt memoir by Ryan Higa, one of the top creators on YouTube. With pictures! And illustrations! And, y'know, words. I know you're used to seeing me on the Internet, but here I am, coming at you in book form. You might be asking yourself, A Book? You? Why? Great question! Why did I write a book? Listen, I'm as surprised about it as you are. But I have a story to tell that I believe will help inspire people who are going through tough times to not only persevere through those tough times but to excel in them. And I couldn't be the only YouTuber without a book, could I? So, welcome to Ryan Higa's How to Write Good, by me, Ryan Higa. This is the story of how I went from being a relatively happy kid to being depressed and angry and filled with dark thoughts. This is the story of how I thought I had only one way out of this cruel world. This is the story of how I found a better way. But wait, there's more! You're not only getting my story but you'll also learn how to write good--I mean well--from a college dropout who struggled in basic-level English classes and still became a legit, published Best Sailing Author. (That wasn't a typo. I plan to buy a boat one day...but probably not anytime soon. This book might not cell good.)
Never has contemporary fiction been more widely discussed and passionately analysed; recent years have seen a huge growth in the number of reading groups and in the interest of a non-academic readership in the discussion of how novels work. Drawing on his weekly Guardian column, 'Elements of Fiction', John Mullan examines novels mostly of the last ten years, many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique, setting recent fiction alongside classics of the past. Nick Hornby's adoption of a female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's; Carole Shield's chapter divisions are likened to Fanny Burney's. Each section shows how some basic element of fiction is used. Some topics (like plot, dialogue, or location) will appear familiar to most novel readers; others (metanarrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating the writer's craft. How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist. It is an entertaining and stimulating exploration of that ingenuity. Addressed to anyone who is interested in the close reading of fiction, it makes visible techniques and effects we are often only half-aware of as we read. It shows that literary criticism is something that all fiction enthusiasts can do. Contemporary novels discussed include: Monica Ali's Brick Lane; Martin Amis's Money; Margaret Atwood's The Blind Assassin; A.S. Byatt's Possession; Jonathan Coe's The Rotters' Club; J.M. Coetzee's Disgrace; Michael Cunningham's The Hours; Don DeLillo's Underworld; Michel Faber's The Crimson Petal and the White; Ian Fleming's From Russia with Love; Jonathan Franzen's The Corrections; Mark Haddon's The Curious Incident of the Dog in the Night-time; Patricia Highsmith's Ripley under Ground; Alan Hollinghurst's The Spell; Nick Hornby's How to Be Good; Ian McEwan's Atonement; John le Carré's The Constant Gardener; Andrea Levy's Small Island; David Mitchell's Cloud Atlas; Andrew O'Hagan's Personality; Orhan Pamuk's My Name Is Red; Ann Patchett's Bel Canto; Ruth Rendell's Adam and Eve and Pinch Me; Philip Roth's The Human Stain; Jonathan Safran Foer's Everything Is Illuminated; Carol Shields's Unless; Zadie Smith's White Teeth; Muriel Spark's Aiding and Abetting; Graham Swift's Last Orders; Donna Tartt's The Secret History; William Trevor's The Hill Bachelors; and Richard Yates's Revolutionary Road .
New York Times Bestseller The Reese Witherspoon x Hello Sunshine Book Club Pick “Every once in a while, I read a book that opens my eyes in a way I never expected.” —Reese Witherspoon (Reese’s Book Club x Hello Sunshine book pick) People Magazine’s Top 10 Books of 2017 Bustle’s 17 Books Every Woman Should Read From 2017 PopSugar’s Our Favorite Books of the Year (So Far) Refinery29's Best Books of the Year So Far BookBrowse’s The 20 Best Books of 2017 Pacific Northwest Book Awards Finalist The Globe and Mail's Top 100 Books of 2017 Longlisted for 2019 International DUBLIN Literary Award “It made me laugh, it made me cry, it made me think.” —Liane Moriarty, #1 New York Times bestselling author of Big Little Lies This is how a family keeps a secret...and how that secret ends up keeping them. This is how a family lives happily ever after...until happily ever after becomes complicated. This is how children change...and then change the world. This is Claude. He’s five years old, the youngest of five brothers, and loves peanut butter sandwiches. He also loves wearing a dress, and dreams of being a princess. When he grows up, Claude says, he wants to be a girl. Rosie and Penn want Claude to be whoever Claude wants to be. They’re just not sure they’re ready to share that with the world. Soon the entire family is keeping Claude’s secret. Until one day it explodes. Laurie Frankel's This Is How It Always Is is a novel about revelations, transformations, fairy tales, and family. And it’s about the ways this is how it always is: Change is always hard and miraculous and hard again, parenting is always a leap into the unknown with crossed fingers and full hearts, children grow but not always according to plan. And families with secrets don’t get to keep them forever.
The most widely used and respected book on writing fiction, Writing Fiction guides the writer from first inspiration to final revision. Supported by an abundance exercises, this guide/anthology explores and integrates the elements of fiction while offering practical techniques and concrete examples. A focus on the writing process in its entirety provides a comprehensive guide to writing fiction, approaching distinct elements in separate chapters while building on what has been covered earlier. Topics include free-writing to revision, plot, style, characterization, dialogue, atmosphere, imagery, and point of view. An anthology of diverse and contemporary short stories followed by suggestions for discussion and writing exercises, illustrates concepts while offering variety in pacing and exposure to this increasingly popular form. The book also discusses key issues including writing workshops, using autobiography as a basis for fiction, using action in stories, using dialogue, and maintaining point of view. The sixth edition also features more short short stories than any previous edition and includes quotation boxes that offer advice and inspirational words from established writers on a wide range of topics--such as writing from experience, story structure, openings and endings, and revision. For those interested in developing their creative writing skills.
Revising Your Novel: First Draft to Finished Draft: A Step-By-Step Guide to Revising Your Novel by Janice Hardy Pdf
Get all three Fixing Your Revision Problems books in one omnibus This book contains Fixing Your Character & Point-of-View Problems, Fixing Your Plot & Story Structure Problems, and Fixing Your Setting & Description Problems--PLUS a BONUS workshop: How to Salvage Half-Finished Manuscripts. A strong story has many parts, and when one breaks down, the whole book can fail. Make sure your story is the best it can be to keep your readers hooked. Janice Hardy takes you step-by-step through the novel revision process, from character issues, to plot problems, to description issues. She'll show you how to analyze your draft, spot any problems or weak areas, and fix problems hurting your manuscript. With clear and easy-to-understand examples, Revising Your Novel: First Draft to Finished Draft offers eleven self-guided workshops that target the common issues that make readers stop reading. It will help you: Flesh out weak characters and build strong character arcs Find the right amount of backstory to enhance, not bog down, your story Create unpredictable plots that keep readers guessing Develop compelling hooks to build tension in every scene Determine the right way to include information without infodumping Fix awkward stage direction and unclear character actions Revising Your Novel: First Draft to Finished Draft starts every workshop with an analysis and offers multiple revision options in each area. You choose the options that best fit your writing process. Learn how to: Develop a strong and effective revision plan Analyze your manuscript to find its strengths and weaknesses Spot common red flag words for problem areas (such as told prose) Determine the best way to revise a scene, plot, character, or novel Fix problems holding your novel back Revising Your Novel: First Draft to Finished Draft is an easy-to-follow guide to revising your manuscript and crafting a strong finished draft that will keep readers hooked.
The 38 Most Common Fiction Writing Mistakes by Jack Bickham Pdf
The 38 Most Common Fiction Writing Mistakes When you write fiction, you march onto a minefield. This book gives you a map. Oh, what tricky terrain you're traveling! You must reckon with: Character, Conflict, Point of View, Dialogue, Editors, Editors, and Editors, who--by returning stories they see as problem-plagued--can burst your hopes of publication. Where are the problems? Editors rarely take the time to map them out, so Jack Bickham has. In this book, he spotlights the 38 most common fiction writing land mines--writing mistakes that can turn even dynamite story ideas into slush pile rejects. And he guides you in overcoming them. In to-the-point style, he shows you how to: conquer procrastination--and put ink on paper regularly dump wimpy characters--and build characters ready to act look for trouble--and create conflicts for your characters cut coincidence--and put better-than-life logic into fiction escape the fog--and find and stick to your story's direction free feelings--and fire your fiction with passion and emotion In short, Bickham helps you take a giant step toward publication. Read this book. Strengthen your writing. And start setting off explosions where they belong: on the sales charts.
My first published novel took me five YEARS to write. The second took months. Now? I draft each of my novels in about a week. We live in a fast-paced world, and not everyone has the time to spend months or even years working on a novel. This book is a comprehensive guide over how I get a book from concept to fully-edited in the course of about a week. (It can take less or more depending on the length of the novel or my time constraints). This process can work for any genre of fiction, as I have used it for every novel I've written after the first. *** Kate Hall is a bestselling author who is known for her quick success and high earnings in the Paranormal Romance genre. In this guide, she shows how you, too, can write books fast to potentially increase your publishing income.