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Imagination First by Eric Liu,Scott Noppe-Brandon,Lincoln Center Institute Pdf
When imagination becomes habit, it can transform your work and your life The best corporations know that innovative thinking is the only competitive advantage that cannot be outsourced. The best schools are those that create cultures of imagination. Now in paperback, Imagination First introduces a wide-variety of individuals who make a habit of imaginative thinking and creative action, offering a set of universal practices that anyone can use to transform their life at work, home, and play. These 28.5 practices will enable anyone to become more imaginative and to teach others to do so as well?from corporate executive to educator to platoon sergeant. Bonus content includes Winning "practices" submitted by the public Guidelines for educators who want to cultivate creativity in their classrooms Expanded resource section The book is filled with illustrative stories of creative leaders, teachers, artists, and scientists that clearly illustrate the original practices and new material that shows how to bring imagination to life.
We don’t think of imagination the way that we should. The word is often only associated with children, artists and daydreamers, but in reality, imagination is an integral part of almost every action and decision that we make. Simply put, imagination is a person’s ability to create scenarios in his or her head: this can include everything from planning a grocery list, to honing a golf swing, to having religious hallucinations. And while imagination has positive connotations, it can also lead to decreased productivity and cooperation, or worse, the continuous reliving of past trauma.The human brain is remarkable in its ability to imagine—it can imagine complex possible futures, fantasy worlds, or tasty meals. We can use our imaginations to make us relaxed or anxious. We can imagine what the world might be, and construct elaborate plans. People have been fascinated with the machination of the human brain and its ability to imagine for centuries. There are books on creativity, dreams, memory, and the mind in general, but how exactly do we create those scenes in our head? With chapters ranging from hallucination and imaginary friends to how imagination can make you happier and more productive, Jim Davies' Imagination will help us explore the full potential of our own mind.
The Democratic Imagination by James Irvine Cairns,Alan Sears Pdf
The Democratic Imagination examines different conceptions of democracy, exploring tensions that emerge in key moments and debates in the history of democracy, from Ancient Greece to the French Revolution to contemporary Egypt.
A TIME Magazine Top 10 Nonfiction Book of 2012 A New Yorker Best Book of the Year Los Angeles Magazine's #1 Music Book of the Year This revelatory book of music history examines what is perhaps the best known and most-popular symphony ever written—and its famous four-note opening. Reaching back before Beethoven’s time, Matthew Guerrieri uncovers premonitions of the opening notes in the rhythms of ancient Greek poetry and the music of the French Revolution. He discusses the Fifth’s impact when it premiered, tracing the artistic, philosophical, and political reverberations across Europe to China, Russia, and the United States, from Romanticism to ring tones, from propaganda to pop. This fascinating piece of musical detective work is a treat for music lovers of every stripe.
Fiction and Imagination in Early Cinema by Mario Slugan Pdf
When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.
A Study of IMAGINATION IN EARLY CHILDHOOD by Griffiths, Ruth Pdf
This is Volume IX of thirty-two on a series on Developmental Psychology. First published in 1935, this study looks at the development of imagination in children. Which uses a method in which observation of the free behaviour of children plays the principal role, but in which experimental technique is represented by a somewhat rigorous control of conditions, by a discreet use of question and answer, and by an emphasis on the necessity for accurate and full report, while psychoanalysis, at the same time, contributes a depth of insight, a realization of the importance of affective factors, and an alertness for the significance of detail.
The Cartographic Imagination in Early Modern England by D K Smith Pdf
Working from a cultural studies perspective, author D. K. Smith here examines a broad range of medieval and Renaissance maps and literary texts to explore the effects of geography on Tudor-Stuart cultural perceptions. He argues that the literary representation of cartographically-related material from the late fifteenth to the early seventeenth century demonstrates a new strain, not just of geographical understanding, but of cartographic manipulation, which he terms, "the cartographic imagination." Rather than considering the effects of maps themselves on early modern epistemologies, Smith considers the effects of the activity of mapping-the new techniques, the new expectations of accuracy and precision which developed in the sixteenth century-on the ways people thought and wrote. Looking at works by Spenser, Marlowe, Raleigh, and Marvell among other authors, he analyzes how the growing ability to represent physical space accurately brought with it not just a wealth of new maps, but a new array of rhetorical techniques, metaphors, and associations which allowed the manipulation of texts and ideas in ways never before possible.
Monsters and Borders in the Early Modern Imagination by Jana Byars,Hans Peter Broedel Pdf
This edited collection explores the axis where monstrosity and borderlands meet to reflect the tensions, apprehensions, and excitement over the radical changes of the early modern era. The book investigates the monstrous as it acts in liminal spaces in the Renaissance and the era of Enlightenment. Zones of interaction include chronological change – from the early New World encounters through the seventeenth century – and cultural and scientific changes, in the margins between national boundaries, and also cultural and intellectual boundaries.
Rethinking Imagination by Gillian Robinson,John F. Rundell Pdf
Pulling together a collection of richly informative essays Rethinking Imagination addresses competing sets of ideas, oscillating between the modern and post-modern, creativity and sublimity, progress and apocalypse, democracy and redemption Enlightenment and Romanticism and reason and imagination. Aiming to thematise these debates from the perspective of the imagination, Rethinking Imagination takes two directions. The first addresses a socio-cultural interpretation in which the distinguishing figures of modernity can be viewed as continuing differentiation and autonomatization of spheres and systems that goes well beyond the divisions of labour. The second is an ongoing philosophical discourse about the imagination and its relation to reason which has been present since Enlightenment. Divided into two separate yet interconnected parts, this book is a highly significant collection of essays and a valuable contribution to the field of philosophical and socio-cultural sociology. It is a key book for undergraduate, postgraduate and academic researchers.
Space Opera with elements of Epic Fantasy, following both heroes and villains in a universe where the line between magic and technology has been blurred. This is an epic adventure, filled with action, humor, romance, friendship, and characters that are thrown into impossible situations where they are forced to become something they never thought they could. The planet Entori In the Free Kingdoms on the planet Entori, the royals are desperate to defend themselves and their kingdoms against the aggressive Taran Empire. A full attack from The Tarans would leave The Free Kingdoms chanceless, unless they can find the legendary city of Anzoria, which is said to contain a weapon of immense power. Milky Way galaxy In the milky way galaxy, the ruthless corporation Aterion Industries and their plans for domination are only held back by the Intergalactic Trade Council. The council was formed as an alliance between multiple governments and authorities to keep companies like Aterion Industries from gaining too much power, and they have succeeded at keeping them in check for some time. But when a previously unknown alien race starts attacking the human worlds; Aterion might be the only ones with a military power strong enough to counter the alien threat. The Source of Power trilogy is a fast paced space opera where heroes and villains are given equal attention. It is an epic adventure in a universe where the line between magic and technology has been blurred. Links Homepage: https://sourceofpower.myportfolio.com/Facebook link: https://www.facebook.com/sopseries/ Characters Source of Power follows two major storylines, split into the point of view of the main characters whose fates are bound together by an ancient mysterious half magical, half technological power source. Vincent: When Vincent sees an object streak across the sky and crash in the nearby forest, he has no idea that a strange and epic adventure awaits him in another world. The planet; Entori was once home to a powerful race; the Hizena. No one knows what happened to them, but they left behind weapons and artefacts all over the planet from their time there. These artefacts are all powered by crystals of immense power. Vincent ends up in the Free Kingdoms, who are under constant threat from the more powerful Taran Empire to the north. Here he meets Eria; a young SOURCE mechanic and together they set out to search for the ancient city of the Hizena; Anzoria, in the hopes of finding a weapon powerful enough to protect themselves against the Taran aggression. Malkreth: Malkreth sets out together with the captain and the crew on a delivery spaceship to secretly transport Queen Anexia of Daruna to Earth for a meeting to save her planet from Aterion Industries who wishes to experiment on her people and steal their powers. While on the way to Earth; he starts to develop amazing powers and tries to understand them, all while he also develops feelings for the queen. Revica Aterion: Daughter of Kerian Aterion; CEO of Aterion Industries, which is the largest and most powerful company in the known universe. Niana: Priestess in the order of the balance: An order which has sworn to guard the world from an Ancient god, while using his powers to stop anyone from releasing him. Themos Lighthammer: A general in the Free Kingdoms army, forced to set out on a mission he does not believe in. Due to graphic violence and adult situations, the Source of Power trilogy is aimed at mature teenagers and up.
Explorations in Art, Theology and Imagination by Michael Ridgwell Austin Pdf
Christianity has repeatedly valued the "Word" over and above the non-verbal arts. Art has been seen through the interpretative lens of theology, rather than being valued for what it can bring to the discipline. 'Explorations in Art, Theology and Imagination' argues that art is crucially important to theology. The book explores the interconnecting themes of embodiment and incarnation, faith and imagination, and the similarities and differences between art and theology. Arguing for a critique that begins with art and moves to theology, 'Explorations in Art, Theology and Imagination' offers a radical re-evaluation of the role of art in Christian discourse.
The Sociology Project 2.5 by NYU Sociology Dept,Jeff Manza,Richard Arum,Lynne Haney Pdf
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. For courses in Introductory Sociology Inspire each student’s sociological imagination Authored collaboratively by members of the NYU Sociology Department, The Sociology Project 2.5 draws on the collective wisdom of expert faculty to reveal how individuals are shaped by the contexts in which they live and act. Organized around the big questions in every subfield of the discipline, The Sociology Project 2.5 shows how sociologists analyze our world and sets students off on their own journeys of sociological inquiry. At its core, The Sociology Project 2.5 seeks to inspire each student’s sociological imagination and instill in each reader a new determination to question the world around us.
Handbook of Imagination and Culture by Tania Zittoun,Vlad Gl&aveanu Pdf
Imagination allows individuals and groups to think beyond the here-and-now, to envisage alternatives, to create parallel worlds, and to mentally travel through time. Imagination is both extremely personal (for example, people imagine unique futures for themselves) and deeply social, as our imagination is fed with media and other shared representations. As a result, imagination occupies a central position within the life of mind and society. Expanding the boundaries of disciplinary approaches, the Handbook of Imagination and Culture expertly illustrates this core role of imagination in the development of children, adolescents, adults, and older persons today. Bringing together leading scholars in sociocultural psychology and neighboring disciplines from around the world, this edited volume guides readers towards a much deeper understanding of the conditions of imagining, its resources, its constraints, and the consequences it has on different groups of people in different domains of society. Summarily, this Handbook places imagination at the center, and offers readers new ways to examine old questions regarding the possibility of change, development, and innovation in modern society.