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Author : Karin Barber
Publisher : Edinburgh University Press
Page : 380 pages
File Size : 50,9 Mb
Release : 1991
Category : Literary Criticism
ISBN : UOM:39015024789383
A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
Author : Karin Barber
Publisher : Edinburgh University Press
Page : 371 pages
File Size : 41,5 Mb
Release : 2020-01-19
Category : Social Science
ISBN : 9780748699186
A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
Author : Cristina Boscolo
Publisher : BRILL
Page : 367 pages
File Size : 47,5 Mb
Release : 2009-01-01
Category : Literary Criticism
ISBN : 9789042026810
A poetic ‘voice’ scans the rhythm of academic research, telling of the encounter with odún; then the voice falls silent. What is then raised is the dust of a forgotten academic debate on the nature of theatre and drama, and the following divergent standpoints of critical discourses bent on empowering their own vision, and defining themselves, rather, as counterdiscourses. This, the first part of the book: a metacritical discourse, on the geopolitics (the inherent power imbalances) of academic writing and its effects on odún, the performances dedicated to the gods, ancestors, and heroes of Yorùbá history. But odún: where is it? and what is it? And the ‘voice’? The many critical discourses have not really answered these questions. In effect, odún is many things. To enable the reader to see these, the study proceeds with an ‘intermezzo’: a frame of reference that sets odún, the festival, in its own historico-cultural ecoenvironment, identifying the strategies that inform the performance and constitute its aesthetic. It is a ‘classical’ yet, for odún, an innovative procedure. This interdisciplinary background equips the reader with the knowledge necessary to watch the performance, to witness its beauty, and to understand the ‘half words’ odún utters. And now the performance can begin. The ‘voice’ emerges one last time, to introduce the second section, which presents two case studies. The reader is led, day by day, through the celebrations –odún edì, Morèmi’s story, and its realization in performance; then confrontation by the masks of the ancestors duing odún egúngún (particularly as held in Ibadan). The meaning of odún becomes clearer and clearer. Odún is poetry, dances, masks, food, prayer. It is play (eré) and belief (ìgbàgbó). It is interaction between the players (both performers and spectators). It is also politics and power. It contains secrets and sacrifices. It is a reality with its own dimension and, above all, as the quintessential site of knowledge, it possesses the power to transform. In short, it is a challenge – a challenge that the present book and its voices take up.
Author : Helen Verran
Publisher : University of Chicago Press
Page : 298 pages
File Size : 43,9 Mb
Release : 2001-12-15
Category : Philosophy
ISBN : 0226853896
Does two and two equal four? Ask someone and they should answer yes. An equation such as this seems the very definition of certainty, but is it? In this book, Helen Verran addresses precisely that question.
Author : R. Marie Griffith,Barbara Dianne Savage
Publisher : JHU Press
Page : 410 pages
File Size : 47,9 Mb
Release : 2006-09-22
Category : Religion
ISBN : 9780801889011
This landmark collection of newly commissioned essays explores how diverse women of African descent have practiced religion as part of the work of their ordinary and sometimes extraordinary lives. By examining women from North America, the Caribbean, Brazil, and Africa, the contributors identify the patterns that emerge as women, religion, and diaspora intersect, mapping fresh approaches to this emergent field of inquiry. The volume focuses on issues of history, tradition, and the authenticity of African-derived spiritual practices in a variety of contexts, including those where memories of suffering remain fresh and powerful. The contributors discuss matters of power and leadership and of religious expressions outside of institutional settings. The essays study women of Christian denominations, African and Afro-Caribbean traditions, and Islam, addressing their roles as spiritual leaders, artists and musicians, preachers, and participants in bible-study groups. This volume's transnational mixture, along with its use of creative analytical approaches, challenges existing paradigms and summons new models for studying women, religions, and diasporic shiftings across time and space.
Author : Moses E. Ochonu
Publisher : Indiana University Press
Page : 359 pages
File Size : 51,8 Mb
Release : 2018-02-05
Category : Business & Economics
ISBN : 9780253032621
A tapestry of innovation, ideas, and commerce, Africa and its entrepreneurial hubs are deeply connected to those of the past. Moses E. Ochonu and an international group of contributors explores the lived experiences of African innovators who have created value for themselves and their communities. Profiles of vendors, farmers, craftspeople, healers, spiritual consultants, warriors, musicians, technological innovators, political mobilizers, and laborers featured in this volume show African models of entrepreneurship in action. As a whole, the essays consider the history of entrepreneurship in Africa, illustrating its multiple origins and showing how it differs from the Western capitalist experience. As they establish historical patterns of business creativity, these explorations open new avenues for understanding indigenous enterprise and homegrown commerce and their relationship to social, economic, and political debates in Africa today.
Author : Gunilla Lindberg-Wada
Publisher : Walter de Gruyter
Page : 328 pages
File Size : 45,7 Mb
Release : 2012-03-12
Category : Literary Criticism
ISBN : 9783110920550
In our globalised world, literature is less and less confined to national spaces. Europe-centred frameworks for literary studies have become insufficient; academics are increasingly called upon to address matters of cultural difference. In this unique volume, leading scholars discuss the critical and methodical challenges that these developments pose to the writing of literary history. What is the object of literary history? What is the meaning of the term “world literature”? How do we compare different cultural systems of genres? How do we account theoretically for literary transculturation? What are the implications of postcolonial studies for the discipline of comparative literature? Ranging in focus from the Persian epic of Majnun Layla and Zulu praise poetry to South Korean novels and Brazilian antropofagismo, the essays offer a concise overview of these and related questions. Their aim is not to reach a consensus on these matters. They show instead what is at stake in the emergent field of global comparatism.
Author : Toyin Falola,Akintunde Akinyemi
Publisher : Indiana University Press
Page : 388 pages
File Size : 55,7 Mb
Release : 2016-06-20
Category : Social Science
ISBN : 9780253021564
“The encyclopedia gives a complex, yet detailed, presentation of the Yorùbá, a dominant ethnic group in West Africa . . . an invaluable resource.” —Yoruba Studies Review The Yoruba people today number more than thirty million strong, with significant numbers in the United States, Nigeria, Europe, and Brazil. This landmark reference work emphasizes Yoruba history, geography and demography, language and linguistics, literature, philosophy, religion, and art. The 285 entries include biographies of prominent Yoruba figures, artists, and authors; the histories of political institutions; and the impact of technology and media, urban living, and contemporary culture on Yoruba people worldwide. Written by Yoruba experts on all continents, this encyclopedia provides comprehensive background to the global Yoruba and their distinctive and vibrant history and culture. “Readers unfamiliar with the Yoruba will find the introduction a concise and valuable overview of their language and its dialects, recent history, mythology and religion, and diaspora movements . . . Highly recommended.” —Choice
Author : Philip M. Peek,Kwesi Yankah
Publisher : Routledge
Page : 1509 pages
File Size : 53,9 Mb
Release : 2004-03-01
Category : Reference
ISBN : 9781135948726
Written by an international team of experts, this is the first work of its kind to offer comprehensive coverage of folklore throughout the African continent. Over 300 entries provide in-depth examinations of individual African countries, ethnic groups, religious practices, artistic genres, and numerous other concepts related to folklore. Featuring original field photographs, a comprehensive index, and thorough cross-references, African Folklore: An Encyclopedia is an indispensable resource for any library's folklore or African studies collection. Also includes seven maps.
Author : Anonim
Publisher : BRILL
Page : 537 pages
File Size : 55,6 Mb
Release : 2018-08-13
Category : History
ISBN : 9789004380189
Landscapes, Sources and Intellectual Projects of the West African Past outlines new directions in the historiography of West Africa. Its chapters explore new trends across regional and disciplinary fields with a focus on how political conjunctures influence source production and circulation.
Author : John Thabiti Willis
Publisher : Indiana University Press
Page : 217 pages
File Size : 41,8 Mb
Release : 2018-01-15
Category : Social Science
ISBN : 9780253031457
“Willis should be commended for penetrating a complex and socially guarded ritual resource to glean the hidden histories manifested therein.” —African Studies Review In West Africa, especially among Yoruba people, masquerades have the power to kill enemies, appoint kings, and grant fertility. John Thabiti Willis takes a close look at masquerade traditions in the Yoruba town of Otta, exploring transformations in performers, performances, and the institutional structures in which masquerade was used to reveal ongoing changes in notions of gender, kinship, and ethnic identity. As Willis focuses on performers and spectators, he reveals a history of masquerade that is rich and complex. His research offers a more nuanced understanding of performance practices in Africa and their role in forging alliances, consolidating state power, incorporating immigrants, executing criminals, and projecting individual and group power on both sides of the Afro-Atlantic world. “Willis cites oral traditions, archival sources, and publications to draw attention to the link between economic development and spectacular and historically influential masquerade performances.” —Babatunde Lawal, author of The Gelede Spectacle “Important in its emphasis on the history of an art form and its specific cultural context; of interest to academic audiences as well as general readers.” —Henry Drewal, editor of Sacred Waters “Willis’s work should be a must-read for students and established scholars alike.” —Africa
Author : Toyin Falola,Augustine Agwuele
Publisher : University Rochester Press
Page : 350 pages
File Size : 43,8 Mb
Release : 2009
Category : Literary Criticism
ISBN : 9781580463317
Explores the instrumentalization of various aspects of popular culture in Africa.
Author : Daryll Forde,International African Institute
Publisher : LIT Verlag Münster
Page : 300 pages
File Size : 40,7 Mb
Release : 1999
Category : Social Science
ISBN : 3825830861
" This volume consists of nine studies, each describing the world outlook of an African people as expressed in their myths of creation, traditions of origin, and religious beliefs. The studies are concerned with such widely divergent systems of thought as the complex metaphysical system of the Dogon of French West Africa, the magical cults of the Abuluyia of Kenya, the religious practices of the Lele of Kasai, in which the forest plays a dominant part, the secret societies of the Mende, and the ancestor cult of the Ashanti. The authors show how closely concepts of the divine ordering of the universe are related to the organization of society and the everyday activities of men, so that the enthronement of a king or chief, the brewing of beer, the building of a granary, the organization of a hunt, all have symbolic significance and are accompanied by appropriate rituals. The wealth of imagery and symbolism displayed in many of these myths, and the subtlety of the metaphysical concepts, will be a revelation to those who have not studied the thought of so-called primitive societies. Rarely out of print since it was first published in 1954, this new edition has an introduction by Professor Wendy James of the Institute of Cultural and Social Anthropology, Oxford. Contents: Introduction, Daryll Forde; The Lele of Kasai, Mary Douglas; The Abaluyia of Kavirondo (Kenya), Gunter Wagner; The Lovedu of the Transvaal, J. D. Krige/E. J. Krige; The Dogon of the French Sudan, Marcel Griaule/Germaine Dieterlen; The Mende in Sierra Leone, Kenneth Little; The Shilluk of the Upper Nile, Godfrey Lienhardt; The Kingdom of Ruanda, J. J. Maquet; The Ashanti of the Golden Coast, K. A. Busia; The Fon of Dahomey, P. Mercier. Daryll Forde was Professor of Anthropology, University London and Director of the International African Institute. "
Author : Rowland Abiodun
Publisher : Cambridge University Press
Page : 415 pages
File Size : 40,9 Mb
Release : 2014-09-29
Category : Art
ISBN : 9781107047440
The Yorùbá was one of the most important civilizations of sub-Saharan Africa. While the high quality and range of its artistic and material production have long been recognized, the art of the Yorùbá has been judged primarily according to the standards and principles of Western aesthetics. In this book, which merges the methods of art history, archaeology, and anthropology, Rowland Abíọ́dún offers new insights into Yorùbá art and material culture by examining them within the context of the civilization's cultural norms and values and, above all, the Yorùbá language. Abíọ́dún draws on his fluency and prodigious knowledge of Yorùbá culture and language to dramatically enrich our understanding of Yorùbá civilization and its arts. The book includes a companion website with audio clips of the Yoruba language, helping the reader better grasp the integral connection between art and language in Yoruba culture.
Author : Anonim
Publisher : BRILL
Page : 221 pages
File Size : 48,6 Mb
Release : 2006-01-01
Category : Literary Criticism
ISBN : 9789401202664
This book is the record of a colloquium held at Churchill College, Cambridge. It pursues lines of discussion radiating out from the core theme of the power of the image (understood in its pictorial, iconic, sensory and verbal senses). Writers, scholars and artists are grouped in pairs representing the two language-cultures (English and French). Central topics covered include the manifold ways in which our readings of pictorial images old and contemporary can bridge cultures, language politics and the politics of culture, the limitless and instructive senses of the concept of the ‘word’, the relation between orality and the written text, the implications of the act of writing, history and opera, the word in theatre, the influence of the Nobel Prize.... The terms of discussion universally urbane, effortlessly wide-ranging and deeply probing. Most importantly – and a reminder of how best to ensure literate wisdom in intercultural debate – is the fact that the contributors gathered here have avoided all ‘pre-packaging’ of their reflections in the shibboleth ‘discourses' (whether Freudian, poststructuralist, postmodern or postcolonial) of our time. Contributors are: Anthony Kwame Appiah, Biyi Bandele, Jacques Chevrier, Tim Cribb, Irène d’Almeida, Casimir d’Angelo, Assia Djebar, Akin Euba, Christiane Fioupou, Lorna Goodison, Wilson Harris, Marika Hedin, Gerard Houghton, Abiola Irele, Anny King, John Kinsella, Henri Lopés, Daniel Maximin, Femi Osofisan, Niyi Osundare, Ato Quayson, Alain Ricard, Tracy Ryan, Julien Sinzogan, Alioune Sow, Wole Soyinka, George Steiner, Véronique Tadjo, Maria Tippett, Olabiyi Yaï
