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Hysteria, one of the most diagnosed conditions in human history, is also one of the most problematic. Can it even be said to exist at all? Since the earliest medical texts people have had something to say about 'feminine complaints'. Over the centuries, theorisations of the root causes have lurched from the physiological to the psychological to the socio-political. Thanks to its dual association with femininity and with fakery, the notion of hysteria inevitably provokes questions about women, men, sex, bodies, minds, culture, happiness and unhappiness. To some, it may seem extraordinary that such a contested diagnosis could continue to merit any mention whatsoever. Hysteria Today is a collection of essays whose purpose is to reopen the case for hysteria and to see what relevance, if any, the term may have within contemporary clinical practice.
Hysteria: The Rise of an Enigma by J. Bogousslavsky Pdf
Hysteria is probably the condition which best illustrates the tight connection between neurology and psychiatry. While it has been known since antiquity, its renewed studies during the 19th century were mainly due to the work of Jean-Martin Charcot and his school in Paris. This publication focuses on these early developments, in which immediate followers of Charcot, including Babinski, Freud, Janet, Richer, and Gilles de la Tourette were involved. Hysteria is commonly considered as a condition that often leads to spectacular manifestations (e.g. convulsions, palsies), although both structural and functional imaging data confirm the absence of consistent and reproducible structural lesions. While numerous hypotheses have tried to explain the occurrence of this striking phenomenon, the precise nosology and pathophysiology of hysteria remain elusive. This volume offers an enthralling and informative read for neurologists, psychiatrists, and psychologists, as well as for general physicians, historians, and everyone interested in the developments of one of the most intriguing conditions in medicine.
Hysteria, one of the most diagnosed conditions in human history, is also one of the most problematic. Can it even be said to exist at all? Since the earliest medical texts people have had something to say about 'feminine complaints'. Over the centuries, theorisations of the root causes have lurched from the physiological to the psychological to the socio-political. Thanks to its dual association with femininity and with fakery, the notion of hysteria inevitably provokes questions about women, men, sex, bodies, minds, culture, happiness and unhappiness. To some, it may seem extraordinary that such a contested diagnosis could continue to merit any mention whatsoever. Hysteria Today is a collection of essays whose purpose is to reopen the case for hysteria and to see what relevance, if any, the term may have within contemporary clinical practice.
We seem to be living in hysterical times. A simple Google search reveals the sheer bottomless well of “hysterical” discussions on diverse topics such as the #metoo movement, Trumpianism, border wars, Brexit, transgender liberation, Black Lives Matter, COVID-19, and climate change, to name only a few. Against the backdrop of such recent deployments of hysteria in popular discourse––particularly as they emerge in times of material and hermeneutic crisis––Performing Hysteria re-engages the notion of “hysteria”. Performing Hysteria rigorously mines late 20th- and early 21st-century (primarily visual) culture for signs of hysteria. The various essays in this volume contribute to the multilayered and complex discussions that surround and foster this resurgent interest in hysteria––covering such areas as art, literature, theatre, film, television, dance; crossing such disciplines as cultural studies, political science, philosophy, history, media, disability, race and ethnicity, and gender studies; and analysing stereotypical images and representations of the hysteric in relation to cultural sciences and media studies. Of particular importance is the volume's insistence on taking the intersection of hysteria and performance seriously.
The tormenting of the body by the troubled mind, hysteria is among the most pervasive of human disorders - yet at the same time it is the most elusive. Freud's recognition that hysteria stemmed from traumas in the patient's past transformed the way we think about sexuality. Studies in Hysteria is one of the founding texts of psychoanalysis, revolutionizing our understanding of love, desire and the human psyche.
In 1862 the Salpêtrière Hospital in Paris became the epicenter of the study of hysteria, the mysterious illness then thought to affect half of all women. There, prominent neurologist Jean-Martin Charcot's contentious methods caused furore within the church and divided the medical community. Treatments included hypnosis, piercing and the evocation of demons and, despite the controversy they caused, the experiments became a fascinating and fashionable public spectacle. Medical Muses tells the stories of the women institutionalised in the Salpêtrière. Theirs is a tale of science and ideology, medicine and the occult, of hypnotism, sadism, love and theatre. Combining hospital records, municipal archives, memoirs and letters, Medical Muses sheds new light on a crucial moment in psychiatric history.
Invention of Hysteria by Georges Didi-Huberman Pdf
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
One of The Globe and Mail’s “Favourite Books of the Year” The closer she gets to the truth, the faster it slips away. In the spring of 1945, fifteen year-old Heike circles in the mountains high above Switzerland. Pushed out the door by a worried mother, Heike and her little sister, Lena, have escaped Dresden only days ahead of the firebombs that will destroy that city, to cross a war-torn Germany on their own. But now, Lena is lost and Heike is alone, stalked by a feral dog. Eleven years later, Heike’s life looks very different: married to a prominent American psychiatrist, she’s living in idyllic upstate New York, where she’s free to wander the woods and care for her beloved four-year old son, Daniel. But despite the shiny veneer of this new life, Heike cannot shake the feeling that something is terribly wrong. On the sunniest day of the year, she’s relaxing by a pond with Daniel when a strange little girl appears out of nowhere—then eerily disappears below the surface of the water. From that moment on, nothing is ever the same again. Is the girl a ghost, or an omen of bad things to come? The closer Heike gets to the truth, the faster it slips away.
What the heck is hysteria? by Claudio J. Chiabai Pdf
Hysteria is a disease already forgotten by medicine, which, in spite of this, is still very much in vogue. Its name in various academic circles and, especially, in psychoanalytic circles. However, what is today referred to as hysteria is not hysteria, and what is hysteria does not have that name. This book aims to show the form that hysteria actually took before its disappearance in the twentieth century. It aims to answer a simple question. It aims to answer a simple question: What did what was called hysteria for so many centuries look like? What characteristics did it have that identified it from other ailments? How was it dealt with? What was the cause of it? To answer these and other questions, this book makes a historical journey from the first ideas about hysteria, from the first centuries of medicine to the latest conception of it settled in the famous manual of mental disorders, the DSM. This journey is made with emphasis on the second half of the 19th century, the golden age for hysteria and the intellectual environment from which Sigmund Freud and, therefore, his creation, Psychoanalysis, drew nourishment. As happens with any look into the past, many myths become evident as such and, at the same time, are dissolved by looking at the historical facts that involve them. For example, one can see how the idea that hysterical patients were despised by physicians as simulators is false. Or, it can be seen that Freud was never the first to listen to these supposed patients ignored by physicians or that he was not the first or the only one to consider sexuality to explain hysteria. These and many other myths, such as that patients were treated by provoking them to orgasm, are easily debunked in this book. This book is obviously addressed to anyone interested in knowing, with accuracy and detail, what hysteria consisted of, as well as to those interested in seeing the reality behind the mythical foundations of Psychoanalysis, since it was born out of hysteria and to which it dedicated its existence. In short, this book is a modern treatise on hysteria, intended to answer a simple answer to a simple but complex question: What the heck is hysteria?
Originally published in 1895, this early work of psychology is both expensive and hard to find in its first edition. It contains Freud and Breuer’s case studies of hysteria and their methods of psychoanalytic treatment. This is a fascinating work and is thoroughly recommended for anyone with an interest in the history of psychology. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Bollas offers an original and illuminating theory of hysteria that weaves its well-known features - repressed sexual ideas; indifference to conversions; over-identification with the other - into the hysteric form.
According to the medical world, hysteria is a thing of the past, an outdated diagnosis that has disappeared for good. This book argues that hysteria is in fact alive and well. Hyperventilating, we rush from one incident into the next – there is hardly time for a breather. From the worldwide run on toilet paper to cope with coronavirus fears to the overheated discussions about immigration and overwrought reactions to the levels of crime and disorder around us, we live in a culture of hysteria. While hysteria is typically discussed in emotional terms – as an obstacle to be overcome – it nevertheless has very real consequences in everyday life. Irritating though this may be, hysteria needs to be taken seriously, for what it tells us about our society and way of life. That is why Marc Schuilenburg examines what hysteria is and why it is fuelled by a culture that not only abuses, but also encourages and rewards it. Written in a clear and direct style, this book will appeal to students and scholars of sociology, criminology, philosophy and all those interested in hysteria and how it permeates late modern society.
Hysteria was a frequently diagnosed illness in the West through the nineteenth and much of the twentieth century. Today the medical profession has virtually abandoned the diagnosis altogether. However, this does not mean that hysteria has ceased to exist. In The Nature of Hysteria, Niel Micklem argues that the disease has merely shifted into other personal and collective forms. He traces the history of hysteria from ancient Egyptian times to the present and examines its mythic background. He also describes the involvement of sexuality in the clinical manifestations of hysteria to witchcraft, and various collective manifestations of hysteria in the form of sexual permissiveness and unisexual behaviour. Arguing that hysteria is much more than an illness, Niel Micklem suggests that the denial of hysteria in individual patients has coincided with the creation of an increasingly hysterical society.
The story of hysteria is a curious one, for it persists as an illness for centuries before disappearing. Andrew Scull gives a fascinating account of this socially constructed disease that came to be strongly associated with women, showing the shifts in social, cultural, and medical perceptions through history.