Studying Indian Cinema

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Studying Indian Cinema

Omar Ahmed
Studying Indian Cinema Book PDF

Author : Omar Ahmed
Publisher : Liverpool University Press
Page : 370 pages
File Size : 52,5 Mb
Release : 2015-06-30
Category : Performing Arts
ISBN : 9780993238499

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Studying Indian Cinema by Omar Ahmed Pdf

This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).

Handbook of Research on Social and Cultural Dynamics in Indian Cinema

Biswal, Santosh Kumar,Kusuma, Krishna Sankar,Mohanty, Sulagna
Handbook of Research on Social and Cultural Dynamics in Indian Cinema Book PDF

Author : Biswal, Santosh Kumar,Kusuma, Krishna Sankar,Mohanty, Sulagna
Publisher : IGI Global
Page : 401 pages
File Size : 54,9 Mb
Release : 2020-06-26
Category : Social Science
ISBN : 9781799835134

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Handbook of Research on Social and Cultural Dynamics in Indian Cinema by Biswal, Santosh Kumar,Kusuma, Krishna Sankar,Mohanty, Sulagna Pdf

Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.

From Aan to Lagaan and Beyond

K. Moti Gokulsing,Adjunct Fellow East-West Center Hawaii Scholar in Residence Wimal Dissanayake
From Aan to Lagaan and Beyond Book PDF

Author : K. Moti Gokulsing,Adjunct Fellow East-West Center Hawaii Scholar in Residence Wimal Dissanayake
Publisher : Unknown
Page : 209 pages
File Size : 52,5 Mb
Release : 2014-05-14
Category : PERFORMING ARTS
ISBN : 1858565693

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From Aan to Lagaan and Beyond by K. Moti Gokulsing,Adjunct Fellow East-West Center Hawaii Scholar in Residence Wimal Dissanayake Pdf

This guide to studying Indian film covers the vast range of cinemas of India, including the rise of Bollywood, and presents key theoretical approaches. It examines the filmmaking process, showing how an Indian movie is made, explaining the technology entailed, and discussing all major issues.

Gendered Modernity and Indian Cinema

Devapriya Sanyal
Gendered Modernity and Indian Cinema Book PDF

Author : Devapriya Sanyal
Publisher : Routledge
Page : 187 pages
File Size : 43,9 Mb
Release : 2021-12-09
Category : Social Science
ISBN : 9781000509199

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Gendered Modernity and Indian Cinema by Devapriya Sanyal Pdf

This book analyses the role of women in the films of one of the leading filmmakers of the ‘Third World’ in the 1950s, Satyajit Ray, a national icon in filmmaking in India. The book explores the portrayal of women in the context of the creation of national culture after India became independent. Gender issues were very important to India under Jawaharlal Nehru in the 1950s – with the enactment of inheritance and divorce laws. Ray’s portrayal of women and his films anticipate much of the theorizing of later-day feminism. This book analyses cinematic texts with special reference to the women characters using feminist film theory and representation along with a study of the socio-political and economic conditions pertinent to the times – both relevant to the film’s making and its setting. The primary texts studied are films spanning over four decades from Pather Panchali (1955) to his last trilogy and are based on a categorization of the broad feminine ‘types’ represented in the films – based on the socio-political situations in which they are placed – and their relationships with the other characters present. Ray’s portrayal of women has an enormous bearing on our understanding of how modern India evolved in the Nehru era and after, and this book explore just that: the place of the woman as it is and should be in a young nation encumbered by patriarchy. Gendered Modernity and Indian Cinema will be of interest to academics in the field of World cinema, Indian and Bengali cinema, Film Studies as well as Gender Studies and South Asian culture and society.

Studying Bollywood

Garret Fay
Studying Bollywood Book PDF

Author : Garret Fay
Publisher : Studying Films
Page : 0 pages
File Size : 40,5 Mb
Release : 2011
Category : Literary Criticism
ISBN : 1906733074

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Studying Bollywood by Garret Fay Pdf

Studying Bollywood introduces the stars, directors, and trends of India's national cinema. Popular Hindi film has been largely overlooked in the West, since its construction and traditions are so unfamiliar. Our film consumption is influenced by Hollywood styles and the methods of European and far eastern cinema, making Bollywood seem over the top. Including such theorists as James Monaco, Studying Bollywood plumbs the richness and underlying quality of this genre. Follows a choronological course, the book initially explores the story of modern India, which is intimately connected to the import of Bollywood texts. Many of directors lean on this history to propel their narratives. The long colonial influence of Great Britain has also contributed greatly to the postcolonial and post-Partition views of Bollywood filmmakers. The volume then covers the early years of Bollywood and the aspirational development of Tollywood, an attempt at an Indian Hollywood in Calcutta, and the development of sound, the masala mix that became Bollywood, and Mehboob Kahn's Oscar nominated Mother India. The book next describes the next wave of stars and heroes: the selfmade Raj Kapoor, Amitabh Bachchan, Shah Rukh Khan, Amir Khan, and Mani Ratnam, and studies a range of key Bollywood films, including Sholay, Bombay, and the Oscar nominated Lagaan. The book conlcudes with a look at India's parallel cinema, made famous by the visionary and technically brilliant work of the Bengali writer-director, Sanjit Ray. The text reads Ray's important films, Bandit Queen, Monsoon Wedding, and Black.

The Moving Image

Kishore Valicha
The Moving Image Book PDF

Author : Kishore Valicha
Publisher : Orient Blackswan
Page : 164 pages
File Size : 51,8 Mb
Release : 1999
Category : Motion pictures
ISBN : 8125016082

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The Moving Image by Kishore Valicha Pdf

One of the first serious film studies in India. A contemporary analysis of the central issues contained in Indian films issues which distinguish this cinema from films of other countries. The book argues that film in India is a genuine cultural expression carrying meaning. The special and valuable insights on Indian cinema that this book offers are enhanced by Dr Valicha s own fascination with films.

Indian Indies

Ashvin Immanuel Devasundaram
Indian Indies Book PDF

Author : Ashvin Immanuel Devasundaram
Publisher : Routledge
Page : 125 pages
File Size : 47,6 Mb
Release : 2022-02-10
Category : Performing Arts
ISBN : 9781000577174

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Indian Indies by Ashvin Immanuel Devasundaram Pdf

This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere. Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence. A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.

Mourning the Nation

Bhaskar Sarkar
Mourning the Nation Book PDF

Author : Bhaskar Sarkar
Publisher : Duke University Press
Page : 385 pages
File Size : 43,9 Mb
Release : 2009-05-20
Category : Performing Arts
ISBN : 9780822392217

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Mourning the Nation by Bhaskar Sarkar Pdf

What remains of the “national” when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died and ten to twelve million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.

National Identity in Indian Popular Cinema, 1947-1987

Sumita S. Chakravarty
National Identity in Indian Popular Cinema 1947 1987 Book PDF

Author : Sumita S. Chakravarty
Publisher : University of Texas Press
Page : 347 pages
File Size : 52,8 Mb
Release : 2011-05-18
Category : Performing Arts
ISBN : 9780292789852

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National Identity in Indian Popular Cinema, 1947-1987 by Sumita S. Chakravarty Pdf

Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.

Bollywood

Tejaswini Ganti
Bollywood Book PDF

Author : Tejaswini Ganti
Publisher : Routledge
Page : 290 pages
File Size : 53,8 Mb
Release : 2013
Category : Performing Arts
ISBN : 9780415583848

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Bollywood by Tejaswini Ganti Pdf

'Bollywood' is the dominant global term to refer to the prolific Hindi language film industry in Bombay (renamed Mumbai in 1995). Characterised by music, dance routines, melodrama, lavish production values and an emphasis on stars and spectacle, Bollywood films have met with box-office success and enthusiastic audiences from India to West Africa to Russia, and throughout the English-speaking world. In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Bollywood, including directors and stars, as well as material from current filmmakers themselves, the areas covered in Bollywood include: history of Indian cinema narrative style, main themes, and key genres of Hindi cinema significant films, directors and stars production and distribution of Bollywood films interviews with actors, directors and screenwriters.

Indian Literature and Popular Cinema

Heidi R.M. Pauwels
Indian Literature and Popular Cinema Book PDF

Author : Heidi R.M. Pauwels
Publisher : Routledge
Page : 276 pages
File Size : 50,5 Mb
Release : 2007-12-17
Category : History
ISBN : 9781134062553

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Indian Literature and Popular Cinema by Heidi R.M. Pauwels Pdf

This book considers the popular cinema of North India (Bollywood) and how it recasts literary classics. It addresses the socio-political implications of popular reinterpretations of elite culture, exploring gender issues and the perceived sexism of popular films and how that plays out when literature is reworked into film.

Indian Cinema Beyond Bollywood

Ashvin Immanuel Devasundaram
Indian Cinema Beyond Bollywood Book PDF

Author : Ashvin Immanuel Devasundaram
Publisher : Routledge
Page : 290 pages
File Size : 54,8 Mb
Release : 2018-10-25
Category : Performing Arts
ISBN : 9781351254243

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Indian Cinema Beyond Bollywood by Ashvin Immanuel Devasundaram Pdf

This is the first edited volume on new independent Indian cinema. It aims to be a comprehensive compendium of diverse theoretical, philosophical, epistemological and practice-based perspectives, featuring contributions from multidisciplinary scholars and practitioners across the world. This edited collection features analyses of cutting-edge new independent films and is conceived to serve as a beacon to guide future explorations into the burgeoning field of new Indian Cinema studies.

Bollywood and Globalization

David J. Schaefer,Kavita Karan
Bollywood and Globalization Book PDF

Author : David J. Schaefer,Kavita Karan
Publisher : Routledge
Page : 208 pages
File Size : 46,8 Mb
Release : 2013
Category : Business & Economics
ISBN : 9780415625234

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Bollywood and Globalization by David J. Schaefer,Kavita Karan Pdf

The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences. Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India’s growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood’s increasing integration into and subsumption by globalized practices that are fundamentally altering India’s cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations.

A Companion to Indian Cinema

Neepa Majumdar,Ranjani Mazumdar
A Companion to Indian Cinema Book PDF

Author : Neepa Majumdar,Ranjani Mazumdar
Publisher : John Wiley & Sons
Page : 628 pages
File Size : 41,5 Mb
Release : 2022-08-23
Category : Performing Arts
ISBN : 9781119048190

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A Companion to Indian Cinema by Neepa Majumdar,Ranjani Mazumdar Pdf

A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a range of films and film experiences that include commercial cinema, art cinema, and non-fiction film. Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this Companion extends from cinema in early twentieth century India to a historicized engagement with new technologies and contemporary cinematic practices. There is a focus on production cultures and circulation, material cultures, media aesthetics, censorship, stardom, non-fiction practices, new technologies, and the transnational networks relevant to Indian cinema. Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.

Subject Cinema, Object Women

Shoma A. Chatterji
Subject Cinema Object Women Book PDF

Author : Shoma A. Chatterji
Publisher : Unknown
Page : 330 pages
File Size : 48,7 Mb
Release : 1998
Category : Women in motion picture i ndustry
ISBN : UOM:39015046400407

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Subject Cinema, Object Women by Shoma A. Chatterji Pdf

This Book Is Perhaphs, The First Modest Attempt By An Indian Film Critic Delve Into The Rather Delicate Subject Of Feminist Film Criticism Within The Framework Of Indian Popular Cinema. The Idea Was Rooted In A Consistent Thrashing Of Ideas And Concepts Attacking The Patriarchal Dominance In Hindi Popular Cinema Through Articles Written In Indian Publications And Papers Presented At Seminars On Cinema Over The Past Two Decades. It Is More Of An Emotional Response To The Portrayal Of Women In Indian Cinema Than A Cerebral And Clinical Analysis Conducted Along The British Schools Of Feminist Film Criticism Based On Psycho-Analysis, Semiology And Structuralism. This Is The Result Of Three Years Of Intensive Research, Through Films, Books And Documentation Consisting Of Archival Material On Indian Cinema.