Indian Cinema

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History of Indian Cinema

Author : Renu Saran
Publisher : Diamond Pocket Books Pvt Ltd
Page : 374 pages
File Size : 42,7 Mb
Release : 2014-03-04
Category : Electronic
ISBN : 9789350836514

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History of Indian Cinema by Renu Saran Pdf

Indian film industry is the largest in the world. It releases 1000 plus movies annually. Most films are made in South Indian languages (viz., Telugu, Tamil and Malayalam). Nevertheless, Hindi films take the largest box office share. India has 12,000 plus cinema halls and this industry churns out 1000 plus films a year. This book gives a brief history of the world's most exciting industrial enterprise. It gives the details, facts and vital sets of data of Indian cinema with amazing finesse. Its simple style and low cost enable all reader genres to read it. Renu Saran has penned this book for the lovers of Indian cinema. She has given many good books to our valued readers. She has worked very hard to collect data and analyze information sets. That is why this book has become one of the best in its genre.

A Companion to Indian Cinema

Author : Neepa Majumdar,Ranjani Mazumdar
Publisher : John Wiley & Sons
Page : 628 pages
File Size : 43,7 Mb
Release : 2022-08-23
Category : Performing Arts
ISBN : 9781119048190

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A Companion to Indian Cinema by Neepa Majumdar,Ranjani Mazumdar Pdf

A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a range of films and film experiences that include commercial cinema, art cinema, and non-fiction film. Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this Companion extends from cinema in early twentieth century India to a historicized engagement with new technologies and contemporary cinematic practices. There is a focus on production cultures and circulation, material cultures, media aesthetics, censorship, stardom, non-fiction practices, new technologies, and the transnational networks relevant to Indian cinema. Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.

Encyclopedia of Indian Cinema

Author : Ashish Rajadhyaksha,Paul Willemen
Publisher : Routledge
Page : 3189 pages
File Size : 46,9 Mb
Release : 2014-07-10
Category : Social Science
ISBN : 9781135943257

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Encyclopedia of Indian Cinema by Ashish Rajadhyaksha,Paul Willemen Pdf

The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.

Indian Cinema: A Very Short Introduction

Author : Ashish Rajadhyaksha
Publisher : Oxford University Press
Page : 144 pages
File Size : 45,8 Mb
Release : 2016-07-20
Category : Art
ISBN : 9780191034770

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Indian Cinema: A Very Short Introduction by Ashish Rajadhyaksha Pdf

One film out of every five made anywhere on earth comes from India. From its beginnings under colonial rule through to the heights of Bollywood , Indian Cinema has challenged social injustices such as caste, the oppression of Indian women, religious intolerance, rural poverty, and the pressures of life in the burgeoning cities. And yet, the Indian movie industry makes only about five percent of Hollywood's annual revenue. In this Very Short Introduction Ashish Rajadhyaksha delves into the political, social, and economic factors which, over time, have shaped Indian Cinema into a fascinating counterculture. Covering everything from silent cinema through to the digital era, Rajadhyaksha examines how the industry reflects the complexity and variety of Indian society through the dramatic changes of the 20th century, and into the beginnings of the 21st. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable

Class, Power & Consciousness in Indian Cinema & Television

Author : Anirudh Deshpande
Publisher : Primus Books
Page : 185 pages
File Size : 47,9 Mb
Release : 2009
Category : History
ISBN : 9788190891820

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Class, Power & Consciousness in Indian Cinema & Television by Anirudh Deshpande Pdf

This book offers a historical understanding of the Indian Audio-Visual media as well as examines and deconstructs the relationship between fact and fiction, history and imagination, nationalism and communalism, nation and gender, history and war, media and mentality and cinema and social identities particularly in Hindi cinema.

Studying Indian Cinema

Author : Omar Ahmed
Publisher : Liverpool University Press
Page : 291 pages
File Size : 46,6 Mb
Release : 2015-06-30
Category : Performing Arts
ISBN : 9781800347380

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Studying Indian Cinema by Omar Ahmed Pdf

This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).

Philosophical Issues in Indian Cinema

Author : MK Raghavendra
Publisher : Taylor & Francis
Page : 264 pages
File Size : 43,8 Mb
Release : 2020-12-13
Category : Art
ISBN : 9781000296341

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Philosophical Issues in Indian Cinema by MK Raghavendra Pdf

This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions from which it derives its influences. It re-examines terms and concepts used in film criticism and contextualizes them within the aesthetics, poetics and politics of Indian cinema. The book looks at terms and concepts borrowed from the scholarship on American and world cinema and explores their use and relevance in describing the characteristics and evolution of cinema in India. It highlights how realism, romance and melodrama in the context of India appear in a culturally singular way and how the aggregation of constituent elements – like songs, action, comedy – in Indian film can be traced to classical theatre and other diverse religious and philosophical influences. These influences have characterized popular film and drama in India which present all aspects of life for a diverse nation. The author explores concepts like ‘fantasy’, ‘family’ and ‘patriotism’ by using various examples from films in India and outside, as well as practices in the other arts. He identifies the fundamental logic behind the choices made by film-makers in India and discusses concepts which allow for a fresh theorizing on Indian cinema’s characteristics. This book will be of great interest to students and researchers of film studies, media studies, cultural studies, literature, cultural history and South Asian studies. It will also be useful for general readers who are interested in learning more about Indian cinema, its forms, origins and influences.

Nationalism in Indian Cinema

Author : Shri Krishan Rai,Anugamini Rai
Publisher : Cambridge Scholars Publishing
Page : 149 pages
File Size : 44,8 Mb
Release : 2023-06-22
Category : Performing Arts
ISBN : 9781527512504

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Nationalism in Indian Cinema by Shri Krishan Rai,Anugamini Rai Pdf

Cinema is one of the most influential instruments in opinion building, and Indian cinema is no exception to this case. Indian cinema explores the niche of nationalism at the heart of the collective consciousness of several generations of Bharat’s (India’s) people. The contribution made to nation and opinion building by the Indian cinema community is not adequately acknowledged, and so this book celebrates these unsung heroes' contributions and ponders the power of cinema in perception building. This collection of essays examines the role played by Indian cinema in narrating, inspiring, determining, and challenging our comprehension of India as a nation.

Gendered Modernity and Indian Cinema

Author : Devapriya Sanyal
Publisher : Routledge
Page : 187 pages
File Size : 46,6 Mb
Release : 2021-12-09
Category : Social Science
ISBN : 9781000509199

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Gendered Modernity and Indian Cinema by Devapriya Sanyal Pdf

This book analyses the role of women in the films of one of the leading filmmakers of the ‘Third World’ in the 1950s, Satyajit Ray, a national icon in filmmaking in India. The book explores the portrayal of women in the context of the creation of national culture after India became independent. Gender issues were very important to India under Jawaharlal Nehru in the 1950s – with the enactment of inheritance and divorce laws. Ray’s portrayal of women and his films anticipate much of the theorizing of later-day feminism. This book analyses cinematic texts with special reference to the women characters using feminist film theory and representation along with a study of the socio-political and economic conditions pertinent to the times – both relevant to the film’s making and its setting. The primary texts studied are films spanning over four decades from Pather Panchali (1955) to his last trilogy and are based on a categorization of the broad feminine ‘types’ represented in the films – based on the socio-political situations in which they are placed – and their relationships with the other characters present. Ray’s portrayal of women has an enormous bearing on our understanding of how modern India evolved in the Nehru era and after, and this book explore just that: the place of the woman as it is and should be in a young nation encumbered by patriarchy. Gendered Modernity and Indian Cinema will be of interest to academics in the field of World cinema, Indian and Bengali cinema, Film Studies as well as Gender Studies and South Asian culture and society.

Understanding Indian Movies

Author : Patrick Colm Hogan
Publisher : University of Texas Press
Page : 308 pages
File Size : 49,6 Mb
Release : 2009-06-03
Category : Performing Arts
ISBN : 9780292779556

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Understanding Indian Movies by Patrick Colm Hogan Pdf

Indian movies are among the most popular in the world. However, despite increased availability and study, these films remain misunderstood and underappreciated in much of the English-speaking world, in part for cultural reasons. In this book, Patrick Colm Hogan sets out through close analysis and explication of culturally particular information about Indian history, Hindu metaphysics, Islamic spirituality, Sanskrit aesthetics, and other Indian traditions to provide necessary cultural contexts for understanding Indian films. Hogan analyzes eleven important films, using them as the focus to explore the topics of plot, theme, emotion, sound, and visual style in Indian cinema. These films draw on a wide range of South Asian cultural traditions and are representative of the greater whole of Indian cinema. By learning to interpret these examples with the tools Hogan provides, the reader will be able to take these skills and apply them to other Indian films. But this study is not simply culturalist. Hogan also takes up key principles from cognitive neuroscience to illustrate that all cultures share perceptual, cognitive, and emotional elements that, when properly interpreted, can help to bridge gaps between seemingly disparate societies. Hogan locates the specificity of Indian culture in relation to human universals, and illustrates this cultural-cognitive synthesis through his detailed interpretations of these films. This book will help both scholars and general readers to better understand and appreciate Indian cinema.

Routledge Handbook of Indian Cinemas

Author : K. Moti Gokulsing,Wimal Dissanayake
Publisher : Routledge
Page : 473 pages
File Size : 43,7 Mb
Release : 2013-04-17
Category : Performing Arts
ISBN : 9781136772849

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Routledge Handbook of Indian Cinemas by K. Moti Gokulsing,Wimal Dissanayake Pdf

India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.

100 Essential Indian Films

Author : Rohit K. Dasgupta,Sangeeta Datta
Publisher : Rowman & Littlefield
Page : 288 pages
File Size : 51,6 Mb
Release : 2018-12-15
Category : Performing Arts
ISBN : 9781442277991

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100 Essential Indian Films by Rohit K. Dasgupta,Sangeeta Datta Pdf

This book offers a comprehensive view of the 100 most significant films ever produced in Bollywood. Each entry includes cast and crew information, language, date of release, a short description of the film’s plot, and most significantly, the importance of the film in the Indian canon.

Filming the Gods

Author : Rachel Dwyer
Publisher : Routledge
Page : 347 pages
File Size : 53,8 Mb
Release : 2006-09-27
Category : Religion
ISBN : 9781134380695

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Filming the Gods by Rachel Dwyer Pdf

Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.

Tamil Cinema

Author : Selvaraj Velayutham
Publisher : Routledge
Page : 412 pages
File Size : 53,5 Mb
Release : 2008-04-03
Category : Language Arts & Disciplines
ISBN : 9781134154456

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Tamil Cinema by Selvaraj Velayutham Pdf

Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema.

Directory of World Cinema: India

Author : Adam Bingham
Publisher : Intellect Books
Page : 192 pages
File Size : 52,6 Mb
Release : 2015-02-20
Category : Performing Arts
ISBN : 9781783205097

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Directory of World Cinema: India by Adam Bingham Pdf

Indian cinema teems with a multitude of different voices. The Directory of World Cinema: India provides a broad overview of this rich variety, highlighting distinctions among India’s major cinematic genres and movements while illuminating the field as a whole. This volume’s contributors – many of them leading experts in the fields – approach film in India from a variety of angles, furnishing in-depth essays on significant directors and major regions; detailed historical accounts; considerations of the many faces of India represented in Indian cinema; and explorations of films made in and about India by European directors including Jean Renoir, Peter Brook, and Powell and Pressburger. Taken together, these multifaceted contributions show how India’s varied local film industries throw into question the very concept of a national cinema. The resulting volume will provide a comprehensive introduction for newcomers to Indian cinema while offering a fresh perspective sure to interest seasonal students and scholars.