Iconography Of The Bodhisattva Bosatsu Images In Japan And India
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Papers presented at the three day International Conference on "Changing Global Profile of Japanese Studies : Trends and Prospects", held at New Delhi during 6-8 March 2009.
Eleven-headed Avalokiteśvara by Tove E. Neville Pdf
Illustrations: Numerous B/w Illustrations Description: The Eleven-Headed Avalokitesvara is a study of the many origins that may have played a part in arriving at this number of heads, based on forms and powers male and female forms, origins based on name, in scriptural evidence and images, as well as Hindu deities, and finally origin seen in Rock-cut litanies in caves of India. Manifold as the sources are, they led to consideration of this Bodhisattva as the highest form of compassion in the widest sense of the word, the savior for humanity of eight to ten dreads, which assail and defeat humankind, especially for exposed travelers, be they pilgrims going to visit and pray at Buddhist shrines, or monks seeking new temples or to find new masters to teach them. This essay weaves together a panorama in South Asia, moving up to Central Asia and Chinese cultures who contributed their own examples from caves in China (Tun Huang) that also held depositories of paintings brought back to modern cultures for study in Paris and London, long scrolls such as the Yunan Tali Kingdom's treasure from the late Sung period, all told tales of Buddhist iconography and styles that most often harked back to earlier Indian models. Korea found influence from China and Japan had the Eleven Headed in Metal and also of lacquer and wood in splendid examples from seventh and eight centuries on. Still, most astounding is a theory weaving the thread back to the Indian cave litanies, showing how the Bodhisattva as savior caused in practice of art to furnish the model for how the ten scenes of dreads plus the great Avalokitesvara's own face led to an eleven-headed giants seen in Indian Gupta styles.
Recent Research on Ladakh 4 & 5 by Henry Osmaston,Philip Denwood Pdf
The International Association for Ladakh Studies (IALS) was formed to provide contacts between all who are interested in the study of Ladakh to organise colloquia and to publish the proceedings and to issue a newsletter Ladakh Studies.
Living Images by Robert H. Sharf,Elizabeth Horton Sharf Pdf
The essays in this volume focus on the historical, institutional, and ritual context of a number of Japanese Buddhist paintings, sculptures, calligraphies, and relics?some celebrated, others long overlooked.
Author : James C. Dobbins Publisher : University of Hawaii Press Page : 288 pages File Size : 48,8 Mb Release : 2020-03-31 Category : Religion ISBN : 9780824879990
Images of the Buddha are everywhere—not just in temples but also in museums and homes and online—but what these images mean largely depends on the background and circumstance of those viewing them. In Behold the Buddha, James Dobbins invites readers to imagine how premodern Japanese Buddhists understood and experienced icons in temple settings long before the advent of museums and the internet. Although widely portrayed in the last century as visual emblems of great religious truths or as exquisite works of Asian art, Buddhist images were traditionally treated as the very embodiment of the Buddha, his palpable presence among people. Hence, Buddhists approached them as living entities in their own right—that is, as awakened icons with whom they could interact religiously. Dobbins begins by reflecting on art museums, where many non-Buddhists first encounter images of the Buddha, before outlining the complex Western response to them in previous centuries. He next elucidates images as visual representations of the story of the Buddha’s life followed by an overview of the physical attributes and symbolic gestures found in Buddhist iconography. A variety of Buddhas, Bodhisattvas, and other divinities commonly depicted in Japanese Buddhism is introduced, and their “living” quality discussed in the context of traditional temples and Buddhist rituals. Finally, other religious objects in Japanese Buddhism—relics, scriptures, inscriptions, portraits of masters, and sacred sites—are explained using the Buddhist icon as a model. Dobbins concludes by contemplating art museums further as potential sites for discerning the religious character of Buddhist images. Those interested in Buddhism generally who would like to learn more about its rich iconography—whether encountered in temples or museums—will find much in this concise, well-illustrated volume to help them “behold the Buddha.”
Early and Buddhist Stone Sculpture of Japan by Asoke Kumar Bhattacharyya Pdf
Japan S Iconographical Material Covers Buddhism, Shintoism And A Few Other Smaller Sects In That Country. Yet Buddhist Iconography Sculptural And In Painting Constitutes By Far The Greatest In Number And Variety. Further, Again, Wood Sculpture In That Land Of Wood-Yielding Vegetation, Forms The Greater Measure Of Iconographic Material. In Fact, Japan Is Not So Fortunate In The Availability Of Stone That Can Stand Fine Chiselling Or Carving, As Chine And India. With This Background It As But Reasonable Justified That Specialist Study Of Stone Sculpture In Icons And Other Subjects Is Undertaken And Brought To The Notice Of Scholars And The Lay Public. In Doing So, The Available Stone Material: Early Artifacts, Religious Icons And Other Subjects Have Been Presented Here In Eight Sections And A Map. The Section Deal With Early Artefacts, Decorative Sculptures, Lanterns, Pagodas, Engravings, Buddha Images, Images Of The Buddhist Pantheon And Biku, Bikuni & Rakans.The Over All Survey Made Of The Sculptures Of The Buddha And The Buddhist Pantheon In Stone In Japan, Is A Unique Contribution To The Study Of Buddhist Iconography In General And That In Japan In Particular.
The Tibetan Iconography of Buddhas, Bodhisattvas, and Other Deities by Lokesh Chandra,Fredrick W. Bunce Pdf
The Book Studies The 360 Icons Of The Chu Fo P U-Sa Sheng Hsiang Tsan Pantheon Referring To A Rare Set Of Woodcuts Distinct Among Buddhist Pantheons. It Analyses The Unique Features Of This Pantheon, Pointing Out The Significance Of Each Figure In The Mythological/Theological Framework And Minutely Describing The Iconography Of The Images.
"This book is a cultural history on the role of icons in the development and dissemination of the worship of a Buddhist deity in Japan from the thirteenth century to the seventeenth." --author-supplied description