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The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.
The Rolling Stones in Concert, 1962-1982 by Ian M. Rusten Pdf
This day-by-day chronicle of every live concert by the Rolling Stones from 1962 through 1982 traces their development from a band playing small clubs around London to the global phenomenon we know today. Comprehensive coverage of the shows includes set lists, venues, concert reviews, anecdotes and notable events in the lives of the band members. A list of the Stones’ radio recordings—some of which were performed before live audiences—and television performances is included, along with never-before-published posters, programs, tickets, handbills and photographs.
Since Ellie saved her home with her wonderful paintings, the zoo is back in business and the animals are more energetic than ever. All except for Lucy the giraffe, who hasn't been able to sleep with all the noise. Determined to help her friend, Ellie tries to tone down the ruckus and organizes the animals into an orchestra. But is it possible to conduct the cacophony of the zoo into beautiful music? Praise for Ellie "[Wu's] visual storytelling, rendered in sweet, throwback-style watercolors, shows creativity and poise. . . .
Author : Jennifer Mitzen Publisher : University of Chicago Press Page : 275 pages File Size : 47,7 Mb Release : 2013-09-10 Category : Political Science ISBN : 9780226060255
How states cooperate in the absence of a sovereign power is a perennial question in international relations. With Power in Concert, Jennifer Mitzen argues that global governance is more than just the cooperation of states under anarchy: it is the formation and maintenance of collective intentions, or joint commitments among states to address problems together. The key mechanism through which these intentions are sustained is face-to-face diplomacy, which keeps states’ obligations to one another salient and helps them solve problems on a day-to-day basis. Mitzen argues that the origins of this practice lie in the Concert of Europe, an informal agreement among five European states in the wake of the Napoleonic wars to reduce the possibility of recurrence, which first institutionalized the practice of jointly managing the balance of power. Through the Concert’s many successes, she shows that the words and actions of state leaders in public forums contributed to collective self-restraint and a commitment to problem solving—and at a time when communication was considerably more difficult than it is today. Despite the Concert’s eventual breakdown, the practice it introduced—of face to face diplomacy as a mode of joint problem solving—survived and is the basis of global governance today.
Elvis Presley Concerts and Rehearsals from 1944 to 1977 by Marco Durzu Pdf
This book is dedicated to and wants to honor the MUSIC of ELVIS PRESLEY. This book contains information relating to Elvis Presley’s concert activity currently known and publicly known, from 1944 to 1977, reporting the shows and rehearsals of the shows, with detailed information on the audio recordings of the same, in particular original CDs and bootlegs. Furthermore, the shows that were canceled during Elvis Presley’s lifetime were also indicated. - 1902 Shows and Rehearsals of which 1867 performed and 35 canceled from 1944 to 1977 (98,16 %) !!! - 818 Shows recorded of 1867 Shows and Rehearsals performed from 1944 to 1977 (43,81 %) !!! I chose to report the shows in chronological order, year by year, from 1944 to 1977, following a progressive numbering also for the tours. I have added: a chapter dedicated to interviews, films and television appearances, that Elvis Presley made from 1956 to 1977, containing detailed information on the audio and video recordings of the same: - 135 Interviews (1954 - 1977) !!! - 31 Films (1956 - 1969) - 2 Films during 1970 and 1972 Shows !!! - 17 TV Shows (1956 - 1977) !!! a chapter dedicated to the complete Elvis Presley U.S.A. Discography - Albums (1956 / 2024): - 268 Extended-Plays / Studio-Albums / Soundtrack-Albums / Live-Albums / Spoken-Word-Albums / Compilation-Albums / Budget-Albums / Box-Set-Albums / Posthumous-Compilation-Albums / Remix-Albums !!! a chapter dedicated to the complete Elvis Presley U.S.A. Discography - Singles (1954 / 1979): - 204 Singles a chapter dedicated to the complete Elvis Presley F.T.D. Discography (2009 / 2024): - 214 titles !!! a chapter dedicated to the complete Elvis Presley Recording Sessions (1953 / 1982) !!! from 1944 to 1977, I started reporting the shows and rehearsals of the shows, with detailed information on the VIDEO recordings of the same, in particular 8 mm and VHS Films, VCDs, DVDs and Blu-Rays. At the end of the book there are: statistical tables relating to all the information reported in it; a Guide to listening to ANALOG/DIGITAL MUSIC, which illustrates the fundamental theoretical concepts for listening to it, the digital formats used (WAVE, FLAC, DSD, DXD) in their most updated forms in order to listen to the music with the highest possible quality; a Guide to viewing DIGITAL VIDEO, which illustrates the theoretical foundations for viewing digital videos, the digital television formats used (HDTV, 4K, 8K), the types of interfaces and cables used (Serial Digital Interface, Firewire, HDMI, Digital Visual Interface, DisplayPort), the coding methods of data on cassettes and optical discs respectively, in their most updated forms in order to view digital videos with the highest possible quality. In the end I want to thank, with my heart and soul, Elvis Presley, for the unique talent he was able to express through his music, which gives me and many other people and will always give pure joy and happiness. Enjoy reading !!! Updated - Edition 1.10 !!!
The zoo is closing! Ellie and her friends want to save their home, but Ellie's just a baby elephant, and she doesn't know what she can do to help. While the other animals are busy working, Ellie finds a brush and some paints, and gives the zoo a big splash of color! Will her bright new talent be enough to keep the zoo's gates open for good? Follow along with word-for-word narration to find out!
Rock Concert Performance from ABBA to ZZ Top by Peter Smith,Laura Smith Pdf
This book presents an analysis of 100 rock concert performances and answers the question "What makes a truly great rock performance?" Peter Smith delves into his own recollections of experiencing rock performances and covers themes of icons, persona, energy, fandom, venues, communities, politics, art-rock, authenticity, and maturity.
In Concert Performance has earned Nikolai Dezhnev praise and international success that is unrivaled by any other contemporary Russian writer. A bestseller in Russia, it brings us, with wit and insight, into Russia's distressful past and perhaps equally distressful present, while telling a brilliant love story that surpasses time and space. Lukary is a fallen angel sent back to earth to atone for his past. In the form of a domovoi, a good domestic spirit of Russian folklore, he is sent to inhabit the apartment of an old Bolshevik woman, who dies almost immediately. At the old woman's funeral, in the disguise of a dashing middle-aged gentleman, he encounters her niece, Anna, and falls madly in love with her, interrupting the successful course of his penance. Forced to choose between his journey to higher lucidity and earthly love, he chooses the latter. Fortunately for Lukary, Anna and her husband--a conceited, no-nonsense Russian physicist--move into the deceased aunt's former home, where Lukary proceeds to wreak supernatural havoc upon their daily lives in his effort to simultaneously woo Anna and badger her into ending her marriage. Unfortunately for Lukary, a demon sent to watch over him on earth has begun to conspire against him with Anna's husband. And soon the havoc spreads far beyond the confines of a simple Moscow apartment. In Concert Performance travels from contemporary Moscow to the times of the Spanish Inquisition and back again, hitting more than a few points in between. It is a fantastic tale, a truly unique novel that is part romantic fantasy, part meditation on love and time, and part historical satire, echoing the mixture of genres and stylistic sophistication of its only worthy comparison, Mikhail Bulgakov's masterpiece The Master and Margarita.
Classical Concert Studies: A Companion to Contemporary Research and Performance is a landmark publication that maps out a new interdisciplinary field of Concert Studies, offering fresh ways of understanding the classical music concert in the twenty-first century. It brings together essays, research articles, and case studies from scholars and music professionals including musicians, music managers, and concert designers. Gathering both historical and contemporary cases, the contributors draw on approaches from sociology, ethnology, musicology, cultural studies, and other disciplines to create a rich portrait of the classical concert’s past, present, and future. Based on two earlier volumes published in German under the title Das Konzert (The Concert), and with a selection of new chapters written for the English edition, this companion enables students, researchers, and practitioners in the classical and contemporary music fields to understand this emerging field of research, go beyond traditional disciplinary boundaries and methodologies, and spark a renaissance for the classical concert.
Concert Life in Eighteenth-Century Britain by Susan Wollenberg Pdf
In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.
Concert Life in Puerto Rico, 1957-1992 by Donald Thompson,Francis Schwartz Pdf
Selection of articles and reviews of classical music performances. The work documents this aspect of Puerto Rican cultural and musical history within the indicated timeframe.
Finding Grace in the Concert Hall by Linda K. Randall Pdf
Bruce Springsteens music and performances have provided an emotional outlet for thousands of fans all over the world. Drawing from participant observation, the statements of Springsteen fans, and the life and music of Springsteen, Randalls ethnographic treatment documents the ways in which fans are inspired to create a global cultural community. This community functions as a social network, offering emotional support, spirituality, and the motivation for doing good works. Randall discovers that the sensitivities and values Springsteen instills in his fans are as alive and valid as those experienced by adherents of widely recognized spiritual traditions. Her in-depth examination of the thoughts and actions of these fans reveals that embracing nontraditional spiritual values can engender multifaceted feelings, including trust, hope, and respect for humankind. By acknowledging that a personal spiritual connection can develop outside a sectarian landscape, an appreciation of and tolerance for different belief systems can be cultivated and nourished.