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Images of England Through Popular Music by K. Gildart Pdf
Drawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm & blues, punk, mod subculture, and glam rock - created a sense of crisis in English society.
Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 19551975 by Gillian A. M. Mitchell Pdf
‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges stereotypes concerning a post-war ‘generation gap’, exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.
London’s Working-Class Youth and the Making of Post-Victorian Britain, 1958–1971 by Felix Fuhg Pdf
This book examines the emergence of modern working-class youth culture through the perspective of an urban history of post-war Britain, with a particular focus on the influence of young people and their culture on Britain’s self-image as a country emerging from the constraints of its post-Victorian, imperial past. Each section of the book – Society, City, Pop, and Space – considers in detail the ways in which working-class youth culture corresponded with a fast-changing metropolitan and urban society in the years following the decline of the British Empire. Was teenage culture rooted in the urban experience and the transformation of working-class neighbourhoods? Did youth subcultures emerge simply as a reaction to Britain's changing racial demographic? To what extent did leisure venues and institutions function as laboratories for a developing British pop culture, which ultimately helped Britain re-establish its prominence on the world stage? These questions and more are answered in this book.
It all started in London. More than fifty years ago, a generation of teens created something that would change the face of music forever. London, Reign Over Me immerses us in the backroom clubs, basement record shops, and late-night faint radio signals of 1960s Britain, where young hopefuls like Peter Frampton, Dave Davies, and Mick Jagger built off American blues and jazz to form a whole new sound. Author Stephen Tow weaves together original interviews with over ninety musicians and movers-and-shakers of the time to uncover the uniquely British story of classic rock’s birth. Capturing the stark contrast of bursting artistic energy with the blitzkrieg landscape leftover from World War II, London, Reign Over Me reveals why classic rock ‘n’ roll could only have been born in London. A new sound from a new generation, this music helped spark the most important cultural transformation of the twentieth century. Key interviews include: •Jon Anderson (Yes) •Ian Anderson (Jethro Tull) •Rod Argent (The Zombies) •Chris Barber (Chris Barber Jazz Band) •Joe Boyd (Producer/manager) •Arthur Brown (Crazy World of Arthur Brown) •David Cousins (The Strawbs) •Dave Davies (The Kinks) •Spencer Davis (Spencer Davis Group) •Judy Dyble (Fairport Convention) •Ramblin’ Jack Elliott (Solo folk/blues artist) •Peter Frampton (Humble Pie, solo artist) •Roger Glover (Deep Purple) •Steve Howe (Yes) •Neil Innes (Bonzo Dog Band; Monty Python) •Kenney Jones (The Small Faces; The Who) •Greg Lake (King Crimson; Emerson, Lake & Palmer) •Manfred Mann (Manfred Mann) •Terry Marshall (Marshall Amplification) •Dave Mason (Traffic) •Phil May (The Pretty Things) •John Mayall (The Bluesbreakers) •Jim McCarty (The Yardbirds) •Ian McLagan (The Small Faces) •Jacqui McShee (The Pentangle) •Peter Noone (Herman’s Hermits) •Carl Palmer (Atomic Rooster; Emerson, Lake & Palmer) •Jan Roberts (Eel Pie Island Documentary Project) •Paul Rodgers (Free) •Peggy Seeger (Solo folk artist) •Hylda Sims (Club owner) •Keith Skues (DJ: Radio Caroline, Radio London, Radio One) •Jeremy Spencer (Fleetwood Mac) •John Steel (The Animals) •Al Stewart (Solo folk artist) •Dick Taylor (The Pretty Things) •Ray Thomas (The Moody Blues) •Richard Thompson (Fairport Convention) •Rick Wakeman (The Strawbs, Yes) •Barrie Wentzell (Photographer: Melody Maker)
Liverpool's Musical Landscapes by Sara Cohen,Robert Kronenburg Pdf
Liverpool has gained a national and international reputation for popular music, and was recently designated a UNESCO City of Music. This book explores the richness of Liverpool's live performance scene and tells a story of changing music sites, sounds, and experiences, highlighting music's contribution to the city's history and identity, and showing how the city's architectural and urban form has shaped its musical life and character. By touching on groups and artists involved with many diverse musical styles, authors Sara Cohen and Robert Kronenburg reveal new and fascinating information on well-known historic venues such as the Cavern Club and the Blue Angel, as well as new settings such as the Echo Arena. Featuring a glossary of artists and venues, previously unpublished photographs, illustrations, and music maps, this book investigates Liverpool's musical landscapes in unprecedented depth and detail.
Understanding Popular Music Culture by Roy Shuker Pdf
Written specifically for students, this introductory textbook explores the history and meaning of rock and popular music. Roy Shuker's study provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music and examines the difficulties and debates which surround the analysis of popular culture and popular music. This heavily revised and updated third edition includes: new case studies on the iPod, downloading, and copyright the impact of technologies, including on-line delivery and the debates over MP3 and Napster new chapters on music genres, cover songs and the album canon as well as music retail, radio and the charts case studies and lyrics of artists such as Robert Johnson, The Who, Fat Boy Slim and The Spice Girls a comprehensive discography, suggestions for further reading, listening and viewing and a directory of useful websites. With chapter related guides to further reading, listening and viewing, a glossary, and a timeline, this textbook is the ideal introduction for students.
Music in England (1884) by Frederic Louis Ritter Pdf
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Keeping the Faith by Keith Gildart,Stephen Catterall Pdf
This book examines the development of northern soul, its clubs, publications, and practices by locating it in the shifting economic and social context of the English midlands and north in the 1970s. Using fanzines, diaries, letters, and oral testimony it presents a vivid insight into the scene. It makes a major contribution to our understanding of the connections between class and music in post-war Britain.
Author : Ronald Pearsall Publisher : Newton Abbot, [Eng.] ; North Pomfret, Vt. : David & Charles Page : 216 pages File Size : 42,7 Mb Release : 1975 Category : Music ISBN : UCAL:B4328949
Ontario. Royal Commission on Violence in the Communications Industry
Author : Ontario. Royal Commission on Violence in the Communications Industry Publisher : Unknown Page : 256 pages File Size : 54,8 Mb Release : 1977 Category : Mass media ISBN : UCSD:31822011348281