Images Of War In Contemporary Art

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Images of War in Contemporary Art

Uroš Cvoro,Kit Messham-Muir
Images of War in Contemporary Art Book PDF

Author : Uroš Cvoro,Kit Messham-Muir
Publisher : Bloomsbury Publishing
Page : 297 pages
File Size : 43,6 Mb
Release : 2021-08-12
Category : Art
ISBN : 9781350227347

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Images of War in Contemporary Art by Uroš Cvoro,Kit Messham-Muir Pdf

In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).

Posthumous Images

Chad Elias
Posthumous Images Book PDF

Author : Chad Elias
Publisher : Duke University Press
Page : 264 pages
File Size : 45,8 Mb
Release : 2018-06-15
Category : Art
ISBN : 9780822371557

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Posthumous Images by Chad Elias Pdf

For almost two decades of its history (1975-90), Lebanon was besieged by sectarian fighting, foreign invasions, and complicated proxy wars. In Posthumous Images, Chad Elias analyzes a generation of contemporary artists who have sought, in different ways, to interrogate the contested memory of those years of civil strife and political upheaval. In their films, photography, architectural projects, and multimedia performances, these artists appropriate existing images to challenge divisive and violent political discourses. They also create new images that make visible individuals and communities that have been effectively silenced, rendered invisible, or denied political representation. As Elias demonstrates, these practices serve to productively unsettle the distinctions between past and present, the dead and the living, official history and popular memory. In Lebanon, the field of contemporary art is shown to be critical to remembering the past and reimagining the future in a nation haunted by a violent and unresolved war.

War Culture and the Contest of Images

Dora Apel
War Culture and the Contest of Images Book PDF

Author : Dora Apel
Publisher : Rutgers University Press
Page : 289 pages
File Size : 44,7 Mb
Release : 2012-10-19
Category : History
ISBN : 9780813553962

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War Culture and the Contest of Images by Dora Apel Pdf

War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images. Simultaneously, she explores the merging of photojournalism and artistic practices, the effects of visual framing, and the construction of both sanctioned and counter-hegemonic narratives in a global contest of images. As a result of the global visual culture in which anyone may produce as well as consume public imagery, the wide variety of visual and documentary practices present realities that would otherwise be invisible or officially off-limits. In our digital era, the prohibition and control of images has become nearly impossible to maintain. Using carefully chosen case studies—such as Krzysztof Wodiczko’s video projections and public works in response to 9/11 and the wars in Iraq and Afghanistan, the performance works of Coco Fusco and Regina Galindo, and the practices of Israeli and Palestinian artists—Apel posits that contemporary war images serve as mediating agents in social relations and as a source of protection or refuge for those robbed of formal or state-sanctioned citizenship. While never suggesting that documentary practices are objective translations of reality, Apel shows that they are powerful polemical tools both for legitimizing war and for making its devastating effects visible. In modern warfare and in the accompanying culture of war that capitalism produces as a permanent feature of modern society, she asserts that the contest of images is as critical as the war on the ground.

Images of the Army

Joan Winifred Martin Hichberger
Images of the Army Book PDF

Author : Joan Winifred Martin Hichberger
Publisher : Manchester University Press
Page : 216 pages
File Size : 54,7 Mb
Release : 1988
Category : Art
ISBN : 0719025753

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Images of the Army by Joan Winifred Martin Hichberger Pdf

In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.

Rethinking Contemporary Art and Multicultural Education

New Museum
Rethinking Contemporary Art and Multicultural Education Book PDF

Author : New Museum
Publisher : Taylor & Francis
Page : 449 pages
File Size : 51,8 Mb
Release : 2011-02-25
Category : Art
ISBN : 9781136890307

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Rethinking Contemporary Art and Multicultural Education by New Museum Pdf

For over a decade, Contemporary Art and Multicultural Education has served as the guide to multicultural art education, connecting everyday experience, social critique, and creative expression with classroom learning. The much-anticipated Rethinking Contemporary Art and Multicultural Education continues to provide an accessible and practical tool for teachers, while offering new art, essays, and content to account for transitions and changes in both the fields of art and education. A beautifully-illustrated collaboration of over one hundred artists, writers, curators, and educators from in and around the contemporary art world, this volume offers thoughtful and innovative materials that challenge the normative practices of arts education and traditional art history. Rethinking Contemporary Art and Multicultural Education builds upon the pedagogy of the original to present new possibilities and modes of understanding art, culture, and their relationships to students and ourselves. The fully revised second edition provides new theoretical and practical resources for educators and students everywhere, including: Educators' perspectives on contemporary art, multicultural education, and teaching in today’s classroom Full-color reproductions and writings on over 50 contemporary artists and their works, plus an additional 150 black-and-white images throughout Lesson plans for using art to explore topical issues such as activism and democracy, conflict: local and global, and history and historicism A companion website offering over 250 color reproductions of artwork from the book, a glossary of terms, and links to the New Museum and G: Class websites---www.routledge.com/textbooks/9780415960854.

Art from Contemporary Conflict

Sara Bevan
Art from Contemporary Conflict Book PDF

Author : Sara Bevan
Publisher : Imperial War Museums
Page : 0 pages
File Size : 46,8 Mb
Release : 2015
Category : Art
ISBN : 1904897746

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Art from Contemporary Conflict by Sara Bevan Pdf

"The Imperial War Museums (IWM) are widely recognized for its incomparable collection of twentieth-century British art, which is built around the extensive programs of war art that were created with government support during the First and Second World Wars. In the decades since, images from these artworks have become icons of British history and of the experience of war. What is less well known is that IWM has similarly striking holdings in contemporary art - and that those artworks reflect experiences of and responses to a wide range of recent and ongoing conflicts. Showcasing artwork created in response to fighting in Northern Ireland, the Falklands, Bosnia, Iraq, Afghanistan, and more, and featuring work by such prominent contemporary artists as Steve McQueen, Roderick Buchanan, and Langlands & Bell, this book reminds us that war continues to spur artists to creative reflection today"--Publisher's description.

Killing for Show

Julian Stallabrass
Killing for Show Book PDF

Author : Julian Stallabrass
Publisher : Rowman & Littlefield
Page : 353 pages
File Size : 55,7 Mb
Release : 2020-10-30
Category : Photography
ISBN : 9781538141816

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Killing for Show by Julian Stallabrass Pdf

See firsthand how war photography is used to sway public opinion. In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck which may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict—through film, photographs, and pixels—has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In this fully illustrated and passionately argued account of war imagery, Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. The relationship between war and photograph is constantly in transition, forming new perspectives, provoking new challenges: what is allowed to be seen? Does an image have the power to change political opinion? How are images used to wage war? Stallabrass shows how photographs have become a vital weapon in the modern war: as propaganda—from close-quarters fighting to the drone’s electronic vision—as well as a witness to the barbarity of events such as the My Lai massacre, the violent suppression of insurgent Fallujah or the atrocities in Abu Ghraib. Through these accounts Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Killing for Show offers: 190 photographs encompassing photojournalism, artists’ images, photographs by soldiers and amateurs and drones A comprehensive comparison of the role of photography in the Vietnam and Iraq Wars An explanation of the waning power of iconic images in collective memory An analysis of the failure of military PR and the public display of killing A focus on what can and cannot be seen, photographed and published An exploration of the power and limits of amateur photography Arguments about how violent images act on democracy This full-color book is an essential volume in the history of warfare and photography

Art and War

Laura Brandon
Art and War Book PDF

Author : Laura Brandon
Publisher : Bloomsbury Publishing
Page : 192 pages
File Size : 49,7 Mb
Release : 2012-11-25
Category : Art
ISBN : 9780857732811

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Art and War by Laura Brandon Pdf

This is a truly encyclopedic survey of artists' responses - both 'official' and personal - to 'the horrors of war'. "Art and War" reveals the sheer diversity of artists' portrayals of this most devastating aspect of the human condition - from the 'heroic' paintings of Benjamin West and John Singer Sargent to brutal and iconic works by artists from Goya to Picasso, and the equally oppositional work of Leon Golub, Nancy Spero and others who reacted with fury to the Vietnam War. Laura Brandon pays particular attention to work produced in response to World War I and World War II, as well as to more recent art and memorial work by artists as diverse as Barbara Kruger, Alfredo Jarr and Maya Lin. She looks finally to the reactions of contemporary artists such as Langlands and Bell to the US invasion in 2001 of Afghanistan and the 'War on Terror'.

The Unmaking of Home in Contemporary Art

Claudette Lauzon
The Unmaking of Home in Contemporary Art Book PDF

Author : Claudette Lauzon
Publisher : University of Toronto Press
Page : 224 pages
File Size : 45,6 Mb
Release : 2017-04-24
Category : Art
ISBN : 9781442621596

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The Unmaking of Home in Contemporary Art by Claudette Lauzon Pdf

In a world where the notion of home is more traumatizing than it is comforting, artists are using this literal and figurative space to reframe human responses to trauma. Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that ‘home’ is a stable site of belonging. Lauzon’s boundary-breaking discussion of artists including Krzysztof Wodiczko, Sanitago Sierra, Doris Salcedo, and Yto Barrada posits that contemporary art offers a unique set of responses to questions of home and belonging in an increasingly unwelcoming world. From the legacies of Colombia’s ‘dirty war’ to migrant North African workers crossing the Mediterranean, The Unmaking of Home in Contemporary Art bears witness to the suffering of others whose overriding notion of home reveals the universality of human vulnerability and the limits of empathy.

Modern Art in Cold War Beirut

Sarah Rogers
Modern Art in Cold War Beirut Book PDF

Author : Sarah Rogers
Publisher : Routledge
Page : 259 pages
File Size : 42,5 Mb
Release : 2021-06-14
Category : Art
ISBN : 9780429615313

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Modern Art in Cold War Beirut by Sarah Rogers Pdf

Modern Art in Cold War Beirut: Drawing Alliances examines the entangled histories of modern art and international politics during the decades of the 1950s and 1960s. Positing the Cold War as a globalized conflict, fraught with different political ideologies and intercultural exchanges, this study asks how these historical circumstances shaped local debates in Beirut over artistic pedagogy, the social role of the artist, the aesthetics of form, and, ultimately, the development of a national art. Drawing on a range of archival material and taking an interdisciplinary approach, Sarah Rogers argues that the genealogies of modern art can never be understood as isolated, national histories, but rather that they participate in an ever contingent global modernism. This book will be of particular interest to scholars in art history, Cold War studies, and Middle East studies.

Picturing War in France, 1792–1856

Katie Hornstein
Picturing War in France 1792 1856 Book PDF

Author : Katie Hornstein
Publisher : Yale University Press
Page : 208 pages
File Size : 50,7 Mb
Release : 2018-02-06
Category : Art
ISBN : 9780300230161

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Picturing War in France, 1792–1856 by Katie Hornstein Pdf

From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792–1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict.

(W)ARCHIVES

Daniela Agostinho,Solveig Gade,Nanna Bonde Thylstrup,Kristin Veel
W ARCHIVES Book PDF

Author : Daniela Agostinho,Solveig Gade,Nanna Bonde Thylstrup,Kristin Veel
Publisher : MIT Press
Page : 0 pages
File Size : 51,9 Mb
Release : 2021-08-03
Category : Art
ISBN : 9783956794568

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(W)ARCHIVES by Daniela Agostinho,Solveig Gade,Nanna Bonde Thylstrup,Kristin Veel Pdf

An investigation of digital archiving as an integral technology of warfare and how artists respond to these changes. Digital and data technologies are actively transforming the archives of contemporary warfare. Bringing together a range of scholarly perspectives and artistic practices, (W)ARCHIVES investigates digital archiving as an integral technology of warfare and how artists respond to these changes. Throughout the book, the (w)archive emerges as a term to grasp the extended materiality of war today, wherein digital archiving intersects with images, bodies, senses, infrastructures, environments, memories, and emotions. The essays explore how this new digital materiality of war reconfigures the archival impulses that have shaped artistic practices over the last decades, and how archives can be mobilized to articulate political demands, conjure new forms of evidence, and make palpable the experience of living with war.

The Palgrave Handbook of Artistic and Cultural Responses to War since 1914

Martin Kerby,Margaret Baguley,Janet McDonald
The Palgrave Handbook of Artistic and Cultural Responses to War since 1914 Book PDF

Author : Martin Kerby,Margaret Baguley,Janet McDonald
Publisher : Springer
Page : 586 pages
File Size : 50,8 Mb
Release : 2018-12-05
Category : History
ISBN : 9783319969862

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The Palgrave Handbook of Artistic and Cultural Responses to War since 1914 by Martin Kerby,Margaret Baguley,Janet McDonald Pdf

This handbook explores a diverse range of artistic and cultural responses to modern conflict, from Mons in the First World War to Kabul in the twenty-first century. With over thirty chapters from an international range of contributors, ranging from the UK to the US and Australia, and working across history, art, literature, and media, it offers a significant interdisciplinary contribution to the study of modern war, and our artistic and cultural responses to it. The handbook is divided into three parts. The first part explores how communities and individuals responded to loss and grief by using art and culture to assimilate the experience as an act of survival and resilience. The second part explores how conflict exerts a powerful influence on the expression and formation of both individual, group, racial, cultural and national identities and the role played by art, literature, and education in this process. The third part moves beyond the actual experience of conflict and its connection with issues of identity to explore how individuals and society have made use of art and culture to commemorate the war. In this way, it offers a unique breadth of vision and perspective, to explore how conflicts have been both represented and remembered since the early twentieth century.

Picture This

Pearl James
Picture This Book PDF

Author : Pearl James
Publisher : U of Nebraska Press
Page : 416 pages
File Size : 49,5 Mb
Release : 2009
Category : History
ISBN : 9780803226951

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Picture This by Pearl James Pdf

Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.

Conflicting Images

Stuart Allan,Tom Allbeson
Conflicting Images Book PDF

Author : Stuart Allan,Tom Allbeson
Publisher : Taylor & Francis
Page : 288 pages
File Size : 45,7 Mb
Release : 2024-05-31
Category : Language Arts & Disciplines
ISBN : 9781136473678

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Conflicting Images by Stuart Allan,Tom Allbeson Pdf

In contrast with historical examinations centring the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first century. Stuart Allan and Tom Allbeson critically explore diverse genres of war photography across a broad historical sweep, encompassing events from the Crimean War (1853–56) and the Civil War in the United States (1861–65) up to and including conflicts unfolding in Syria and Ukraine. This book reflects on the relevance of different types of warfare to visual reporting, from colonial conquest via trench warfare and aerial bombardment, to the ideological dimensions of the Cold War, and ‘embedding’ and ‘winning hearts and minds’ during the ‘War on Terror’ and its aftermath. In pinpointing illustrative examples, the authors examine changing dynamics of production, dissemination, and public engagement. Readers will come to understand how current efforts to rethink the future of war photography in a digital age can benefit from a close and careful consideration of war photography’s origins, early development, and gradual, uneven transformation over the years. Conflicting Images aims to invigorate ongoing enquires and inspire new, alternative trajectories for future research and practice. This book is recommended reading for researchers and advanced students of visual journalism and conflict reporting.