In The Footsteps Of Mr Kurtz Living On The Brink Of Disaster In The Congo Text Only
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In the Footsteps of Mr Kurtz: Living on the Brink of Disaster in the Congo (Text Only) by Michela Wrong Pdf
A story of grim comedy amid the apocalypse and a celebration of the sheer indestructibility of the human spirit in a nation run riot: Michela Wrong’s vision of Congo/Zaire during the Mobutu years is incisive, ironic and revelatory.
I Didn’t Do It For You: How the World Used and Abused a Small African Nation (Text Only) by Michela Wrong Pdf
One small East African country embodies the battered history of the continent: patronised by colonialists, riven by civil war, confused by Cold War manoeuvring, proud, colorful, with Africa's best espresso and worst rail service. Michela Wrong brilliantly reveals the contradictions and comedy, past and present, of Eritrea.
Conrad and Nature by Lissa Schneider-Rebozo,Jeffrey Mathes McCarthy,John G. Peters Pdf
Conrad and Nature is the first collection of critical essays examining nature and the environment in Joseph Conrad’s writings. Together, these essays by established and emerging scholars reveal both the crucial importance of nature in Conrad’s work, and the vital, ongoing relevance of Conrad’s treatment of the environment in our era of globalization and climate change. No richer subject matter for an environmentally-engaged criticism can be found than the Conradian contexts and themes under investigation in this volume: island cultures, colonial occupations, storms at sea, mining and extraction, inconstant weather, ecological collapse, and human communities competing for resources. The 17 essays collected here —13 new essays, and 4 excerpts from classic works of Conradian scholarship -- consolidate some of the most important voices and perspectives on Conrad’s relation to the natural world, and open new avenues for Conradian and environmental scholarship in the 21st century.
Manifestations of Masculine Magnificence by Teresa N. Washington Pdf
Manifestations of Masculine Magnificence: Divinity in Africana Life, Lyrics, and Literature is a remarkable study and the first of its kind. Teresa N. Washington eschews popular culture’s pimp myths and thug sagas and traces the Africana man’s power, creativity, and consciousness to his inherent divinity. Manifestations of Masculine Magnificence takes the reader to the source of power with an analysis of African Divinities and divine technologies. Washington explores the permanence and proliferation of African Gods from oppressive plantations to the empowering proclamations of such leaders as W. D. Fard, Marcus Garvey, Father Divine, and Allah, the Father. Washington analyzes the summonses to and from the Gods that resonate in the music of such artists as Erykah Badu, The RZA, Sun Ra, X Clan, and Rakim. Using literary analysis as a prism to display the diversity of Africana divinity, Washington reveals the literature of such writers as August Wilson, Walter Mosley, Toni Morrison, Ngugi wa Thiong’o, and Ishmael Reed to be three-way mirrors that eternally reflect and project the Gods, their myriad powers, and their weighty responsibilities. Manifestations of Masculine Magnificence will prove indispensable to independent scholars as well as scholars of Comparative Literature, Hip Hop Studies, Gender Studies, Africana Studies, Literary Criticism, and Religious Studies.
Dancing in the Glory of Monsters by Jason Stearns Pdf
A "tremendous," "intrepid" history of the devastating war in the heart of Africa's Congo, with first-hand accounts of the continent's worst conflict in modern times. At the heart of Africa is the Congo, a country the size of Western Europe, bordering nine other nations, that since 1996 has been wracked by a brutal war in which millions have died. In Dancing in the Glory of Monsters, renowned political activist and researcher Jason K. Stearns has written a compelling and deeply-reported narrative of how Congo became a failed state that collapsed into a war of retaliatory massacres. Stearns brilliantly describes the key perpetrators, many of whom he met personally, and highlights the nature of the political system that brought these people to power, as well as the moral decisions with which the war confronted them. Now updated with a new introduction, Dancing in the Glory of Monsters tells the full story of Africa's Great War.
The Catastrophist is a brilliant, highly acclaimed novel of love, passion, violence, and desire, set in the Belgian Congo in 1959. While expatriates loll about their pools in a colonial paradise soon to erupt into chaos, huge crowds are drawn to the charismatic Congolese independence leader Patrice Lumumba -- and his even more dangerous rivals. One man sees the cracks appearing around him and struggles to hold on to his lover, his sanity, and ultimately, his life. Gillespie, the outsider, a journalist, is in Léopoldville for the beautiful Italian, Inés. He is desperate for her love, while she is obsessed with the unfolding drama, caught up in history, ideology, hero worship. In a world slipping out of control, gripped by disgust, fear, and incomprehension, Gillespie feels that events threaten to overwhelm him -- as does his friendship with the amiable but sinister American, Stipe; his relationship with his canny native driver, Auguste; and, above all, his love for Inès. It is Inès who defines Gillespie as a catastrofista, an Italian word for somebody for whom "no problem is small. Nothing can be fixed; it is always the end," for Gillespie is deeply pessimistic and skeptical about their relationship as well as politics, while Inès believes in engagement and commitment, whatever the risks -- which, as it turns out, are greater than either of them can foresee. As colonial corruption and injustice give way to turmoil, brutality, and murder, Gillespie is finally forced to confront what is happening before his eyes. In subtle, haunting prose, Ronan Bennett captures the complex connection between the personal and the political, between cruelty and lust, between eroticism and love, between courage and fear, between detachment and involvement. The Catastrophist is a bold, courageous novel, at once a searing love story and a terrifying political thriller, in the tradition of such books as Graham Greene's The Comedians or such postcolonial classics as The Year of Living Dangerously -- an erotic Heart of Darkness for the twentieth century.
A powerful investigation into a grisly political murder and the authoritarian regime behind it: Do Not Disturb upends the narrative that Rwanda sold the world after one of the deadliest genocides of the twentieth century. We think we know the story of Africa’s Great Lakes region. Following the Rwandan genocide, an idealistic group of young rebels overthrew the brutal regime in Kigali, ushering in an era of peace and stability that made Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. But the truth was considerably more sinister. Vividly sourcing her story with direct testimony from key participants, Wrong uses the story of the murder of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s assassination.
The famous Benin Bronzes are among the most prized possessions of the British Museum. Celebrated for their great beauty, they embody the history, myth and artistry of the ancient Kingdom of Benin, once the most powerful in West Africa and now part of Nigeria. But despite their renown, little has been written about the brutal act of imperial violence through which the Bronzes were plundered. This incisive new history tells that neglected story: the 1897 British invasion of Benin. Diving into the archives, Blood and Bronze sets the assault on Benin in its late Victorian context. As Britain faced new commercial and strategic pressures on its power elsewhere, it ruthlessly expanded its rule in West Africa. Revealing both the extent of African resistance and previously concealed British outrages, this is a definitive account of the conquest and destruction of Benin. By laying bare the Empire's true motives and its violent means, Paddy Docherty demolishes any moral claim for Britain retaining the Bronzes, and makes a passionate case for their immediate repatriation to Nigeria.
John le Carré’s Post–Cold War Fiction by Robert Lance Snyder Pdf
This is an analysis of the first 10 post—Cold Warnovels of one of the most significant ethicists in contemporary fiction. This book challenges distinctions between “popular” and “serious” literature by recognizing le Carré as one of the most significant ethicists in contemporary fiction, contributing to an overdue reassessment of his literary stature. Le Carré’s ten post–Cold War novels constitute a distinctive subset of his espionage fiction in their response to the momentous changes in geopolitics that began in the 1990s. Through a close reading of these novels, Snyder traces how—amid the “War on Terror” and transnationalism—le Carré weighes what is at stake in this conflict of deeply invested ideologies.
The debut novel by a British writer with nearly two decades of African experience - a compelling courtroom drama and a gritty, aromatic evocation of place, inspired by recent events. British lawyer Paula Shackleton is mourning a lost love when a small man in a lemon-coloured suit accosts her over breakfast in a Boston hotel. Winston Peabody represents the African state of North Darrar, embroiled in a border arbitration case with its giant neighbour. He needs help with the hearings in The Hague, Paula needs to forget the past. She flies to the state's capital determined to lose herself in work, but soon discovers that even jobs taken with the purest intentions can involve moral compromise. Taking testimony in scorching refugee camps, delving into the colonial past, she becomes increasingly uneasy about her role. Budding friendships with a scarred former rebel and an idealistic young doctor whittle away at her pose of sardonic indifference, until Paula finds herself taking a step no decent lawyer should ever contemplate. Michela Wrong has been writing about Africa for two decades. In this taut legal thriller, rich with the Horn of Africa's colours and aromas, she probes the motives underlying Western engagement with the continent, questioning the value of universal justice and exploring how history itself is forged. Above all her first novel is the story of a young woman's anguished quest for redemption.
After years of frustration at the stifling atmosphere of political correctness surrounding discussions of Africa, long time World Bank official Robert Calderisi speaks out. He boldly reveals how most of Africa's misfortunes are self-imposed, and why the world must now deal differently with the continent. Here we learn that Africa has steadily lost markets by its own mismanagement, that even capitalist countries are anti-business, that African family values and fatalism are more destructive than tribalism, and that African leaders prey intentionally on Western guilt. Calderisi exposes the shortcomings of foreign aid and debt relief, and proposes his own radical solutions. Drawing on thirty years of first hand experience, The Trouble with Africa highlights issues which have been ignored by Africa's leaders but have worried ordinary Africans, diplomats, academics, business leaders, aid workers, volunteers, and missionaries for a long time. It ripples with stories which only someone who has talked directly to African farmers--and heads of state--could recount. Calderisi's aim is to move beyond the hand-wringing and finger-pointing which dominates most discussions of Africa. Instead, he suggests concrete steps which Africans and the world can take to liberate talent and enterprise on the continent.