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"Using examples from architecture, film, literature, and the visual arts, this wide-ranging book examines the place and significance of New York City in the urban imaginary between 1890 and 1940. In particular, Imagining New York City considers how and why certain city spaces--such as the skyline, the sidewalk, the slum, and the subway--have come to emblematize key aspects of the modern urban condition. In so doing, the book also considers the ways in which cultural developments in the late nineteenth and early twentieth centuries set the stage for more recent responses to a variety of urban challenges facing the city, such as post-disaster recovery, the renewal of urban infrastructure, and the remaking of public space"--
Imagining Cities by Sallie Westwood,John Williams Pdf
The city has always been a locus of research and discussion within the debates of modernity and, more recently, postmodernity. This volume brings together some of the most recent and exciting work on the city from within sociology and cultural studies. The book is organised around the following major themes: the theoretical imagination; ethnic diversity and the politics of difference; memory and nostalgia; and the complex and complimentary narrative of the city ways.While these representations bring the past and the present together, the final section of the book elaborates the present and future in relation to the idea of the virtual city. Hence, the world of cyberspace not only recasts our imaginaries of space and communication, but has a profound effect on the sociological imagination itself.
Author : Joseph A. Conforti Publisher : Univ of North Carolina Press Page : 400 pages File Size : 48,5 Mb Release : 2003-01-14 Category : History ISBN : 9780807875063
Say "New England" and you likely conjure up an image in the mind of your listener: the snowy woods or stone wall of a Robert Frost poem, perhaps, or that quintessential icon of the region--the idyllic white village. Such images remind us that, as Joseph Conforti notes, a region is not just a territory on the ground. It is also a place in the imagination. This ambitious work investigates New England as a cultural invention, tracing the region's changing identity across more than three centuries. Incorporating insights from history, literature, art, material culture, and geography, it shows how succeeding generations of New Englanders created and broadcast a powerful collective identity for their region through narratives about its past. Whether these stories were told in the writings of Frost or Harriet Beecher Stowe, enacted in historical pageants or at colonial revival museums, or conveyed in the pages of a geography textbook or Yankee magazine, New Englanders used them to sustain their identity, revising them as needed to respond to the shifting regional landscape.
Sure to put youngsters in a New York state of mind, this book of more than 100 doodles introduces them to the city that never sleeps through local and unique illustrations and activities, from the classic (coloring the lights on top of the Empire State Building) and the fun (creating a subway car) to the just plain wacky (doodling a giant cockroach). The book's convenient size makes it a perfect souvenir for tiny-tot tourists and little locals alike, and the projects require no previous drawing skills—just imagination. In addition to five doodle challenges, the book also incorporates QR codes to offer readers free doodles online.
The destruction of the World Trade Center complex on 9/11 set in motion a chain of events that fundamentally transformed both the United States and the wider world. War has raged in the Middle East for a decade and a half, and Americans have become accustomed to surveillance, enhanced security, and periodic terrorist attacks. But the symbolic locus of the post-9/11 world has always been "Ground Zero"--the sixteen acres in Manhattan's financial district where the twin towers collapsed. While idealism dominated in the initial rebuilding phase, interest-group trench warfare soon ensued. Myriad battles involving all of the interests with a stake in that space-real estate interests, victims' families, politicians, the Port Authority of New York and New Jersey, the federal government, community groups, architectural firms, and a panoply of ambitious entrepreneurs grasping for pieces of the pie-raged for over a decade, and nearly fifteen years later there are still loose ends that need resolution. In Power at Ground Zero, Lynne Sagalyn offers the definitive account of one of the greatest reconstruction projects in modern world history. Sagalyn is America's most eminent scholar of major urban reconstruction projects, and this is the culmination of over a decade of research. Both epic in scope and granular in detail, this is at base a classic New York story. Sagalyn has an extraordinary command over all of the actors and moving parts involved in the drama: the long parade of New York and New Jersey governors involved in the project, Mayor Michael Bloomberg, various Port Authority leaders, the ubiquitous real estate magnate Larry Silverstein, and architectural superstars like Santiago Calatrava and Daniel Libeskind. As she shows, political competition at the local, state, regional, and federal level along with vast sums of money drove every aspect of the planning process. But the reconstruction project was always about more than complex real estate deals and jockeying among local politicians. The symbolism of the reconstruction extended far beyond New York and was freighted with the twin tasks of symbolizing American resilience and projecting American power. As a result, every aspect was contested. As Sagalyn points out, while modern city building is often dismissed as cold-hearted and detached from meaning, the opposite was true at Ground Zero. Virtually every action was infused with symbolic significance and needed to be debated. The emotional dimension of 9/11 made this large-scale rebuilding effort unique; it supercharged the complexity of the rebuilding process with both sanctity and a truly unique politics. Covering all of this and more, Power at Ground Zero is sure to stand as the most important book ever written on the aftermath of arguably the most significant isolated event in the post-Cold War era.
Author : Katherine Smith Publisher : University of California Press Page : 347 pages File Size : 40,9 Mb Release : 2021-03-02 Category : Art ISBN : 9780520305489
The Accidental Possibilities of the City by Katherine Smith Pdf
Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.
For more than a century, Times Square has mesmerized the world with the spectacle of its dazzling supersigns, its theaters, and its often-seedy nightlife. New York City’s iconic crossroads has drawn crowds of revelers, thrill-seekers, and other urban denizens, not to mention lavish outpourings of advertising and development money. Many have hotly debated the recent transformation of this legendary intersection, with voices typically falling into two opposing camps. Some applaud a blighted red-light district becoming a big-budget, mainstream destination. Others lament an urban zone of lawless possibility being replaced by a Disneyfied, theme-park version of New York. In Money Jungle, Benjamin Chesluk shows that what is really at stake in Times Square are fundamental questions about city life—questions of power, pleasure, and what it means to be a citizen in contemporary urban space. Chesluk weaves together surprising stories of everyday life in and around the Times Square redevelopment, tracing the connections between people from every level of this grand project in social and spatial engineering: the developers, architects, and designers responsible for reshaping the urban public spaces of Times Square and Forty-second Street; the experimental Midtown Community Court and its Times Square Ink. job-training program for misdemeanor criminals; encounters between NYPD officers and residents of Hell’s Kitchen; and angry confrontations between city planners and neighborhood activists over the future of the area. With an eye for offbeat, telling details and a perspective that is at once sympathetic and critical, Chesluk documents how the redevelopment has tried, sometimes successfully and sometimes not, to reshape the people and places of Times Square. The result is a colorful and engaging portrait, illustrated by stunning photographs by long-time local photographer Maggie Hopp, of the street life, politics, economics, and cultural forces that mold America’s urban centers.
Author : Anonim Publisher : The Museum of Modern Art Page : 114 pages File Size : 55,9 Mb Release : 2024-06-30 Category : Electronic ISBN : 9780870708695
Imagining Modernity in the Andes by Priscilla Archibald Pdf
Imagining Modernity in the Andes is an interdisciplinary work that deals with the intersection of projects of modernity with constructions of race and ethnicity in the Andes. This book focuses initially on Indigenismo, attempting to recuperate the intellectual energy of writers and artists from the twenties who rewrote political and cultural discourse in an irreversible manner, and concludes with a consideration of the new configurations of indigeneity that are emerging today not only in the Andes but across the globe. The multidisciplinary work of José Marìa Arguedas occupies a privileged place in this study and his anthropological work is analyzed in the context of an ideological climate. In addition to considering sociological and anthropological accounts, Archibald examines representations of urbanization and social informality by four Peruvian novelists, pointing to the prevalence of the troupe of the grotesque as a metaphor for the unmanageability associated with cities of the South. Finally, Imagining Modernity in the Andes analyzes the implications of the emergence of new visual media in a culture context long defined by the oral-textual divide, and considers the continued relevance of the concept of transculturation in a transnational and post-literary context.
New York Times bestselling author Kim Stanley Robinson returns with a bold and brilliant vision of New York City in the next century. As the sea levels rose, every street became a canal. Every skyscraper an island. For the residents of one apartment building in Madison Square, however, New York in the year 2140 is far from a drowned city. There is the market trader, who finds opportunities where others find trouble. There is the detective, whose work will never disappear -- along with the lawyers, of course. There is the internet star, beloved by millions for her airship adventures, and the building's manager, quietly respected for his attention to detail. Then there are two boys who don't live there, but have no other home -- and who are more important to its future than anyone might imagine. Lastly there are the coders, temporary residents on the roof, whose disappearance triggers a sequence of events that threatens the existence of all -- and even the long-hidden foundations on which the city rests.
You are invited into a stunning and dreamlike voyage into the imagination—ideal for fans of Chris Van Allsburg and the Caldecott Honor Book Journey by Aaron Becker. Imagine a world without edges . . . where bunnies and bears ride bicycles, lions read books, and buses are fish that fly through the clouds. In the city of imagination, anything is possible, and an outing with their mother brings a world of adventure to two lucky children. With simple, evocative, rhyming text and page after page of unusual and mystical details to explore, this is a story that encourages readers to open their minds and dream of magical places filled with the unexpected. Enter a world of the past, present, and future, where wonders exist that we never thought possible. . . . "Who could resist hanging out with gargoyles while sipping tea?"—Kirkus "Hurst’s sweeping pen-and-ink illustrations suggest a combination of midtown Manhattan and Hogwarts. . . . [Her] engrossing mashups of the urban and the fantastical present no shortage of fuel for readers’ own imaginations."—Publishers Weekly "Imagination reigns in this flight of fantasy . . . Rabbits read newspapers, fish fly, and trees grow out of pictures. Readers will have tea with gargoyles and float on lily pad rafts, see books and umbrellas float by, walk among lions and bears, or ride on a fish bus with a bear conductor."—Booklist
Being a better person can be a lot harder than it looks. It’s 1988, and former bully Astrid is forced to move from Queens to the small town of Elsewhere. Although this town is totally weird, Astrid sees the move as a way to reinvent herself. That is, until Candi—the teenage tyrant with supernatural powers who rules Elsewhere—decides she wants Astrid to be her new bestie. Having to choose between the perks and safety of being the Queen B’s best friend and the desire to be a better person could literally cost Astrid her life. As Astrid and her new friends begin to dig into the dark history of Elsewhere and the source of Candi’s powers, they form a dangerous plan to resist Candi’s compulsion and to escape Elsewhere, or else be doomed to live under Candi’s rule forever.
